Relevant bibliographies by topics / Postmodernism – Greece

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  2. Dissertations / Theses
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Academic literature on the topic 'Postmodernism – Greece'

Author: Grafiati
Published: 10 March 2023

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Journal articles on the topic "Postmodernism – Greece"

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Jusdanis, Gregory. "Is Postmodernism Possible Outside the ‘West’? The Case of Greece." Byzantine and Modern Greek Studies 11, no. 1 (1987): 69–92. http://dx.doi.org/10.1179/030701387790203109.

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Liu, Cong Ru, Ming Sen Lin, and Qing Li. "Soul of Classicality in Western Architectural Design." Applied Mechanics and Materials 638-640 (September 2014): 2253–56. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2253.

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The classicality of the western architecture establishes its foundation at the beginning of the ancient Greece, is flourished in the ancient Rome and revitalized in the renaissance period, extends to the classicism and the classical revival, and finally is overthrown by the postmodernism. By going through development and prosperity in the past thousands of years, the classical spirit has always played a greatly significant role in the field of western architecture design.
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Ester, H. "Het labyrint in de letterkunde: Van de Barok tot het Postmodernisme." Literator 22, no. 1 (2001): 9–26. http://dx.doi.org/10.4102/lit.v22i1.358.

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The labyrinth in literature: From Baroque to Postmodernism The labyrinth has proved to be an essential symbol of postmodernist literature and the philosophy of our time. This symbol has apparently had the power to bridge the centuries between Ancient Greece and the year 2000. In reality the labyrinth as a geometrical figure has acquired various meanings in the course of time. The history of the labyrinth as symbol shows that the constant elements are as essential as the changes in meaning from the Middle Ages until the present day. Two of the new symbolic elements that accompany the labyrinth on its way through various cultural periods are the garden and the path of life. During the Baroque the labyrinth, for example, represented the synthesis of garden, path and maze. At the end of the twentieth century the labyrinth once more becomes a dominant and significant structure. The labyrinth reflects the inability and perhaps impossibility to find the key to the centre of the world and to discover the truth behind the words we use. On the other hand, the labyrinth suggests that the search for meaning and truth is an aim in itself or even that this search can lead to new forms of wisdom. The labyrinth therefore is an ambivalent and fascinating symbol of our time. Dedalus and Ariadne, however, have not yet brought the salvation we are waiting for.
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Christopoulou, Valia. "A national perspective and international threads to postmodernism at the Fifth Hellenic Week of Contemporary Music." Muzikologija, no. 26 (2019): 107–13. http://dx.doi.org/10.2298/muz1926107c.

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The Fifth Hellenic Week of Contemporary Music (Athens, 1976) has been mainly considered in the context of a major political event: the fall of the military dictatorship in 1974. However, it may also be seen as a landmark for the transition to a postmodern era in Greece. The musical works presented during the Week, as well as their reception by the musical community are indicative of this transition. This paper aims at exploring those two perspectives and places the emphasis on the second, through an analytical comment on Le Tricot Rouge by Giorgos Kouroupos and the critiques in the press.
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Kirillova, Anna Nikolaevna, and Arsenii Anatolevich Belomytsev. "Semantic oscillations of supporting music of the ancient cult as the foundation of metamodernism elements in the works of contemporary opera directors." Культура и искусство, no. 8 (August 2021): 11–19. http://dx.doi.org/10.7256/2454-0625.2021.8.36335.

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In recent decade, modernism as one of the varieties of post-postmodernism, draws interest of the researchers. It is suggested that modern culture has transgressed the situation of postmodernism, gravitating towards conceptual and semantic sustainability. As a language of self-description of the new era, the foundations of metamodernism are reflected in various forms of art. The opera house, overcoming the inertia of conservatism, perceives these trends, refracting them in a characteristic oscillation between the extreme semantic poles, which formed during the period of antiquity. The subject of this research is the correlation between the ancient musical heritage and metamodernistic trends in the modern opera theater. It is determined that translation of the principles of musical score of the ancient cult within the framework of the works of modern opera directors implies the characteristic to the supporting music of the cult forms of Ancient Greece and Rome oscillation between the poles of monophony – polyphony, instrumentality of accompaniment – a cappella, improvisational – preset of musical pieces. Paradigmatic assimilation of the fluctuations inherent to the cult of antiquity, as well as the absence of intentionality in their manifestations (which partially reflects the religious-ecstatic procedurality of art), largely determine the specific attributes of metamodernism, emphasized in the works of R. Castellucci, P. Sellars, R. Wilson, and D. Chernyakov.
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Swanepoel, Magdaleen. "The Development of the Interface between Law, Medicine and Psychiatry: Medico-Legal Perspectives in History." Potchefstroom Electronic Law Journal/Potchefstroomse Elektroniese Regsblad 12, no. 4 (2017): 123. http://dx.doi.org/10.17159/1727-3781/2009/v12i4a2742.

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Medicine and law were related from early times. This relation resulted as a necessity of protecting communities from the irresponsible acts of impostors. Various legal codes dealing with medical malpractice existed in Egypt, Mesopotamia, China, Islam, Greece, Rome, Persia and India. Over the course of the past 30 years, interest in the history of psychiatry has boomed. Much of this proliferation of interest has taken place under the broad influence of postmodernism and has resulted in multiple and diverse histories that no longer seek to provide a linear narrative of constant evolutionary progress. Rather, these new histories explore and disrupt taken for granted assumptions about the past and provide a starting point for discussion and debate about the some of the very foundations of mental health care in South Africa. As a matter of practical importance knowledge of how knowledge accrues and knowledge of the mistakes of the past is of prime importance in preventing similar mistakes in present and future work. An important reason for specifically understanding historical psychiatry is the fact that many of the uncertainties experienced in the present are a direct result of decisions made in the past. The key issue is that while it is tempting to experience current psychiatric and legal approaches towards the mentally disordered as natural and permanent, an understanding of the past helps mental health and legal practitioners to see things in a different perspective. Psychiatric and legal approaches towards the mentally disordered have changed over time and can undoubtedly also be changed in future. Therefore, the research conducted in this article focuses on the history and development of law and psychiatry including prehistoric times, the Arabian countries, the Nile Valley as well as Greece and Rome.
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Langlands, Rebecca. "Latin Literature." Greece and Rome 62, no. 1 (2015): 97–106. http://dx.doi.org/10.1017/s001738351400028x.

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This time last year my review concluded with the observation that the future for the study of Latin literature is fundamentally interdisciplinary, and that we should proceed in close dialogue with social historians and art historians. In the intervening period, two books from a new generation of scholars have been published which remind us of the existence of an alternative tide that is pushing back against such culturally embedded criticism, and urging us to turn anew towards the aesthetic. The very titles of these works, with their references to ‘The Sublime’ and ‘Poetic Autonomy’ are redolent of an earlier age in their grandeur and abstraction, and in their confident trans-historicism. Both monographs, in different ways, are seeking to find a new means of grounding literary criticism in reaction to the disempowerment and relativism which is perceived to be the legacy of postmodernism. In their introductions, both bring back to centre stage theoretical controversies that were a prominent feature of scholarship in the 1980s and 1990s (their dynamics acutely observed by Don Fowler in his own Greece & Rome subject reviews of the period) but which have largely faded into the background; the new generation of Latinists tend to have absorbed insights of New Historicism and postmodernism without feeling the need either to defend their importance or to reflect upon their limitations. Henry Day, in his study of the sublime in Lucan's Bellum civile, explicitly responds to the challenges issued by Charles Martindale, who has, of course, continued (in his own words) to wage ‘war against the determination of classicists to ground their discipline in “history”’. Day answers Martindale's call for the development of some new form of aesthetic criticism, where hermeneutics and the search for meaning are replaced with (or, better, complemented by) experiential analysis; his way forward is to modify Martindale's pure aesthetics, since he expresses doubt that beauty can be wholly free of ideology, or that aesthetics can be entirely liberated from history, context, and politics. Reassuringly (for the novices among us), Day begins by admitting that the question ‘What is the sublime?’ is a ‘perplexing’ one, and he starts with the definition of it as ‘a particular kind of subjective experience…in which we encounter an object that exceeds our everyday categories of comprehension’ (30). What do they have in common, then, the versions of the sublime, ancient and modern, outlined in Chapter 1: the revelatory knowledge afforded to Lucretius through his grasp of atomism, the transcendent power of great literature for Longinus, and the powerful emotion engendered in the Romantics by the sight of impressive natural phenomena such as a mountain range or a thunderstorm? One of the key ideas to emerge from this discussion – crucial to the rest of the book – is that the sublime is fundamentally about power, and especially the transference of power from the object of contemplation to its subject. The sublime is associated with violence, trauma, and subjugation, as it rips away from us the ground on which we thought we stood; yet it does not need to be complicit with the forces of oppression but can also work for resistance and retaliation. This dynamic of competing sublimes of subjugation and liberation will then help us, throughout the following chapters, to transcend the nihilism/engagement dichotomy that has polarized scholarship on Lucan in recent decades. In turn, Lucan's deployment of the sublime uses it to collapse the opposition between liberation and oppression, and thus the Bellum civile makes its own contribution to the history of the sublime. This is an impressive monograph, much more productively engaged with the details of Lucan's poem than this summary is able to convey; it brought me to a new appreciation of the concept of the sublime, and a new sense of excitement about Lucan's epic poem and its place in the Western tradition.
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Reynolds, Terrence. "Historicism, Truth Claims, and the Teaching of Ethics." Horizons 23, no. 1 (1996): 86–102. http://dx.doi.org/10.1017/s0360966900029868.

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AbstractThis article analyzes the impact of postmodernism on the meaning, truth, and justification of claims in contemporary theology and ethics. It argues that historicist premises do not lead inexorably from a naïve objectivism in ethics to ethical relativism, as Sheila Greeve Davaney and Richard Rorty suggest. Instead, as the work of Carol Christ and Jeffrey Stout has argued, theologians and ethicists are justified in making indirect, web-of-belief related claims to ontological truth. Christ's theological realism and Stout's modest pragmatism both appear able to support meaningful discussions of truth, while avoiding the related dangers of relativism, skepticism, and nihilism. Paying careful attention to these methodological issues in a course on Religious Ethics and Moral Issues has proved very effective in overcoming student acquiescence to a relativist perspective, and in enabling them to propose and defend their own moral views with greater confidence.
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Borgohain, Indrani A. "Breaking the Silence of Homer’s Women in Pat Barker’s the Silence of The Girls." International Journal of English Language Studies 3, no. 2 (2021): 10–16. http://dx.doi.org/10.32996/ijels.2021.3.2.2.

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Since time immemorial, women have been silenced by patriarchal societies in most, if not all, cultures. Women voices are ignored, belittled, mocked, interrupted or shouted down. The aim of this study examines how the contemporary writer Pat Barker breaks the silence of Homer’s women in her novel The Silence of The Girl (2018). A semantic interplay will be conducted with the themes in an attempt to show how Pat Barker’s novel fit into the Greek context of the Trojan War. The Trojan War begins with the conflict between the kingdoms of Troy and Mycenaean Greece. Homer’s The Iliad, a popular story in the mythological of ancient Greece, gives us the story from the perspective of the Greeks, whereas Pat Barker’s new novel gives us the story from the perspective of the queen- turned slave Briseis. Pat Barker’s, The Silence of the Girls, written in 2018, readdresses The Iliad to uncover the unvoiced tale of Achilles’ captive, who is none other than Briseis. In the Greek saga, Briseis is the wife of King Mynes of Lyrnessus, an ally of Troy. Pat Barker as a Postmodernist writer, readdresses the Trojan War in his novel through the representation of World War One, with dominant ideologies. The novel illustrates not only how Briseis’s has tolerated and survived her traumatic experiences, but also, how she has healed and composed her fragmented life together. Homer’s poem prognosticates the fall of Troy, whereas Barker’s novel begins with the fall Lyrnessus, Briseis’ home that was destroyed by Achilles and his men. Hence, Pat Barker uses intertextuality in her novel, engages both the tradition of the great epic and the brutality of the contemporary world. She revives the Trojan War with graphic pictorial vividness by fictionalizing World War in her novel. Through her novel, she gives Briseis a voice, illuminates the passiveness of women and exposes the negative traits of a patriarchal society.
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Szadok-Bratuń, Aleksandra, and Marek Bratuń. "Z rodowodu klasycznego prawa naturalnego." Studia Prawa Publicznego, no. 3(27) (September 15, 2019): 9–27. http://dx.doi.org/10.14746/spp.2019.3.27.1.

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The issue of natural law has been mentioned by almost all philosophers of law, from the classical ones of ancient Greece to contemporary postmodernists, and is presented in various ways. In compliance with Cicero’s observation that “history is the herald of the future” we have attempted to go back to the sources and to start our considerations ab ovo. The historical review does not address systematically the issue discussed here, and only serves to properly explain what natural law in a classical reflection of ius naturale is. Therefore, our approach to the classical natural law has been narrowed down to three selected sophists, Socrates, Plato and Aristotle, and their views of ius naturale in opposition to ius positivum have been briefly outlined. The article consists of two parts: the first one entitled From Heraclitus to Socrates and the second entitled From Plato to Aristotle. The first part presents sophists’ views on the law of nature. It is worth noting that sophists did not analyse the essence of the law of nature; they were primarily interested in the relationship of the law of nature to positive law. Thus Socrates, by deriving the existence of universal and unchanging laws from human nature, gave birth to the doctrine of natural law with unchanging content. The second part contains the views of Plato and Aristotle on the question of the law of nature. Plato is considered to have discovered the ideal trend of natural law, although in his dialogues the term “law of nature” is not found. It was the theory of Plato’s ideas that became the model for the concept of lex aeterna as an arrangement of divine ideas. Whereas, Aristotle distinguished two types of good that law puts before man, and accepts them as the basis for the dichotomous division of laws. He described good that is indifferent to man, which due to specific circumstances becomes the object of his desire, as positive law. Good that is closely related to the nature of man, which is always and everywhere the object of his desire, is good indicating the natural law.
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Dissertations / Theses on the topic "Postmodernism – Greece"

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MARKATOS, Kimon. "Historicizing postmodernism through the prism of cultural transfers : the case of Greece (1974-2010)." Doctoral thesis, European University Institute, 2019. http://hdl.handle.net/1814/60855.

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Defence date: 25 January 2019<br>Examining Board: Prof. Ann Thomson, European University institute; Prof. Pavel Kolár, European University institute; Prof. Dimitris Tziovas, University of Birmingham; Prof. Matthias Middel, Universität Leipzig<br>Historicizing Postmodernism through the prism of cultural transfers: The case of Greece (1974-2010), examines the various transformations of the concept of postmodernism in the Greek intellectual framework, between 1970 and 2010, and situates them in a wider transnational context. It is focused mainly on the academic fields of history, literary criticism/Philology, and social theory and it is deployed around three interrelated questions; two preliminary questions concerning the postmodern debates in the Greek context, and the central research question, which seeks to bring the debates into a transnational context: Firstly, a) what were the Greek perceptions of postmodernism? More particularly, what did the concept of postmodernism mean for the intellectuals who entered the debates around its definition and features, depending on their field of expertise, and on the particular moments they attempted to define it in the period under examination? Secondly, b) how has the debate on postmodernism affected the aforementioned subject areas, in such a way that it radically changed the terms of discussion on their regulatory epistemological foundations; and how have the changes in the social, economic and political context of the past 40 years shaped and reshaped the various different arguments regarding postmodernism in the level of ideas. Finally, c) How did the debate around postmodernism in the Greek intellectual circles relate with intellectuals of other national frameworks?
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Katsan, Gerasimus Michael. "Unmaking history: postmodernist technique and national identity in the contemporary greek novel." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1062992115.

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North, Peter. "Local exchange trading systems : a social movement approach." Thesis, University of Bristol, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361077.

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Taljard, Maria Elizabeth. "Tussen Gariep en Niger : die representasie en konfigurasie van grense, liminaliteit en hibriditeit in Kleur kom nooit alleen nie van Antjie Krog / M.E. Taljard." Thesis, North-West University, 2007. http://hdl.handle.net/10394/1643.

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Smit-Marais, Susanna Johanna. "Castaways and colonists from Crusoe to Coetzee / Susanna Johanna Smit-Marais." Thesis, North-West University, 2012. http://hdl.handle.net/10394/8724.

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Generic transformation of the castaway novel is made evident by the various ways in which the narrative boundaries that separate fiction from reality and history, the past from the present, and the rational from the irrational, are reconfigured in Umberto Eco’s The Island of the Day Before (1994), J.M. Coetzee’s Foe (1986) and Yann Martel’s Life of Pi (2002). The dissolution of boundaries reflects the dominant shift that has occurred in the castaway novel from the 18th century literary context to the present postmodern, postcolonial context. In this regard, the narrative utilizes various narratological strategies, the most significant being intertextuality, metafiction, historiographical metafiction, allegory, irony, and the carnivalesque. These narratological strategies rewrite, revise, and recontextualize those generic conventions that perpetuated the culture of masculinity and conquest that defines colonialism and the traditional castaway novel epitomized by Daniel Defoe’s Robinson Crusoe (1719). From a postcolonial perspective, the castaway’s state of being reflects on the condition of the colonized as well as the colonizer: his/her experience of displacement is similar to colonized peoples’ separation from their cultural, spiritual and personal identities; simultaneously, processes of appropriation, adaptation and control of space resemble colonization, thereby revealing the constructed nature of colonial space. As such, space is fundamental to individual orientation and social adaptation and consequently, metaphorically and metonymically linked to identity. In the selected postmodernist and postcolonial texts, the movement from the position of castaway to colonist as originally manifested in Robinson Crusoe is therefore reinterpreted and recontextualized. The postmodernist and postcolonial contexts resist fixed and one-dimensional representations of identity, as well as the appropriation and domination of space, that characterize shipwreck literature from pre-colonial and colonial periods. Rationalist notions of history, reality and truth as empirically definable concepts are also contested. The castaway identity is often characterized by feelings of physical and spiritual displacement and estrangement that can be paralleled to postmodernist themes of existential confusion and anxiety.<br>Thesis (PhD (English))--North-West University, Potchefstroom Campus, 2013
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Johansson, Hanna, and Johanna Gustafsson. "How do edible insects fly among Swedish consumers? : Exploring consumers’ evaluation of edible insects as a meat substitute." Thesis, Internationella Handelshögskolan, Högskolan i Jönköping, IHH, Företagsekonomi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-40182.

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Purpose: The purpose of this qualitative research paper was to explore how consumers with an environmental identity evaluate new, environmentally friendly substitutes for meat, with edible insects given as an example. Problem: An increasing number of Swedish consumers show an overall negative attitude towards consuming meat, mainly due to environmental concerns, and express this by identifying themselves as vegetarians or flexitarian. Edible insects possess the potential to become an environmentally friendly, nutritious and innovative meat substitute in Sweden. Although the demand for new environmentally friendly meat substitutes is high, the intentions of consuming edible insects are low in Western societies. This causes researchers to ask why this conflict is.                                                                                                                               Methodology: In order to fulfill the purpose and to answer the research question, a qualitative research approach was adopted. Eight semi-structured interviews were used in the empirical data collection process. The chosen target group was vegetarians and flexitarians of Generation Y, and the sample was chosen through judgmental sampling.                                                                                                                                 Findings: This empirical study examines an extensive confusion and conflicted standpoints among consumers when evaluating edible insects. However, the authors examine a high willingness and positive attitude towards consuming edible insects. Five key factors that influence the evaluation of edible as a meat substitute have been identified: the animalistic qualities of insects, if insects are perceived as meat or vegetarian, if edible insects are ‘green’, proof and facts, and what product category edible insects belong to.
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McLeod, Catriona Jane. "Green architectural discourse : rhetoric and power." Thesis, Queensland University of Technology, 2003.

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Jacobs, Ihette. "Begrens én onbegrens : intertekstualiteit in die oeuvre van H.J. Pieterse / Ihette Jacobs." Thesis, North-West University, 2010. http://hdl.handle.net/10394/4814.

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This dissertation attempts to investigate the intertextual modus operandi in the oeuvre of H.J. Pieterse, with specific focus on his volumes, Alruin (1989) and Die burg van hertog Bloubaard (2000). The overarching purpose of the investigation is to prove that the author not only uses intertextuality in the sense that one text (literary text) refers to another text (literary and non–literary), or that one text influences another. Pieterse engages in conversation with other texts and re–writes these texts by repositioning them in another context and by adding additional metaphoric meaning to them. The author allows these texts to exchange conversation, to mutually influence one another, and this has as a result that, in his poems, his poetry and his oeuvre, metaphoric lines come into being, which lend a layered meaning to these texts and enrich the possibilities of their interpretation. Thus, a play on multiple meaning develops, which moves between texts: written texts, literary texts, non–literary texts, the author, the reader and the context(s). The conclusion to which this dissertation comes, is that the above mentioned manifestations of meanings, which exist and come into existence within the physically confines of the text, expand this text to a less confined existence in terms of meaning, more unlimited and unbound than what is necessarily allowed by the physically confined nature of the written text. The question thus arises of how the physically limited text take possession of and draws into the texts what lies beyond its physical confines to produce meaning, and how this tension around the limits of the literary text is functionally used. Consequentially, the question that follows is how this happens in the oeuvre of H.J. Pieterse and how the author uses his poetic technique to go beyond the confines of the written text.<br>Thesis (M.A. (Afrikaans and Dutch))--North-West University, Potchefstroom Campus, 2011.
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Petrou, Michael. "Souffrances limites individuelles et cadres transsubjectifs pour leur symbolisation. : approche psychanalytique des institutions de soin, de l'adolescence, de la violence et du deuil, à l'interface de l'Anthropologie." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE2107.

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Cette Thèse est un travail de réélaboration et de synthèse à partir de l’expérience de l’auteur acquise lors :● de sa participation active à la récente réforme psychiatrique en Grèce (mise en place et fonctionnement d’un foyer d’hébergement pour patients asilaires et ensuite d’un centre de jour pour enfants autistes) ;● de sa réflexion clinico-théorique sur la maltraitance et les adolescents (auteurs et victimes de violence), à savoir ce que l’auteur propose d’appeler transitions violentées ;● de ses recherches étalées sur trente ans au sujet du devenir du deuil des personnes disparues à Chypre (lors de l’invasion de l’île par la Turquie en 1974) et des interférences individuelles, sociales et politiques de ce deuil impossible ;● de ses études sur les extensions du concept du travail du deuil (en tant que prototype du travail psychique dans son rapport au travail culturel), des limites et des obstacles que le deuil rencontre au sein de la culture et de la société contemporaines.Le long de ces développements l’approche pluridisciplinaire adoptée met en dialogue la Psychanalyse, l’Anthropologie et la Littérature grecque ancienne. La pluridisciplinarité permet à la fois de multiplier les approches, afin de mieux saisir les phénomènes dans leur complexité et leurs rapports avec leurs environnements, d’examiner ce qui se développent sur les interfaces, de mettre en relief nos limites conceptuelles et méthodologiques, enfin de mettre en perspective des voies de dégagement et de dépassement. (L’étude de la primauté présumée de la mère en Psychanalyse et en Anthropologie, ainsi que l’étude de la culture postmoderne comme métacadre anti-deuil, en sont l’exemple).2En multipliant les expressions des souffrances psychiques à étudier, les environnements où elles se manifestent et les perspectives de leur examen, l’auteur s’efforce de montrer que la structure et les processus psychiques du sujet singulier, d’autant plus ses souffrances, ne peuvent être suffisamment comprises et encore moins soutenues et soulagées, que si on les rapporte aux charges et aux contenus qu’ils prennent pour d’autres sujets, que si on les articule et les met en communication avec les opérations psychiques de ceux-ci, ainsi qu’avec les cadres et métacadres dans lesquels les sujets s’inscrivent, en tant que partie prenante et partie constituante d’un ensemble transsubjectif.Des hypothèses sur les processus, les fonctions et les contenus intersubjectifs de transfert, de charge, de transit, d’encadrement transsubjectif, de reprise et de resymbolisation sont au premier plan de ce travail<br>This Thesis is the reworking and re-composition of a study based on the experience acquired by the author from the following:• his active participation in the recent psychiatric reform in Greece (establishment and functioning of a shelter for asylum-seeker patients and later a daycentre for autistic children);• his clinical theory reflections on maltreatment and adolescents (offenders and victims of violence), what the author proposes to call violated transitions.• this research stretching over thirty years on the topic the continuing mourning of the missing persons in Cyprus (on account of the invasion of the island by Turkey in 1974) and the individual, social and political interferences with this impossible mourning;• his studies on the extension of the concept of the work of mourning (as a prototype of the psychic work in his report on the cultural work), the limits and obstacles that the mourning encounters in the context of culture and contemporary society.In the course of these developments, the adopted pluridisciplinary approach gives rise to a dialogue involving the Psychoanalysis, Anthropology and Literature of ancient Greece. Pluridisciplinarity allows, at the same time, the multiplication of approaches, in order to better seize of the phenomena in their complexity and relation to their environments, examine that which is developing on the interfaces, bring out in relief our conceptual and methodological limitations, in order to place into perspective the ways of disengagement and overtaking. (The study on the presumed primacy of the mother in Psychoanalysis and Anthropology, as well as the study on postmodern culture as an anti-mournful meta-frame, are examples of this).4In multiplying the expressions of psychic suffering that have to be studied, the environments where they manifest themselves and the perspectives of their examination, the author is forced to show that the structure and the psychic processes of the individual subject, especially their sufferings, cannot be sufficiently understood and even less so sustained and alleviated, whether one relates them to the loads and contents they take for other subjects, or one articulates and places them in communication with other psychic functions of the latter, also with the frames and meta-frames in which the subjects fall, in their capacity as accepting party and constituent party of a trans-subjective unit.Hypotheses on the inter-subjective processes, functions and contents of transfer, load, transit, trans-subjective framing, recovery and re-symbolization are at the forefront of this work
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Roane, Nancy Lee. "Misreading the River: Heraclitean Hope in Postmodern Texts." Oberlin College Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1431966455.

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Books on the topic "Postmodernism – Greece"

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1949-, Layoun Mary N., ed. Modernism in Greece?: Essays on the critical and literary margins of a movement. Pella Pub. Co., 1990.

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Shub, M. L. Na "grebne promezhutka": Khudozhestvennoe prostranstvo skvozʹ prizmu postmodernistskoĭ paradigmy : monografii︠a︡. Cheli︠a︡binskai︠a︡ gos. akademii︠a︡ kulʹtury i iskusstv, 2008.

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3

Sokrates, die Sophistik und die postmoderne Moderne. Attempto, 2008.

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Contesting earth's future: Radical ecology and postmodernity. University of California Press, 1994.

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Novelistic love in the platonic tradition: Fielding, Faulkner, and the postmodernists. Rowman & Littlefield, 1997.

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The post-modern and the post-industrial: A critical analysis. Cambridge University Press, 1991.

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Ho Kazantzakēs monternistēs kai metamonternos. Ekdoseis Kastaniōtē, 2009.

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Monternismos, metamonternismos kai periphereia: Meletē tēs metaphrastikēs theōrias kai praktikēs tou Nasou Vagena. Polis, 2002.

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1968-, Ferstman Carla, ed. The castration of Oedipus: Feminism, psychoanalysis, and the will to power. New York University Press, 1996.

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Stuart, Sim, ed. The Lyotard dictionary. Edinburgh University Press, 2011.

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Book chapters on the topic "Postmodernism – Greece"

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Lawson, Stephanie. "18. Critical Approaches to Global Politics." In Introduction to Politics. Oxford University Press, 2020. http://dx.doi.org/10.1093/hepl/9780198820611.003.0018.

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This chapter examines seven critical approaches to global politics: Marxism, Critical Theory, constructivism, feminism, postmodernism, postcolonial theory, and green theory. In their book The Manifesto of the Communist Party, Karl Marx and Friedrich Engels address the implications for global order of the rise of capitalism and the role of the bourgeoisie as controllers of capital. Their ideas have had a major influence on critical approaches to virtually all aspects of both domestic and global politics. The chapter considers some major strands of Marxist-influenced theory of direct relevance to global politics, including dependency theory, world-system theory, Gramscian theory, and Frankfurt School theory. It also discusses gender theory and compares postmodern/poststructural approaches to global politics with Critical Theory and constructivism in International Relations.
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Hogan, Padraig. "Paideia, Prejudice and the Promise of the Practical." In The Paideia Archive: Twentieth World Congress of Philosophy. Philosophy Documentation Center, 1998. http://dx.doi.org/10.5840/wcp20-paideia199829490.

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In an age of radical pluralism it is increasingly difficult to affirm and sustain the educational aspirations of Greek paideia (Latin humanitas). The most challenging attacks on these aspirations come from standpoints which share a postmodern attitude of opposition towards inherited cultural ideals, especially those which claim universality. This paper first examines optimistic and pessimistic prospects for the educational heritage of humanitas, concluding that, in the face of cultural disparateness which is increasingly evident in post-Enlightenment cultures, the pessimistic case seems to be more convincing. Recognizing that this gives added impetus to postmodernist standpoints, the second section examines some key features of these, taking as its examples arguments of Lyotard, Foucault and Rorty. I show that the prejudices of the postmodernist arguments are as invidious as the discriminatory assumptions and the neglect of the quality of educational practice in the Western cultural inheritance. Recalling some insights which can be gleaned from the educational practices of Socrates, the last section joins these with findings of contemporary philosophers on the pre-judgements and partiality which are inescapable features of human understanding. This is a reclamation and elucidation of a practical and promising humanitas which does justice to the claims of diversity and universality.
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Milner, Andrew, and J. R. Burgmann. "Changing the Climate: Some Provisional Conclusions." In Science Fiction and Climate Change. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621723.003.0009.

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The chapter opens with an account of the ‘value relevance’ of the authors’ own loosely ‘Green’ beliefs and of how these led them to search for a cli-fi version of Nevil Shute’s On the Beach. They conclude that no such text exists as yet, but note the operation of what they term an ‘Off-Shute effect’, in which the cumulative weight of many different cli-fi texts could have a cumulative effect on real-world behaviour. One of their more striking unanticipated findings, they explain, was that none of their climate fictions, not even those by avowed socialists like Kim Stanley Robinson, depict the organised working class as the social force most likely to prevent anthropogenic global warming. They hypothesise that this is an effect of the persistence into the twenty-first century of ideological residues of postmodernism and stress that the term ‘Green’ as a political signifier derives from the Australian ‘Green bans’, that is from organised labour. The book and the chapter end with an insistence that climate fictions are warnings, rather than predictions or prophecies, and that warnings are there to be heeded and acted upon.
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Heilbron, J. L. "Introduction: the Greek way." In The History of Physics: A Very Short Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780199684120.003.0001.

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The Introduction explains that Greek physics—physica—with its eye to ethics, its indifference to mathematics and experiment, and its independence of states and courts, is noticeably different from the modern field of physics. This VSI describes some of the ways by which ancient physica became modern physics. It sketches the place and purpose of physica in the societies that supported it. Hence the primary sites of cultivation receive special emphasis: the independent private school (antiquity), court and library (Islam), university (later Middle Ages), court again (Renaissance), academy (late 17th and 18th centuries), university again (modernity), and university-government-industry (postmodernity).
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Gat, Azar. "What Is True?" In Ideological Fixation. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197646700.003.0001.

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Abstract What is true? Is there truth? These are among the most profound questions that have preoccupied humanity since the dawn of civilization. The nature of truth needs to be clarified prior to any discussion of ideology, ideological differences, and ideological fixation. Sweeping through the history of thought, from the ancient Greeks (and the Buddhists) to the modern philosophy of mind and the postmodernists, the chapter argues that while the skeptical tradition concerning the existence of truth has a point, this point has been vastly overdrawn. Truth as correspondence to reality is a valid notion, but as vastly simplified and finite code representations of features of the world that cannot fully encompass reality’s infinite diversity and are intrinsically partial and incomplete. While some propositions are untrue, others can be perfectly true while never being the whole truth, as our conceptual grid of reality can always be further refined, elaborated, and contextualized.
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"parmigiana and it sticks in my throat because I know how much he loved it. I’m eating for two, if indeed I’ve incorporated him a la ‘Mourning and Melancholia’ (M, 69). I keep coming up against this network of references in your fiction: the loss of the father, the idea of mourning as a lump in the throat impeding communication, and above all a sense of resulting perplexity and confusion. It seems important that Paige’s harrowing recollection of her father in ‘To Find Words’ leads to her feeling ‘lost at sea and cast in doubt’ (MR, 25). It’s a question of narrative again… LT: Writing is always about loss in some way. Maybe for me my father’s loss became the loss that took in all loss, which made me want to write in the beginning. But there’s a way in which death is too easy, because death is everyone’s conclusion. Death is the closure that’s never closure. Because even if someone dies there are those alive who remember him or her. So the impact of that person’s life is still felt in the people living after. I’m thinking about the AIDS epidemic. There’s nothing conclusive about death except that it’s something we all do. That’s the curious thing about the paradox of using death—in a way I know that whenever I put death in my work it’s the most vital thing to do, because we all feel so connected to it. PN: In interviews you’ve often talked about Cast in Doubt in terms of a collision of modernist and postmodernist perspectives. Does the difference again have to do with conceptions of narrative? LT: I wanted to do many things in that book, including figuring out how to tell a story that reflected on story-telling and on how we read stories. PN: It does seem that Horace can only reach a sense of self by seeing himself as a character in a story. There’s a curious passage where he says ‘While I accept the Greek version of destiny, or fate, as in tragedy, when one’s end flows from one’s flaws, from hubris, I abhor the idea that one’s life is fated’ (C, 160). But the Greeks couldn’t dissociate those ideas, and are you suggesting that Horace ultimately can’t either (his novel is, after all, called Household Gods…)? LT: That is a strange passage. I think I wanted, because I was playing off the Greek material, the notion of an inevitability, certain things set in motion, from x to y to z. But as a modernist, Horace also wants to think about progress and about his own ability to insert himself in the story and make a change. There’s a certain kind of optimism in that, but it’s confused. He’s confused by two kinds of narrative, the narrative of inevitability and the narrative of change." In Textual Practice. Routledge, 2005. http://dx.doi.org/10.4324/9780203986219-26.

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