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Books on the topic 'Postmodernisme – Origines'

Author: Grafiati

Published: 7 July 2024

Last updated: 31 July 2025

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1

Perry, Anderson. The origins of postmodernity. Verso, 1998.

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2

Lynne, Cooke, Eiblmayr Silvia, and Salzburger Kunstverein, eds. Original: Symposium, Salzburger Kunstverein. Cantz, 1995.

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3

Herbert, David. The faces of origins: A historical survey of the underlying assumptions from the early church to postmodernism. D & I Herbert Pub., 2004.

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4

Hellemans, Babette. Understanding Culture. Translated by Gioia Marini. Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789089649911.

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This pioneering textbook explores the theoretical background of cultural variety, both in past and present. How is it possible to study 'culture' when the topic covers the arts, literature, movies, history, sociology, anthropology and gender studies? Understanding Culture examines the evolution of a concept with varying meanings depending on changing norms. Offering a long-duration analysis of the relationship between culture and nature, this book looks at the origins of studying culture from an international perspective. Using examples from the several scholarly traditions in the practice of

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5

Harrison, Sylvia. Pop Art and the Origins of Post-Modernism. Cambridge University Press, 2009.

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6

Pop Art and the Origins of Post-Modernism. Cambridge University Press, 2001.

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7

Harvey, David. The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. Blackwell Publishing Limited, 1991.

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8

The condition of postmodernity: An enquiry into the origins of cultural change. Blackwell, 1989.

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9

Tauber, Alfred I. Requiem for the Ego: Freud and the Origins of Postmodernism. Stanford University Press, 2013.

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10

Requiem for the Ego: Freud and the Origins of Postmodernism. Stanford University Press, 2013.

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11

Tauber, Alfred I. Requiem for the Ego: Freud and the Origins of Postmodernism. Stanford University Press, 2013.

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12

Cole, Mike. Marxism and Educational Theory: Origins and Issues. Taylor & Francis Group, 2007.

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13

Cole, Mike. Marxism and Educational Theory: Origins and Issues. Taylor & Francis Group, 2007.

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14

Cole, Mike. Marxism and Educational Theory: Origins and Issues. Taylor & Francis Group, 2007.

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15

Displacing Christian Origins: Philosophy, Secularity, and the New Testament (Religion and Postmodernism Series). University Of Chicago Press, 2007.

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16

Displacing Christian Origins: Philosophy, Secularity, and the New Testament (Religion and Postmodernism Series). University Of Chicago Press, 2007.

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17

Marmysz, John. Cultural Change and Nihilism in the Rollerball Films. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424561.003.0009.

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This chapter contrasts the original, 1975 version of Rollerball with the 2001 remake. Whereas the original version of the film features a hero who dooms himself to a tragic end by actively, yet nihilistically, rebelling against the forces of corporate control, the remake depicts a hero who engages in a successful revolution against the powers that be. In so doing, he promises the establishment of a counter-order that overcomes nihilism. It is argued that while the original version of Rollerball presents a modernist perspective on nihilism, depicting it as a phenomenon that cannot authentically

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18

Original: Symposium, Salzburger Kunstverein (Reihe Cantz). Cantz, 1995.

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19

Engell, Lorenz. Thinking Through Television. Edited by Markus Stauff. Amsterdam University Press B.V., 2019. http://dx.doi.org/10.5040/9789048561513.

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This original and engaging book investigates American television viewing habits as a distinct cultural form. Based on an empirical study of the day-to-day use of television by working people, it develops a unique theoretical approach integrating cultural sociology, postmodernism and the literature of media effects to explore the way in which people give meaning to their viewing practices. Accessibly written and at the cutting edge of cultural studies and television research, this book is essential reading for students and academics in cultural studies, television research, media and communicat

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20

Marxism and educational theory: Origins and issues. Routledge, 2008.

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21

Ball, Terence. The Value of the History of Political Philosophy. Edited by George Klosko. Oxford University Press, 2011. http://dx.doi.org/10.1093/oxfordhb/9780199238804.003.0004.

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To ask, “What is the worth or value of the history of political philosophy?” is a rather complicated question with many competing answers. The answer(s) one gives depends to a very large degree on the approach one takes or the “school” of interpretation to which one belongs. Some answer that there are “perennial questions” and “timeless truths” to be found in classic works of political philosophy that speak to us still. Others answer that such study reveals the roots or origins of present-day political movements such as communism and fascism. This article considers the possibility that the his

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22

Jordan, Spencer. Metamodernism and the Postdigital in the Contemporary Novel. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350281059.

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Drawing on a range of authors that includes Zadie Smith, Sally Rooney, Ben Lerner, Ali Smith, Tom McCarthy, Jennifer Egan and Kazuo Ishiguro, this book provides an innovative and original analysis of the interdependencies between digital technology and metamodernism through a detailed study of the contemporary novel. We are currently living through a period of profound rupture, in which the way the world is perceived is undergoing significant change. Just as the interplay between capitalism and technology hastened the evolution of modernism and postmodernism, then so too are those same forces

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23

Strmiska, Michael, ed. Modern Paganism in World Cultures. ABC-CLIO, 2005. http://dx.doi.org/10.5040/9798400686818.

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The most comprehensive study available of neo-pagan religious movements in North America and Europe. Modern Paganism in World Culturescollects the work of specialists in religion, folklore, and related fields to provide a comprehensive treatment of the movement to reestablish pre-Christian religions. Detailed accounts of the belief systems and rituals of each religion, along with analysis of the cultural, social, and political factors fueling the return to ancestral religious practice, make this a rich, singular resource. Scandinavian Asatru, Latvian Dievturi, American Wicca—long-dormant relig

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24

Cunningham, David, and Nigel Mapp, eds. Adorno and Literature. Continuum International Publishing Group, 2006. http://dx.doi.org/10.5040/9781350333574.

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Despite the recent upsurge of interest in Theodor Adorno's work, his literary writings are generally under-represented. However, literature is a central element in his aesthetic theory. Bringing together original essays from a distinguished international group of contributors, this book offers a wide ranging account of the literary components of Adorno's thinking. It is divided into three sections, dealing with the concept of literature, with poetry, and with modernity and the novel respectively. At the same time, the book provides a clear sense of the unique qualities of Adorno's philosophy o

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25

Dienstag, Joshua Foa. Postmodern Approaches to the History of Political Thought. Edited by George Klosko. Oxford University Press, 2011. http://dx.doi.org/10.1093/oxfordhb/9780199238804.003.0003.

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This article describes the postmodern approach to the history of political thought that has evolved through the practices of a variety of theorists in both Europe and the United States since the 1950s. It maintains that Friedrich Nietzsche's philosophy is the originating point of this movement, although neither he nor any of the other theorists it mentions left any canonical statements of methods to compare with the works of Quentin Skinner or Leo Strauss. Terms such as “deconstruction,” “genealogy,” and “radical hermeneutics” are often used to describe these methods. At the broadest level, th

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26

The Search for Origins in the Twentieth-Century Long Poem: Sumerian, Homeric, and Anglo-Saxon. West Virginia University Press, 2007.

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27

Giaimo, Paul. Appreciating Don DeLillo. ABC-CLIO, LLC, 2011. http://dx.doi.org/10.5040/9798400613760.

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An insightful work providing state-of-the-art critical guidance and informative commentary on the major novels of Don DeLillo in terms of how they respond to current social and ethical issues. Unlike the majority of American academic critics, author Paul Giaimo contends that Don DeLillo’s award-winning novels are fully defined by neither postmodernism nor modernism. To demonstrate this thesis, Appreciating Don DeLillo: The Moral Force of a Writer’s Work traces DeLillo’s style through his novels, showing how it evolved from a recognizably postmodern mode into a realistic treatment of contempora

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28

Kitses, Jim. Horizons West. Bloomsbury Publishing Plc, 2007. http://dx.doi.org/10.5040/9781838711276.

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When first published in 1969, Horizons West was immediately recognised as the definitive critical account of the Western film and some of its key directors. This greatly expanded new edition is, like the original, written in a graceful, penetrating and absorbingly readable style. It provides definitive critical analysis of the six greatest film-makers of the Western genre: John Ford, Anthony Mann, Budd Boetticher, Sam Peckinpah, Sergio Leone and Clint Eastwood. And it offers illuminating accounts of such classic Westerns as The Searchers, Pat Garrett and Billy the Kid, Once Upon a Time in the

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29

Dean, Andrew. Metafiction and the Postwar Novel. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198871408.001.0001.

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This book examines the origins, poetics, and capacities of self-reflexive fiction across the globe after World War II. Focusing on three authors’ careers—J. M. Coetzee, Janet Frame, and Philip Roth—it seeks to circumvent the large-scale theoretical paradigms (such as ‘postmodernism’) that have long been deployed to describe this writing. The book does so by developing new terms for discussing the intimacies of metafictional writing, derived from the writing of Miguel de Cervantes and J. L. Borges. The ‘self of writing’ refers to the figure of the author that a writer may imagine exists indepen

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30

Meillon, Bénédicte. Ecopoetics of Reenchantment. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781666991277.

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Ecopoetics of Reenchantment: Liminal Realism and Poetic Echoes of the Earth tackles the reenchantment process at work in a part of contemporary ecoliterature that is marked by the resurfacing of the song of the earth topos and of Gaia images. Focusing on the postmodernist braiding of various indigenous and ecofeminist ontologies, close readings of the animistic and totemic dimensions of the stories at hand lead to the theorizing of liminal realism—a mode that shares much with magical realism but that is approached through an ecopoetic lens, specifically working an interspecies kind of magic, s

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31

Clewer, Nicola. Neoliberalism, Postmodernity, and the Contemporary Memorial-Building Boom. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9798881811068.

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The book develops a new approach to, and a distinct reading of, the contemporary memorial-building boom which began in the 1980s. Locating the origins of this boom in the crises associated with postmodernity and the rise of neoliberalism, it analyses the complex interplay between neoliberalism, postmodernism and nationalism in some of the most well-known memorials and memorial-museums to have emerged in the USA and Germany over the last four decades. Rather than offering a survey of contemporary memorials, it traces a specific trajectory (and certainly not the only one ripe for analysis): from

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32

Grange, William. Cabaret. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350140295.

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Where did cabaret come from? What has it got to do with pre-war Berlin, decadent society and Nazis? How does it turn into media cabaret and the sisterhood of sleaze? Is cabaret a primary vehicle for exploring the range of sexual practices and alternative sexual identities? In this new book William Grange brings into one place for the first time the range of practices now associated with the form of cabaret. Beginning with its origins in speciality German theatres and the development both of the sheet music industry and disc recordings, Grange tracks the form through into its golden age in the

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