Relevant bibliographies by topics / Postmodernism (Literature)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Postmodernism (Literature)'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Postmodernism (Literature)"

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Pangumbahas, Recky, and Oey Natanael Winanto. "MEMBACA KEMBALI PANDANGAN MORALITAS POSTMODERNISM UNTUK KONTEKS PENDIDIKAN KRISTEN (RE-READING THE WORLDVIEW OF POSTMODERNISM MORALITY FOR THE CONTEXT OF CHRISTIAN EDUCATION)." QUAERENS: Journal of Theology and Christianity Studies 3, no. 1 (June 25, 2021): 73–84. http://dx.doi.org/10.46362/quaerens.v3i1.33.

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One of the most important elements of postmodernity is the growing awareness of the diversity and potential incommensurability of the various forms of cultural life that sustain groups and individuals and addresses the postmodernist denial that postmodernism is inherently apathetic or hostile to social or political action. Postmodernism is a reaction to the epistemological ideals of modernity. Postmodernism is based on a limited human point of view, and thus becomes a prisoner of its own subjectivity, resulting in two main characteristics, namely pluralism and relativism. This study analyzes the postmodern view that is implemented in Christian education in Indonesia. The method used in this article is a literature study by using philosophical biblical glasses to analyze postmodern views. The result is that postmodern moral education (such as transcendentalism and idealism) has some useful and some negative aspects that should be considered for planning moral education and curriculum development for Christian education in Indonesia. Satu elemen paling penting dari postmodernitas adalah tumbuhnya kesadaran akan keragaman dan potensi ketidakterbandingan dari berbagai bentuk kehidupan budaya yang menopang kelompok dan individu dan membahas penolakan postmodernis bahwa postmodernisme secara inheren apatis atau bermusuhan dengan tindakan sosial atau politik. Postmodernisme merupakan reaksi terhadap cita-cita epistemologis modernitas. Postmodernisme didasarkan pada sudut pandang manusia yang terbatas, dan dengan demikian menjadi tawanan subyektivitasnya sendiri, menghasilkan dua karakteristik utama, yaitu pluralisme dan relativisme. Kajian ini menganalisis pandangan postmodern yang diimplementasikan pada pendidikan Kristen di Indonesia. Metode yang digunakan pada artikel ini adalah studi literatur dengan memanfaat kacamata biblis filosofis untuk menganalisa pandangan postmodern. Hasilnya adalah pendidikan moral postmodern (seperti transendentalisme dan idealisme) memiliki beberapa aspek yang berguna dan beberapa negatif yang harus dipertimbangkan untuk perencanaan pendidikan moral dan pengembangan kurikulum pendidikan Kristen di Indonesia.
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Viires, Piret. "End of Irony? Estonian Literature after Postmodernism." Interlitteraria 16, no. 2 (December 31, 2011): 451–63. http://dx.doi.org/10.12697/il.2011.16.2.5.

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In their work published in 2001, “After Postmodernism” (López, Potter 2001), the editors Garry Potter and José López claim that postmodernism was the most influential intellectual trend of the last third of the 20th century, and one of the central trends in the Western cultural-theoretical thinking since the 1960s. Postmodernism managed to grasp the spirit of the time and at the same time challenge self-confidence, presented by the mind, objectivity and knowledge (ib. 3). At the same time the authors have to admit that by the beginning of the 21st century the heyday of postmodernism had passed, postmodernism was in the “stage of decline” and “out of fashion” (ib. 4). Today, in 2011, we have to admit that the early-decade prediction of Potter and López has come true; postmodern society is retreating and the postmodernist theory is on the decline and losing its central role.
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Ismail, Yusuf. "Postmodernisme dan Perkembangan Pemikiran Islam Kontemporer." Jurnal Online Studi Al-Qur an 15, no. 2 (July 31, 2019): 235–48. http://dx.doi.org/10.21009/jsq.015.2.06.

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Modernism and postmodernism were born from mainland Europe and America. This philosophical thought penetrated religious issues. Postmodernism was born as an attempt to understand social conditions and phenomena, the term postmodernism appeared for the first time in literature in 1939. In the context of religion, Postmodernism in its aim so that religious understanding does not fall into the system of totalitarian interpretation in a religious context and the context of social systems, economics, culture, and politics. The topic of Postmodernism in this paper is presented based on its actuality and to stimulate our thinking which is generally still oriented to modern or even traditional concepts. By studying this relatively new concept we will be confronted with the basic question of which philosophical thinking results have correlation values ​​and relevance to the development and demands of contemporary society, not which ones are theoretically correct. The statement confirms the relativity of reason. The realm of absolute truth is not in humans, absolute truth is from and belongs to God. Keywords: Postmodernism, Contemporary Islam, Moderism Abstrak Modernisme dan postmodernisme lahir dari daratan Eropa dan Amerika Pemikiran filosofis ini merambah ke persoalan keagamaan. Postmodernime lahir sebagai usaha memahami kondisi dan fenomena sosial, istilah postmodernisme muncul untuk pertama kalinya dalam sastra pada tahun 1939. Dalam konteks keagamaan, Postmodernisme dalam bertujuannya agar faham keagamaan tidak jatuh pada sistem tafsir totaliter tunggal dalam konteks keagamaan dan dalam konteks sistem sosial, ekonomi, budaya dan politik. Topik Postmodernisme dalam tulisan ini disajikan berdasarkan pada aktualitasnya dan guna merangsang pemikiran kita yang pada umumnya masih berorientasi pada konsep-konsep modern atau bahkan tradisional. Dengan mempelajari konsep yang relatif baru ini kita akan dihadapkan pada pertanyaan dasar tentang hasil pemkiran filsafat yang manakah yang mempunyai nilai korelasi dan relevansi dengan perkembangan dan tuntutan masyarakat kontemporer, bukan yang manakah yang benar secara teoritis an sich. Pernyataan tersebut menegaskan relativitas kebenaran nalar. Wilayah kebenaran mutlak bukan ada pada manusia, Kebenaran mutlak adalah dari dan milik Tuhan. Kata kunci: Postmodernisme, Modernisme, Pemikiran Islam
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Lushnikova, Galina I., and Tatiana Yu Osadchaia. "Metamodernism in contemporary literature (On Dave Eggers' novel “The CIRCLE”)." Slovo.ru: Baltic accent 13, no. 3 (2022): 124–41. http://dx.doi.org/10.5922/2225-5346-2022-3-7.

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Currently, the literary process is witnessing the emergence of a new trend — post-postmodernism, developing along several lines. The article offers a review of theoretical works of Russian and foreign authors, devoted to the study of post-postmodernism, its main charac­teristics, and terminology. On the basis of the novel "The Circle" (2013), written by the American writer Dave Eggers, which has not yet become the subject of study in Russian liter­ary criticism,the authors explore the main features of metamodernism as one of the directions of post-postmodernism. The methodology of the study is based on the principles of interpretive analysis and comparative historical observation. The analysis of several contemporary Eng­lish-language novels suggests that post-postmodernism attempts to reconstruct what has been deconstructed in postmodernism while retaining some of its attitudes. A detailed examination of Eggers' novel shows that it exhibits both postmodernist (a complex combination of genre forms) and metamodernist characteristics. A closer look at Eggers' text shows that it exhibits both postmodernist (a complex combination of genre forms) and metamodernist features (re­jection of the postulate of ' the death of the author' and explication of the authorial position, post irony, neorealism, an appeal to ‘new sincerity’). The results of this study may be used in further research in this field, as well as in the development of teaching material for philologi­cal disciplines at universities.
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Damlègue Lare. "Postmodern Aesthetics in African Literature." Littera Aperta. International Journal of Literary and Cultural Studies 7, no. 8 (June 28, 2023): 55–78. http://dx.doi.org/10.21071/ltap.v7i8.16191.

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This article examines contemporary critical positions in African literature that mark off perceptible shifts in focus from issues of primal postcolonialism to a more self-reflexive treatment of postmodernism in contemporary African literature. Contemporary African literary works, novels, and plays have become markedly self-reflexive in the way they rewrite one another and draw attention to their own functionality and fictionality. These works present stylistic and thematic departures that challenge the nationalist and realist trend of earlier writing. Creative works further depart from the tradition of “writing back” to the European colonial center by focusing their gaze on local forms of oppression that are seen to parallel classical colonialism. Yet, while critics have separately studied postmodernism and self-reflexivity in African texts, the intersection of the two has not been given sufficient attention. The purpose of this analytical paper then is to decipher postmodernist aesthetics in African literary works, novels and plays, as developed to a higher level of self-consciousness. The specific question I address is to what extent postmodernism expresses itself as an outgrowth of modernism and postcolonialism? Keywords: Modernity, postmodernism, postcolonialism, African literary theories and criticisms.
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Singh Randhawa, Harbir. "Post-Modernist and Cosmopolitan aspects in Haruki Murakami's After Dark." Dialogue: A Journal Devoted to Literary Appreciation 18, no. 1 (June 25, 2022): 72–78. http://dx.doi.org/10.30949/dajdtla.v18i1.16.

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The connection of Postmodernism and Cosmopolitanism is deeply interlocked by the visible traces of Globalisation in literature. With globalisation following immediately after the peak of Postmodernism; the contemporary mood of literature frequently switched between the typical postmodernist denial of classifications and the constant cosmopolitan tendencies of identical consumerism all over the world. As a consequence, such literature was produced which showcased the dynamic contemporary dispositions of a consumerist society that individualistically engages itself in postmodernist abstractions and cosmopolitan self-absorption.
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Ershova, Iuliia. "The technique of postmodernist simulation game in the novel “Supernova: The Knight, The Princess, and The Falling Star” by Indonesian writer Dewi Lestari (2001)." Litera, no. 5 (May 2021): 88–96. http://dx.doi.org/10.25136/2409-8698.2021.5.35544.

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This article examines the modern Indonesian women’s prose and its interaction with the elements of postmodernist paradigm. The object of this research is the novelistic writing of the prominent Indonesian author Dewi Lestari on the example of the novel "“Supernova: The Knight, The Princess, and The Falling Star” (Supernova: Ksatria, Puteri, dan Bintang Jatuh, 2001), which is part of the series “Supernova” (2001-2016). Fiction, as the “median” field in literature, embraces various codes of language art. Relying on the tested patterns of popular literature, it can also appeal to postmodernism. In the latter case, the works are characterized by the presence of deconstructive and game (including simulation) principles. The example of application of the codes of fiction and postmodernism is the novel of under review. An important role in the research is played by the literary-theoretical, typological, and descriptive methods. The work of Dewi Lestari has not yet been considered from the perspective of postmodernist game technique and involvement of the concept of simulacrum. An attempt to do this on the example of her most famous works defines the novelty of this research, as well as the noticeable place of postmodernism in Eastern literatures makes relevant it analysis based on the original Indonesian literature. Reference to the poetics of postmodernism through borrowing the simulation game technique allowed Lestari to create a commercially successful product. The perception of the text by each reader in accordance with their worldview, and engagement in the game proposed by Lestari, correspond to the ideas of the postmodernist interpretation of the literary text, as well as to the laws of the market. This is why modern Indonesian writers refer to the postmodernist paradigm.
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Damaris, Hagbe Edwige, and Mforteh Stephen Ambe. "Language Use in Alobwed’epie’s The Death Certificate: A Postmodernist Analysis." Global Academic Journal of Linguistics and Literature 4, no. 6 (December 30, 2022): 205–13. http://dx.doi.org/10.36348/gajll.2022.v04i06.004.

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This paper addresses language use in Alobwed’epie’s the Death Certificate from a postmodernist perspective. It seeks to show that the author of the selected novel, like many postcolonial African writers, attempts to assert his culture through some sort of indigenisation and intentional flouting of old canons of literature. Given that the present paper is anchored on postmodernism, the postmodernist theory the author’s is used to explain Alobwed’Epie’s perception of life and literature to assert his cultural identity through some sort of linguistic revolution. As a matter of fact, language is used in a very carefree and innovative way in order to escape the idealistic dictum of literary norms. Indigenisation is then regarded as a postmodernist technique, which aims at valorising the African identity and rejecting all the metanarratives of how a work of art should be produced. Obviously, in the present article postmodernism are both a theoretical framework and an object of study. The use of local languages and other languages like Pidgin in the novel under study has demonstrated that the then marginalised languages have moved from the margin towards the Centre and become established languages of African literature. The paper briefly discusses the emergence of postmodernism and shows how the traditional conventions have been deconstructed and substituted for new ideologies that have revolutionised the African literary landscape. It equally reviews selected previous works on language in African novels as well as on postmodernism that came up in the late 1950s as revolutionary responses to preceding movements. The paper ends with an account of the linguistic features of postmodernism used in the novel.
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Farzali Rahmanova, Irada. "The literary trend “postmodernizm” and its self-expression in modern Azerbayjani literature." SCIENTIFIC WORK 56, no. 07 (August 4, 2020): 51–54. http://dx.doi.org/10.36719/2663-4619/56/51-54.

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The article deals with such a literary trend as postmodernism and its self-expression in modern Azerbaijani literature. The article contains the review of the different scientists’, philosophers’ and writers’ views related to the postmodernism, forms of its manifestation and its impact on Azerbaijani literature. Many Azerbaijani writers created their works under the influence of European literature in the postmodernist style during the period of independence. Their works are analyzed on the basis of the concrete facts. It is noted that while encompassing a wide variety of approaches, postmodernism is generally defined by an attitude of skepticism, irony, or rejection toward the meta-narratives and ideologies of modernism, often calling into question various assumptions of Enlightenment rationality. Consequently, common targets of postmodern critique include universalist notions of objective reality, morality, truth, human nature, reason, language, and social progress. Keywords:postmodernism, globalization, fiction, literary trend, symbols
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Kurniawati, Fauziyah, and Tatik Mariyatut Tasnimah. "Al-Amidi's Critical Thinking and Its Implications to The Discussion of Postmodernism Literature Criticism." Jurnal CMES 15, no. 1 (June 28, 2022): 70. http://dx.doi.org/10.20961/cmes.15.1.53472.

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<p>This research aims to elaborate al-Amidi's critical thinking and express its implication in the discourse of postmodernism literary criticism. This research is a qualitative descriptive research. Data collection uses reading and note-taking techniques. The triangulation used in this research is data triangulation. The data analysis method in this research uses content analysis and hermeneutics methods with elements of interpretation, description, and comparison. The results of this research indicate that al-Amidi's critical method has implication in postmodernist literary discourse on the objectivity aspect of simulation in the narrative of a character based on Jean Baudrillard's assumptions. That is, although postmodernist literature tends to subjectivity to the author, it does not completely forget the basic structure that builds a literary work through a very deconstructive process of meaning. Because in essence, postmodernism has never really been separated from modernism which tends to be objective. If al-Amidi is more inclined to criticism of poetry, then postmodernist literature is more visible in literary works in the form of prose, such as short stories and novels.</p>
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Dissertations / Theses on the topic "Postmodernism (Literature)"

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Viires, Piret. "Postmodernism eesti kirjanduskultuuris /." Tartu : Tartu Ülikooli Kirjastus, 2006. http://dspace.utlib.ee/dspace/bitstream/10062/763/5/viirespiret.pdf.

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Sawada, Chikako. "Muriel Spark's postmodernism." Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/1561/.

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This study explores the shifting notions of postmodernism developed through Muriel Spark’s fiction, and thereby clarifies this artist’s own postmodernism. I use Jean-François Lyotard’s definition of the notion in his The Postmodern Condition (1979), that there is no grand narrative, as my starting point, and deploy various postmodernist theories, which can illuminate Spark’s art and can in turn be illuminated by her art, in my arguments. Throughout the thesis, I focus on two of Spark’s most important themes as crucial keys to understanding her postmodernism: the theme of individual subjectivity and the theme of the interplay of life and art. The thesis begins with the claims Spark makes for her individuality and her individual art through the voice of “I”. Chapter I considers issues about being a woman and an artist, which Spark raises around the narrator-heroine of a fictional memoir, A Far Cry from Kensington (1988). Here I present this heroine as a definition of the strength of Sparkian women who liberate themselves by practicing art. Chapter II discusses Loitering with Intent (1981), a fictional autobiography of a fictional woman novelist, alongside Spark’s own autobiography and her various biographical works. This section illustrates Spark’s notion of the “author” in relation to the “work” - and an author in control in her sense - by investigating the dynamic interplay of life and art in the form of this novel. Chapter III analyses The Driver’s Seat (1970), the novel which most shockingly elucidates the postmodern condition according to Spark and demonstrates her postmodernist narrative strategies. Her concern with the crisis of the “subject” in the world in its postmodern phase is observed in the figure of the heroine, a woman who has tried and failed to be an author in control. I argue that Spark here theorises the notion of subject, by providing her own version of the psychoanalytical “death drive” and also represents the Lacanian real as the unfigurable with this figure. Chapter IV and Chapter V follow the developments of Spark’s discussion of the crisis of the “subject” in two of her later novels. Chapter IV concentrates on the theme of Otherness in Symposium (1990). Chapter V discusses Reality and Dreams (1996), in which Spark pursues the theme of excess and opens up the contradictions inherent in this notion to bring about a new philosophy of life by art as excess.
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Tracey, Thomas. "David Foster Wallace : American literature after postmodernism." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543596.

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Cagney-Watts, Helen. "The contradictions of postmodernism : a feminist critique of postmodernism." Thesis, University of Hull, 1991. http://hydra.hull.ac.uk/resources/hull:6975.

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Wattenbarger, Melanie. "Reading Postcolonialism and Postmodernism in Contemporary Indian Literature." Ohio Dominican University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=odu1351102017.

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Charles, Alec. "James Joyce, modernism and postmodernism." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284287.

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Gorelova, Olena. "Postmodernism, Native American literature and issues of sovereignty." Thesis, Montana State University, 2009. http://etd.lib.montana.edu/etd/2009/gorelova/GorelovaO0509.pdf.

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Criticism of Native American literature is barely two centuries old, while criticism of Western literature boasts a history that is quite a bit longer. The questions on how to read and interpret tribal narrative and modern American Indian fiction are still urgent topics that trigger numerous debates among literary scholars. What theories to employ and what approaches to use to dispel misinterpretations of the literature are still matters open to suggestion. Postmodernism, the new world trend, has influenced all spheres of life, not excluding literature. Although it does seem to better account for American Indian voices as it shifts attention to local narratives and re-evaluation of history, the issue of whether it is applicable and favorable to Native American literature and its cause is a debatable one. Postmodern theory claims to liberate the suppressed voices including those of Native Americans, but at the same time presents the danger of limiting Native American literature to another set of frames while denying it its purpose, i.e. achievement of the establishment of Native American national literature. Many American Indian scholars insist that American Indian literature should not be interpreted using mainstream approaches, such as postmodernism, since they have already done enough damage, but implementing American Indian philosophies instead, such as nationalism. It also seems premature to apply postmodern theory since it deconstructs history and identity, which are still to be constructed in Native American literature. Tribal literature and tribal realities are closely connected and, therefore, the fight for Native American literature and how to interpret it appears to be a part of a bigger fight, the one for sovereignty, both national and intellectual. The "post" of postmodernism, as well as the "post" of post-colonialism, might simply not be present for Native American literature yet and, therefore, theories offered by nationalism can at the given moment be more promising to American Indian literature and its purposes.
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Cheung, Man-wai, and 張文薀. "Postmodernism in the works of Tom Stoppard." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B26758635.

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Coughran, Christopher John. "Literary ecology and the fiction of American postmodernism /." [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18752.pdf.

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McAllister, Catriona Jane. "Rewriting independence in contemporary Argentine literature : postmodernism, politics and history." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648742.

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Books on the topic "Postmodernism (Literature)"

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Huber, Irmtraud. Literature after Postmodernism. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137429919.

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Kernan, Alvin B. The death of literature. New Haven: Yale University Press, 1990.

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Kernan, Alvin B. The death of literature. New Haven: Yale University Press, 1990.

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Steven, Earnshaw, ed. Just postmodernism. Amsterdam: Rodopi, 1997.

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Rachieru, Adrian Dinu. Elitism și postmodernism: Postmodernismul românesc și circulația elitelor. Chișinău: Garuda-art, 2000.

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1944-, Ashley Kathleen M., Gilmore Leigh 1959-, and Peters Gerald 1952-, eds. Autobiography & postmodernism. Amherst: University of Massachusetts Press, 1994.

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Peter, Brooker, ed. Modernism/postmodernism. London: Longman, 1992.

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Conference on Modernism and Modernity. Modernity, modernism, postmodernism. Edited by Barbeito José Manuel ed and Eagleton Terry aut. [Santiago de Compostela]: Universidade de Santiago de Compostela, 2000.

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Clewell, Tammy. Mourning, modernism, postmodernism. Basingstoke [England]: Palgrave Macmillan, 2009.

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Clewell, Tammy. Mourning, modernism, postmodernism. New York: Palgrave Macmillan, 2009.

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Book chapters on the topic "Postmodernism (Literature)"

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Larrissy, Edward. "Blake, Postmodernity and Postmodernism." In Blake and Modern Literature, 80–99. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230627444_7.

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Mcguire, Matt, and Nicolas Tredell. "Postmodernism." In Contemporary Scottish Literature, 145–66. London: Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-07008-1_7.

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Nicol, Bran. "Postmodernism." In A Companion to Modernist Literature and Culture, 565–70. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch63.

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Ning, Wang. "Cultural Studies and Canonical Literature Studies." In After Postmodernism, 210–19. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003298946-18.

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Green, Jeremy. "The Novel and the Death of Literature." In Late Postmodernism, 45–77. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403980403_3.

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Huber, Irmtraud. "Introduction: Epitaph on a Ghost, or the Impossible End of Postmodernism." In Literature after Postmodernism, 1–18. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137429919_1.

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Huber, Irmtraud. "Post-post, Beyond and Back: Literature in the Wake of Postmodernism." In Literature after Postmodernism, 21–50. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137429919_2.

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Huber, Irmtraud. "Pragmatic Fantasies: From Subversion to Reconstruction." In Literature after Postmodernism, 51–75. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137429919_3.

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Huber, Irmtraud. "Leaving the Postmodernist Labyrinth: Mark Z. Danielewski’s House of Leaves." In Literature after Postmodernism, 79–112. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137429919_4.

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Huber, Irmtraud. "The Quest for Narrative Reconstruction: Jonathan Safran Foer’s Everything is Illuminated." In Literature after Postmodernism, 113–47. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137429919_5.

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Conference papers on the topic "Postmodernism (Literature)"

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Liu, Xiaozhe. "Avant-Garde Poetry in Postmodernism Literature." In 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.045.

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Yuasa, Kyoko. "Christian Postmodernism: The Dawn Treader as C.S. Lewis’s Mappa Mundi." In Annual International Conference on Language, Literature & Linguistics. Global Science & Technology Forum (GSTF), 2012. http://dx.doi.org/10.5176/2251-3566_l31286.

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Ilunina, A. A., and M. V. Leonova. "ABOUT THE EVOLUTION OF POSTMODERNISM IN THE CONTEMPORARY LITERATURE." In Наука преображает реальность. Воронеж: Воронежский государственный лесотехнический университет им. Г.Ф. Морозова, 2023. http://dx.doi.org/10.58168/str2023_156-158.

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Kong, Yanmei, and Zhichun Zhu. "Study on Postmodernism Nabokov's Literature under Chinese Cross-border Perspective." In 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.105.

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"A Probe into the Postmodernism in The French Lieutenant’s Women." In 2019 International Conference on Advances in Literature, Arts and Communication. The Academy of Engineering and Education (AEE), 2019. http://dx.doi.org/10.35532/jahs.v1.014.

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Rašan, Dora, and Kristina Pilko. "Typology of Social Paradigm: Literature Review of Tourist’s Gastronomic Experience." In 8th International Scientific Conference ERAZ - Knowledge Based Sustainable Development. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2022. http://dx.doi.org/10.31410/eraz.s.p.2022.107.

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Abstract:
In an examination of the tourist’s gastronomic experience, scien- tific experts approach it in different ways, depending on the research para- digm to which they belong. In scientific literature, there are paradigms such as positivism, constructivism, criticism, postmodernism, and transmodern- ism. The purpose of this study was to analyze 55 scientific articles on the tourist’s gastronomic experience according to key terms (ontology, epistemology, and methodology) and thus determine their affiliation to the appropriate paradigm. The empirical research results indicate that there are no studies of postmodernism and transmodernism, but there are studies of positivist (70.91%), critical (18.18%), and constructivist (10.91%) research views. Therefore, in future research, scientists should direct their gaze pre- cisely in the direction of these paradigms. Further research findings indicate that the largest number of analyzed studies published in the last three years is in Asia (40%), North America (34.55%), and Europe (18.18%) where the au- thors predominantly apply a quantitative research approach (69.09%). The contribution of this research is reflected in the improved theoretical knowledge of the researched issues as well as the application of the same in determining the papers with regard to the type of paradigm to which the authors of selected papers belong. Also, this study is the first in conducting a paradigmatic analysis of gastronomic tourism studies.
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Amineva, Elena. "Transformation Of The Classical Tradition In Postmodernism Literature: Works By John Fowles." In International Scientific Conference «Social and Cultural Transformations in the Context of Modern Globalism» dedicated to the 80th anniversary of Turkayev Hassan Vakhitovich. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.05.176.

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Hariton, Natalia. "The Status of the Concepts of Continuity and Rupture in the Discourse of Literary Criticism." In Conferinta stiintifica nationala "Lecturi în memoriam acad. Silviu Berejan", Ediția 6. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/lecturi.2023.06.15.

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This study examines the status of the concepts of continuity and rupture in the discourse of literary criticism, determining that they provide valuable data about the dynamics of literature and its contextual (constants of change), the behavior of the concepts in the typological aspect (marks of literary paradigms), as well as about the mutations at critical discourse level (discursive units). In terms of the concepts of continuity and rupture, several aspects of the evolving literary / critical phenomenon are examined: the battle between the old and the new as a battle for a certain canonical understanding; the tension between modernism and postmodernism, solved not only in the sense of overcoming, but also in the sense of cooperation; the interrogative and, therefore, ironic nature of critical discourse in postmodernism.
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Gerasimova, Svetlana Valentinovna. "Graph-Guru in the Postmodernism Literature: On the Example of Verses by Andrey Golov. Simplicity Concept." In Proceedings of the 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191217.193.

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Kirpichnikova, Anna. "TEACHING ENGLISH THROUGH POSTMODERNISM LITERATURE: A CASE OF "THE SENSE OF AN ENDING" BY JULIAN BARNES." In 14th International Technology, Education and Development Conference. IATED, 2020. http://dx.doi.org/10.21125/inted.2020.2351.

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