Relevant bibliographies by topics / Potters, Austrian

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Potters, Austrian'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Potters, Austrian"

1

Jamieson, Andrew. "Searching for the potters behind the pots: re-examining the Tell Ahmar Neo-Assyrian ceramic assemblage." Buried History: The Journal of the Australian Institute of Archaeology 59 (March 26, 2024): 29–42. http://dx.doi.org/10.62614/z2znyw18.

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Ceramic studies have been crucial to the development of archaeology. This paper is concerned with a re-examination of the pottery, and the potters, of Tell Ahmar (ancient Til Barsib), Syria. It focuses on the ceramics from the Australian excavations in the Middle City (Area C), especially the more than 250,000 items from the 7th-century BCE Neo-Assyrian Stratum 2. The Stratum 2 assemblage was readily grouped into seventeen ware types. The various wares reflect different production systems: some hand-made products were manufactured locally, possibly by individual households; other wares, charac
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Hadijii, Maria. "The craft of pottery in Banat, past and present. case study: the pottery Center in Jupânești (Timiș county)." Akademos, no. 1(76) (April 2025): 162–69. https://doi.org/10.52673/18570461.25.1-76.20.

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The continuity of pottery workshops in Banat is closely linked to the development of metallurgy and mining, especially under Austrian rule, but the craft of pottery has been present in the region for millennia. There were numerous production centers in the area: Biniș, Sasca Română, Potoc, Socolari, Slatina-Nera, Ilidia, Moldova Veche, Lăpușnicul Mare, Carașova-Caraș, Birchiș, and Jupânești-Timiș. Following research conducted in the 1980s, additional centers were identified in Baloșești, Cenad, Dalboșeț, Făget, Lipova, Moceriș, Răchita, Saravale, Șag, Șopotu-Nou, ȘopotuVechi, and Temerești, wi
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Spennemann, Dirk H. R., and Clare L. Singh. "Computed Tomography Analysis of the Manufacture of Cast Head-Bust Figurines by Patricia ‘Pat’ Elvins (1922–2011)." Heritage 6, no. 2 (2023): 2268–91. http://dx.doi.org/10.3390/heritage6020120.

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The Alice Springs sculptor Patricia Elvins created a number of busts of Indigenous Australian men, women, and children, which were distributed as casts for the gift and souvenir market. Produced between the early-1960s and the early-1990s, these varnished casts exist with four different artists’ signatures, representing collaboration with different production potters who produced the casts. Macroscopic analysis shows significant differences in weight between casts of the same bust. CT scanning was carried out to understand the make-up of these casts and to illuminate differences in production
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Bikic, Vesna. "The Haban pottery from the Belgrade fortress: Archaeological contexts, chronology, decorative designs." Starinar, no. 62 (2012): 205–27. http://dx.doi.org/10.2298/sta1262205b.

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Haban pottery, named after its makers, members of the Anabaptist reform movement, flourished in Central-European countries from the end of the 16th until the 19th century. It is tin-glazed earthenware marked by distinctive decorative expression dominated by floral patterns. Archaeological excavations within the area of the Belgrade Fortress have recovered some eighty pieces of Haban pottery from well-defined and precisely dated contexts. The pottery occurred in two separate phases of Austrian rule over Belgrade. The earlier lasted for only two years, 1688-90, while the later began with the Aus
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Kühtreiber, Karin. "The pottery from the early medieval settlement at Pellendorf/Gaweinstal (Lower Austria) and its relationship to the Great Moravian sites on the River March." Archeologické rozhledy 71, no. 3 (2019): 435–74. http://dx.doi.org/10.35686/ar.2019.19.

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This paper discusses the pottery finds from the 2003–2005 excavation of the settlement at Pellendorf/Gaweinstal in the central eastern area of the Weinviertel district in Lower Austria. The early medieval settlement was occupied from the 7th to the 10th centuries. The pottery finds from the 9th/10th century are characterised by shapes typical of the Mikulčice and Blučina pottery groups and of the March pottery in southern Moravia, and thus revealing intensive contact to the Great Moravian centres on the River March in that period. The paper also mentions further sites with the same pottery in
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Lenneis, Eva. "The beginning of the Neolithic in Austria – a report about recent and current investigations." Documenta Praehistorica 28 (December 22, 2001): 99–116. http://dx.doi.org/10.4312/dp.28.7.

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The “Earliest Linear Pottery-Culture” (LPC I) is to be seen as a synonym for the beginning Neolithic in Central Europe and therefore also in Austria. The distribution of this culture was limited by several facts of the natural environment, as its economic base was agriculture and stockbreeding. Traces are only to be found through Austrian territory outside the Alps in altitudes up to 400/450 m, on the best arable soils (mainly on loess base) and in the driest and warmest climatic zones with a clearly defined limit of tolerance. In the last two decades excavations of very different scale have b
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7

Howes, Hilary. "Early German-language Analyses of Potsherds from New Guinea and the Bismarck Archipelago." Journal of Pacific Archaeology 8, no. 1 (2017): 35–46. http://dx.doi.org/10.70460/jpa.v8i1.212.

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In December 1905, the Austrian anthropologist and medical practitioner Rudolf Pöch unearthed a number of potsherds from a refuse heap in Wanigela, south-eastern New Guinea. Four years later, Otto Meyer, a German Catholic missionary, discovered decorated pottery fragments on Watom Island in the Bismarck Archipelago. His illustrated accounts of these fragments are now recognised as the earliest descriptions of Lapita pottery. Although Meyer and Pöch shared a common language and examined similar materials from neighbouring parts of the Pacific at much the same time, their interpretations of these
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Grubner, Engelbert, and Dominik Hagmann. "KG Schachau, MG Oberndorf an der Melk." Fundberichte aus Österreich 59/2020 (September 5, 2022): D5491—D5492. https://doi.org/10.5281/zenodo.10591330.

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The archaeological site is located immediately north of the intersection of the country roads L5314 and L6141 on a field used for agriculture, situated on flat terrain. The field is bordered to the north directly by the Ofenbach river, to the east and west by neighboring parcels, and to the south by the aforementioned country roads. The objects were discovered on January 20, 2020, following plowing activities. 9 pottery fragments (Fig. 1), 10 architectural terracotta fragments (Fig. 2, bricks, tubuli, tegulae, Roman), 13 metal finds (Fig. 3 a and b): 1 bronze casting fragment (Roman?), 1 Roman
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Trampota, František, and Petr Květina. "How do they fit together? A case study of Neolithic pottery typology and radiocarbon chronology." Archeologické rozhledy 72, no. 2 (2020): 163–93. http://dx.doi.org/10.35686/ar.2020.6.

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The object of the paper is to update the current concept of the chronology of the Neolithic (c. 5400–3300 BC) of the Czech Republic and northern Lower Austria by comparing the typo-chronological development of pottery and modelling the corresponding radiocarbon dates. Up until now, pottery and its style have often been perceived in Central Europe as “basic indicators” of archaeological cultures or pottery traditions, which are then further divided into chronological stages and phases. And yet, an analysis of the relationships of all three levels of these entities in the context of four types o
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Dickinson, William R. "Petrographic temper provinces of prehistoric pottery in Oceania." Records of the Australian Museum 50, no. 3 (1998): 263–76. https://doi.org/10.3853/j.0067-1975.50.1998.1285.

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Dickinson, William R. (1998): Petrographic temper provinces of prehistoric pottery in Oceania. Records of the Australian Museum 50 (3): 263-276, DOI: 10.3853/j.0067-1975.50.1998.1285, URL: https://journals.australian.museum/dickinson-1998-rec-aust-mus-503-263276/
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Dissertations / Theses on the topic "Potters, Austrian"

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Worrall, Judith. "Skangaroovian funk : provincialism or not?, South Australian non-functional ceramics in the 1970s /." Title page, table of contents and abstract only, 2005. http://web4.library.adelaide.edu.au/theses/09ARAHM/09arahmw929.pdf.

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Thesis (M.A.(St.Art.Hist.)) -- University of Adelaide, Master of Arts (Studies in Art History), School of History and Politics, Discipline of History, 2005?<br>Coursework. "November 2005" Bibliography: leaves 87-96.
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Dowling, Rebecca. "Report from Ceramics Workshop." Master's thesis, 2002. http://hdl.handle.net/1885/155521.

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Clarkson, Graham Tyler. "Report." Master's thesis, 2002. http://hdl.handle.net/1885/156201.

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Potter, Emily Claire. "Disconcerting ecologies : representations of non-indigenous belonging in contemporary Australian literature and cultural discourse / Emily Claire Potter." Thesis, 2003. http://hdl.handle.net/2440/21970.

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Includes bibliographical references (leaves 313-325)<br>[6], 325 leaves ; 30 cm.<br>Specific concern is the poetic, as well as literal, significance given to the environment, and in particular to land, as a measure of belonging in Australia. Environment is explored in the context of ecologies, offered here as an alternative configuration of the nation, and in which the subject, through human and non-human environmental relations, can be culturally and spatially positioned. Argues that both environment and ecology are narrowly defined in dominant discourses that pursue an ideal, certain and aut
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Gianakis, Anna. "Studio report." Master's thesis, 2002. http://hdl.handle.net/1885/156000.

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Gianakis, Anna. "Sub-thesis." Master's thesis, 2002. http://hdl.handle.net/1885/155868.

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Seo, Byong Chan. "Report." Master's thesis, 2004. http://hdl.handle.net/1885/155971.

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Seo, Byong Chan. "Report." Thesis, 2002. http://hdl.handle.net/1885/156394.

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Hely, Patsy. "Clay objects and the articulation of place." Phd thesis, 2007. http://hdl.handle.net/1885/151498.

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Books on the topic "Potters, Austrian"

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Goiginger, Gottfried. Gerold Tusch. Kultur, 2001.

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Simpson, Andrew. Australian art pottery, 1900-1950. Casuarina Press, 2004.

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1871-1954, Powolny Michael, ed. Michael Powolny: Keramik und Glas aus Wien 1900 bis 1950 : Monografie und Werkverzeichnis. Böhlau, 1990.

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Reason, Robert. Gladys Reynell: The most delightful thing on earth. Art Gallery of South Australia, 2006.

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William, Hall. Australian artware pottery. Crown Castleton, 1996.

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Timms, Peter. Australian studio pottery & china painting. Oxford University Press, 1986.

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7

Peschel-Wacha, Claudia. Mit dem Gefühl der Hände: Zeitgenössische Töpfer im Burgenland und in der Region Bratislava. Österreichisches Museum für Volkskunde, 2012.

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Peschel-Wacha, Claudia. Mit dem Gefühl der Hände: Zeitgenössische Töpfer in Niederösterreich. Österreichisches Museum für Volkskunde, 1997.

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9

Holmes, Jonathan. Les Blakebrough, potter. Bay Books, 1989.

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10

Ford, Geoff. Encyclopaedia of Australian potter's marks. Salt Glaze Press, 1998.

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Book chapters on the topic "Potters, Austrian"

1

Edwards, Ian. "Early Pyrotechnology - Notes on Investigating Ancient Australian Aboriginal Fireplaces." In A Knapsack full of pottery. BRILL, 1987. https://doi.org/10.1163/9789004673359_011.

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Resch, Andreas. "Industrialisierung und Gewerbe. Die allmähliche Durchsetzung von „nützlichem Wissen“." In Niederösterreich im 19. Jahrhundert, Band 1: Herrschaft und Wirtschaft. Eine Regionalgeschichte sozialer Macht. NÖ Institut für Landeskunde, 2021. http://dx.doi.org/10.52035/noil.2021.19jh01.28.

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IIndustrialization and Crafts. The Gradual Rise of Useful Knowledge. This chapter provides an analytical overview of the development of industry and crafts in Lower Austria in the 19th century. It is written from the perspective of Joel Mokyr’s industrial enlightenment approach and takes into account specific regional developments. The text first describes the institutional framework and quantitative developments. This is followed by histories of the large-scale industries (cotton and mechanical engineering, including electrical engineering) and rural industries (iron and metal processing, pot
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Potter, Emily, and Kirsten Seale. "Plastic City: Temporality, Materiality, and Waste in Vanessa Berry’s Mirror Sydney." In Plastics, Environment, Culture, and the Politics of Waste. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399511735.003.0014.

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The authors consider the ubiquity of plastic in Australian urban and peri-urban life through the literary practices of Sydney author Vanessa Berry. Berry’s ethnographic practices of mapping and tracing forgotten layers in the urban fabric, through walking, collecting, and narrating, highlight the paradoxical temporality of modernity in an urban powerhouse like Sydney, where a temporality is embedded in its materiality. As in all global cities, in Sydney plastic polymers structure both the rapidity of urban development and its cultures of inhabitation. Berry’s practice, Potter and Seale claim,
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Urwin, Chris, Lynette Russell, and Lily Yulianti Farid. "Cross-Cultural Interaction across the Arafura and Timor Seas." In The Oxford Handbook of the Archaeology of Indigenous Australia and New Guinea. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780190095611.013.51.

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Abstract Prior to sustained contact with Europeans, Aboriginal people in parts of northern Australia—coastal regions of the Kimberley, Arnhem Land, and the Gulf of Carpentaria—interacted with people from South Sulawesi and other parts of eastern Indonesia, especially Makassar. The visitors (often called ‘Macassans’) arrived on Australian shores annually in sailing ships (praus) to harvest trepang (also called sea cucumber, bêche-de-mer) and to exchange things and ideas with Aboriginal people. Within Australia, evidence for these interactions can be seen in Macassan trepang processing sites (of
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Conference papers on the topic "Potters, Austrian"

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"Virtual Pathology Learning Resource is proving to be an effective strategy in teaching Pathology to allied health science students." In InSITE 2018: Informing Science + IT Education Conferences: La Verne California. Informing Science Institute, 2018. http://dx.doi.org/10.28945/3972.

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Aim/Purpose: [This Proceedings paper was revised and published in the 2018 issue of the journal Issues in Informing Science and Information Technology, Volume 15] The aim of this study was to concept test a novel instructional aid called Virtual Pathology Learning Resource (VPLR), which was used as a vehicle to communicate information, and enhance teaching and learning of basic sciences (Anatomy, Physiology and Pathology) to allied health science students at a South Australian university. Background: Pathology was traditionally taught using potted specimens to independently review macroscopic
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