Relevant bibliographies by topics / Pottery, American

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Pottery, American'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Pottery, American.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Pottery, American"

1

Tsoumas, Johannis. "Traditional Japanese pottery and its influence on the American mid 20th century ceramic art." Matèria. Revista internacional d'Art, no. 18-19 (September 16, 2021): 139–53. http://dx.doi.org/10.1344/materia2021.18-19.6.

Full text
Abstract:
The Japanese ceramic tradition that was to emerge along with other forms of traditional crafts through the Mingei Movement during the interwar period, as a form of reaction to the barbaric and expansive industrialization that swept Japan from the late nineteenth century, brought to light the traditional, moral, philosophical, functional, technical and aesthetic values that had begun to eliminate. Great Japanese artists, art critics and ceramists, such as Soetsu Yanagi and Shōji Hamada, as well as the emblematic personality of the English potter Bernard Leach, after caring for the revival of Japanese pottery, believed that they should disseminate the philosophy of traditional Japanese pottery around the world and especially in the post-war U.S.A. where it found a significant response from great American potters and clay artists, but also from the educational system of the country. This article aims to focus precisely on the significant influence that postwar American ceramic art received from traditional Japanese pottery ideals. The author in order to document the reasons for this new order of things, will study and analyze the work of important American potters and ceramic artists of the time, and will highlight the social, philosophical and cultural context of the time in which the whole endeavor took place.
APA, Harvard, Vancouver, ISO, and other styles
2

Pratt, Jo Ann F. "Determining the Function of One of the New World's Earliest Pottery Assemblages: The Case of San Jacinto, Colombia." Latin American Antiquity 10, no. 1 (March 1999): 71–85. http://dx.doi.org/10.2307/972212.

Full text
Abstract:
AbstractOne of the earliest pottery assemblages in the New World (5900 B. P.) was manufactured by logistically mobile hunter-gatherers at San Jacinto I, in Colombia, South America. The vessels were constructed using fiber temper and were elaborately decorated. These characteristics along with the archaeological context of the pottery suggest that its use was unrelated to cooking or food processing. Visual and statistical analyses indicate the pottery had high economic and social value for this semisedentary group; it likely was utilized for feasting/serving activities and possibly for short-term storage. Comparative analyses indicate that the pottery from other early sites in northeast South American may have served similar functions during the early Formative period.
APA, Harvard, Vancouver, ISO, and other styles
3

Speakman, Robert J., and Hector Neff. "Evaluation of Painted Pottery from the Mesa Verde Region Using Laser Ablation-Inductively Coupled Plasma-Mass Spectrometry (LA-ICP-MS)." American Antiquity 67, no. 1 (January 2002): 137–44. http://dx.doi.org/10.2307/2694882.

Full text
Abstract:
For decades archaeologists have struggled with the problem of accurately determining organic and mineral-based paints in pottery from the American Southwest. Using Laser Ablation-Inductively Coupled Plasma-Mass Spectrometry (LA-ICP-MS), we have developed a simple and cost-effective method that permits classification of painted surfaces into mineral and organic-based categories. By applying this method to Mesa Verde and Mancos Black-on-white pottery from the Mesa Verde Region, we were able to distinguish easily between mineral and organic-based paints. Preliminary data also suggest that multiple sub-groups of mineral-based paints exist within these ceramic types, indicating that multiple recipes for manufacturing paint may have been employed by prehistoric potters from this region.
APA, Harvard, Vancouver, ISO, and other styles
4

VanPool, Christine S., and Elizabeth Newsome. "The Spirit in the Material: A Case Study of Animism in the American Southwest." American Antiquity 77, no. 2 (April 2012): 243–62. http://dx.doi.org/10.7183/0002-7316.77.2.243.

Full text
Abstract:
AbstractPeople often imbue their surroundings, including tools, with a “life essence” that makes them active objects. A growing number of archaeologists are beginning to study how such “living” beings impact human behavior. These archaeologists use the term “object agency,” but employ many different ontologicai approaches. We explore this variation, and present a framework comparing different ontologicai models archaeologists use. We adopt an animistic perspective, and evaluate its applicability to the Southwest using ethnographic and archaeological data. We further propose that it is applicable throughout the New World. Puebloan potters consider pots living beings with a spiritual essence that is affected by and that impacts humans. Pottery manufacture is a mutual negotiation between the potter and the clay to create a “Made Being” with its own spiritual and material aspects. We conclude that a similar ontology is reflected in effigy pots and globular jars from the Casas Grandes region. Ultimately we conclude that this perspective provides useful insights into the placement, decoration, and discard of many vessels that have puzzled Southwestern archaeologists for decades.
APA, Harvard, Vancouver, ISO, and other styles
5

Joseph, J. W. "Crosses, Crescents, Slashes, Stars: African-American Potters and Edgefield District Pottery Marks." Journal of African Diaspora Archaeology and Heritage 6, no. 2 (May 4, 2017): 110–32. http://dx.doi.org/10.1080/21619441.2017.1345107.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

VINCENT, STEPHANIE. "“A Bull in Our China Shop:” Japanese Imports and the American Pottery Industry." Enterprise & Society 19, no. 2 (March 9, 2018): 430–68. http://dx.doi.org/10.1017/eso.2017.66.

Full text
Abstract:
From its beginning, the American pottery industry had to contend with the presence of imports. At first, manufacturers coped by promoting their own products and striving to improve design and quality. However, when Japan began importing china in greater quantities, American potters faced a challenge unlike any before. Initial attempts to attack imports outright through boycotts met with limited success through World War II. Following the peace, Cold War economic policy designed to reintroduce Japan to the global market led to another round of increasing importation. U.S. potters decried the poor quality and low wages connected to Japanese china, yet could not agree on a strategy to overcome the growing number of imports. Some filed lawsuits over copied designs while others hoped to contract with the Japanese to import on their own terms. The failure of these manufacturers to unify in response to Japan proved one of the most damaging blows to this small industry.
APA, Harvard, Vancouver, ISO, and other styles
7

Kondakova, Olga V. "Imitation as an adaptation tool in pottery making in New Spain." Latinskaia Amerika, no. 6 (December 15, 2024): 55–75. http://dx.doi.org/10.31857/s0044748x24060041.

Full text
Abstract:
Ceramics produced in the Viceroyalty of New Spain in the 16th – 18th centuries serve as a valuable source for studying the history of intercultural contacts and colonization of the American continent. This article focuses on tableware ceramics and their significance in the sociocultural adaptation of colonial populations. The production of pottery on the Iberian Peninsula prior to colonization is described, and the function of ceramic vessels during the initial stages of conquest is explored. The article also examines questions of continuity and innovation in pottery production technology, and presents models for the emergence of new ceramic types in New Spain. Additionally, connections are established between the external appearance of tableware and the social identity of its owner. Particular attention is paid to the study of Tonala Polychrome ceramic type, which is an excellent example of local potters adapting to new standards of tableware. The work is based on the study of collections of Tonaltec pottery from the 17th to 18th centuries found in museums across Russia, Spain, and France.
APA, Harvard, Vancouver, ISO, and other styles
8

Benco, Nancy L. "The Legacy of Generations: Pottery by American Indian Women:The Legacy of Generations: Pottery by American Indian Women." Museum Anthropology 22, no. 2 (September 1998): 66–69. http://dx.doi.org/10.1525/mua.1998.22.2.66.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Stoltman, James B., Danielle M. Benden, and Robert F. Boszhardt. "New Evidence in the Upper Mississippi Valley for Premississippian Cultural Interaction with the American Bottom." American Antiquity 73, no. 2 (April 2008): 317–36. http://dx.doi.org/10.1017/s0002731600042293.

Full text
Abstract:
The recovery of anomalous (red-slipped, shell/grog/sandstone-tempered) pottery from three sites in the Upper Mississippi Valley (UMV) prompted a petrographic analysis of thin sections of 21 vessels from these sites. The goal was to evaluate their possible derivation from the American Bottom, the nearest locality where such pottery commonly occurs. Among the 12 UMV vessels tempered with shell (nine red slipped), ten were determined, based on comparisons to thin sections of stylistically similar pottery from the American Bottom, to have essentially identical physical compositions. Additionally, four vessels suspected of being limestone-tempered were determined to have been tempered with a type of sandstone that out-crops only farther south in Illinois and Iowa. Of the three UMV sites, only the Fisher Mounds Site Complex (FMSC) produced the presumed exotic pottery in undisturbed, dated contexts. The petrographic evidence is consistent with the C-14 age and lithic assemblage at FMSC in suggesting an actual influx of people from the American Bottom into the UMV. The time of this influx, the Edelhardt phase of the Emergent Mississippian/Terminal Late Woodland period, ca. cal A.D. 1000-1050, is earlier than previously believed, i.e., precedes the main Mississippian period in the American Bottom.
APA, Harvard, Vancouver, ISO, and other styles
10

Hoopes, John W. "The Tronadora Complex: Early Formative Ceramics in Northwestern Costa Rica." Latin American Antiquity 5, no. 1 (March 1994): 3–30. http://dx.doi.org/10.2307/971900.

Full text
Abstract:
The correlation of archaeological features with tephra stratigraphy and radiocarbon dates in the volcanic cordillera of northwestern Costa Rica has provided evidence for an Early to Middle Formative ceramic complex dating to at least 2000 B.C. Tronadora ceramics have been found in association with evidence for early horticulture and sedentism. Stylistic comparisons with other early pottery from Central America have helped with the refinement of our chronology for the earliest sedentary societies in Costa Rica and Nicaragua. Differences between Tronadora pottery and the earliest complexes of Mesoamerica and southern Central America indicate a high degree of regionalization in ceramic styles during the Early Formative period. Similarities also indicate, however, the common participation of northwestern Costa Rica and southern Mesoamerica in broad interaction networks at this time. Tronadora pottery does not represent an incipient technology or the result of a diffusion of ceramic production from Mesoamerica or northwestern South America. Instead, it implies the existence of an earlier and still-undefined period of technological experimentation in the Central American isthmus.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Pottery, American"

1

Lehman, Mark Ammon. "The life and work of the contemporary professional potter /." Access Digital Full Text version, 1994. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11587039.

Full text
Abstract:
Thesis (Ed.D.)--Teachers College, Columbia University, 1994.
Typescript; issued also on microfilm. Sponsor: Justin Schorr. Dissertation Committee: William Mahoney. Includes bibliographical references (leaves 209-215).
APA, Harvard, Vancouver, ISO, and other styles
2

Lyons, Mark W. "American dreams /." Online version of thesis, 1990. http://hdl.handle.net/1850/11237.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Pierce, Christopher. "Explaining corrugated pottery in the American Southwest : an evolutionary approach /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/6458.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Adu, Gyamfi Vesta Elizabeth. "The integration of Ghanaian traditional pottery and American contemporary ceramics /." Online version of thesis, 1988. http://hdl.handle.net/1850/11516.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Davis, Emily Elizabeth. "The pottery notebook of Maude Robinson a woman's contribution to art pottery manufacture, 1903-1909 /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 155 p, 2007. http://proquest.umi.com/pqdweb?did=1397899441&sid=4&Fmt=2&clientId=8331&RQT=309&VName=PQD.

Full text
Abstract:
Thesis (M.A.)--University of Delaware, 2007.
Principal faculty advisors: J. Ritchie Garrison and Ronald W. Fuchs, II, Winterthur Program in Early American Culture. Includes bibliographical references.
APA, Harvard, Vancouver, ISO, and other styles
6

Mitchell, Ammie M. "The Symbolism of Coarse Crystalline Temper| A Fabric Analysis of Early Pottery in New York State." Thesis, State University of New York at Buffalo, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10621050.

Full text
Abstract:

This research focuses on the problem of how early pottery in New York State is defined and analyzed. Many traditional models suggest early pottery developed from an earlier steatite stone bowl technology. Thus far, studies that examine early pottery in the Northeast, called the Vinette Type Series, focus on the potential functions, archaeological contexts, and surface appearance of these vessels and fail to account for the social practices and technological choices inherent within these artifacts. This dissertation reevaluates early pottery using a non-typological approach. In the place of descriptive analysis, this research uses petrography, experimental geo-archaeology, and technical choice and agency theories to identify the different types of temper present in early ceramic vessels. This study also looks at the patterns of different technical choices made by early potters. The redefinition of early ceramic technology using post-modern theories allows the author to better understand the social practices involved in the rise of ceramic technology. The ceramic technological patterns identified are then compared with steatite stone bowl technology. This study concludes that early ceramic technology is more closely related to the practices of earth oven convection cooking than it is to any other cooking artifact. A reclassification of early ceramic fabrics is presented and the traditional early ceramic Vinette type categories are rejected.

APA, Harvard, Vancouver, ISO, and other styles
7

Ifejika-Obukwelu, Kate Omuluzua. "Igbo pottery in Nigeria : issues of form, style and technique /." Access Digital Full Text version, 1990. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10939362.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Fadorsen, Stephanie Alexandra. "American Art Pottery: Ohio's Influence on Transforming a Local Craft into a World Renowned Fine Art." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1342890450.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Farace, Anthony P. "A SURVEY AND USE-WEAR ANALYSIS OF WICKLIFFE THICK POTTERY IN THE SOUTHEASTERN UNITED STATES." OpenSIUC, 2018. https://opensiuc.lib.siu.edu/theses/2421.

Full text
Abstract:
The Wickliffe Thick pottery type, an unusual vessel with a globular body, thick wall, and funnel-like opening at the bottom, has been assumed to be related to salt production and/or juice pressing. The following project presents the results of a use-wear analysis in order to understand Wickliffe Thick’s possible uses demonstrating that past conclusions likely need revision. A systematic, macroscopic analysis of ceramic sherds from more than 20 Mississippian sites throughout Kentucky, Missouri, and Illinois are included in the study. Use-wear on the samples occur in a low frequency. Although other factors such as a white efflorescence, and Wickliffe Thick’s temporal and spatial layout may hint at its usage in the nixtamalization process. This paper lays out the evidence for these hypotheses while also recording the characteristics of Wickliffe Thick across the southeastern United States.
APA, Harvard, Vancouver, ISO, and other styles
10

Wagh, Vaishali D. "Assembling form and space : ceramics as an assemblage." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1355258.

Full text
Abstract:
This project examines the relationship between form and the resultant space that it encloses, through a process of assembly. The process consists of assembling materials in Phase 1, and assembling parts cut-out from a homogenous ceramic form in Phase 2. Embedded in the act of assembly is the designer's ability to construct the object in multiple formal configurations. Manipulating the form (solid) results in mutation of the space (void) held within and in-between the solid, and vice-versa. Four formal concepts guide the process of assembly in this study: interplay of solid and void, manipulation of the material skin, dynamic visual motion, and light as a building materialThe research in this paper consists of literature survey, precedent studies on two ceramic artists, and analysis of art exhibits.The significance of this project lies in its ability to blur the boundaries between academic disciplines of metalsmithing and ceramics, art and architecture. Design resulting from the overlap between disciplines has vast potential and can lead to dynamic possibilities.
Department of Art
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Pottery, American"

1

Victoria and Albert museum. American potters today: An exhibition of American studio pottery. [London]: The Museum, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Matthew, Kangas, ed. Richard Fairbanks, American potter. [Seattle]: Distributed by University of Washington Press, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Broderick, Warren F. Pottery works: Potteries of New York State's capital district and upper Hudson region. Madison, N.J: Fairleigh Dickinson University Press, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Simpson, Michael W. Making native American pottery. Happy Camp, CA: Naturegraph Publishers, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Tuchman, Mitch. Bauer, classic American pottery. San Francisco: Chronicle Books, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Bagdade, Susan D. Warman's American pottery & porcelain. 2nd ed. Iola, WI: Krause Publications, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Emert, Phyllis Raybin. Pottery. Detroit: Lucent Books, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Sweezy, Nancy. Raised in clay: The southern pottery tradition. Chapel Hill: University of North Carolina Press, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Clark, Garth. American potters today. London: Victoria and Albert Museum, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Scarborough, Quincy J. The Walter and Dorothy Auman legacy. Fayetteville, N.C: Q. Scarborough Companies, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Pottery, American"

1

Rivolta, María Clara, Clarisa Otero, and Catriel Greco. "Reconsidering Isla Occupation. Pottery, Chronology, and Settlement." In The Latin American Studies Book Series, 29–50. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50574-9_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Ramundo, Paola Silvia. "Consumption of Pottery in Quebrada de la Cueva, Humahuaca, Jujuy." In The Latin American Studies Book Series, 51–80. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50574-9_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Scaro, Agustina, and Lautaro López Geronazzo. "Contextual Pottery and Faunal Analysis in the Pre-Inca Site of El Pobladito." In The Latin American Studies Book Series, 81–105. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50574-9_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Scaro, Agustina. "Esquina de Huajra Vessels. A Morphological and Decorative Study of Humahuaca-Inca Pottery." In The Latin American Studies Book Series, 139–67. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50574-9_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Bonomo, Mariano, Gustavo Politis, Laura Bastourre, and Germán Moreira. "Humanized Nature: Symbolic Representation of Fauna in Pottery from the Paraná River of South America." In South American Contributions to World Archaeology, 411–46. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73998-0_16.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Mallinson, Jonathan. "3. 1905–09: Experiment and Adversity." In William Moorcroft, Potter, 51–70. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0349.03.

Full text
Abstract:
In the years following success at St Louis, Moorcroft’s designs began to follow two distinct paths: some appealing to the contemporary nostalgia for eighteenth-century elegance, others developing more innovative and experimental ideas. One of his most radical creations, named ‘Flamminian’ ware, reduced ornament to a simple roundel, and focussed attention on form and glaze; it was an uncompromising challenge to the swirling lines of Art Nouveau, and was a great success both at home and in the US. Reviews published in the UK, France and Canada regularly distinguished Moorcroft’s work from much art pottery, underlining the originality of his decorative technique, the quality of his colours, and the integrity of his designs. It is a mark of his growing international reputation that he was invited to write an article for the newly founded American Pottery Gazette. But even as his reputation grew, the first signs of tension with H. Watkin, Director and General Manager at Macintyre’s, can be seen between the lines of reviews in the Pottery Gazette, where Moorcroft’s name was increasingly subordinated to that of Macintyre’s. Factory Minutes show that Watkin was tabling proposals to close down Moorcroft’s department from as early as 1905, to the evident surprise of the other Directors; surviving financial documents suggest that the reason was not the unprofitability of the Ornamental ware, as Watkin would affirm.
APA, Harvard, Vancouver, ISO, and other styles
7

Pereyra Domingorena, Lucas, and María Beatriz Cremonte. "The Same Way of Doing Pottery. San Francisco Ceramic Fabrics from Tumbaya (Quebrada de Humahuaca) and San Pedro (San Francisco River Basin)." In The Latin American Studies Book Series, 1–27. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50574-9_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Mallinson, Jonathan. "4. 1910–12: Approaching a Crossroads." In William Moorcroft, Potter, 71–92. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0349.04.

Full text
Abstract:
The accession of George V marked the dawn of a new age, and immediate high-profile interest in the pottery industry from Queen Mary. These years saw the launch of some of Moorcroft’s most ambitious designs, displaying a new palette of rich colours and particularly sophisticated decoration. A highly regarded exhibit at the Brussels International Exhibition of 1910 consolidated his international reputation, and brought renewed prestige (and increasing trade success) for Macintyre’s. His popularity continued to grow in North America, even as the UK’s pottery exports were in steady decline. Diary entries reveal Moorcroft’s tireless promotion of his work in both artistic and commercial circles; this was a highly unusual combination of roles. Contemporary reviews continued to identify Moorcroft as an individual artist (as opposed to an industrial designer). This is all the more significant as the future of ceramic art was increasingly associated with the work of individual potters rather than that of industrial studios. But against this background of artistic and commercial success, the tensions with Watkin continued to grow; surviving documents suggest that this was not simply a clash of priorities, but a more personal antagonism. As Moorcroft’s reputation grew and his working conditions deteriorated, separation from Macintyre’s was becoming inevitable.
APA, Harvard, Vancouver, ISO, and other styles
9

Belcher, Catherine L., and Becky Herr Stephenson. "Harry on the Border between Two Worlds: Reading Harry en Español in a Mexican American Border Community." In Teaching Harry Potter, 35–55. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119918_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Wilkinson, Rupert. "Journeys to American Character: Margaret Mead, David Potter and David Riesman." In American Studies, 297–322. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21450-1_15.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Pottery, American"

1

Холошин, П. Р. "Resent Approaches to the Study of Clay Vessels’ Shapes in West European and American Archaeology." In ФОРМЫ ГЛИНЯНЫХ СОСУДОВ КАК ОБЪЕКТ ИЗУЧЕНИЯ. Crossref, 2018. http://dx.doi.org/10.25681/iaras.2018.978-5-94375-254-4.228-246.

Full text
Abstract:
The article presents a survey of main prospects and procedures of archeological vessel shapes study employed by West European and American researchers. Development of methods and techniques used in vessel shapes description and interpretation as a source of cultural-historical information is analyzed. The basic concepts of vessel shapes analytical study were formulated by A.O. Shepard in the 1950s. She proposed principal procedural approaches in her fundamental work (1956). Later on, these approaches gained momentum. The procedure of vessel shape disintegration into structural parts and evaluation of proportions of their рarameters is the most widespread method. The New Archeology impact exemplifies in striving for clear quantitative definition of vessel parameters and in elaboration of a functional perception of the material culture development. New sources (ethnography and experiments) are come to draw in study of vessel shapes. Study of pottery in traditional societies has brought up two problems: 1) incongruity of researchers’ typological developments and evaluation terms of the very culture-bearers and 2) limitations of functional and adaptive models of interpretation. The first problem has brought about the task description of a more detailed and objective fixation of vessel shapes peculiarities while vessels groupings further on is performed by dint of various mathematic and statistical methods. The second problem has brought about a wide drawing of sociological and cultural research concepts that allow proceeding to study of vessel shapes features in interpretation of data obtained as results of certain mental processes and behavioral patterns that the people formed. Ethnoarchaeology, i.e. study of traditional societies with techniques employed in archeology, makes a considerable contribution to this prospect development. Individual researchers also carry on study of traditional potters’ labor skills in specifically simulated conditions. A number of researchers assume that contemporary techniques of vessel shapes analysis fit poorly the developed notions of the nature of the phenomenon and express the necessity to overcome the flaw. In general, development of views on vessel shapes in West European and American historical studies conform the same regularities as the Russian archeology does.
APA, Harvard, Vancouver, ISO, and other styles
2

Дмитренко, Л. М. "ON THE ISSUE OF STUDYING POTTERY TECHNOLOGY OF THE KALCHAKI CULTURE (SALTA PROVINCE, NORTHWESTERN ARGENTINA)." In Вестник "История керамики". Crossref, 2023. http://dx.doi.org/10.25681/iaras.2022.978-5-94375-369-5.121-135.

Full text
Abstract:
Данная статья посвящена изучению некоторых вопросов технологии изготовления керамических сосудов культуры кальчаки из раскопок поселения Ла-Пайя (провинция Сальта, Аргентина), коллекция которых хранится в МАЭ РАН. Изучение технологии велось с позиций историко-культурного подхода к изучению керамики, разработанного А.А. Бобринским. В результате сравнительного изучения керамических сосудов и этнографических образцов корзин, которые широко использовались племенами Южной Америки, было установлено, что по крайней мере часть изученных мисок изготавливались в формахемкостях, которыми служили корзины, выполненные в определенной технике плетения. В ряде случаев в формах-емкостях изготавливались только отдельные части сосудов, которые потом соединялись вместе. К таким сосудам можно отнести асимметричные сосуды, сосуды с широким горлом, сосуды с носиком для слива, а также погребальные урны с тремя сужениями. Данная гипотеза получила подтверждение в ходе работы автора Самарской экспедиции по экспериментальному изучению древнего гончарства в августе 2021 г. Полученные результаты технологического анализа существенно дополнили изучение гончарного производства культуры кальчаки. The article is devoted to the study of some issues of the pottery technology of the Kalchaki culture from the excavations of the settlement of La Paya (Salta province, Argentina), the collection of which is kept in the Museum of Anthropology and Ethnography of the Russian Academy of Sciences. Še technology was studied from the standpoint of the historical and cultural approach to the study of ceramics, developed by A. A. Bobrinsky. The comparative study of ceramic vessels and ethnographic samples of baskets that were widely used by the tribes of South America has revealed that at least part of the studied bowl-shaped vessels were formed in baskets made in a certain weaving technique, which served as molds. In some cases, only parts of vessels were formed in molds and then joined together. Such vessels include asymmetric vessels, vessels with a wide neck, vessels with a beak for decanting, as well as funeral urns with three taperings. This hypothesis was experimentally con‰rmed during the work of the author in the Samara expedition for the experimental study of ancient pottery in August of 2021. The obtained results of technological analysis supplemented signicantly the study of the pottery production of the Kalchaki culture.
APA, Harvard, Vancouver, ISO, and other styles
3

Perinkulam Sathyanarayanan, S., R. M. L. Añel-Tiangco, and N. D. Tiangco. "Doege-Potter Syndrome in a Patient with Pulmonary Solitary Fibrous Tumor." In American Thoracic Society 2021 International Conference, May 14-19, 2021 - San Diego, CA. American Thoracic Society, 2021. http://dx.doi.org/10.1164/ajrccm-conference.2021.203.1_meetingabstracts.a4898.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Cuan, K., J. Bahk, and J. Salonia. "Management of Refractory Hypoglycemia in Doege-Potter Syndrome Without an Option for Curative Surgery." In American Thoracic Society 2023 International Conference, May 19-24, 2023 - Washington, DC. American Thoracic Society, 2023. http://dx.doi.org/10.1164/ajrccm-conference.2023.207.1_meetingabstracts.a5295.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Wang, Nannan, Peng Gao, Xueying Wang, Beijia Liu, and Tenigeer. "Design of a Low Side Lobe Potter Horn Antenna With Rectangular Waveguide Working at W Band." In 2020 IEEE International Symposium on Antennas and Propagation and North American Radio Science Meeting. IEEE, 2020. http://dx.doi.org/10.1109/ieeeconf35879.2020.9330336.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Pottery, American' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography