Relevant bibliographies by topics / Postmodernism (Literature) Women

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Postmodernism (Literature) Women'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Postmodernism (Literature) Women"

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Ershova, Iuliia. "The technique of postmodernist simulation game in the novel “Supernova: The Knight, The Princess, and The Falling Star” by Indonesian writer Dewi Lestari (2001)." Litera, no. 5 (May 2021): 88–96. http://dx.doi.org/10.25136/2409-8698.2021.5.35544.

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This article examines the modern Indonesian women’s prose and its interaction with the elements of postmodernist paradigm. The object of this research is the novelistic writing of the prominent Indonesian author Dewi Lestari on the example of the novel "“Supernova: The Knight, The Princess, and The Falling Star” (Supernova: Ksatria, Puteri, dan Bintang Jatuh, 2001), which is part of the series “Supernova” (2001-2016). Fiction, as the “median” field in literature, embraces various codes of language art. Relying on the tested
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Peterson, Nancy J. "History, Postmodernism, and Louise Erdrich's Tracks." PMLA/Publications of the Modern Language Association of America 109, no. 5 (1994): 982–94. http://dx.doi.org/10.2307/462966.

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The deconstruction of history by poststructuralists and some philosophers of history has occurred at the moment when women and indigenous peoples have begun to write their own historical accounts. Louise Erdrich's historical novel, Tracks, brings into focus the necessity and the difficulties of writing Native American history in a postmodern epoch. The novel addresses two crucial issues: the referential value of history (If it is impossible to know the past fully, is it impossible to know the past at all?) and the status of history as narrative (If history is just a story, how is it possible t
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3

Hariharasudan, A., and S. Robert Gnanamony. "Feministic Analysis of Arundhati Roy's Postmodern Indian Fiction: The God of Small Things." GATR Global Journal of Business and Social Science Review (GJBSSR) Vol.5(3) Jul-Sep 2017 5, no. 3 (2017): 159–64. http://dx.doi.org/10.35609/gjbssr.2017.5.3(17).

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Objective - The aim of the research is to identify the feminist strains in the postmodern Indian Fiction The God of Small Things (TGST). The researcher has planned to investigate the text systematically for seeking feministic values. Methodology/Technique - The study reviews previous literature. Findings - Gender bias and feminism are relevant themes explored by postmodernists. Arundhati Roy portrays the predicament of women through her female characters belonging to three generations in this novel. In the novel, a sense of antagonism and division also infuse the difference senses of identity
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Prihantono, Kahar Dwi. "PUISI “ODE TO PUBIC HAIR” KARYA GWERFUL MECHAIN DAN PUISI “AKU MENCINTAIMU DENGAN SELURUH JEMBUTKU” KARYA SAUT SITUMORANG: SEBUAH TELAAH BANDINGAN." MABASAN 12, no. 1 (2018): 43–63. http://dx.doi.org/10.26499/mab.v12i1.33.

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Penelitian ini mencoba membandingkan puisi “Ode to Pubic Hair” karya Gwerful Mechaindan“ Aku mencintaiMu dengan seluruh jembutKu” karya Saut Situmorang dalam kerangka postmodernisme. Dua puisi tersebut dipilih karena keduanya unik, yakni memasukkan diksi “jembut” dan imajinasi seks dalam karya puisi. Pendekatan yang dipakai adalah pendekatan sastra bandingan Sussan Bassnet, pendekatan pragmatisme puisi Vahid dkk., dan beberapa pendekatan postmodernisme Pilliang dan Craig Calhoun. Hasil penelitian ini menunjukkan bahwa Puisi “Ode to Pubic Hair” dan “Aku mencintaiMu dengan seluruh jembutKu”sama-
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Larson, Wendy. "Women and the Discourse of Desire in Postrevolutionary China: The Awkward Postmodernism of Chen Ran." boundary 2 24, no. 3 (1997): 201. http://dx.doi.org/10.2307/303713.

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Abbasova, Sadagat. "THE CHARACTERISTICS AND APPROACHES OF IMMANENCE CRITICISM IN DORIS LESSING’S NOVEL OF “THE GOLDEN NOTEBOOK”." SCIENTIFIC WORK 15, no. 2 (2021): 6–10. http://dx.doi.org/10.36719/2663-4619/63/6-10.

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Unlike the XIX century, literary culture of the XX century made a strong aesthetic leap in women’s identity. This process has caused to the emergence of a large number of new generation women writers in world literature and moreover, these writers had succeeded in revealing a real and contemporary literary phenomenon, such as “immanence- immanentism” which is focused on female landscapes in their stories and novels. In general, the works of “immanence” authors have a feminist background. As a doctrine, imamnence is used to explain the connection with the spiritual world, which is confirmed by
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7

Galytska, Iuliia. "Alias in women's literature: feminist aspects in a gender context." Grani 23, no. 4 (2020): 28–35. http://dx.doi.org/10.15421/172038.

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The problem of the identity of the woman hiding her gender under a male pseudonym makes us recollect U. Eco’s arguments about the truth and the purpose of literature as well as A. F. Losev’s ideas about the name and the meaning, the theories of the feminist literary critics K. Millett, M. Ellman, T. Moi, E. Showalter, etc. who have presented "women`s writing" and "writing about women" in the feminist field. As one of the central principles of feminist criticism is that no scientific view can ever be neutral, the problem of pseudonyms occupies an important place in the contemporary gender studi
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Liou, Liang-Ya. "Taiwanese Postcolonial Fiction." PMLA/Publications of the Modern Language Association of America 126, no. 3 (2011): 678–84. http://dx.doi.org/10.1632/pmla.2011.126.3.678.

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When the Japanese Nobel Laureate in literature KenzaburŌ Ōe visited Taiwan for a symposium held in his honor in December 2009, he hardly anticipated the political controversies into which he was thrown. Even before the conference, politicians accused the Academia Sinica, the organizing institution, of kowtowing to China by reducing a trilateral symposium involving Japan, Taiwan, and China to a “cross-strait event” and by replacing the Taiwanese novelist who was to act as Ōe's interlocutor with one more acceptable to China. Aside from the China factor, the underhanded politics tapped into ethni
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Nicholls, Peter. "Sexuality and Structure: Tensions in Early Expressionist Drama." New Theatre Quarterly 7, no. 26 (1991): 160–70. http://dx.doi.org/10.1017/s0266464x00005431.

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In the first of two essays, Peter Nicholls explores connections between ideas of an ‘absolute’ or non-representational theatre and the forms of narrative and discursivity which have traditionally invested dramatic forms. In one of the earliest Expressionist plays – Oskar Kokoschka's Murder, Hope of Women – the tension between these ideas is powerfully in evidence. Nicholls shows how Kokoschka's formal experimentalism is grounded in contemporary polemics about gender and sexuality, tracing the ways in which theatrical innovation seeks to evade the Oedipal constraints of plot and narrative. That
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Oliveira, Maria Aparecida de. "VIRGINIA WOOLF E A CRÍTICA FEMINISTA." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (2019): 18–27. http://dx.doi.org/10.34019/1982-0836.2019.v23.29177.

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O presente artigo estabelece as relações entre a A room of one’s own e a crítica feminista, observando como essa tem revisto e ressignificado o ensaio de Virginia Woolf. Serão problematizadas questões como a exclusão feminina dos espaços públicos, das esferas políticas e, consequentemente, da literatura e da história. Depois disso, abordaremos a personagem Judith Shakespeare. Por último, duas questões problematizadas serão tratadas nesta análise, a primeira refere-se à tradição literária feminina e a segunda refere-se à própria frase feminina.
 Palavras-chave: Crítica feminista, Judith Sh
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Dissertations / Theses on the topic "Postmodernism (Literature) Women"

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Nicol, Rhonda M. Harris Charles B. "The spaces between feminism and postmodernism in contemporary women's fiction /." Normal, Ill. Illinois State University, 2004. http://wwwlib.umi.com/cr/ilstu/fullcit?p3196671.

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Thesis (Ph. D.)--Illinois State University, 2004.<br>Title from title page screen, viewed May 23, 2006. Dissertation Committee: Charles Harris (chair), Christopher Breu, Janice Neuleib. Includes bibliographical references (leaves 151-163) and abstract. Also available in print.
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Collins, Lindsey. "Dissimulating women Jamaica Kincaid's Annie John and Autobiography of my mother /." [Gainesville, Fla.] : University of Florida, 2005. http://purl.fcla.edu/fcla/etd/UFE0010833.

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Kirca, Mustafa. "Postmodernist Historical Novels: Jeanette Winterson." Phd thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/12610813/index.pdf.

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The aim of this dissertation is to study postmodern historical novels, which are labeled &ldquo<br>historiographic metafictions&rdquo<br>(Hutcheon 1989: 92), in terms of their allowing for different voices and alternative, plural histories by subverting the historical documents and events that they refer to. The study analyzes texts from feminist and postcolonial literature, Jeanette Winterson&rsquo<br>s The Passion and Sexing the Cherry, and Salman Rushdie&rsquo<br>s Midnight&rsquo<br>s Children and Shame as examples in which the transgression of boundaries between fact and fiction is achieve
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Martin, Lene Karine. "Lost in the Woods: A Theatrical Journey Through Gender and Media Analysis." Oxford, Ohio : Miami University, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1133997072.

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Li, Xu. "A postmodernist parodic allegory : Thomas Pynchon's The Crying of Lot 49." Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2554106.

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Regoczy, Lucia Graciela, and n/a. "Espiritu de subversion : la construccion del discurso de la mujer en la narrativa posmoderna hispanoamericana." University of Otago. Department of Languages and Cultures, 2007. http://adt.otago.ac.nz./public/adt-NZDU20070927.141659.

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This thesis offers a typology of Postmodern women�s discourse from a sociological perspective. By focusing on the reading of Gioconda Belli�s Sofia de los presagios, Isabel Allende�s Paula, and Anacristina Rossi�s La loca de Gandoca, it examines how each writer achieves, thanks to the process of dialogism and the carnivalesque, a critique of social and aesthetic values, associated with Eurocentric discourse. Thanks to these two processes, the values associated with the marginalized position of women in Latin America, are brought to the surface, offering a better understanding of the relation
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Roane, Nancy Lee. "Misreading the River: Heraclitean Hope in Postmodern Texts." Oberlin College Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1431966455.

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Hope, Gerhard Ewoud. "Crossing boundaries : gender and genre dislocations in selected texts by Samuel R. Delany." Diss., 2001. http://hdl.handle.net/10500/16962.

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This dissertation offers an examination of Delany's critical trajectory from structuralism to poststructuralism and postmodernism across a gamut of genres from SF to sword-and-sorcery, pornography, autobiography and literary criticism. Delany's engagement with semiotics, Foucault and deconstruction form the theoretical focus, together with his own theories of how SF functions as a literary genre, and its standing and reception within the greater realm of literature. The impact of Delany as a gay, black SF writer is also examined against the backdrop of his varied output. I have used th
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Hennessy, C. Margot. "Raiding the inarticulate: Postmodernisms, feminist theory and black female creativity." 2010. https://scholarworks.umass.edu/dissertations/AAI3409587.

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This is an investigation into the ways that postmodern theories and feminist theories have both failed to learn from each other and yet also reveal the blindness' implicit in each other. Postmodern theory has consistently failed to engage gender in any significant way and feminist theory has consisted failed to find the usefulness of the methods and questions posed by postmodern theorists. Both approaches have failed to address the very real and important perspectives of the post colonial others who have been addressing the questions of race, gender, history, and agency for hundred of years. T
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Costa, Dominique Maria Figueira Curado Castanheira da. "Narrative technique in postmodernist british fiction: a narratological analysis of selected novels by John Fowles and Peter Ackroyd: The collector (1963): The french lieutenant`s woman (1969): A Maggot (1985): Hawksmoor (1985)." Doctoral thesis, 2000. http://hdl.handle.net/10400.13/1408.

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Books on the topic "Postmodernism (Literature) Women"

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Wolmark, Jenny. Aliens and others: Science fiction, feminism and postmodernism. Harvester Wheatsheaf, 1994.

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Wolmark, Jenny. Aliens and others: Science fiction, feminism, and postmodernism. University of Iowa Press, 1994.

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Side dishes: Latin/o American women, sex, and cultural production. Rutgers University Press, 2009.

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Aliens and others: Science fiction, feminism, and postmodernism / Jenny Wolmark. University of Iowa Press, 1994.

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Dorscht, Susan Arlene Rudy. Women, reading, Kroetsch: Telling the difference. Wilfrid Laurier University Press, 1991.

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Sovremennyĭ literaturnyĭ prot͡s︡ess: K voprosu o postmodernizme v russkoĭ literature 70-90-kh godov XX veka. Filologicheskiĭ fakulʹtet Sankt-Peterburgskogo gos. universiteta, 2001.

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Tactical readings: Feminist postmodernism in the novels of Kathy Acker and Angela Carter. Bucknell University Press, 2002.

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Postmodern vernaculars: Chicana literature and postmodern rhetoric. Peter Lang, 2005.

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Curti, Lidia. Female stories, female bodies: Narrative, identity, and representation. Macmillan Press, 1998.

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Female stories, female bodies: Narrative, identity, and representation. New York University Press, 1998.

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Book chapters on the topic "Postmodernism (Literature) Women"

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Weldt-Basson, Helene Carol. "All Women Are Whores." In Postmodernism’s Role in Latin American Literature. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230107939_10.

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Nikolić, Andrijana. "Periferno kao izbor u romanu Mirisi, zlato i tamjan Slobodana Novaka." In Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze. University of Silesia Press, 2021. http://dx.doi.org/10.31261/pn.4028.19.

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In this paper we will analyze the personal choice of individuals, who chose peripheral life on the island which is their prison and their freedom at the same time. Though eager to do so, the protagonists of the novel, Mali and Draga, do not escape from the island. They are essentially prisoners of their own choice, from which they apparently try to escape, not escaping only from responsibilities and obligations that tie them to the island, that is, to nurturing a handicapped old women Madonna. In self-deprivation and oppression satisfying Madonna’s wishes, Mali voluntarily fulfills her desires, aware of the nonsense in which he dives, conscious of alienation, which he cannot resist. Although, at one point, Mali will pronounce all of his own disappointment, the reader will not accept it as the main hero’s awareness about the failure of life but she/he will rather “involve” in a postmodernist way in author’s thinking and his attitude towards the main character. The essence of the psychological lies not in the fact that the writer played with the possibility of rejecting the protagonist, but, on the contrary, enabled him to choose his path, which led him to the island, on which he remains. The bareness of life was reduced by the literary process to the final outcome of the earthly existence. Without coercion or request, just by rough realistic method, the writer points to the masculinity of the main character, who is firm, does not give up on his ideals, but at the same time remains a prisoner of his habits. With the abundance of biblical motifs and symbols, Slobodan Novak created the hero of the novel who grows out of the narrative events and who is not uniform, but in the given situations he changes, resisting, retreating or adjusting. In the atmosphere of the stagnant island an ironic and scathing prose was made, whose main protagonists accepted peripherality as a habit.
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Conference papers on the topic "Postmodernism (Literature) Women"

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"A Probe into the Postmodernism in The French Lieutenant’s Women." In 2019 International Conference on Advances in Literature, Arts and Communication. The Academy of Engineering and Education (AEE), 2019. http://dx.doi.org/10.35532/jahs.v1.014.

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