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Journal articles on the topic 'Postmodernism'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Shah, Mohd Hazim. "Religion and Postmodernism." Journal of KATHA 18, no. 1 (2022): 1–20. http://dx.doi.org/10.22452/katha.vol18no1.1.

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In this article, I discuss the implications of postmodernism on religious thought, with special reference to Islamic thought. Firstly, I discuss the nature and characteristics of postmodernist thinking, and the different schools of thought/’postmodernisms’ that fall under that rubric. My contention is that postmodernism is a response to modernism rather than religion, although it has implications on religious thought. Secondly, I examine and compare the points of contention between modernism and post-modernism. I then argue that the differences are largely due to the privileging of nature and

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Pangumbahas, Recky, and Oey Natanael Winanto. "MEMBACA KEMBALI PANDANGAN MORALITAS POSTMODERNISM UNTUK KONTEKS PENDIDIKAN KRISTEN (RE-READING THE WORLDVIEW OF POSTMODERNISM MORALITY FOR THE CONTEXT OF CHRISTIAN EDUCATION)." QUAERENS: Journal of Theology and Christianity Studies 3, no. 1 (2021): 73–84. http://dx.doi.org/10.46362/quaerens.v3i1.33.

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One of the most important elements of postmodernity is the growing awareness of the diversity and potential incommensurability of the various forms of cultural life that sustain groups and individuals and addresses the postmodernist denial that postmodernism is inherently apathetic or hostile to social or political action. Postmodernism is a reaction to the epistemological ideals of modernity. Postmodernism is based on a limited human point of view, and thus becomes a prisoner of its own subjectivity, resulting in two main characteristics, namely pluralism and relativism. This study analyzes t

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Fokkema, Douwe. "Postmodernism and postmodernity: What do these terms mean and why are they successful?" European Review 6, no. 1 (1998): 25–33. http://dx.doi.org/10.1017/s1062798700002970.

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The various meanings of the terms ‘postmodernism’ and ‘postmodernity’ are traced; in various European languages these mean different things. Postmodernist discussion in the various arts is not synchronous. Postmodernism can be seen as the cultural expression of the times we supposedly live in, but are the achievements of modernity gone for ever?

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Alfredo, Zeli. "Postmodern International Relations: Postmodernism beyond Social Constructivism." International Journal of Social Science and Education Research Studies 04, no. 08 (2024): 946–55. https://doi.org/10.5281/zenodo.13589547.

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Abstract : This paper examines the concept of postmodernism in International Relations (IR), exploring its dual meaning as both a historical period and a theoretical approach. It traces the emergence of postmodernity as a description of the post-Cold War global order characterized by complex interdependence and transnational challenges. The paper then delves into postmodernism as a theoretical stance in IR, emphasizing its focus on social construction, discourse analysis, and critique of power structures. Special attention is given to social constructivism, particularly Alexander Wendt’s

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Ismail, Yusuf. "Postmodernisme dan Perkembangan Pemikiran Islam Kontemporer." Jurnal Online Studi Al-Qur an 15, no. 2 (2019): 235–48. http://dx.doi.org/10.21009/jsq.015.2.06.

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Modernism and postmodernism were born from mainland Europe and America. This philosophical thought penetrated religious issues. Postmodernism was born as an attempt to understand social conditions and phenomena, the term postmodernism appeared for the first time in literature in 1939. In the context of religion, Postmodernism in its aim so that religious understanding does not fall into the system of totalitarian interpretation in a religious context and the context of social systems, economics, culture, and politics. The topic of Postmodernism in this paper is presented based on its actuality

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Bentz, Valerie Malhotra, and Wade Kenny. "“Body-As-World”: Kenneth Burke's Answer to the Postmodernist Charges against Sociology." Sociological Theory 15, no. 1 (1997): 81–96. http://dx.doi.org/10.1111/0735-2751.00024.

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Postmodernism charges that sociological methods project ways of thinking and being from the past onto the future, and that sociological forms of presentation are rhetorical defenses of ideologies. Postmodernism contends that sociological theory presents reified constructs no more based in reality than are fictional accounts. Kenneth Burke's logology predates and adequately addresses postmodernism's valid charges against sociology. At the same time, logology avoids the idealistic tendencies and ethical pitfalls of radical forms of postmodernist deconstruction, which acknowledge neither pre-text

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Leask, Ian. "Postmodernism pace postmodernity?" Educational Philosophy and Theory 50, no. 14 (2018): 1481–82. http://dx.doi.org/10.1080/00131857.2018.1501235.

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Meshcheryakov, Sergey. "Myth and Religion in Goran Petrović’s Novel “The Siege of the Church of the Holy Savior”." Stephanos Peer reviewed multilanguage scientific journal 57, no. 1 (2023): 137–47. http://dx.doi.org/10.24249/2309-9917-2023-57-1-137-147.

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The article reveals the interrelationship between myth and religion, fantastics and reality in Goran Petrović’s novel “The Siege of the Church of the Holy Savior”. The provisions on the belonging of thenovel to postmodernism, on the parallels of the “Siege of the Church of the Holy Savior” with the work of the famous Serbian postmodernist writer Milorad Pavić are considered. The presence of elements of postmodernist poetics in Petrović is noted, the possibilities of combination postmodernism and myth, postmodernism and Christianity are explored.

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Ahmad, Hareem. "Postmodernism and Popular Culture." European Journal of Philosophy, Culture and Religion 9, no. 1 (2025): 1–9. https://doi.org/10.47672/ejpcr.2626.

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Purpose: This research examines postmodernism's influence in social and political change and its relationship to popular culture. It examines how postmodernism changed media studies, cultural anthropology, gender studies, and youth culture. This study seeks to address gaps in our knowledge by analyzing how postmodern notions promote a more flexible cultural analysis and challenge traditional identity and representation theories. Materials and Methods: Gayatri Chakravorty Spivak, Walter Benjamin, Susan Sontag, and Angela McRobbie are among the postmodernists and cultural theorists explored in t

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Haj'jari, Mohammad-Javad. "Gothic entrapment within textuality in Auster’s travels in the scriptorium." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 77 (March 5, 2025): 1–20. https://doi.org/10.5007/2175-8026.2024.e98774.

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“Gothic-postmodernism” builds upon the shared ontological inquiry into the nature of reality inherent in both the Gothic and postmodernism. By adapting most of the thematic and narrative elements of the Gothic to postmodernist fiction, this genre enables new interpretations of self-reflective literature, where the Gothic sublime manifests itself through textual erasure as Gothic-postmodernist horror. This article argues that Travels in the Scriptorium is Auster’s significant contribution to Gothic-postmodernism, given its self-reflexivity as postmodernist metafiction and its Gothic aspirations

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Van Brummelen, Harro. "Postmodernism and Teacher Education Programmes in Christian Colleges." Journal of Education and Christian Belief 1, no. 2 (1997): 145–67. http://dx.doi.org/10.1177/205699719700100209.

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WITH THE DECLINE of a modernist techno-rationalist view of knowledge, teachers are no longer knowledge dispensers but dialogue facilitators who reject the notion of one ‘right’ view. Although postmodernism comes in a variety of forms e.g constructivism, it does have some central features. There are both strengths and weaknesses in the postmodernist approach to life and in the way it applies to education. Christian teacher education programmes should be transformative, vital and transcendent, based in a vision of humanity which rejects both the oppressive impotence of modem scientism and the eg

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Brodeur, Jean-Paul. "La pensée postmoderne et la criminologie." Criminologie 26, no. 1 (2005): 73–121. http://dx.doi.org/10.7202/017331ar.

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This article is an attempt to investigate the various meanings of the words "postmodernity", "postmodernism" and "postmodern". ft also assesses the significance of these words and of the concepts that they express for criminology. The paper is divided in three parts. The first part tries to dispell important misunderstandings that have sprung in relation to postmodernism. The most significant of these is the belief that there is such a thing as a postmodernist "method" in the social sciences. The second part identifies the origin of the term "postmodern" and discusses various themes which are

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Petrovschi, Nina. "Pragmatic approaches to visual learning in postmodernism education." Univers Pedagogic, no. 2(74) (August 2022): 14–18. http://dx.doi.org/10.52387/1811-5470.2022.2.02.

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The article analyzes the signifcant correlation between postmodernism and pragmatic learning. Postmodernism, as a cultural phenomenon, manages to dispose of a contemporary pedagogical thinking in a pragmatic challenge of proportions. Postmodernism promotes a new kind of understanding of the relationship between knowledge and experience, theory and practice at the level of human action. Postmodernist education aspires to an integration between pedagogical theory and pedagogical practice.

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Szegedy-Maszák, Mihály. "Postmodernity and postcommunism." European Review 6, no. 1 (1998): 53–62. http://dx.doi.org/10.1017/s1062798700003008.

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Generalizing between postmodernity and postmodernism is of doubtful value. The shift from communism to postcommunism has led to a decline, or different significance, of postmodernism in Eastern Europe.

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Brown, Adrian. "Oh No Po Mo!?" Journal of Education and Christian Belief 1, no. 1 (1997): 53–61. http://dx.doi.org/10.1177/205699719700100109.

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Extended reviews of four new books that tackle postmodernism. The first pair focus on the interaction of postmodernism and Christian thought. The second pair concentrate on education and postmodernity.

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Moyo, Tafara. "POSTMODERN FICTION AS CRITIQUE AND AFFIRMATION OF THE SPIRIT OF ENLIGHTENMENT AND MODERNITY." Imbizo 5, no. 2 (2017): 3–12. http://dx.doi.org/10.25159/2078-9785/2841.

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In this essay I argue that affirmations of traces of the Enlightenment project are locatable in the itinerary of postmodernisms simultaneously as the erosive disavowal of certain features of Enlightenment is persistently played out. Seeded in postmodernism is the disruptive iconoclastic act of Enlightenment. Enlightenment dismantled the edifice of feudalism to impose its own iconography and taxonomical protocols. But unlike Enlightenment/modernity, postmodernism’s subversion lacks the teleology to install a new iconography. While the impetus of Enlightenment/modernity formulates metanarrative

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DEVRİM, Nehir. "POSTMODERNIST ANALYSIS OF THE PILLOWMAN." EUROASIA JOURNAL OF SOCIAL SCIENCES & HUMANITIES 9, no. 28 (2022): 1–8. https://doi.org/10.5281/zenodo.7268669.

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Postmodernism is among the most discussed subjects in contemporary world. Despite the criticism, postmodernism has been thriving in many different subject areas after modernism’s failure in keeping its promise for a “better life”. This paper mainly aims to examine and discuss devices and techniques used in the 2003 play The Pillowman by Martin McDonagh in the light of postmodernism. This study will examine postmodernist features and devices such as intertextuality, narratives/grand-narratives, black humor, metafiction, hyperreality, self-reflexivity, irony, paranoia, fragment

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Manning, Susan. "Reggie Wilson and the Traditions of American Dance." TDR/The Drama Review 59, no. 1 (2015): 12–24. http://dx.doi.org/10.1162/dram_a_00425.

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The significance of Reggie Wilson’s research-to-performance method within the canons of American dance arises from the way his distinctive approach confounds critical categories, blurring the divide between Black Dance and black postmodernism. Is his work too postmodernist for advocates of Black Dance and too Black for advocates of postmodernism?

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Shephard, Roy J. "Postmodernism and Adapted Physical Activity: A New Gnostic Heresy?" Adapted Physical Activity Quarterly 16, no. 4 (1999): 331–43. http://dx.doi.org/10.1123/apaq.16.4.331.

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This paper examines the postmodernist critique of the scientific method in the specific context of adapted physical activity. Particular assumptions identified include (a) that truth must be approached through testing hypotheses, with acceptance of the most plausible explanation, (b) that underlying laws have general (if not universal) application, and (c) that the observer approaches an experiment free of bias and without interacting with the subject. Postmodernists also argue, less convincingly, that users of the scientific method are committed to reductionism, are tyrannized by the mean, an

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Green, Ronald M. "Business Ethics as a Postmodern Phenomenon." Business Ethics Quarterly 3, no. 3 (1993): 219–26. http://dx.doi.org/10.2307/3857250.

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This paper contends that work in business ethics participates in two key aspects of the broad philosophical and aesthetic movement known as postmodernism. First, like postmodernists generally, business ethicists reject the “grand narratives” of historical and conceptual justification, especially the narratives embodied in Marxism and Milton Friedman’s vision of unfettered capitalism. Second, both in the methods and content of their work, business ethicists share postmodernism’s “de-centering” of perspective and discovery of “otherness,” “difference” and marginality as valid modes of approach t

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Alloway, Nola. "Early Childhood Education Encounters the Postmodern: What do We Know? What Can we Count as ‘True’?" Australasian Journal of Early Childhood 22, no. 2 (1997): 1–5. http://dx.doi.org/10.1177/183693919702200202.

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In both the academic community and the community at large there has been much talk about the impact of postmodernism on particular fields of study and on our ways of thinking about issues. Very little consideration has been given to how postmodernist thinking potentially impacts on early childhood education. This paper looks at how postmodernist thinking can disrupt traditional beliefs about child development and appropriate practice by asserting a more critical and sceptical approach to knowledge and truth statements. Postmodernism opens out the possibility for multiple points of view, for a

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Matei, Alexandru. "Post-modern-east ou comment peut-on être « post-moderniste sans post-modernité » et sans Lyotard ?" Interlitteraria 26, no. 1 (2021): 324–39. http://dx.doi.org/10.12697/il.2021.26.1.22.

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The Post-Modern East, or How Can We Be ‘Post-Modern without Postmodernity’ and without Lyotard? Despite the idea of the universality of ‘postmodernism’ as a new stage in the Western World, it is now clear that the term was coined, launched, adopted or rejected differently in different places, along local historical lines. Hence, we have not only an American and a European postmodernism, but also an East European postmodernism, what we shall call the Post-Modern East. We delineate its characteristics based on a survey that looked at how East European cultures adopted and discussed postmodernism

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Teampău, Radu. "Theatre Performance in Postmodernism." Theatrical Colloquia 8, no. 1 (2018): 187–205. http://dx.doi.org/10.2478/tco-2018-0001.

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Abstract The present paper aims to investigate, in brief, the controversial relationship between postmodernism and modernism; to outline, synthetically, the specific procedures of conceiving theatre performance in postmodernity; to analyze the performance narrative that, in postmodern era, reveals the indicible and the existential fragmentation. The research is carried out taking into consideration the end of postmodernism which was announced since the middle of the first decade of the 21st century. At the same time, besides the attempt to observe the phenomenon in its theatrical implications,

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Viires, Piret. "End of Irony? Estonian Literature after Postmodernism." Interlitteraria 16, no. 2 (2011): 451–63. http://dx.doi.org/10.12697/il.2011.16.2.5.

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In their work published in 2001, “After Postmodernism” (López, Potter 2001), the editors Garry Potter and José López claim that postmodernism was the most influential intellectual trend of the last third of the 20th century, and one of the central trends in the Western cultural-theoretical thinking since the 1960s. Postmodernism managed to grasp the spirit of the time and at the same time challenge self-confidence, presented by the mind, objectivity and knowledge (ib. 3). At the same time the authors have to admit that by the beginning of the 21st century the heyday of postmodernism had passed

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Lushnikova, Galina I., and Tatiana Yu Osadchaia. "Metamodernism in contemporary literature (On Dave Eggers' novel “The CIRCLE”)." Slovo.ru: Baltic accent 13, no. 3 (2022): 124–41. http://dx.doi.org/10.5922/2225-5346-2022-3-7.

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Currently, the literary process is witnessing the emergence of a new trend — post-postmodernism, developing along several lines. The article offers a review of theoretical works of Russian and foreign authors, devoted to the study of post-postmodernism, its main characteristics, and terminology. On the basis of the novel "The Circle" (2013), written by the American writer Dave Eggers, which has not yet become the subject of study in Russian literary criticism,the authors explore the main features of metamodernism as one of the directions of post-postmodernism. The methodology of the study is

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Kolesnikov, A. Y. "Postmodernism is dead, and I’m not quite yet." Voprosy literatury, no. 2 (May 27, 2019): 42–49. http://dx.doi.org/10.31425/0042-8795-2019-2-42-49.

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The article polemicizes about the state of Russian Postmodernist culture in general and the country’s Postmodernist literature, in particular. The author finds that contemporary culture exists at the intersection of two paradigms: a dwindling Postmodernism and a nascent Metamodernism, giving rise to new literary vectors and phenomena. Mass culture appropriates Postmodernist methods and techniques: irony, intertextuality, and play-mode rethinking of classical subjects and ideas. The author observes a transformation of Postmodernism into an assembly line for mass production and consumption. At t

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Kaldybayeva, R. T., A. A. Bizhanova, and D. Zh Dauylova. "THE POSTMODERN CHARACTER OF M.MAGAUIN’S STORY «THE HEAT OF JULY»." Keruen 86, no. 1 (2025): 177–86. https://doi.org/10.53871/2078-8134.2025.1-13.

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The article considers the postmodern character of M. Magauin’s story “Zhazdykuni shilde bolganda” (“The heat of July”). The aim of the study was to identify postmodernist features in the writer’s work. The article’s scientific relevance is found in its analysis of intertextual interpretations in postmodern stories, which shows the works' postmodern qualities. The results of the study can be used in the teaching of university students, in the research work of master’s and doctoral students, as well as in teaching such disciplines as “Theory of Literature”, “Introduction to Literary Studies” and

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Damaris, Hagbe Edwige, and Mforteh Stephen Ambe. "Language Use in Alobwed’epie’s The Death Certificate: A Postmodernist Analysis." Global Academic Journal of Linguistics and Literature 4, no. 6 (2022): 205–13. http://dx.doi.org/10.36348/gajll.2022.v04i06.004.

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This paper addresses language use in Alobwed’epie’s the Death Certificate from a postmodernist perspective. It seeks to show that the author of the selected novel, like many postcolonial African writers, attempts to assert his culture through some sort of indigenisation and intentional flouting of old canons of literature. Given that the present paper is anchored on postmodernism, the postmodernist theory the author’s is used to explain Alobwed’Epie’s perception of life and literature to assert his cultural identity through some sort of linguistic revolution. As a matter of fact, language is u

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Rouleau, Linda, and Stewart R. Clegg. "Postmodernism and Postmodernity in Organization Analysis." Journal of Organizational Change Management 5, no. 1 (1992): 8–25. http://dx.doi.org/10.1108/09534819210010935.

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Singh Randhawa, Harbir. "Post-Modernist and Cosmopolitan aspects in Haruki Murakami's After Dark." Dialogue: A Journal Devoted to Literary Appreciation 18, no. 1 (2022): 72–78. http://dx.doi.org/10.30949/dajdtla.v18i1.16.

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        The connection of Postmodernism and Cosmopolitanism is deeply interlocked by the visible traces of Globalisation in literature. With globalisation following immediately after the peak of Postmodernism; the contemporary mood of literature frequently switched between the typical postmodernist denial of classifications and the constant cosmopolitan tendencies of identical consumerism all over the world. As a consequence, such literature was produced which showcased the dynamic contemporary dispositions of a consumerist society that individua

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Lushnikova, Galina I., and Tatiana Yu Osadchaia. "CONTAMINATION OF POSTMODERNIST AND POST-POSTMODERNIST TENDENCIES IN THE WORKS BY J. FRANZEN." Philological Class 26, no. 2 (2021): 200–211. http://dx.doi.org/10.51762/1fk-2021-26-02-17.

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The study focuses on the manifestation of the main literary trends – postmodernism and post-postmodernism – in the novels of the contemporary American writer J. Franzen, which has determined the purpose of the paper – to identify, characterize and analyze the leading features of the new literary tendencies that have obtained original interpretation in the writer’s literary creative activity. The article gives a brief overview of philosophical, cultural and literary criticism studies of both home and foreign scholars, which describe the vectors of development of the literary process at the pres

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Duniya, Giles, and Kehinde Adewumi. "Contemporary Nigerian Artists' Response to Postmodernist Trends and Its Implications for Effective Artistic Growth." African Journal of Inter/Multidisciplinary Studies 5, no. 1 (2023): 1–11. http://dx.doi.org/10.51415/ajims.v5i1.1202.

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The arguably retrogressive development of infrastructures, socio-political systems and technology in most African states casts a shadow of doubt on Africa’s claim to modernity and by extension, postmodernity. Within the context of the arts, the argument of this paper is premised on two questions: Why do some Nigerian artists claim to be post-modern? What is the viability of such a claim, in a country that, one is wondering whether it is even a modern society? To proffer answers to these questions, the paper enunciates a historical overview of contemporary African art and artists vis-à-vis the

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GHEORGHIȚĂ, Laura. "Postmodernism. The Phenomenon That Has Gained Authority." ANALELE UNIVERSITĂȚII DIN CRAIOVA SERIA ȘTIINȚE FILOLOGICE LIMBI STRĂINE APLICATE 2024, no. 1 (2024): 190–96. http://dx.doi.org/10.52744/aucsflsa.2024.01.21.

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The concept of postmodernism has been theorized over time by several authors, highlighting the importance of the link between it and postmodernity, the period in which it began to develop, within the formulation of the features of the current. Postmodernism appears in a post-industrial world, a world in which architecture, electronics, genetics, art etc. have developed. In postmodernity, the world begins to change, to tend towards the expansion of pop culture, to become much freer and to accept new behaviors. Against the background of such a cultural context, a new literary trend begins to tak

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Bertens, Hans. "Postmodernism: the Enlightenment continued." European Review 6, no. 1 (1998): 35–43. http://dx.doi.org/10.1017/s1062798700002982.

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Postmodernism is often virtually equated with French poststructuralism, and seen as anti-rationalist and anti-humanist, even downright nihilist. However, the idea of difference that is central to much poststructuralist thinking can also be used to construct a model of postmodernism/postmodernity that avoids the endless denials of poststructuralism while allowing the establishment of a grip on the distinctions of our own postmodern period from an earlier modernity.

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Hawari, Firman. "KAIDAH SEMIOTIKA PADA FURNITURE POSTMODERNISME." Jurnal Dimensi Seni Rupa dan Desain 9, no. 1 (2012): 1–12. http://dx.doi.org/10.25105/dim.v9i1.952.

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Abstract Designing postmodernism product more produces form that purpused to local elements, sfecific, individual, associative , and aesthetic and avoid mass -produce orientation, rational and stiff. It was also in designing furniture. After design processing based on culture reality, cretaing postmodernism furniture are also followed by semiotic meaning. Without ignoring function, the aim of designing process is dominated by form exploring. Development of postmodernism furniture is caused by development of society perspective that purpused to plurality in many fields. material invention are f

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Mohsin, Assist T. Mehdi Abbass. "Uncertainty of Theme in the Postmodernist Fiction:." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 227, no. 2 (2018): 1–10. http://dx.doi.org/10.36473/ujhss.v227i2.723.

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The current paper is titled Uncertainty of theme in the postmodernist fiction: The case of Pynchon's Entropy. It aims at clarifying how features of postmodernist text have an impact on theme production. Language is alienated as it does not refer to the conscious world. However, it refers to unconscious world which is characterized by cryptic and it does not make a sense of the world. The scope of the study throws light on the features of postmodernism to show how psychological factors are employed in the text and the functions of its stylistic features. It is hypothesized that damage in man's

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Mirzoulug, Mamasaliev. "Emergence of Postmodernism After World War II Characteristics of Being." Pubmedia Social Sciences and Humanities 2, no. 3 (2025): 7. https://doi.org/10.47134/pssh.v2i3.346.

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This article examines the emergence and development of postmodernism as a literary and cultural movement following World War II. Postmodernism is characterized by its departure from modernist principles, embracing fragmentation, irony, black humor, and metafiction. The study investigates the philosophical underpinnings of postmodernism through prominent theories such as deconstruction and poststructuralism, drawing on works of key figures like Derrida, Lyotard, and Baudrillard. Methodologically, the analysis focuses on thematic and stylistic elements, emphasizing how postmodern literature ques

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Rajbhandari, Jitendra Man. "Exploring T.S. Eliot’s The Waste Land as a Pre-postmodern Text." Journal of Development Review 8, no. 2 (2023): 68–72. http://dx.doi.org/10.3126/jdr.v8i2.59205.

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Despite being a groundbreaking literary work of Modernism, T.S. Eliot’s poem The Waste Land heralds the new era of Postmodernism that officially begins almost two decades after its publication. Although Eliot is one of the best representatives of modernist poets, his major work The Waste Land foreshadows some postmodern techniques and concepts. A seminal modernist poem of 1922, it can also be read as a postmodernist poem in the making. The present paper analyses some postmodern elements in The Waste Land and finds it a great epic of pre postmodernist thoughts. Its intertextuality, fragmentatio

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Rhee, Young Suck. "Yeats and Postmodernism: Rethinking Yeats’s “Postmodernist” Work." Yeats Journal of Korea 66 (December 30, 2021): 271–81. http://dx.doi.org/10.14354/yjk.2021.66.271.

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Bowden, Bradley G. "Empiricism, epistemology and modern postmodernism: a critique." Qualitative Research in Organizations and Management: An International Journal 14, no. 4 (2019): 481–97. http://dx.doi.org/10.1108/qrom-02-2019-1726.

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Purpose The purpose of this paper is twofold: first, it seeks to trace the origins of the various strands of postmodernism within German philosophic idealism; traditions of thought which placed emphasis – like postmodernism – on a subjective understanding of evidence and a supposed capacity of human consciousness to continually move beyond the bounds imposed by social convention and being; second, this paper states that postmodernism, rooted as it is in philosophic idealism, is methodologically and conceptually constrained. Its emphasis on consciousness and will marginalize its capacity to mak

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Szymańska, Małgorzata. "Aktualność operatywnego modelu wykładni prawa w obliczu postmodernizmu." Prawo 320 (September 28, 2016): 165–76. http://dx.doi.org/10.19195/0524-4544.320.11.

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The validity of the operative model of legal interpretation in the face of postmodernismDue to postmodernist philosophy is becoming summary increasingly popular this article concerns the validity of a legal interpretation model commonly used in modern times with regard to the postmodernist point of view. Although this problem is widely described in Western literature, in Poland, on the contrary, it is gaining popularity only among philosophers of law. The aim of the article is to present the critical approach of postmodernist philosophy to existing order and demonstrate its attitude towards in

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Ershova, Iuliia. "The technique of postmodernist simulation game in the novel “Supernova: The Knight, The Princess, and The Falling Star” by Indonesian writer Dewi Lestari (2001)." Litera, no. 5 (May 2021): 88–96. http://dx.doi.org/10.25136/2409-8698.2021.5.35544.

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This article examines the modern Indonesian women&rsquo;s prose and its interaction with the elements of postmodernist paradigm. The object of this research is the novelistic writing of the prominent Indonesian author Dewi Lestari on the example of the novel "&ldquo;Supernova: The Knight, The Princess, and The Falling Star&rdquo; (Supernova: Ksatria, Puteri, dan Bintang Jatuh, 2001), which is part of the series &ldquo;Supernova&rdquo; (2001-2016). Fiction, as the &ldquo;median&rdquo; field in literature, embraces various codes of language art. Relying on the tested

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Rasmussen, David M. "Business Ethics and Postmodernism: A Response." Business Ethics Quarterly 3, no. 3 (1993): 271–78. http://dx.doi.org/10.2307/3857253.

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“Business Ethics and Postmodernism: A Response” considers the contribution of Ronald Green, David Schmidt, Clarence Walton, Ron Duska, and Richard Neilsen to a special issue of Business Ethics Quarterly entitled “Business Ethics and Postmodernism.” This essay poses a fundamental question: to what extent can a position which characterizes itself as postmodern be ethical? The paper argues on philosophical grounds that the debate between modernity and postmodernity is a debate over the very possibility of an ethic. The paper concludes that although Jacque Derrida has made the most convincing argu

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Bockmann, Melanie. "Faith, Doubt, and Disbelief: Preaching Undeconstructible Truth in a Metamodern Context." International Journal of Homiletics 6, no. 1 (2023): 23–36. http://dx.doi.org/10.21827/ijh.6.1.23-36.

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Postmodernism’s claim against absolute truth has been problematic for preaching. If the primary purpose for preaching is disseminating truth, and there is no absolute truth, then what is preaching’s principal purpose? Many preachers feel the pressure of navigating a context in which truth and authority are under fire, and questioners are leaving the evangelical church in the US in increasing numbers. Homiletic responses to postmodernism include ignoring or vocally opposing it, with few preachers accepting postmodernism as a worthy conversation partner. However, postmodernism has given way to a

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Afanasov, Nikolai. "In Search of Lost Modernity." Sotsiologicheskoe Obozrenie / Russian Sociological Review 18, no. 1 (2019): 256–65. http://dx.doi.org/10.17323/1728-192x-2019-1-256-265.

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Kauffman, James M. "Are We All Postmodernists Now?" Behavioral Disorders 23, no. 3 (1998): 149–52. http://dx.doi.org/10.1177/019874299802300305.

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The term postmodernism is impossible to define in the general case; it can be interpreted only with reference to specific fields of work or study. Even when referring to special education or behavioral disorders, however, people are free to define virtually anything they wish as postmodern. Because postmodernism is a vague concept and a pervasive contemporary movement, we all may be, in some sense, postmodernists.

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M.Z.Djalaldinova. "IKKINCHI JAHON URUSHIDAN KEYIN POSTMODERNIZMNING PAYDO BO'LISH XUSUSIYATLARI." JOURNAL OF UNIVERSAL SCIENCE RESEARCH 1, no. 4 (2023): 227–34. https://doi.org/10.5281/zenodo.7830779.

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Ushbu maqolada ikkinchi jaxon urushidan so’ng yuzaga kelgan postmodernizm adabiy yo’nalishi, uning paydo bo’lish omillari, postmodernism xususiyatlari, jamiyatning turli soxalariga bo’lgan ta’siri hamda zamonaviy adabiyotshunoslar asarlarida postmodernizm g’oyalarining aks etishi taxlil etiladi.  

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Rubtsov, Alexander V. "Postmodern as a “Non-object”. On Criticism of Ontology and Language of Postmodern Self-identification." Voprosy Filosofii, no. 1 (2022): 134–47. http://dx.doi.org/10.21146/0042-8744-2022-1-134-147.

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The article considers the internal contradictions of the popular attitude, according to which postmodernism as such, in principle, “is not an object” (current, style, school, etc.). At best, it is assigned a set of intentions and conditions that characterize the “situation of postmodernism”. However, in postmodernism itself, which rejects binary oppositions, the concept of an object is generally eliminated. In traditional logic, on the contrary, there is nothing that could not be an object in its proper and strict sense. These inconsistencies are generated by the forced mixing of languages

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Bira, Alwen. "Pengetahuan Ditinjau dalam Perspektif Posmodernisme." Philoxenia: Jurnal Teologi dan Pendidikan Kristiani 2, no. 1 (2023): 45–51. http://dx.doi.org/10.59376/philo.v2i1.24.

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Postmodernism cannot be separated from modernism. Modernism's paradigm that science is absolute and objective means that humans cannot judge it. This is where a new thought called postmodernism was born which became a continuation of modernism which gave a new view of science. This study uses a type of qualitative research with hermeneutic methods, descriptions and comparisons to answer the problem. The conclusion of this study shows that postmodernism is a movement that criticizes science for the tradition of modernism whose influence on rationalism, materialism and capitalism is supported by

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Isıtman, Odul. "The lord of the postmodernity: Plagiarism." Global Journal of Arts Education 8, no. 2 (2018): 84–90. http://dx.doi.org/10.18844/gjae.v8i2.3798.

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Today's art, which is dominated by postmodernism, evolves into a completely different sense of art that reverses the system over its own weapon and changes all the known values of art. Postmodern art, which focuses on questions about what is the thing that is art, canalises itself into citations and compilations which turn into imitation, appropriation, pastiche or plagiarism. While postmodernism turns into a kind of citation and compilation aesthetics; imitation, which is at the centre of the questions related to what is the thing that is art, becomes the strategy of postmodernism. The articl

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