Academic literature on the topic 'Postwar Italy'

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Journal articles on the topic "Postwar Italy"

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Ferraresi, Franco. "The Radical Right in Postwar Italy." Politics & Society 16, no. 1 (March 1988): 71–119. http://dx.doi.org/10.1177/003232928801600103.

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Barański, Zygmunt G. "Crises and cultures in postwar Italy." Italianist 8, no. 1 (June 1988): 120–29. http://dx.doi.org/10.1179/ita.1988.8.1.120.

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O'Rawe, Catherine. "Book Review: Women's hIstory and Postwar Italy." European Journal of Women's Studies 16, no. 1 (February 2009): 87–89. http://dx.doi.org/10.1177/13505068090160010603.

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Pilat, Stephanie. "Building Transatlantic Italy: Architectural Dialogues with Postwar America." Journal of Modern Italian Studies 20, no. 5 (October 20, 2015): 759–61. http://dx.doi.org/10.1080/1354571x.2015.1096540.

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Mekinda, Jonathan. "Building Transatlantic Italy: Architectural Dialogues With Postwar America." Journal of Architectural Education 69, no. 1 (January 2, 2015): 147–48. http://dx.doi.org/10.1080/10464883.2015.989074.

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Costanzo, Denise. "Building transatlantic Italy: architectural dialogues with postwar America." Planning Perspectives 30, no. 3 (April 8, 2015): 490–92. http://dx.doi.org/10.1080/02665433.2015.1029266.

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Golden, Miriam A., and Lucio Picci. "Pork-Barrel Politics in Postwar Italy, 1953–94." American Journal of Political Science 52, no. 2 (April 2008): 268–89. http://dx.doi.org/10.1111/j.1540-5907.2007.00312.x.

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Merlo, Antonio. "Economic Dynamics and Government Stability in Postwar Italy." Review of Economics and Statistics 80, no. 4 (November 1998): 629–37. http://dx.doi.org/10.1162/003465398557717.

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Gundle, Stephen. "Hollywood Glamour and Mass Consumption in Postwar Italy." Journal of Cold War Studies 4, no. 3 (July 2002): 95–118. http://dx.doi.org/10.1162/152039702320201085.

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Italian society after World War II was profoundly affected by the culture of “glamour” that encouraged mass consumption. This culture drew heavily on images and desires created by the American film industry, and it would not have arisen in the absence of American glamour. Over time, however, Italian glamour acquired some important indigenous features, which were economically beneficial for Italy in boosting exports and tourism. Through most of the Cold War, the perceived glamour of Rome captured in the film La Dolce Vita made the city a cosmopolitan crossroads for the rich and famous. Nevertheless, in contrast to the United States, which was the avatar of glamour, Italy did not develop domestic glamour in the full sense of the term.
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Sotiropoulos, Dimitri A. "International Aid to Southern Europe in the Early Postwar Period." ANNALS of the American Academy of Political and Social Science 656, no. 1 (October 9, 2014): 22–40. http://dx.doi.org/10.1177/0002716214543897.

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After World War II, Greece and Italy experienced a Left-Right political polarization and a repetition of earlier patterns of political patronage. Both countries received international aid, including emergency relief, interim loans, and Marshall Plan funds. By the beginning of the 1950s, Italy had progressed from stabilization to reconstruction and then to development, while Greece progressed belatedly with reconstruction and did not achieve stabilization until after the end of the Marshall Plan. The different outcomes are explained by institutional legacies and historical conjunctures, such as the disastrous Greek Civil War; the tradition of developmental Italian state agencies, such as prewar Italy’s Instituto per la Ricostruzione Industriale (IRI), a state-controlled conglomerate, which Greece lacked; government instability, which prior to 1950 had tormented Greece more than Italy; distrust from the Greek middle and upper classes of the political and administrative elites; and the prevalence of an economic culture fostering industrialization in Italy, which emerged only belatedly in Greece.
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Dissertations / Theses on the topic "Postwar Italy"

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Groom, Simon. "An art autre. Michel Tapie and the informel adventure in France Japan and Italy." Thesis, Courtauld Institute of Art (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251675.

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Tudisco, Vincenzo. "Postwar Pacifism in a Changing Context: Constitutional Bans on War in Japan, Italy, and Germany." Doctoral thesis, Università degli studi di Trento, 2020. http://hdl.handle.net/11572/273037.

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Robison, Sarah. "Picturing Reality in Postwar Italy: The Photography of Mario Giacomelli in Relationship to Italian Neorealist Cinema 1945-1970." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18395.

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Critical interpretations of the work of Mario Giacomelli often disagree as to whether he should be classified within the style of Italian neorealism. This thesis argues that Giacomelli's photography strikes a balance between realism and abstraction that is best explained as neorealist. Neorealist films such as Rome, Open City (1945) and Bicycle Thieves (1948) sought to capture the social realities of postwar Italy. The realism in these films is complicated however, subjecting postwar social actuality to the artistic initiative of the director. I seek to identify the filmic qualities in Giacomelli's work to clarify a connection to neorealism. Though Giacomelli physically manipulated his images, these manipulations give his images the appearance of a film. To reveal Giacomelli's connection to neorealism, I will investigate the cinematic qualities of mise-en-scene, montage and narrative. This thesis will argue that Giacomelli's photography stems from a cinematic approach that was first developed in neorealism.
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Piombino, Natalia. "The idea of the south in postwar Italy : a historiographical interpretation of the work of five Italian film directors, 1946-1964." Thesis, Royal Holloway, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538297.

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Märker, Michael, Boris Schröder, Domenico Capolongo, and Mario Bentivenga. "Geomorphological and pedological processes in badland areas of Southern Italy and their interaction with Mediterranean vegetation : [Poster]." Universität Potsdam, 2006. http://www.uni-potsdam.de/imaf/events/ge_work0602.html.

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Biagioni, Samuel E. "Homemade Italianità : Italian foodways in postwar Vancouver." Thesis, 2016. http://hdl.handle.net/1828/7470.

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Following the Second World War, there was an increase of Italian immigration to Vancouver. Many Italians found their way to Vancouver through informal social networks established by earlier migrants. Once there, Italians turned to those networks to find work, housing, and familiarity. Italians also continued to produce and consume foods in Vancouver in similar ways to Italy. By looking at Vancouver Italian foodways, this thesis seeks to understand how food contributed to Italian Canadian identity. Postwar Italian immigrants brought established cuisines with them to Vancouver. They then actively sought to maintain those food customs. Nevertheless, in order to continue living in Vancouver Italians adapted their livelihoods, familial gender divisions, and the ways they acquired foods. They cooperated with immigrants from other regions of Italy and accepted foods with Italianità (Italianess) when they could not acquire foods from their hometowns. The result was a complicated identity that included social interactions between Italians, as well as a combination of Italian and Canadian foods.
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2017-08-15
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sambiagioni@gmail.com
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Cancian, Sonia. "Transatlantic correspondents : kinship, gender and emotions in postwar migration experiences between Italy and Canada, 1946-1971." Thesis, 2007. http://spectrum.library.concordia.ca/975725/1/NR37729.pdf.

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This doctoral dissertation examines the impact of migration experienced by migrants to Canada and loved ones in Italy through the lens of personal correspondence. It focuses on the three decades immediately following the Second World War when the largest migration of Italians to Canada took place. Through a detailed content analysis of over 400 private letters belonging to six families, the thesis examines how kin and lovers in Canada and Italy negotiated their separation as a result of migration. The study addresses two main research questions: First, what do the private letters of individuals reveal about the impact of migration experienced by Italian migrants in Canada and their kin and lovers who remained in Italy during the postwar years? Second, what strategies and social, cultural and emotional responses to migration do the letters reveal from the viewpoint of these actors? The 800 letters in the original archive that I created, of which over 400 are the object of analysis, are for the purposes of this study primary sources that cast a new light on the most personal thoughts and feelings of diverse actors who engaged in the process of migration. The thesis offers a twofold analysis of the letters. First, it examines the functional role of the letters and their materiality as objects that served to bridge distances between family members and lovers by communicating information, news, advice and affection. Second, the thesis analyzes the contents of the letters by focusing on three characteristic themes. First, it reveals the importance of kinship in migration and examines how networks of support and control were exerted through the medium of letters. Second, it shows how the realities of migration were constructed and experienced according to dominant gender norms. Finally, the thesis demonstrates the extraordinary range and intensity of emotions that characterized letter-writers' responses to migration and the experience of separation from family and loved ones. The thesis provides additional evidence for the obvious point that migration had an enormous impact on the lives of migrants and their families. But more importantly, it shows the various ways in which individuals attempted to comprehend, engage with, and explain the profound changes they experienced daily and over time
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Books on the topic "Postwar Italy"

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Barański, Zygmunt G., and Robert Lumley, eds. Culture and Conflict in Postwar Italy. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20841-8.

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Broken time, fragmented space: A cultural map for postwar Italy. Toronto: University of Toronto Press, 2002.

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Jewell, Keala Jane. The poiesis of history: Experimenting with genre in postwar Italy. Ithaca: Cornell University Press, 1992.

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Jewell, Keala Jane. The poiesis of history: Experimenting with genre in postwar Italy. Ithaca: London, 1992.

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Franzosi, Roberto. The puzzle of strikes: Class and state strategies in postwar Italy. Cambridge [England]: Cambridge University Press, 1995.

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Pavan, Ilaria. Persecution, indifference, and amnesia: The restoration of Jewish rights in postwar Italy. Jerusalem: Yad Vashem, 2006.

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Brutal vision: The neorealist body in postwar Italian cinema. Minneapolis: University of Minnesota Press, 2012.

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Italian locations: Reinhabiting the past in postwar cinema. Minneapolis: University of Minnesota Press, 2008.

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J, Coppa Frank, and Repetto-Alaia Margherita 1936-, eds. The formation of the Italian Republic: Proceedings of the International Symposium on Postwar Italy. New York: P. Lang, 1993.

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Bernini, Stefania. Marrying and Divorcing in Postwar Europe. Venice: Edizioni Ca' Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-394-6.

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Taking Italy and Poland as its main case studies, this book re-examines the major political and ideological confrontations that crossed Cold War Europe from the perspective of ordinary families and of those who sought to regulate the way in which they lived. Crossing the iron curtain, and looking at two countries hardly ever brought together in historical analysis, the book shows the extent to which the battle over the regulation of family and marriage shaped the social, political and cultural landscape of postwar Europe.
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Book chapters on the topic "Postwar Italy"

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Furlong, Paul. "Stabilizing Italy: 1945–1989." In Three Postwar Eras in Comparison, 120–47. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230294134_6.

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Wood, Sharon. "Women’s Writing in the Postwar Period." In Women in Italy, 1945–1960, 147–58. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230601437_10.

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Nowell-Smith, Geoffrey. "Italy: Tradition, Backwardness and Modernity." In Culture and Conflict in Postwar Italy, 50–62. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20841-8_3.

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Lumley, Robert. "1968/1989: Social Movements in Italy Reconsidered." In Three Postwar Eras in Comparison, 199–215. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230294134_9.

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Blackmer, Donald L. M. "I. Continuity and Change in Postwar Italian Communism." In Communism in Italy and France, edited by Donald L. M. Blackmer and Sidney Tarrow, 21–68. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400867387-005.

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Ginsborg, Paul. "Family, Culture and Politics in Contemporary Italy." In Culture and Conflict in Postwar Italy, 21–49. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20841-8_2.

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Curti, Lidia. "Imported Utopias." In Culture and Conflict in Postwar Italy, 320–36. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20841-8_18.

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Barański, Zygmunt G., and Robert Lumley. "Turbulent Transitions: An Introduction." In Culture and Conflict in Postwar Italy, 1–17. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20841-8_1.

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Chambers, Iain. "Rolling Away From the Centre Towards X: Some Notes on Italian Philosophy, ‘Weak Thought’ and Postmodernism." In Culture and Conflict in Postwar Italy, 178–91. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20841-8_10.

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Gundle, Stephen. "From Neo-Realism to Luci Rosse: Cinema, Politics, Society, 1945–85." In Culture and Conflict in Postwar Italy, 195–224. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20841-8_11.

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