Relevant bibliographies by topics / Pottery, Bulgarian

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Pottery, Bulgarian'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Pottery, Bulgarian"

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Spataro, Michela, Georgi Katsarov, Nadezhda Todorova, Atanas Tsurev, Nikolina Nikolova, Marlena Yaneva, and Krum Bacvarov. "The chaîne opératoire of 6th millennium BC pottery making in the Maritsa Valley, Bulgaria: ceramics from Nova Nadezhda." Praehistorische Zeitschrift 94, no. 1 (December 1, 2019): 1–30. http://dx.doi.org/10.1515/pz-2019-0007.

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Abstract 40 potsherds and five other fired clay fragments from the prehistoric site of Nova Nadezhda in Bulgarian Thrace were analysed by archaeometric techniques. Twenty sherds and a daub fragment were analysed in thin section by optical microscopy; these thin sections, and thick sections of a further 24 sherds were also analysed by SEM-EDX. Results were used to describe the Early Neolithic chaîne opératoire at Nova Nadezhda, which was then compared to pottery production in roughly contemporaneous Starčevo-Criş communities in the central Balkans, to shed light on the Neolithisation process that took place in the 6th millennium BC. A variety of ceramic recipes was used to make different vessel shapes. Analyses of surface coatings were particularly enlightening in terms of provenance and the organisation of pottery production.
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Bausovac, Maja. "Kasnorimski lonci za pohranu s T-oblikom ruba iz Rifnika kod Celja." Prilozi Instituta za arheologiju u Zagrebu 36 (2019): 143–59. http://dx.doi.org/10.33254/piaz.36.6.

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The period at the turn of the 4th and 5th centuries produced a wealth of pottery, including large storage jars with a T-shaped rim and decorated with single or multiple wavy lines and horizontal grooves on the rim and body. It is a fairly specific pottery form that is quite rare at Slovenian sites; apart from Rifnik, a more substantial quantity has only been excavated in Kranj. Elsewhere (Hungary, Bulgaria, Croatia, Serbia), such jars are known in greater numbers on a few sites only and are similar to those from Rifnik in shape and decoration, but not fabric. At Rifnik, their fabric is the same as that used for several other kinds of pottery from the same period, which suggests a local production that followed the general trends of the day.
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Melamed, K., and E. Evtimova. "CHARACTERISTICS OF POTTERY FROM THE EASTERN RHODOPES, BULGARIA (6th—12th c.)." Archaeology and Early History of Ukraine 29, no. 4 (December 22, 2018): 110–18. http://dx.doi.org/10.37445/adiu.2018.04.04.

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The paper presents the pottery from the 6th—12th c. obtained in the course of the archaeological excavations of the authors near the Sedlari village, about 4 km to the west from Momchilgrad, in the Eastern Rhodopes, on the broad terrace of the left west bank of Varbitsa River, the old Syutliyka, the right confluent of the Arda River.
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SEMMOTO, Masao. "Changes in Pottery with Cord-Impressed Decoration in Early Bronze Age Bulgaria." Bulletin of the Society for Near Eastern Studies in Japan 56, no. 2 (2014): 16–36. http://dx.doi.org/10.5356/jorient.56.2_16.

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Weninger, Bernhard. "Stratified 14C Dates and Ceramic Chronologies: Case Studies for the Early Bronze Age at Troy (Turkey) and Ezero (Bulgaria)." Radiocarbon 37, no. 2 (1995): 443–56. http://dx.doi.org/10.1017/s0033822200030927.

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Prehistoric tell stratigraphies, like deep-sea sediments or peat deposits, store information about past atmospheric 14C variations. By matching the 14C ages on charcoal samples from settlement deposits with the tree-ring calibration curve, estimates for the time span covered by successive stratigraphic phases can be derived. This method is applied to 14C data from the tell mounds at Troy, Turkey and Ezero, Bulgaria. I compare the derived chronologies with the results of pottery shape seriation using correspondence analysis.
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Poulter, Andrew. "Nicopolis ad Istrum, Bulgaria: An Interim Report on the Excavations 1985–7." Antiquaries Journal 68, no. 1 (March 1988): 69–89. http://dx.doi.org/10.1017/s0003581500022496.

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The first three seasons of excavation at Nicopolis ad Istrum have established that the castellum, a strongly defended enclosure of 5.7 ha., represents the site of the late Roman city of the fourth to sixth centuries A.D. In addition to a well-preserved early Roman gate and road, excavations have uncovered a fourth-century building, a sixth-century Christian basilica, workshops and a late Roman gate. Finds include reused architectural material from the Roman city, early and late Roman pottery, glass, seeds and bone, three inscriptions and a wide range of small finds in bone, iron, bronze and gold.
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Dimova, Bela. "Archaeology in Macedonia and Thrace: Iron Age to Hellenistic, 2014–2019." Archaeological Reports 65 (November 2019): 127–43. http://dx.doi.org/10.1017/s0570608419000073.

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This paper reviews archaeological publications and fieldwork related to Macedonia and Thrace of the past five years, covering the Early Iron Age to the Hellenistic period, with reference also to sites and projects in Bulgaria, North Macedonia and Turkey. Published syntheses reveal the priorities that have driven archaeological research to date (for example funerary monuments, ties to historical figures and narratives, pottery) and a need for more studies on other aspects of social history and archaeology, such as subsistence, crafts and households. Fieldwork at settlements has continued over the years, but few are being dug and published to current standards. A discussion is growing about the role and use of the countryside, and field surveys and excavations are providing new data on this. Fortified rural sites in Greece and Bulgaria may indicate that similar social processes were afoot, but full publication and the retrieval of relevant comparative data, especially faunal and botanical, are essential for a better understanding of potential differences.
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Vieugué, Julien, Laure Salanova, Martine Regert, Sigrid Mirabaud, Anne-Solenn Le Hô, and Éric Laval. "The Consumption of Bone Powder in the Early Neolithic Societies of Southeastern Europe: Evidence of a Diet Stress?" Cambridge Archaeological Journal 25, no. 2 (April 23, 2015): 495–511. http://dx.doi.org/10.1017/s0959774314001048.

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Research performed on Early Neolithic ceramic assemblages from southwestern Bulgaria has revealed that several categories of pottery were used for the preparation of foodstuffs. One particular type of beige residue has been identified on the inner surface of ceramic vessels from several sites. Chemical analyses of mineral residues, combined with the stylistic characteristics of ceramic vessels, have shown the consumption of bone powder. This consumption, far from being anecdotal, raises several questions regarding the diet behaviour of the earliest Neolithic communities in the Balkans, which have obviously sought a complementary source of calcium. Would the dietary transition at the beginning of the Neolithic period correspond to a diet stress?
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Archibald, Zofia H., Ark Adams, Sue Ovenden, and Sue Stallibras. "A river port and emporion in Central Bulgaria: an interim report on the British project at Vetren." Annual of the British School at Athens 97 (November 2002): 309–51. http://dx.doi.org/10.1017/s0068245400017421.

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In 1999, fieldwork was resumed by the British team at Adzhiyska Vodenitsa, Vetren, the site of an inlandemporionwhich has been identified with ancient Pistiros (SEG43. 486, 46. 872*). Excavations were conducted on the terrace with architectural remains in two sectors, north and south of the main east-west road. In the northern sector, 22 pits were investigated. The faunal material from these pits reveals specific butchering methods and the re-articulation of complete body parts following butchery. Among the finds aregraffition pottery, including a votive inscription to Zeus. In the southern sector, there are traces of residential use. The report includes an account of geophysical prospection to determine the nature of land use beyond the terrace, with evidence suggesting that the settlement was directly adjacent to the River Maritsa (ancient Hebros).
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Atanassova, Victoria, Luminița Ghervase, Ioana Maria Cortea, Valentin Mihailov, Vani Tankova, and Vassil Nikolov. "Multi-analytical approach for characterization of archaeological pottery excavated in the Early-Neolithic settlement of Chavdar, Bulgaria." Spectroscopy Letters 54, no. 7 (August 9, 2021): 549–59. http://dx.doi.org/10.1080/00387010.2021.1957940.

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Dissertations / Theses on the topic "Pottery, Bulgarian"

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Tušlová, Petra. "Římská a pozdně antická keramika v antické Thrákii, vybrané soubory z Jambolského regionu." Doctoral thesis, 2020. http://www.nusl.cz/ntk/nusl-411559.

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Three pottery assemblages from the Yambol District were processed in this thesis to enrich our knowledge about the Roman and Late Antique pottery material in Ancient Thrace. The first, and most abundant assemblage, is from the Roman vicus called Yurta, which is located near the village of Stroyno and dated from the 1st /2nd c. AD till the Late Antiquity. This assemblage is substituted by different pottery classes which give us bases for identifying the variability of the pottery material and the different wares and fabrics in the area. In addition, it represents the main material for statistics and for a quantitative comparison of individual classes. The second assemblage includes 19 complete vessels from two burial mounds in Palauzovo, dated to the 2nd -3rd c. AD, and gives a comparative sample for the settlement contexts as well as a basis for studying the ways in which pottery was modified for special burial purposes. The last set of 57 vessels comes from a closed context dated to the end of the 6th c. AD, which was found in a collapsed house at the Dodoparon hillfort, rising above the village of Golyam Manastir. It represents a unique set of finds from the Late Antiquity, which is well dated and preserved. The three pottery assemblages are all different, each with a distinct character, which...
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Books on the topic "Pottery, Bulgarian"

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Izluskana keramika ot I - nachalo na VII vek i︠u︡zhno dolen Dunav (Bulgarii︠a︡) =: Burnished pottery from the first century to the beginning of the seventh century A.D. from the region south of the lower Danube (Bulgaria). Sofia: NOUS, 2002.

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2

Tsanov, Ganko. Keramikata prez Vŭzrazhdaneto. Sofii︠a︡: Akademichno izd-vo "Prof. Marin Drinov, 2000.

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Geleva-T︠S︡vetkova, Ralit︠s︡a. Tradit︠s︡ionnata keramika v zhivota na bŭlgarina, XIX-XX v. Sofii︠a︡: Akademichno izd-vo "Prof. Marin Drinov", 2001.

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4

Totev, Toti͡u. Preslavskata keramichna ikona. Sofii͡a: Izd-vo Bŭlgarski khudozhnik, 1988.

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Zhivkov, T︠S︡anko. The marvellous Busintsi ceramics: A phenomenon of Bulgarian ethnoculture. Sofia: Bulgarian Bestseller, 2006.

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Totev, Totyu. The ceramic icon in medieval Bulgaria. Sofia: St.Kliment Ohridsk, 1999.

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Totev, Totyu. Ceramic Icon in Medieval Bulgaria. Pensoft Pub, 1999.

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Totev, Totyu. THE CERAMIC ICON IN MEDIEVAL BULGARIA. St.Kliment Oxridski University Press, 1999.

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9

Group, The Pottery Research. The 2000 Import and Export Market for Pottery in Bulgaria. 2nd ed. Icon Group International, Inc., 2001.

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10

The Tableware Pottery Research Group. The 2000 Import and Export Market for Tableware Pottery in Bulgaria. 2nd ed. Icon Group International, Inc., 2001.

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Book chapters on the topic "Pottery, Bulgarian"

1

Katsarska, Milena. "The Bulgarian Connection in Harry Potter." In Re-Reading Harry Potter, 183–97. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230279711_22.

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Hurman, Barbara. "The Bulgarian field walking pottery sherds analysis." In The Transition to Late Antiquity on the lower Danube, 837–90. Oxbow Books, 2019. http://dx.doi.org/10.2307/j.ctv138ws0s.34.

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"Eighth- and ninth-century pottery from the industrial quarter of Pliska, capital of the early medieval Bulgarian kingdom." In Byzantium, Pliska, and the Balkans, 293–314. De Gruyter, 2007. http://dx.doi.org/10.1515/9783110218831.2.293.

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SWAN, VIVIEN G. "Dichin (Bulgaria): Interpreting the Ceramic Evidence in its Wider Context." In The Transition to Late Antiquity, on the Danube and Beyond. British Academy, 2007. http://dx.doi.org/10.5871/bacad/9780197264027.003.0009.

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In the Dichin (north central Bulgaria) store-buildings destroyed in about the 480s, the large quantities of imported Eastern Mediterranean and Black Sea amphorae typify late Roman military supply (annona) to the forts of the lower Danube limes. A dearth of amphorae at Dichin for most of the sixth century is linked ultimately to alterations in trading patterns in the Mediterranean as a whole. A slight increase in amphorae shortly before the final destruction of c.580 reflects a significant recasting of supply sources. The few imported red-slipped wares are mostly late fifth century and of Pontic origin. During the sixth century, modifications in the local coarse pottery reflect cultural changes in the region — the decline of Romanized eating practices and the impact of the barbarian social traditions. The wider significance of ‘foederati ware’ for the Germanic settlement of the region and its influence on the technology of indigenous ceramics production are also explored.
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de Groot, Beatrijs. "Clay Recipes, Pottery Typologies and the Neolithisation of Southeast Europe A Case Study from Džuljunica-Smărdeš, Bulgaria." In Tracing Pottery-Making Recipes in the Prehistoric Balkans 6th–4th Millennia BC, 54–64. Archaeopress Publishing Ltd, 2019. http://dx.doi.org/10.2307/j.ctvndv954.11.

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"The early medieval yellow pottery from Pliska, Bulgaria: the question of its provenance and the problem of its origin." In Byzantium, Pliska, and the Balkans, 315–40. De Gruyter, 2007. http://dx.doi.org/10.1515/9783110218831.2.315.

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Bradley, Richard. "Life and Art." In The Idea of Order. Oxford University Press, 2012. http://dx.doi.org/10.1093/oso/9780199608096.003.0008.

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Not many prehistoric houses survive above their foundations. The three dimensions of the buildings are collapsed (sometimes literally) into the two dimensions of the site plan. That may be all that can be discovered by archaeology, and yet the missing component could have been all-important. The change of perspective is revealing, for the treatment of the walls and roof may be just as significant as the layout of the floor. Few excavated houses are as well preserved as those in the Near East, and there are many parts of Europe in which the question cannot be investigated directly. Here, the existence of ceramic models suggests an alternative approach. During 2010, two exhibitions featuring the arts of the first farmers took place in Britain. They ran simultaneously, one in Oxford and the other in Norwich. They also complemented one another geographically and thematically. The Lost World of Old Europe was organized by The Institute for the Study of the Ancient World at New York University (Anthony 2010), and Unearthed by the Sainsbury Centre for Visual Arts of the University of East Anglia (Bailey et al 2010). The display at the Ashmolean Museum in Oxford featured artefacts from Romania, Moldova, and Bulgaria, whilst that in Norwich was restricted to finds of figurines from Romania, Albania, and Macedonia, although they were compared with others from the Jomon Culture of Japan. Not surprisingly, the Neolithic and Chalcolithic objects spanned a long period of time and were associated with several regional groups. Some were elaborately decorated, while others were entirely plain. The artefacts shown in Norwich were all depictions of the human form, but those in Oxford also included pottery vessels, stone artefacts, and early metalwork. One small group of objects was especially striking, for it consisted of ceramic models of domestic buildings. In one case, from the Cucuteni Culture of Romania, a group of figurines had been discovered inside a miniature house of this kind. The evidence of such models is revealing. There were examples in which the outer wall was highlighted by angular designs, as if to emphasize the rectilinear outline of the building, but there was also a model in the Oxford exhibition which showed a structure with a similar ground plan whose exterior was covered by curvilinear motifs.
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