Academic literature on the topic 'Postmodern view of history'

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Journal articles on the topic "Postmodern view of history"

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Heine, Steven. "History, Transhistory, and Narrative History: A Postmodern View of Nishitani's Philosophy of Zen." Philosophy East and West 44, no. 2 (April 1994): 251. http://dx.doi.org/10.2307/1399594.

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Chin-Yee, Benjamin, Pablo Diaz, Pier Bryden, Sophie Soklaridis, and Ayelet Kuper. "From hermeneutics to heteroglossia: ‘The Patient’s View’ revisited." Medical Humanities 46, no. 4 (December 12, 2019): 464–73. http://dx.doi.org/10.1136/medhum-2019-011724.

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This article explores conceptual and methodological challenges surrounding the recovery of patients’ voices in the history of medicine. We examine the debate that followed Roy Porter’s seminal article, ‘The Patient’s View: Doing Medical History from Below’ (1985). Porter argued that patients should be given a central role in medical history, aiming to restore to patients a voice and agency that is often lost in ‘physician-centered’ historical narratives. His work carried significant influence but also sparked an ongoing debate about the possibility of conducting ‘patient-centered’ history of medicine. The growth of the medical humanities has afforded renewed attention to patient narratives, supporting the need to recognise patients’ voices in contemporary healthcare and medical education. However, several barriers complicate and problematise the expansion of a patient-centred epistemology across historical periods. Postmodern critics have expressed scepticism that ‘the patient’s view’ can be recovered from history, with some claiming that ‘the patient’ is a construct of the ‘medical gaze’ whose subjectivity cannot be reconstituted outside of sociohistorical discourses of knowledge and power. Psychiatry in the mid-20th century presents a particular challenge for patient-centred history. We discuss the influence of postmodern theorists, especially Michel Foucault, whose work is seen as undermining the possibility of a patient-centred epistemology. We argue against Foucault’s erasure of the patient, and instead explore alternate constructivist epistemologies, focusing on the hermeneutics of Hans-Georg Gadamer and dialogism of Mikhail Bakhtin, to help address historiographical challenges in recovering ‘the patient’s view’. To illustrate the value of Gadamerian and Bakhtinian approaches, we apply them to a case study from the Verdun Protestant Hospital (Québec, Canada) from 1941 to 1956, which sheds light on the introduction of the first antipsychotic, chlorpromazine, into clinical practice. We highlight how Gadamer’s hermeneutics and Bakhtin’s dialogism together offer insights into patient perspectives during this liminal period in the history of psychiatry.
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Stojanovic, Aleksandra. "MAPPING THE METAFICTIONAL / MAPIRANJE METAFIKCIJE." Journal of the Faculty of Philosophy in Sarajevo / Radovi Filozofskog fakulteta u Sarajevu, ISSN 2303-6990 on-line, no. 23 (November 10, 2020): 318–40. http://dx.doi.org/10.46352/23036990.2020.318.

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The aim of the paper is to present Aleksandar Hemon’s The Lazarus Project as a postmodern narrative which employs various strategies such as an altered view of history, namely history serving purely as material to construct a new narrative, a growing emphasis on the manner in which space affects one’s identity and overall hybridity in both the narrative structure and the characters themselves. We shall discuss Linda Hutcheon’s notion of historiographic metafiction as the key concept around which the narrative is formed, followed by a view of the characters’ search for identity in the metafictional labyrinth through Fredric Jameson’s concept of cognitive mapping. These two theories combined give us a more detailed look into the narrative structure of the novel and provide evidence of its postmodernity. The aforementioned hybridity will be presented in the context of the narrative structure resembling a loop due to its metafictional nature and through the amalgam of various nationalities in each character. The paper ultimately strives to express the postmodern characteristics of the narrative and draw attention to the way the themes of the literary work are emphasized by such a structure, more so than if any other narrative structure had been used.
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Brignoli, Francesco Rizzi. "The back and forth between Habermas and postmodernism." Perspectives 8, no. 1 (January 1, 2018): 23–30. http://dx.doi.org/10.2478/pipjp-2018-0003.

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AbstractThis paper aims to investigate the dialogue between some postmodern thinkers (mostly Lyotard, Rorty and Vattimo) and Habermas’ criticism in light of a different conception of dialogue itself. Therefore, we shall first give an account of how Habermas establishes his neomodern discourse (1985) in a very close dialogue with the key concepts of postmodernism: the subject and its social role, language and the concept of philosophical truth and the postmodernist view of history (Lyotard, 1979, Vattimo, 1974, 1985, 2009; Rorty, 1989; Bauman, 1993). Secondly, dialogue will be addressed as a structural difference between Habermas’ universal normative ethic of discourse (together with Karl-Otto Apel, 1983) and the postmodern local and linguistic pluralism, emancipated from any metaphysical ratio. In the end, it will be argued that philosophy ought to be dialogical in line with Habermas’ view, within the foundation and normativity of dialogue. Postmodernist dialogue in philosophy and in society displays instead many shortcomings if understood as a pluralist linguistic game of interpretation.
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Ashraf, Ayesha, and Munawar Iqbal Ahmed. "TRANSFORMATION OF HISTORY IN THE GLASS PALACE AND BURNT SHADOWS: A POSTMODERNIST ANALYSIS." Journal of Social Sciences and Humanities 58, no. 2 (December 31, 2019): 33–47. http://dx.doi.org/10.46568/jssh.v58i2.6.

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South Asian English fiction, in recent decades, has significantly manifested its deepest concern for history and its relevance in the contemporary global scenario. The last couple of years have noticed the publication of many English novels by Indian and Pakistani authors that in fact belong to the very genre of postmodern historiographic metafiction. In fact, postmodern fiction writers usually deviate from the traditional representation of past events. The current study examines the way history writing is reconfigured in the selected postmodern novel. In these novels, the writers retell the traditional history through innovative narrative techniques and multiplicity of the views that de-centralize the conventional history. The present research attempts to explore Amitav Gosh’s The Glass Palace and Kamila Shamsie’s Burnt Shadows as historiographic metafiction, that is a sub-genre of postmodern fiction. The study focuses on the selected texts to explore how these novels transform the traditional history through the incorporation of magic realism, intertextuality and self-reflexivity. This research is qualitative and descriptive, while the textual analysis has been used as a research method. The theoretical concept of Linda Hutcheon is incorporated in this current study that ends with findings and recommendations for future research.
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Maslan, Mark. "Telling to Live the Tale: Ronald Reagan, Edmund Morris, and Postmodern Nationalism." Representations 98, no. 1 (2007): 62–76. http://dx.doi.org/10.1525/rep.2007.98.1.62.

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This essay treats the misrepresentation of personal history, by both author and subject, in Edmund Morris's controversial biography, Dutch: A Memoir of Ronald Reagan (1999) as the expression of a distinctly postmodern form of nationalism. In this version, which also informs current scholarship on the subject, historical deracination serves not simply as an obstacle to national connection but also as a basis for it. The essay closes with a critique of this paradoxical view.
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Bryant-Bertail, Sarah. "The Trojan Women a Love Story: A Postmodern Semiotics of the Tragic." Theatre Research International 25, no. 1 (2000): 40–52. http://dx.doi.org/10.1017/s0307883300013948.

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Charles Mee, before turning to playwriting, authored several well-known political histories. To the last of these, from 1993, he gave the ironically portentous title of Playing God: Seven Fateful Moments When Great Men Met to Change the World. With this deconstructive final word after two decades as a historian, he did not in fact abandon history, but began to write it in the medium of theatre. In doing so Mee has come to share a view articulated by Roland Barthes, who was once a university student of theatre and actor in Greek tragedies: the view that theatre, and Greek tragedy in particular, can illuminate our history as a story unfolding before us, allowing us to connect critically past with present as our best hope for the future. The American director Tina Landau, a frequent collaborator with Charles Mee, likewise believes that the ancient Greek tragedies helped constitute, articulate, and today still codify the structural base in myth and history of Western civilization. Accordingly, Mee and Landau have created a number of what they call ‘site-specific pieces’ adapted from Greek drama, site-specific in that they are created out of the specific material space and time at hand. One of these is The Trojan Women a Love Story which was developed and premiered at the University of Washington in Seattle in the spring of 1996. The production was based on Euripides' play The Trojan Women and Hector Berlioz's 1859 opera Les Troyens, which in turn retells the story of Aeneas and Queen Dido of Carthage from Virgil's epic, The Aeneid.
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Hečlo, Hugh. "The Sixties' False Dawn: Awakenings, Movements, and Postmodern Policy-making." Journal of Policy History 8, no. 1 (January 1996): 34–63. http://dx.doi.org/10.1017/s0898030600005029.

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Writing in 1978 about the 1960s, William McLoughlin saw America in the midst of the fourth Great Awakening in our history. Awakenings are “periods of cultural revitalization that begin in a general crisis of beliefs and values and extend over a generation or so, during which time a profound reorientation in beliefs and values takes place. Revivals alter the lives of individuals; awakenings alter the world view of a whole people or culture.” To put it another way, awakenings are revelatory times when large numbers of people anguish over and eventually search out new self-understandings as individuals and as a society. They are like a convulsive quickening in the cultural womb.
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Soukup, Charles. "Pokémon Go as a cognitive map: Simplifying and focusing movement in postmodern urban spaces." Explorations in Media Ecology 19, no. 2 (June 1, 2020): 179–94. http://dx.doi.org/10.1386/eme_00034_1.

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The location-based, augmented reality video game Pokémon Go has been an unprecedented phenomenon in the short history of mobile smartphone applications. In this article, I argue that the remarkable success of Pokémon Go derives from its cognitive mapping qualities within postmodern, hyper-mediated environments. By focusing and filtering the vast information associated with navigating postmodern spaces, Pokémon Go provides individuals with greater clarity by defining the subject’s social identity in relationship to the physical environment. In particular, the game recentres the fragmented subject’s disorienting experiences associated with postmodern cultures immersed in digital information. Via its integration of location-based gaming, rudimentary augmented reality, simple mobile game design and collaborative local community-based game-play, Pokémon Go allows the individual to move about the complex urban environment with great confidence, purpose and clarity ‐ the search for Pokémon frames the player’s objectives and attention (literally via the smartphone screen). Drawing upon the media ecology tradition, the contemporary world-view or media logic of ubiquitous digital media is dominated by quantification, clear game-like rules, and the ‘productive’ collection and management of information.
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Kondali, Ksenija. "Deconstructing the Text and (Re)Constructing the Past: History and Identity in Geraldine Brooks’ People of the Book." ELOPE: English Language Overseas Perspectives and Enquiries 5, no. 1-2 (June 16, 2008): 125–38. http://dx.doi.org/10.4312/elope.5.1-2.125-138.

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This paper examines Geraldine Brooks’ latest novel People of the Book (2008) in light of postmodern critiques of history and the desire to explore and signify the past through processes of deconstructing male-centered dominance and (re)constructing histories. The paper highlights ethno-spatial representation that involves intercultural dynamics behind the fate and importance of the manuscript. Drawing on discussions of postmodern views of history and identity construction, I engage the novel against the background of these and other postmodern and postcolonial concerns, also considering intertextual effects stemming from the mixing of genres and sub-genres. Lastly, I offer a reflection about the potential of this fictional account, based on the real-life fate of a prayer book that has testified to the spirit of interfaith tolerance and mutual enrichment of diverse cultures, to provide a context for understanding contemporary preoccupations with heritage, history, memory and identity in Bosnia and Herzegovina.
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Dissertations / Theses on the topic "Postmodern view of history"

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Lopez, Delano J. Lopez. "How We Became Postmodern." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu153450213719398.

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Franco, Marie. "SM in Postmodern America." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1532004486477585.

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Litzler, Stacey A. "Interpretations of Fear and Anxiety in Gothic-Postmodern Fiction: An Analysis of The Secret History by Donna Tartt." Cleveland State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=csu1384438957.

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Hughes, Camryn E. "Postmodern Blackness: Writing Melanin Against a White Backdrop." Ohio University Honors Tutorial College / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1619188755992646.

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Wojton, Margaret Anne. "LOVE AND LOSS: THE WORKS OF FELIX GONZALEZ-TORRES, THE AIDS EPIDEMIC AND POSTMODERN ART." Kent State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=kent1277860830.

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Pratt, David Camak. ""Too many olives in my martini" W.C. Fields and Charles Bukowski as postmodern carnival kings /." Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1212601300.

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Taylor, Anthony Gordon. "John Adams’s Gnarly Buttons: Issues of History, Performance and Style." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185548983.

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Bly, Elizabeth Ann. "Generation X and the Invention of a Third Feminist Wave." Cleveland, Ohio : Case Western Reserve University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=case1259803398.

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Thesis (Ph. D.)--Case Western Reserve University, 2010.
Title from PDF (viewed 2009-12-30). Department of History. Includes abstract. Includes bibliographical references and appendices. Available online via the OhioLINK ETD Center.
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Ford, Ivey C. "Mythologies: Sarah Charlesworth’s Photography, 1977-1988." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242859054.

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Pillainayagam, Priyanthan A. "The After Effects of Colonialism in the Postmodern Era: Competing Narratives and Celebrating the Local in Michael Ondaatje’s Anil’s Ghost." Cleveland State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=csu1337874544.

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Books on the topic "Postmodern view of history"

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Postmodern cowboy: C. Wright Mills and a new 21st century sociology. Boulder, CO: Paradigm Publishers, 2008.

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Politics and form in postmodern poetry: O'Hara, Bishop, Ashbery, and Merrill. Cambridge [England]: Cambridge University Press, 1995.

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Flieger, Jerry Aline. The purloined punch line: Freud's comic theory and the postmodern text. Baltimore: Johns Hopkins University Press, 1991.

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Abbott, Steve. View askew: Postmodern investigations. San Francisco: Androgyne Books, 1989.

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Driskell, David C. African American visual aesthetics: A postmodernist view. Washington: Smithsonian Institution Press, 1995.

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Hoeber, Rudolph Susanne, ed. Postmodern Gandhi and other essays: Gandhi in the world and at home. Chicago: University of Chicago Press, 2006.

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Irimia, Mihaela Anghelescu. Postmodern evaluations. București: Editura Universității din București, 1999.

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Postmodern literature. London: Arnold, 2004.

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Mari, Giovanni. The postmodern, democracy, history. Aurora, CO: Davies Group, 2006.

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Mari, Giovanni. The postmodern, democracy, history. Aurora, Colo: Davies Group, Pub., 2006.

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Book chapters on the topic "Postmodern view of history"

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Ní Fhlainn, Sorcha. "Introduction: ‘Something from the Vampire’s Point of View’." In Postmodern Vampires, 1–15. London: Palgrave Macmillan UK, 2019. http://dx.doi.org/10.1057/978-1-137-58377-2_1.

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Olson, Carl. "Postmodern approaches." In History of Indian Philosophy, 561–68. 1 [edition]. | New York : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315666792-57.

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Currie, Mark. "Narrative, Politics and History." In Postmodern Narrative Theory, 73–95. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26620-3_5.

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Currie, Mark. "Narrative, Politics and History." In Postmodern Narrative Theory, 79–99. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-1-137-26812-9_5.

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Garrett, Roberta. "Costume Drama, Historiography and Women’s History." In Postmodern Chick Flicks, 126–54. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230801523_5.

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Banes, Sally. "2.4 Postmodern Dance." In Comparative History of Literatures in European Languages, 151. Amsterdam: John Benjamins Publishing Company, 1997. http://dx.doi.org/10.1075/chlel.xi.15ban.

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Dietrich, Wolfgang. "Postmodern Interpretations of Peace." In Interpretations of Peace in History and Culture, 161–209. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230367715_5.

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Callender, Jassen. "A Postmodern Profession, Circa 1991." In Architecture History and Theory in Reverse, 31–38. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315661315-6.

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Karlholm, Dan. "Surveying Contemporary Art: Post-War, Postmodern, and then What?" In Art History, 56–77. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444324716.ch4.

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Szegedy-Maszák, Mihály. "4.4.4. Postmodern Literature in Hungary." In Comparative History of Literatures in European Languages, 429. Amsterdam: John Benjamins Publishing Company, 1997. http://dx.doi.org/10.1075/chlel.xi.53sze.

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Conference papers on the topic "Postmodern view of history"

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Almaev, R. Z. "History School Textbooks Evolution In Russia." In Humanistic Practice in Education in a Postmodern Age. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.11.4.

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Zhang, Qingyu. "Postmodern View of Knowledge and Reorientation of Teachers’ Role." In Proceedings of the 2019 International Conference on Advanced Education Research and Modern Teaching (AERMT 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/aermt-19.2019.47.

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Leonova, T. A. "Russian Documentary Global History With The Use Of Regional Archives." In Humanistic Practice in Education in a Postmodern Age. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.11.68.

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Zamaletdinov, R. R. "Representation Of Proverbs With Zoonyms In Tatar Linguistic View Of The World." In Humanistic Practice in Education in a Postmodern Age. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.11.48.

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"Reconstruction of Postgraduate Education Teacher-Student Relationship from the View of Postmodern." In 2018 2nd International Conference on Social Sciences, Arts and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ssah.2018.226.

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Jakubovska, Viera. "POSTMODERN MODIFICATIONS OF THE HUMAN BODY�S IMAGING IN THE SLOVAK CULTURAL TRADITION." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s11.106.

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Viegas, Patrícia. "Kapa magazine, 1990 – 1993: A survey on postmodern graphic design and appropriation." In 9th Conference of the International Committee for Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0034.

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North, Kevin J., Anita Sarma, and Myra B. Cohen. "Understanding Git history: a multi-sense view." In FSE'16: 24nd ACM SIGSOFT International Symposium on the Foundations of Software Engineering. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2993283.2993285.

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Chen, Hsiang-Ting, Tovi Grossman, Li-Yi Wei, Ryan M. Schmidt, Björn Hartmann, George Fitzmaurice, and Maneesh Agrawala. "History assisted view authoring for 3D models." In CHI '14: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2556288.2557009.

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Yu, Xianrong. "Practice and Exploration of Global View of History in College History Teaching." In 2018 International Conference on Sports, Arts, Education and Management Engineering (SAEME 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/saeme-18.2018.65.

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Reports on the topic "Postmodern view of history"

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Lylo, Taras. THE IDEOLOGEME «DICTATORSHIP OF RELATIVISM» IN THE ROBERTO DE MATTEI’S ESSAYS: POSTMODERN AND POST-COMMUNIST CONTEXTS. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11100.

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The article considers relativism as a philosophical principle and the moral standpoint of a journalist. In particular, the main argumentation of Roberto de Mattei’s work «Dictatorship of Relativism» is analyzed. Like Ratzinger, the Italian publicist describes modern life as ruled by a dictatorship of relativism which does not recognize anything as definitive and whose ultimate goal consists solely of satisfying «the desires of one’s own ego». In his view, the boundaries of the main conflict of modernity lie between two visions of the world: one that believes in the existence of immutable, absolute values, and one that argues that there is nothing stable, that everything is conditional, time-dependent and can be discussed in the media. The markers of this conflict are our attitude to the famous statement of Protagoras about «man as a measure of all things: of the things that are, that they are, of the things that are not, that they are not», as well as to the non-debatable values, the status of natural and positive law, the worldview neutrality, the dehierarchization and multiplicity of truths, the equalization of all worldviews and axiological standpoint in foreign and Ukrainian media. A special attention in the article is paid to the ideological program of media-relativism, as well as to the postmodern and post-communist contexts of the issue of the penetration of relativism into the journalistic values.
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Lamoreaux, Naomi, and Jean-Laurent Rosenthal. Contractual Tradeoffs and SMEs Choice of Organizational Form, A View from U.S. and French History, 1830-2000. Cambridge, MA: National Bureau of Economic Research, August 2006. http://dx.doi.org/10.3386/w12455.

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Español, Darío. New perspectives for the Dissemination of medieval History: Re-enactment in southern Europe, a view from the perspective of Didactics. Edicions de la Universitat de Lleida, 2019. http://dx.doi.org/10.21001/itma.2019.13.15.

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Herbst, Chet. A Brief History of (Central European) Time. A Cosmic" View of the Emerging Atlantic Security Environment and a Proposed "Face Lift" for US/NATO Flexible Response Strategy". Fort Belvoir, VA: Defense Technical Information Center, April 1990. http://dx.doi.org/10.21236/ada437206.

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Coli, Pedro, Caroline Pflueger, Tyler Campbell, and L. Javier Garcia. Blockchain Uses for Microfinance Institutions in the Water and Sanitation Sector: Pilot Study. Edited by Mauro Nalesso and Keisuke Sasaki. Inter-American Development Bank, May 2021. http://dx.doi.org/10.18235/0003273.

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Microfinance Institutions (MFIs) are organizations that provide small loans to borrowers who typically lack collateral, steady employment, or a verifiable credit history and therefore do not have access to traditional commercial banking. Blockchain technology could be used to create a more holistic view of the financial position of a potential borrower, which could result in better lending decisions. This study explores how blockchain technology has the potential to assist Microfinance Institutions in the water and sanitation sector through a pilot project developed in Peru. The improvements seen in the existing microfinance ecosystem during the implementation of the blockchain platform can be sorted into two main groups: improved institutional performance, and data ownership for the individuals.
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Gundacker, Roman. The Descent of Kawab and Hetepheres II. Verlag der Österreichischen Akademie der Wissenschaften, December 2018. http://dx.doi.org/10.1553/erc_stg_757951_r._gundacker_the_descent_of_kawab_and_hetepheres_ii.

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According to the communis opinio, prince Kawab is a son of Cheops. This assumption is primarily based on G. A. Reisner’s conclusions about the location of mastabahs and queen’s pyramids in the East Field and on three relief fragments from mastabah G 7110/20, which W. S. Smith ingeniously assigned to a scene naming Kawab and his mother Meretites. Early after G. A. Reisner had published the first part of his view on the history of the royal family of the Fourth Dynasty, substantial critique was brought forward by W. Federn. Following the latter, Kawab should be considered a grandson of Sneferu because, apart from mastabah G 7110/20 in Gizah, another mastabah at Dahshur bears witness of him. Even though it is now safely determined that the two are neither one and the same person nor contemporaries, W. Federn’s review has been taken as a starting point for further critical investigation by some scholars who came to the conclusion that Kawab was rather a son of Sneferu.
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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made without the restrictions of geographical or political boundaries. Research strategies, programmes From Source to Sea: ScARF Marine and Maritime Panel Report iii and projects can adopt this approach at multiple levels; from national to site-specific, with the aim of remaining holistic and cross-cutting. 2. Submerged Landscapes: The rising research profile of submerged landscapes has recently been embodied into a European Cooperation in Science and Technology (COST) Action; Submerged Prehistoric Archaeology and Landscapes of the Continental Shelf (SPLASHCOS), with exciting proposals for future research. Future work needs to be integrated with wider initiatives such as this on an international scale. Recent projects have begun to demonstrate the research potential for submerged landscapes in and beyond Scotland, as well as the need to collaborate with industrial partners, in order that commercially-created datasets can be accessed and used. More data is required in order to fully model the changing coastline around Scotland and develop predictive models of site survival. Such work is crucial to understanding life in early prehistoric Scotland, and how the earliest communities responded to a changing environment. 3. Marine & Maritime Historic Landscapes: Scotland’s coastal and intertidal zones and maritime hinterland encompass in-shore islands, trans-continental shipping lanes, ports and harbours, and transport infrastructure to intertidal fish-traps, and define understanding and conceptualisation of the liminal zone between the land and the sea. Due to the pervasive nature of the Marine and Maritime historic landscape, a holistic approach should be taken that incorporates evidence from a variety of sources including commercial and research archaeology, local and national societies, off-shore and onshore commercial development; and including studies derived from, but not limited to history, ethnology, cultural studies, folklore and architecture and involving a wide range of recording techniques ranging from photography, laser imaging, and sonar survey through to more orthodox drawn survey and excavation. 4. Collaboration: As is implicit in all the above, multi-disciplinary, collaborative, and cross-sector approaches are essential in order to ensure the capacity to meet the research challenges of the marine and maritime historic environment. There is a need for collaboration across the heritage sector and beyond, into specific areas of industry, science and the arts. Methods of communication amongst the constituent research individuals, institutions and networks should be developed, and dissemination of research results promoted. The formation of research communities, especially virtual centres of excellence, should be encouraged in order to build capacity.
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8

Crispin, Darla. Artistic Research as a Process of Unfolding. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.503395.

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As artistic research work in various disciplines and national contexts continues to develop, the diversity of approaches to the field becomes ever more apparent. This is to be welcomed, because it keeps alive ideas of plurality and complexity at a particular time in history when the gross oversimplifications and obfuscations of political discourses are compromising the nature of language itself, leading to what several commentators have already called ‘a post-truth’ world. In this brutal environment where ‘information’ is uncoupled from reality and validated only by how loudly and often it is voiced, the artist researcher has a responsibility that goes beyond the confines of our discipline to articulate the truth-content of his or her artistic practice. To do this, they must embrace daring and risk-taking, finding ways of communicating that flow against the current norms. In artistic research, the empathic communication of information and experience – and not merely the ‘verbally empathic’ – is a sign of research transferability, a marker for research content. But this, in some circles, is still a heretical point of view. Research, in its more traditional manifestations mistrusts empathy and individually-incarnated human experience; the researcher, although a sentient being in the world, is expected to behave dispassionately in their professional discourse, and with a distrust for insights that come primarily from instinct. For the construction of empathic systems in which to study and research, our structures still need to change. So, we need to work toward a new world (one that is still not our idea), a world that is symptomatic of what we might like artistic research to be. Risk is one of the elements that helps us to make the conceptual twist that turns subjective, reflexive experience into transpersonal, empathic communication and/or scientifically-viable modes of exchange. It gives us something to work with in engaging with debates because it means that something is at stake. To propose a space where such risks may be taken, I shall revisit Gillian Rose’s metaphor of ‘the fold’ that I analysed in the first Symposium presented by the Arne Nordheim Centre for Artistic Research (NordART) at the Norwegian Academy of Music in November 2015. I shall deepen the exploration of the process of ‘unfolding’, elaborating on my belief in its appropriateness for artistic research work; I shall further suggest that Rose’s metaphor provides a way to bridge some of the gaps of understanding that have already developed between those undertaking artistic research and those working in the more established music disciplines.
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9

Saville, Alan, and Caroline Wickham-Jones, eds. Palaeolithic and Mesolithic Scotland : Scottish Archaeological Research Framework Panel Report. Society for Antiquaries of Scotland, June 2012. http://dx.doi.org/10.9750/scarf.06.2012.163.

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Why research Palaeolithic and Mesolithic Scotland? Palaeolithic and Mesolithic archaeology sheds light on the first colonisation and subsequent early inhabitation of Scotland. It is a growing and exciting field where increasing Scottish evidence has been given wider significance in the context of European prehistory. It extends over a long period, which saw great changes, including substantial environmental transformations, and the impact of, and societal response to, climate change. The period as a whole provides the foundation for the human occupation of Scotland and is crucial for understanding prehistoric society, both for Scotland and across North-West Europe. Within the Palaeolithic and Mesolithic periods there are considerable opportunities for pioneering research. Individual projects can still have a substantial impact and there remain opportunities for pioneering discoveries including cemeteries, domestic and other structures, stratified sites, and for exploring the huge evidential potential of water-logged and underwater sites. Palaeolithic and Mesolithic archaeology also stimulates and draws upon exciting multi-disciplinary collaborations. Panel Task and Remit The panel remit was to review critically the current state of knowledge and consider promising areas of future research into the earliest prehistory of Scotland. This was undertaken with a view to improved understanding of all aspects of the colonization and inhabitation of the country by peoples practising a wholly hunter-fisher-gatherer way of life prior to the advent of farming. In so doing, it was recognised as particularly important that both environmental data (including vegetation, fauna, sea level, and landscape work) and cultural change during this period be evaluated. The resultant report, outlines the different areas of research in which archaeologists interested in early prehistory work, and highlights the research topics to which they aspire. The report is structured by theme: history of investigation; reconstruction of the environment; the nature of the archaeological record; methodologies for recreating the past; and finally, the lifestyles of past people – the latter representing both a statement of current knowledge and the ultimate aim for archaeologists; the goal of all the former sections. The document is reinforced by material on-line which provides further detail and resources. The Palaeolithic and Mesolithic panel report of ScARF is intended as a resource to be utilised, built upon, and kept updated, hopefully by those it has helped inspire and inform as well as those who follow in their footsteps. Future Research The main recommendations of the panel report can be summarized under four key headings:  Visibility: Due to the considerable length of time over which sites were formed, and the predominant mobility of the population, early prehistoric remains are to be found right across the landscape, although they often survive as ephemeral traces and in low densities. Therefore, all archaeological work should take into account the expectation of Palaeolithic and Mesolithic ScARF Panel Report iv encountering early prehistoric remains. This applies equally to both commercial and research archaeology, and to amateur activity which often makes the initial discovery. This should not be seen as an obstacle, but as a benefit, and not finding such remains should be cause for question. There is no doubt that important evidence of these periods remains unrecognised in private, public, and commercial collections and there is a strong need for backlog evaluation, proper curation and analysis. The inadequate representation of Palaeolithic and Mesolithic information in existing national and local databases must be addressed.  Collaboration: Multi-disciplinary, collaborative, and cross- sector approaches must be encouraged – site prospection, prediction, recognition, and contextualisation are key areas to this end. Reconstructing past environments and their chronological frameworks, and exploring submerged and buried landscapes offer existing examples of fruitful, cross-disciplinary work. Palaeolithic and Mesolithic archaeology has an important place within Quaternary science and the potential for deeply buried remains means that geoarchaeology should have a prominent role.  Innovation: Research-led projects are currently making a substantial impact across all aspects of Palaeolithic and Mesolithic archaeology; a funding policy that acknowledges risk and promotes the innovation that these periods demand should be encouraged. The exploration of lesser known areas, work on different types of site, new approaches to artefacts, and the application of novel methodologies should all be promoted when engaging with the challenges of early prehistory.  Tackling the ‘big questions’: Archaeologists should engage with the big questions of earliest prehistory in Scotland, including the colonisation of new land, how lifestyles in past societies were organized, the effects of and the responses to environmental change, and the transitions to new modes of life. This should be done through a holistic view of the available data, encompassing all the complexities of interpretation and developing competing and testable models. Scottish data can be used to address many of the currently topical research topics in archaeology, and will provide a springboard to a better understanding of early prehistoric life in Scotland and beyond.
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Shaping the COVID decade: addressing the long-term societal impacts of COVID-19. The British Academy, 2021. http://dx.doi.org/10.5871/bac19stf/9780856726590.001.

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In September 2020, the British Academy was asked by the Government Office for Science to produce an independent review to address the question: What are the long-term societal impacts of COVID-19? This short but substantial question led us to a rapid integration of evidence and an extensive consultation process. As history has shown us, the effects of a pandemic are as much social, cultural and economic as they are about medicine and health. Our aim has been to deliver an integrated view across these areas to start understanding the long-term impacts and how we address them. Our evidence review – in our companion report, The COVID decade – concluded that there are nine interconnected areas of long-term societal impact arising from the pandemic which could play out over the coming COVID decade, ranging from the rising importance of local communities, to exacerbated inequalities and a renewed awareness of education and skills in an uncertain economic climate. From those areas of impact we identified a range of policy issues for consideration by actors across society, about how to respond to these social, economic and cultural challenges beyond the immediate short-term crisis. The challenges are interconnected and require a systemic approach – one that also takes account of dimensions such as place (physical and social context, locality), scale (individual, community, regional, national) and time (past, present, future; short, medium and longer term). History indicates that times of upheaval – such as the pandemic – can be opportunities to reshape society, but that this requires vision and for key decisionmakers to work together. We find that in many places there is a need to start afresh, with a more systemic view, and where we should freely consider whether we might organise life differently in the future. In order to consider how to look to the future and shape the COVID decade, we suggest seven strategic goals for policymakers to pursue: build multi-level governance; improve knowledge, data and information linkage and sharing; prioritise digital infrastructure; reimagine urban spaces; create an agile education and training system; strengthen community-led social infrastructure; and promote a shared social purpose. These strategic goals are based on our evidence review and our analysis of the nine areas of long-term societal impact identified. We provide a range of illustrative policy opportunities for consideration in each of these areas in the report that follows.
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