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Dissertations / Theses on the topic 'Pottery Pottery industry'

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Published: 4 June 2021
Last updated: 19 February 2022

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1

Miller, Lisa M. "Making a living in clay a practical guide to starting and building a business in ceramics /." Morgantown, W. Va. : [West Virginia University Libraries], 2007. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=5352.

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Thesis (M.F.A.)--West Virginia University, 2007.
Title from document title page. Document formatted into pages; contains viii, 41 p. : col. ill. Vita. Includes abstract. Includes bibliographical references (p. 40).
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2

Leach, Hannah. "Sociophonetic variation in Stoke-on-Trent's pottery industry." Thesis, University of Sheffield, 2018. http://etheses.whiterose.ac.uk/21547/.

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This thesis presents a sociophonetic analysis of two dialect variables in twenty-six speakers from Stoke-on-Trent; specifically, speakers who worked in the city’s pottery industry. The recordings used come from an oral history archive, and much of the analysis presented considers the impact of the social and spatial structures of the pottery industry on dialect variation. The analysis presented also combines quantitative and qualitative methodologies in order to examine both broader patterns of dialect variation in the selected speakers, and how the same variables may be used in the construction of meaning-in-interaction. Finally, I consider the impact of using oral history data in this kind of sociophonetic analysis. I use literature on the social structures of the industry and the content of the recordings themselves to model an internal hierarchy for the industry, which I then examine alongside auditory and acoustic data from two linguistic variables: /h/-dropping, and the (i) vowel. /h/-dropping is particularly sensitive to industrial role, with speakers in mass production roles more likely to drop /h/ and those in administrative, managerial and design roles less likely to. I demonstrate how this links to the established social meanings of /h/-dropping as a historical dialect feature of English. The (i) vowel is less sensitive to this internal hierarchy quantitatively, but I describe how its realisation is particularly conditional on linguistic factors. Both variables are also examined qualitatively in discourse moments, and according to topic. /h/-dropping (and retention) appears to be associated with meaning on micro-, meso- and macro-social levels, allowing me to design an indexical field (Eckert, 2008) of its potential social meanings in this dataset. Variation in the (i) vowel appears to be less motivated by topic, but I demonstrate that some speakers do use more extreme acoustic tokens in particularly expressive talk.
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3

Buckley, Cheryl. "Women designers in the north Staffordshire pottery industry, 1914-1940." Thesis, University of East Anglia, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282987.

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4

Pollard, Clare. "Miyagawa Kozan (1842-1916) and the Makuzu workshop : the development of Makuzu ware in the context of the Japanese ceramics industry of the Meiji period." Thesis, University of Oxford, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321693.

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5

Hallett, Jessica. "Trade and innovation : the rise of a pottery industry in Abbasid Basra." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365566.

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6

Smith, Helen Anderson Sinclair. "English Queensware and its impact on the French pottery industry 1774-1814." Thesis, Keele University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394656.

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7

Gill, D. W. J. "Attic black-glazed pottery in the fifth century B.C : Workshops and export." Thesis, University of Oxford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384112.

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8

Vincent, Stephanie M. ""An Ancient Industry in a Modern Age": The Growth and Struggles of the American Pottery Industry, 1870-2015." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1459462213.

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9

Booth, Pauline R. "The Staffordshire pottery industry and its worldwide markets with special reference to the nineteenth century." Thesis, Keele University, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267457.

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This thesis sets out to shew the inherent weaknesses which developed as the Staffordshire Pottery industry grew and which led to its comparative decline in the closing decades of the nineteenth century, in the face of the growing industrialised economies of the U.S.A., Germany and France. The industry reflected Britain's expansion of trade, and the growth of a free enterprise economy, with high capital accumulation. However, by mid-century the industry shewed signs of decline. The weaknesses were firstly a large dependence on the American market which made it vulnerable to financial and political crises in that country, which caused sharp vacillations in trade. Secondly a home economy that was stagnating as the British industrial revolution was ageing and thirdly the challenge of the scientific revolution in Germany and the U.S.A.which made them formidable trade rivals. The fourth weakness in the Staffordshire Pottery industry was that the thrusting entrepreneurial generation ofWedgwood, Minton, Spode and others had not been replaced by equal talent in their successors. The industry lacked vigorous marketing techniques with direct communication with management, capable of reacting swiftly to change to the demands of foreign markets. By and large, Pottery firms suffered from poor business management, high unit costs, lack of mechanisation, limited technical training, and the need for modem design and marketing policy to meet the changes in taste and social habits. World trading patterns changed in the last quarter of the nineteenth century and countries, to which pottery manufacturers had exported large quantities of cheap earthenware, were developing their own industries. The general return to protection overseas in the 1880s held back the expansion of British exports. Only Doultons realised that the way forward was by research into technical advances into new fields and so they developed industrial ceramics for the electrical industry. The significant event at the end of the century was the formation of the North Staffordshire Ceramic Society in 1900, which pionted the way forward for the industry and which led to the technical advances this century.
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10

Sall, Moustapha. "Traditions céramiques, identités et peuplement en Sénégambie: ethnographie comparée et essai de reconstitution historique." Doctoral thesis, Universite Libre de Bruxelles, 2000. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211724.

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11

Wallaert, Hélène. "Mains agiles, mains d'argile: apprentissage de la poterie au Nord-Cameroun. modes d'acquisition des compôrtements techniques." Doctoral thesis, Universite Libre de Bruxelles, 2000. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211720.

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12

Bélo, Tais Pagoto. "Estudo tecnológico e das cadeias operatórias da cultura material lítica e cerâmica, coletada nos anos 1995, 1996 e 2000, no sítio Água Limpa, município de Monte Alto, SP." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-06032008-142747/.

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Este trabalho baseia-se na análise da cadeia operatória da indústria lítica e da produção cerâmica do sítio Água Limpa. Este sítio é caracterizado como um sítio a céu aberto, \'lito-cerâmico colinar\', que se localiza no município de Monte Alto, no norte do estado de São Paulo, contornado pelos córregos Água Limpa e Santa Luzia, fazendo parte da bacia do rio Turvo. Este estudo é composto por 5341 elementos cerâmicos e 148 peças líticas, coletados nas campanhas de 1995, 1996 e 2000. E a maior questão que envolve o sítio Água Limpa é a variabilidade da forma da cultura material. Sendo assim, o objetivo do estudo em questão é enfatizar a tecnologia utilizada nas etapas do processo de produção tanto do lítico quanto da cerâmica, ou seja, levantar as cadeias operatórias e as escolhas que envolveram esse procedimento. Para o resgate da Cadeia Operatória fez-se uma leitura através da análise tecno-tipológica do lítico e da cerâmica que buscou abranger todos os itens necessários à compreensão tecnológica do processo de produção artefatual. Os dados obtidos das análises foram fundamentais para a caracterização da cultura material desse sítio e para o levantamento de novas questões que envolvem o grupo que viveu nesta área.
This research is based on the study of operational chains of the lithic and the pottery of Água Limpa site. This is an open air and hilly lithic-pottered site, it is located in the area of Monte Alto city, in the north of São Paulo State, surrounded by Água Limpa and Santa Luzia rivers, included in the basin of the Turvo river. This research is composed of 5341 potsherd and 148 lithic, gathered in 1995, 1996 and 2000 campaigns. However, the main point that involves Água Limpa site is the variability of the material culture. Moreover, the goal of this study is to emphasize the technology used in each process of the production of lithic and pottery. Also, this study emphasizes the operational chains and the choices that were involved in the production processes. A technotypological file was used to identify the operational chains of the production of pottery and lithic, and to gather all the characters with a view to a technological comprehension of artefactual process. The data obtained with this kind of analysis were fundamentals to characterize the material culture of this site and to look into new questions that involve the group established in this area.
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13

Moreno, Juan Felix. "If walls could talk : life in the arid region of Southern Jordan, a case study of the lithic industry at the late pre-pottery neolithic B village Wadi Fidan 001." Thesis, University of Liverpool, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.511037.

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14

Mpika, Léopold. "Tradition céramique et unité culturelle chez les Kongo d'Afrique centrale: une approche ethnoarchéologique." Doctoral thesis, Universite Libre de Bruxelles, 2004. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211142.

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Tradition Céramique et Unité Culturelle chez les Kongo d’Afrique Centrale:

Une approche ethnoarchéologique

Thèse présentée pour l’obtention du grade de Docteur en Philosophie et Lettres

par Léopold MPIKA

En analysant la production des céramiques contemporaines Kongo, on peut s'efforcer de vérifier l'hypothèse selon laquelle les populations, qui se disent Kongo du Royaume de Kongo, sont effectivement héritières d'une formation sociopolitique ancienne et culturellement unitaire.

L’observation des chaînes opératoires céramiques des populations bantoues du groupe H10 (Manyanga, Sundi, Dondo, Kamba et Bembé) a permis de relever un certain nombre de convergences et de divergences techniques. Il n'y a pas de statut particulier, seules les femmes s'intéressent au façonnage des poteries. Elles travaillent seules ou en groupe organisé. Les matières premières, argile noire, grise, rouge ou blanche, ainsi que la psammite, sont exploitées sur les bords des rivières et leurs confluent et sur les flancs des collines. Ces matières premières sont extraites avec des outils utilisés habituellement pour les travaux agricoles, comme la houe ou la daba. L'argile est préparée par adjonction de psammite et malaxage sur une meule avec une molette. Le façonnage consiste à modeler un cône d'argile à base arrondie que la potière creuse pour former le fond et la panse des récipients. La partie supérieure des vases est façonnée par adjonction de colombins. Le décor intervient en deux temps :après le façonnage et après la cuisson. Lorsque l’ébauche a légèrement séché au soleil, les parois sont incisées avec une spatule, des arêtes de poisson ou au dicrotachynutans. Enfin, après quelques semaines de séchage, les poteries sont cuites en meules et décorées immédiatement à l’aide d’une décoction de bridelia ferruginea. Le contact du sel, les menstruations, les relations sexuelles sont interdits aux femmes potières pendant le façonnage des poteries.

Cette recherche a permis d’identifier deux grands ensembles de traditions céramiques Kongo au Bas-Congo. Le premier groupe comprend la céramique Manyanga et Sundi caractérisée par le façonnage au colombin, la cuisson des poteries en dépression et par le décor des poteries à la décoction de bridelia ferruginea. Le deuxième groupe comprend la céramique Dondo, Kamba et Bembe caractérisée par le façonnage sur un fond de cône à base arrondie, une technique de cuisson sur aire plane et des décors tracés au pinceau à l’aide d’une macération bridelia ferruginea.

Au terme de ce travail, nous avons aussi relevé plusieurs facteurs qui caractérisent l'unité culturelle des populations Kongo-Congolaises par-delà les divisions ethniques.

Cette thèse est présentée en deux volumes :

- Volume I :Synthèse et Analyse

- Volume II :Données des recherches (textes et illustrations)


Doctorat en philosophie et lettres, Orientation histoire de l'art et archéologie
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15

Monteiro, Adriano Santos. "Arranjos produtivos: análise da experiência do setor oleiro cerâmico de Iranduba (AM)." reponame:Repositório Institucional do FGV, 2008. http://hdl.handle.net/10438/8435.

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In face of the emergence of a Local Productive Arrangement - LP A to replace the current industrial agglomeration known as Cluster in the municipality of lranduba and its surroundings, the study characterizes the production process and administrative area included in the industries. The aim therefore is to identify the necessary points of transformation accompanied by benefits that change can bring to the whole society that depends on the pottery industry to survive. Although cooperation between companies occur potters of Iranduba the results of the study show that there is an outbreak of local productive arrangement, only interaction between a cluster of companies in terms of needs focus. In this scope, it is pointed out as main results which find of an archaic system of production based on family structure and lack of direction of public policies that encourage the development of LPA.
Diante da possibilidade de surgimento de um Arranjo Produtivo Local - APL em substituição a atual aglomeração industrial conhecida como Cluster na região do município de lranduba e de seus arredores, o estudo caracteriza o processo produtivo e administrativo das indústrias inseridas na área. O objetivo, portanto é identificar pontos necessários a transformação acompanhados pelas vantagens que a mudança pode trazer a toda a sociedade que depende do setor oleiro para sobreviver. Apesar de ocorrer cooperação entre as empresas oleiras de lranduba, os resultados do trabalho demonstram que não existe um foco de arranjo produtivo local, tão somente interação entre um aglomerado de empresas em função de necessidades focais. Nesse escopo, salientam-se como principais resultados a constatação de um sistema arcaico de produção baseado na estrutura familiar e a falta de direcionamento de políticas públicas que incentivem o surgimento do APL.
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16

Loch-Drake, Cynthia. "Jailed heroes and kitchen heroines, class, gender and the Medalta Potteries strike in postwar Alberta." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ65039.pdf.

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17

Bostoen, Koen. "Etude comparative et historique du vocabulaire relatif à la poterie en Bantou." Doctoral thesis, Universite Libre de Bruxelles, 2004. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211204.

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Le présent ouvrage envisage la présentation des conclusions comparatives résultant de l’inventaire systématique et de l’analyse linguistique du vocabulaire relatif à la poterie en bantou. À partir des données comparatives provenant de l’ensemble des langues bantoues actuellement documentées, l’organisation interne et l’évolution historique de ce domaine particulier de vocabulaire technique sont examinées. Portant sur la lexicologie diachronique, l’étude associe une approche onomasiologique et une approche sémasiologique. Non seulement plusieurs reconstructions formelles sont proposées à différents niveaux chronologiques et géographiques, mais ceux-ci font également l’objet d’une analyse sémantique approfondie. Les quatre chapitres de la thèse traitent du lexique portant sur cinq catégories conceptuelles majeures du champ sémantique en question :le travail de la poterie lui-même, l’artisan, les matières premières, les différents types de produits finis et enfin les procédés et outils typiques de la chaîne opératoire céramique. Les résultats obtenus sont confrontés aux modèles historiques et culturels apportés par les approches spécifiques aux études archéologiques et ethnoarchéologiques d’une part, et d’autre part, aux connaissances qui découlent de l’étude comparative du vocabulaire bantou relatif à d’autres techniques. Dans un cadre plus général, l’étude aboutit à quelques réflexions sur les rapports qu’entretiennent les langues et les cultures de même qu’à quelques propositions en vue de l’approfondissement de la méthode ‘Wörter und Sachen’. Ainsi, elle met en lumière certains traits méthodologiques spécifiques à l’exploitation des vocabulaires techniques dans la reconstruction de l’histoire très ancienne des sociétés dépourvues de traditions écrites et de vestiges iconographiques.
Doctorat en philosophie et lettres, Orientation linguistique
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18

Vokaer, Agnès. "La Brittle Ware en Syrie: étude d'une production, de l'époque romaine à l'époque omeyyade." Doctoral thesis, Universite Libre de Bruxelles, 2005. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211055.

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Cette thèse de doctorat constitue une première étude de synthèse de la céramique de cuisine (Brittle Ware), de l’époque romaine à l’époque omeyyade en Syrie. Cette recherche repose sur une approche méthodologique combinant un classement typologique des formes et un classement par groupes de pâtes. Le corpus étudié provient de plusieurs sites archéologiques de Syrie du nord, dont la céramique de cuisine est encore inédite et pour laquelle on ignore les centres de production (Apamée, Andarin, Alep et Dibsi Faraj). Ce travail a entrepris d’identifier le nombre d’ateliers et leur localisation, leur profil de production et leur aire de diffusion. Les objectifs sont de caractériser la production de Brittle Ware depuis la manufacture jusqu’aux contextes de consommation,

L’étude chrono-typologique a permis de définir le répertoire de la Brittle Ware et de situer sa production entre l’époque hellénistique (3e av. J.-C.) et l’époque mamelouke (13e s. apr. J.-C.). Aux époques romaine, byzantine et omeyyade, un même assemblage formel, constituant un service de cuisine se diffuse dans toute la province antique de Syrie. Ce service de cuisine est constitué d’un pot à cuire haut et fermé qui devait servir aux liquides et aux bouillies, d’une casserole ouverte pour les plats mijotés et d’une cruche.

L’analyse minéralogique et chimique des pâtes a identifié cinq groupes de pâte, correspondant à cinq zones de production. L’origine des matières premières exploitées a pu être localisée dans le nord-ouest de la Syrie, à proximité de l’Euphrate et dans le sud-ouest de la Syrie. L’étude des pâtes et des formes de Brittle Ware dans leur contexte géographique et chronologique a de surcroît montré que ces cinq sources d’argile correspondent à cinq centres de production. Les profils de ces centres de production ont pu être définis :leur durée d’activité et l’aire géographique de leur diffusion varie pour chacun d’entre eux. Quatre sont des ateliers syriens alors que le dernier semble être localisé plus au sud. Deux centres de production ont une diffusion supra-régionale (couvrant plusieurs zones géographiques). L’un diffuse ses produits de Syrie occidentale jusqu’à l’Euphrate et l’autre, moins attesté à l’est, constitue l’unique fournisseur de la ville d’Apamée. Les trois autres centres ont une distribution régionale. La plupart de ces ateliers partagent le même service de cuisine, témoignant de la transmission d’un savoir-faire technique et formel sur plusieurs générations.

Alors qu’à l’époque hellénistique, on note sur quelques sites la présence d’une vaisselle culinaire différente, qui s’apparente aux traditions de l’Âge du Fer et de l’Âge du Bronze syrien, l’étude de la distribution de la Brittle Ware en Syrie révèle que celle-ci représente l’unique céramique de cuisine utilisée aux époques romaines et byzantines. En outre, les formes typiques de la Brittle Ware ne sont pas attestées en dehors des limites de la province antique de Syrie :en Cilicie, en Palestine ou à Chypre. Les céramiques culinaires des régions limitrophes de la Syrie constituent d’autres faciès régionaux qui partagent néanmoins des traditions formelles et techniques avec les productions de Brittle Ware. Ces autres faciès sont caractérisés par leurs répertoires typologiques spécifiques, par ailleurs inconnus en Syrie.

Les cartes de distribution de la Brittle Ware et la comparaison avec les productions des régions limitrophes montrent par conséquent que la production de Brittle Ware représente un commerce à échelle supra-régionale, tourné essentiellement vers l’intérieur de la Syrie. Le fait que ce commerce ne dépasse pas les limites de la province, loin d’être un facteur négatif, indique que la production de Brittle Ware est suffisamment prospère pour défier la concurrence.

L’étude des contextes de production de la Brittle Ware montre que cette catégorie de vaisselle, bien qu’utilitaire était l’objet d’une production de masse, diffusée à l’échelle d’une province et provenant sans doute de grands centres de production spécialisés. Cette recherche couvrant trois périodes historiques contribue à notre connaissance de l’économie syrienne, car elle illustre la pérennité des centres de production et de certains réseaux d’échange, depuis l’époque romaine jusqu’à la fin de l’époque omeyyade.


Doctorat en philosophie et lettres, Orientation histoire de l'art et archéologie
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Livingstone, Smith Alexandre. "Chaîne opératoire de la poterie: références ethnographiques, analyses et reconstitution." Doctoral thesis, Universite Libre de Bruxelles, 2000. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211722.

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20

Giuranna, Anne M. "Income and harvest effects of alternative management policies on commercial crab potters in Virginia." Thesis, This resource online, 1993. http://scholar.lib.vt.edu/theses/available/etd-09292009-020315/.

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21

Guidolin, Marília Alarcon. "Cerâmica com lodo de indústria de placa de circuito impresso, lama vermelha de tratamento de bauxita e escória siderúrgica." Universidade Tecnológica Federal do Paraná, 2017. http://repositorio.utfpr.edu.br/jspui/handle/1/2762.

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A utilização de resíduos industriais na produção de materiais pode mitigar os impactos gerados pelo agente gerador. A utilização na costrução civil de materiais gerados a partir de resíduos, minimizaria também os impactos gerados pela extração de recursos naturais para este setor. Os resíduos industriais utilizados nesta pesquisa são classificados como resíduos perigosos e, sendo a pesquisa sustentada na hipótese de que é possível produzir um material cerâmico para utilização na construção civil a partir de lodo de indústria de placa de circuito impresso, lama vermelha do processamento de bauxita e escória siderúrgica, foram produzidas composições cerâmicas utilizando estes resíduos como matéria prima. Os corpos de prova (CPs) foram confeccionados com 20g em molde de 20x60 mm e com prensa uniaxial de 5 MPa. Os CPs foram sinterizados à temperaturas de 800, 900, 1000, 1050, 1100 e 1150°C durante 6 horas. Foram realizadas análises de umidade, granulometria, densidade, perda ao fogo, FRX, DRX, MEV/EDS, retração linear de queima, absorção de água, resistência à flexão e lixiviação, a fim de caracterizar as matérias primas e o material cerâmico desenvolvido. Os resultados demonstram que houve fusão dos elementos que compõem as matérias primas. A composição que apresentou o melhor resultado alcançou 5,48 MPa de resistência à flexão, 4,57% de retração linear de queima, 2,06 de densidade e 19,94% de absorção de água. O resultado do ensaio de lixiviação aponta que o material cerâmico após a sinterização apresenta traços de Pb, tendo imobilizado apenas parte dos metais pesados analisados presentes na composição dos corpos de prova, o que o classifica como resíduo perigoso. Em comparação com as normas brasileiras, os aspectos de absorção de água e resistência atenderam aos requisitos para uso em blocos cerâmicos para alvenaria estrutural e nas categorias A, B e C de tijolos maciços comuns para alvenaria, respectivamente, no entanto, a imobilização de metais pesados carece de ajustes para que se alcance um material cerâmico inerte.
The use of industrial waste in the production of materials can mitigate the impacts generated by the generating agent. The use in civil construction of materials generated from waste, would also minimize the impacts generated by the extraction of natural resources for this sector. The industrial waste used in this research is classified as hazardous waste and the research is based on the hypothesis that it is possible to produce a ceramic material for use in civil construction from printed circuit board industry sludge, bauxite red processing sludge and steel slag, ceramic compositions using these residues as raw material were produced. The sample were made with 20g in mold 20x60 mm and with uniaxial press 5 MPa. The sample were sintered at temperatures of 800, 900, 1000, 1050, 1100 and 1150°C for 6 hours. Moisture tests were carried out, density, granulometry, loss on ignition, XRF, XRD, SEM/EDS, linear firing shrinkage, water absorption, flexural strength and leaching in order to characterize the materials and the ceramic material developed. The results show that there has been fusion of the components of the raw materials. The composition showed the best result achieved flexural strength 5.48 MPa, 4.57% of linear firing decrease, 2.06 density and 19.94% water absorption. The results of the leaching test indicate that the ceramic material after sintering presents traces of Pb, having immobilized only part of the analyzed heavy metals present in the composition of the test specimens, which classifies it as hazardous waste. In comparison with the Brazilian standards, the water absorption and resistance aspects met the requirements for use in ceramic blocks for structural masonry and in categories A, B and C of solid bricks common for masonry, respectively, however, the immobilization of metals is required to achieve an inert ceramic material.
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22

Nicolas, Agathe. "La grande saga de l’industrialisation de la fiction : le renouveau créatif de la franchise Harry Potter." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL024.

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Le constat d’une difficulté est à l’origine de cette thèse : est-il encore possible de parler de clôture de la fiction face au fonctionnement contemporain des franchises fondées sur le développement transmédiatique d’univers transfictionnels ? Cette thèse traite des problématiques de création dans le cadre des industries culturelles : quelles sont les influences de l’industrie sur la création d’une fiction ? Quelles sont les influences de la fiction sur les médiations et les représentations de l’industrie ? Quelles sont les conséquences de l’industrialisation sur les circulations de la fiction ? Comment comprendre la permanence d’une figure d’auteur dans un régime de création collective ? L’étude se structure autour de quatre hypothèses principales, correspondant à autant de parties : tout d’abord, il est désormais nécessaire de parler de « fictions industrialisées », dans la mesure où la fiction, ses formes et ses contenus sont façonnés par l’industrie. Réciproquement, on constate l’émergence d’une « industrie narrativisée » : l’industrie participe de la création culturelle mais devient aussi objet culturel marqué par les codes de la fiction. La proposition de la notion de « fiction totale » rend nécessaire de repenser les notions de participation et de convergence qui, paradoxalement, ne sont pas incompatibles avec le concept d’autorité ; ainsi, il semble que l’ouverture de la fiction soit le symptôme d’un verrouillage institutionnel accru. Enfin, cette thèse pose l’hypothèse de l’émergence d’une nouvelle forme d’auctorialité, fondée sur l’assimilation de la figure d’auteur à un triple produit
One main question originated this PhD Thesis : is it still possible to talk about the closure of a fiction when contemporain franchises work on continual developments and expansions ? This document questions the concept of fiction through the notion of cultural industry. How is the creation of fiction influenced by its industrial environment ? What consequences does fiction have on its industrial environment ? What does industrialisation do to the circulation of fiction ? How does evolve the notion of authorship in this collective environment for creation ? Our study is structured around four main hypothesis, which are each studied in a dedicated part of this thesis : firstly, we underline the relevance of the notion of « industrialised fictions » ; indeed, fictional contents and formats’ evolutions are deeply linked to industrial developments. Furthermore, these contents and formats are sometimes shaped accordingly to their potential industrial developments. Reciprocally, we emphasize the notion of « narrated industry » : industry participates in cultural creation and is a cultural creation contaminated by fiction. A new notion is therefore necessary : the « totalizing fiction ». We worked on a renewed approach for the notions of convergence and participatory cultures which are, paradoxically, strongly linked to the concept of authority : the oppenness of fiction would be the symptom of an institutional lockout. Finally, this thesis defines the appareance of a new form of authority, shaped on the assimilation of authorship to a product : the author is produced as a figure, as a comercial and cultural object and as a self-creation
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23

Sotelo, Guadalupe Andrea Isabel. "Transmedia, la magia de la industria : el fenómeno de Harry Potter y su constitución como narrativa transmediática que genera prosumerismo, comunidad y fidelización ; tipificando así la tendencia audiovisual del siglo XXI." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2016. http://tesis.pucp.edu.pe/repositorio/handle/123456789/6673.

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24

Pinheiro, Hamida Assunção. "Oleiros da vida: Trabalho, ambiente e o futuro dos trabalhadores do barro em Iranduba (AM)." Universidade Federal do Amazonas, 2015. http://tede.ufam.edu.br/handle/tede/4704.

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OUTRAS
The ceramic industry has a prominent position in the economy of the Iranduba municipality, it’s have also socio-economic relevance to the Amazonas State. This industry generate financial income, jobs and produce fundamental products for the civil construction. This investigation presents and discusses the main social and environmental impacts of the ceramic industry, on the basis of the reality of potter’s workers of Iranduba. The objective of the thesis is to analyze the organization of work potter, considering the origin and development, the consequences for the environment, as well as the social life and the future of workers. The approach is quantitative and qualitative. For the construction of the text, was used the bibliographical research, documentary research and field research. The field research was developed in two periods: the first executed in the Iranduba at the ceramics industries; the second occurred in the Manaus city, in the governmental institutions that intervenes in the regulation of clay and wood. To collect informations we use semi-structured form and interview script. The form with open and closed questions was applied to formal and informal workers in the ceramics industries. The purpose was to understand their working and living conditions, their thoughts about the environmental damage and its vision about the future. The interviews were conducted with owners of ceramics industries, with wood workers, with representatives of workers, employers and the State organizations. For each subjective was prepared a script for interview according to the purpose of the thesis. We use also the participant observation that enabled the approximation with the subjects. Also, we took pictures and did notes in the field notebook, who contributed in the preparation of the text. The research revealed the emergence and the development of ceramic industry in Iranduba, the phases of the production process, the precarious working conditions, the difficulty living conditions of the workers, the contradictions experienced by the owners of ceramic industry, as well as the access and use of clay and wood and environmental damage.
A indústria cerâmico-oleira ocupa posição de destaque na economia do município de Iranduba, tendo também relevância socioeconômica para o Estado do Amazonas em função da geração de receitas, dos postos de trabalho e da fabricação de produtos fundamentais para o setor da construção civil. Esta investigação apresenta e discute, a partir da realidade dos trabalhadores oleiros de Iranduba, os principais impactos sociais e ambientais da atividade cerâmico-oleira. O objetivo da tese é analisar a dinâmica de organização do trabalho oleiro, considerando sua origem e seu desenvolvimento, suas implicações para o ambiente, bem como a vida social e as perspectivas de futuro dos trabalhadores. A abordagem é de cunho quantitativo e qualitativo e para construção do trabalho foi necessário recorrer à pesquisa bibliográfica, à pesquisa documental e à pesquisa de campo. A pesquisa de campo foi desenvolvida em dois momentos distintos: o primeiro executado no município de Iranduba diretamente nas fábricas de produtos cerâmico-oleiros; e o segundo na cidade de Manaus nos diversos órgãos do Estado que intervêm na questão da regulação dos recursos naturais envolvidos no processo produtivo. Como instrumentos de coleta de dados foram adotados formulário e roteiros de entrevista semiestruturados. De acordo com critérios previamente estabelecidos, o formulário, com perguntas abertas e fechadas, foi aplicado aos trabalhadores oleiros formais e informais das diferentes fábricas, com propósito de compreender suas condições de trabalho e de vida, suas impressões sobre as consequências do trabalho oleiro para o ambiente e suas perspectivas de futuro. Quanto às entrevistas, estas foram realizadas com empresários ceramistas, com representantes das organizações de trabalhadores e dos empresários do setor, com trabalhadores lenheiros e com os representantes dos órgãos ambientais e inter-relacionados. Para cada sujeito foi elaborado um roteiro específico buscando elucidar questões importantes para a compreensão do objetivo da tese. Durante a pesquisa de campo, foi usada a técnica de observação participante, a qual possibilitou a aproximação e a vivência com os sujeitos da pesquisa. Além disso, foram realizados registros fotográficos e anotações no diário de campo, os quais também subsidiaram a elaboração do texto. A pesquisa revelou o surgimento e o desenvolvimento da atividade cerâmico-oleira em Iranduba, as particularidades da organização do trabalho nas diferentes fases do processo produtivo, as fragilidades das relações de trabalho, a precarização das condições de vida dos oleiros, as contradições vividas pelo empresariado ceramista, bem como as formas de acesso e uso aos recursos naturais e seus impactos socioambientais.
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25

Di, Febo Roberta. "La ceràmica de Barcelona entre els segles XIII i XVIII a través de la seva caracterització arqueomètrica: el paper de l'anàlisi petrogràfica." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/400557.

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El treball de recerca d’aquesta tesi doctoral se centra en la caracterització petrogràfica dels materials ceràmics (segles XIII-XVIII) de la ciutat de Barcelona, aquesta última entesa no només com centre productor, sinó també com un important centre de recepció i d’exportació. Fins a dia d’avui, els estudis petrogràfics sobre els materials ceràmics apareguts a les excavacions de la ciutat de Barcelona han estat molt escadussers i puntuals i han centrat la seva atenció sobre ceràmiques de cronologies anteriors respecte el marc temporal d’aquesta tesi. Així doncs, la present contribució constitueix el primer treball petrogràfic sistemàtic sobre una mostra analítica àmplia que destaca tant per la varietat de les classes considerades- fins a 15 classes ceràmiques diferents- com per l’ampli ventall cronològic que abraça. Els objectius de la caracterització petrogràfica, duta a terme sobre les produccions aparegudes a les excavacions barcelonines i que han estats analitzades químicament de manera prèvia, contemplen tant l’estudi dels cossos ceràmics com els dels seus revestiments. Els casos d’estudi presentats en aquest treball mostren una àmplia variabilitat de matèries primeres i de tecnologies en la producció ceràmica local a la Barcelona medieval i moderna. Les matèries primeres es poden relacionar amb categories ceràmiques especifiques i probablement amb diverses àrees de producció a la ciutat de Barcelona, d’acord amb les diferents formacions geològiques que afloren en la zona. Les inclusions metamòrfiques (principalment fragments de pissarra, esquist i granitoide, així com els minerals derivats d’aquests, incloent també els minerals pesants) són presents en quantitats variables en totes les fabriques, molt sovint associats a microfòssils calcaris. Igualment, pel que fa a les importacions, la comparació amb mostres de referència ha posat de manifest la presència, a la pròpia ciutat, de materials que es poden adscriure a altres centres productors espanyols, com València i Sevilla i, més en general, als sectors meridionals de la Península; mentre que, fora d’Espanya, destaquen Itàlia i el nord d’Àfrica. A més a més, l’estudi petrogràfic d’una producció local de vaixelles verdes ha permès reconèixer la seva presència en els contextos d’excavacions provençals. L’estudi dels revestiments, que ha integrat l’observació dels cossos ceràmics, ha permès caracteritzar les diferents produccions en relació a la seva tecnologia de producció, reconèixer la presència de diferents tècniques dins d’una mateixa classe ceràmica o entre classes ceràmiques distintes però que comparteixen una recepta de pasta similar. Finalment, en el cas de les imitacions, gràcies a l’estudi dels vidriats ha estat possible establir una sèrie de correspondències precises amb les manufactures lígurs.
The petrographic results on 295 ceramic samples, dated from the 13th century to the 18th century are presented. The samples, collected from about twenty archaeological interventions carried out in the city of Barcelona, are representative of the local production of glazed coarse wares, cooking wares, majolica and tableware. The aim of the study is to characterize the ceramic fabrics from a compositional and technical point of view, to identify the possible sources of the raw materials and to integrate the results of the chemical data previously obtained. The possibility of studying so many samples over such a long period of time enabled the recognition of specific choices in the exploitation of raw materials, the identification of provenance markers and the acknowledgement of imported pottery and imitations.
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Georgiadou, Anna. "La céramique géométrique de Chypre (XIe-VIIIe s. av. J.-C.) : étude des ateliers régionaux." Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM3116.

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Au début de l’âge du Fer chypriote, la nouvelle topographie qui marque l’île est représentée par des sites identifiés notamment grâce à la découverte de nécropoles, alors que la mise au jour des contextes d’habitat et de sanctuaires fait défaut. À ce déséquilibre de la documentation s’ajoute l’absence de sources écrites, ce qui rend difficile l’appréhension des contextes culturel et historique de l’époque chypro-géométrique. Cela n’est cependant pas le cas pour la période chypro-archaïque : les inscriptions royales assyriennes nous renseignent que l’île était divisée en royaumes dont l’existence est également corroborée par d’autres manifestations culturelles. Dans ce cadre s’insère l’étude de vastes assemblages céramiques, qui constituent par ailleurs la donnée archéologique la plus abondante, provenant des contextes funéraires à l’échelle de l’île (Paphos, Kourion, Amathonte, Kition, Lapithos, Kythrea, Alaas, Salamine) dans le but d’identifier l’existence d’ateliers régionaux. Grâce à l’étude de l’artisanat céramique à un niveau micro-spatial et pour une chronologie qui s’étend approximativement du XIe au VIIIe s. av. J.-C., la présente recherche parvient à définir des identités culturelles régionales et à proposer une révision du système typo-chronologique de l’époque Chypro-géométrique. Dans un dernier temps, elle fournit de nouveaux éléments sur la géographie politique de l’île et les relations entre les divers sites durant l’époque Chypro-géométrique, contribuant en même temps à approcher les processus de la consolidation des royaumes de l’époque Chypro-archaïque
Cyprus at the inception of the Early Iron Age is known almost exclusively through sites of a mortuary character; settlement and sanctuary contexts are practically absent. In addition, the absence of written sources for the Cypro-Geometric period obstructs the understanding of the historical and cultural contexts for this horizon. This is not the case for the subsequent Cypro-Archaic period, when the existence of the Cypriot kingdoms is attested by royal Assyrian inscriptions and other manifestations in the archaeological record of the island. Within this framework, the present research examines the pottery assemblages from island-wide mortuary contexts of the Cypro-Geometric period (Paphos, Kourion, Amathous, Kition, Lapithos, Kythrea, Alaas, Salamis), in order to determine the operation of regional workshops. Ceramic remains constitute the most abundant and informative evidence for this period. Through the study of site-specific pottery production ranging from the 11th to the 8th centuries BC, this dissertation achieved the definition of regional cultural identities and proposes a revision of the traditional typo-chronological system of the Cypro-Geometric period. Finally, the present study provides new evidence for the political geography of Cyprus and the relations among the Cypro-Geometric polities. Simultaneously, a substantial contribution is provided for the understanding of the processes that led to the consolidation of the kingdoms during the Archaic period
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Gabucci, Ada. "Les importations de sigillées gauloises en Cisalpine occidentale : le cas de la Transpadanie." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3094.

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La présence de la sigillée gauloise en Transpadanie occidentale est connue de longue date par les chercheurs locaux, mais cela reste peu connu à la fois aux niveaux national italien et international. On en ignore surtout la portée. Un pourcentage de sigillée gauloise très important découverte dans chantiers de fouille immédiatement à l’intérieur de l’enceinte romaine de Turin, a modifié cette perspective. Il est apparu que les sigillées gauloises ne pouvaient plus être considérées comme une présence sporadique, ni comme le résultat de réapprovisionnements destinés exclusivement aux classes les plus aisées, mais constituaient un indicateur économique important. De cette constatation est née la nécessité de reprendre l’examen des attestations de sigillées gauloises en Transpadanie occidentale dans leur ensemble, y compris par comparaison avec la situation d’autres réalités de l’Italie du Nord, avec l’objectif d’établir non seulement la provenance du vaisselle, mais aussi des routes commerciales empruntées. La voie principale d’approvisionnement de toute la Cisalpine a été le Pô. Huile, vin et garum, atteignent les marchés transpadanes et de la Ligurie interne par voie fluviale, partant des côtes adriatiques et orientales et aussi depuis la péninsule ibérique. Le choix d’utiliser la diffusion des sigillées de la Gaule centrale en tant que fossile directeur pour reconstituer l’existence d’une voie de circulation commerciale en Cisalpine d’ouest en est naît de l’idée que l’on est en présence de produits qui ne disposent plus d’un réseau de distribution méditerranéen, alors qu’ils se concentrent en revanche en Europe continentale et en Bretagne
The presence of the Gaulish Terra Sigillata in Transpadana has been well known for a very long time by local researchers, but on an Italian national and an international level, it is hardly known. Most importantly, its extent has been ignored. A very important amount of Gaulish Terra Sigillata, discovered on an excavation site immediately close to the city wall, inside and outside the Roman settlement of Turin, radically modified this idea. It has very quickly become apparent that the Gaulish Terra Sigillata cannot be considered as a random find any more, nor the result of supplying intended exclusively to the upper classes, but constituting a rather important economic indicator. From this observation, the need to re-examine the evidence of Gaulish Terra Sigillata in western Cisalpine is clear, including the need to compare the situation with others in northern Italy, with the aim to establish, not only the provenance of the crockery, but also, above all, the trade route that was used. The main trade route in the whole of Cisalpine Gaul was the river Po. Oil, wine and garum reached the markets of Transpadana and internal Liguria by waterway from the Adriatic and eastern coasts and, probably also, from the Iberian Peninsula. The decision to use the Terra Sigillata of central Gaul as a type fossil to reconstruct a circulation route from the west to the east of Cisalpine, with more or less distant provenances, was based on the consideration that these products didn’t use the Mediterranean distribution network any more, but actually they concentrated on continental Europe and Brittany
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Perron, Martin. "La production et la diffusion des céramiques utilitaires de style à bandes à Argilos et dans le Nord de l'Egée aux périodes archaïque et classique." Phd thesis, Université Panthéon-Sorbonne - Paris I, 2013. http://tel.archives-ouvertes.fr/tel-01011569.

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Cette recherche propose de dresser le portrait de la production et de la diffusion des céramiques de style à bandes (waveline) produites en Égée du Nord aux périodes archaïque et classique par le biais de l'étude de matériel inédit recueilli sur sept sites de colonies grecques établies entre le Strymon et le golfe de Maronée et six sites de l'arrière-pays thrace. Elle vise à rassembler, au moyen de données archéologiques et archéornétriques, des informations sur les milieux de production, les réseaux d'échanges et les habitudes de consommation de la clientèle à l'égard de ces céramiques. Le volet archéologique vise d'abord à définir le répertoire des formes, des décors et des pâtes, puis à déterminer l'étendue et le cadre chronologique de la production. Le volet archéométrique porte sur des analyses physico-chimiques en laboratoire (spectrométrie de fluorescence par rayons X) visant à caractériser et à déterminer l'origine de 200 des 540 céramiques recensées. Le corpus est constitué d'échantillons mis au jour sur les sites d'Argilos, de Thasos, de Bergè et de Phagrès, quatre sites de Macédoine orientale. L'inédit de la recherche réside dans l'opportunité qu'elle offre aux archéologues de dater et d'identifier l'origine des céramiques à bandes nord-égéennes, entraînant du coup des répercussions directes sur les discussions portant sur les milieux de production, les réseaux de circulation et les relations interrégionales entre les différents sites étudiés. Considérée dans une perspective de circulation et d'échanges, l'étude des céramiques à bandes contribue à faire progresser l'état des connaissances sur l'histoire économique, culturelle et artisanale du nord de l'Égée entre les VIIe et IVe siècles av. J. -C.
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Sacco, Viva. "Une fenêtre sur Palerme entre le IXe et la première moitié du XIIe siècle : étude du matériel céramique provenant de deux fouilles archéologiques menées dans le quartier de la Kalsa." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040072.

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Cette thèse traite de différents thèmes liés à la production et à la circulation des objets céramiques à Palerme entre le IXe et la première moitié du XIIe siècle. En particulier le travail prend en considération le mobilier inédit découvert lors des fouilles menées près de l’église Santa Maria degli Angeli, plus connue sous le nom de Gancia, et près du palais Bonagia. Les deux sites archéologiques sont situés rue Alloro dans le quartier de la “Kalsa”, une zone où les spécialistes concordent pour localiser la Ḫāliṣa, ville princière fondée par les Fatimides en 937. L’objectif premier de cette étude est d’offrir un tableau plus systématique et plus large des productions circulant à Palerme entre le IXe et la première moitié du XIIe siècle, en affrontant les problèmes méthodologiques liés à leur étude céramologique et en proposant de nouvelleschrono-typologies de référence. L’interprétation de ces données a permis d’utiliser la céramique comme source historique, capable d’offrir nouvelles informations, même partielles, relatives à l’évolution topographique de Palerme, aux changements sociaux et aux dynamiques commerciales
This thesis deals with a series of thematic related to the production and circulation of pottery in Palermo during the 9th-12th centuries. In particular this research focuses on the unpublished ceramics found during the archaeological excavations in “Santa Maria degli Angeli” Church, known as “Gancia”, and in the Bonagia palace, both situated along the Alloro street in the Kalsa area, where during the Fatimid period rose up the palatine city called al-Ḫāliṣa (937). The main aim of this project is to offer a more systematic and larger picture of the pottery productions circulating in Palermo between the 9th and the first half of 12th century, facing the methodological problems set by their study and proposing new chrono-typologies. The interpretation of these data has allowed us to use the ceramics as an historical source, able to offer partial but new information related to the topographic evolution of the city of Palermo, to the social changes and to the commercial dynamics it went through
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LI-HUA, LIN, and 林麗華. "A Research of Miaoli Hakka Pottery Art Industry Creative Development:Take Pottery Utopia Chun Kilns for Example." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/em4yq8.

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碩士
國立聯合大學
客家語言與傳播研究所
106
The Hakka ceramics industry in Miaoli had been flourished in the 1970s, but since 1991, the industry had rapidly ebbed. These manufacturers and ceramic artists have been disappearing but no relative research. We have to organize Miaoli Hakka pottery records and archives before they disappeared. The researcher has been engaged in the art ceramics industry in Miaoli for more than 40 years. She should bear the mission and responsibility of the inheritance of Miaoli Hakka art ceramics. The purpose of the research is to promote the development of Miaoli Hakka art ceramics industry. The researcher suggests the " Spiritual Art Structure " to illustrate the form and symbol of art ceramics from shape technologies, to discuss the firing technology from the glaze and kiln temperature, to explore the cultural value from the artistic aesthetics, to show the life from the " pottery creativity", to create Miaoli art ceramics industry, to let the products of Miaoli Art Ceramics have the economic value of storage, collection and commercialization. The scope and limitation of this study is that most Miaoli Hakka art ceramics manufacturers have external commissions, and are immature, unprofessional, and lack of knowledge of art and aesthetics. Therefore, this article collects the relevant literatures of Miaoli Hakka art ceramics, interviews, and the narrative research of Mr. Chen Juang-Guang( the Hakka Committee's Hakka Contribution Award, the winner of the "Academic, Art, Cultural Creation, Industry" Outstanding Achievement Award, and the creator of " Pottery Utopia Chun Kilns"), to understand his multi-artistic expression techniques by " Spiritual Art Structure ", transforms Hakka culture, scenery and image into artistic ceramic creation, and creates unlimited value and vitality for Miaoli Hakka art ceramic products. This study suggests that the Hakka Affairs Council of the Executive Yuan should subsidize the local government to develop the art ceramic culture tourism industry according to local characteristics. It is recommended that the Miaoli County Government Cultural Tourism Bureau change the Miaoli Cultural Park back to the Miaoli Ceramics Museum. It is recommended the National Taiwan Craft Research and Development Institute as intermediary organization of art ceramics to spread Hakka art ceramic culture, to assist the development of Miaoli Hakka art ceramic industry, and to recreate Hakka ceramic craft or art new style.
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31

Rodríguez-Alegría, Enrique. "Food, eating and objects of power : class stratification and ceramic production and consumption in colonial Mexico /." 2002. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3060258.

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32

Chang, Wei Hsin, and 張維新. "Strategic Thinking for Differentiation-Case Study of Kinmen Pottery Industry." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/g885s9.

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碩士
國立高雄大學
高階經營管理碩士在職專班(EMBA)
102
Ninety percent of ceramic factories in Taiwan are small and medium sized enterprises (SMEs) that mean most of them are small-scale factories. Therefore, while facing the multiple impacts from joining WTO, limited domestic and foreign markets and scale of operation, the ceramics companies are looking for better competitive strategies over their competitors and markets that include strengthening product features, providing a better service and marketing to attract more people. However, the Kinmen ceramics industry, which doesn’t have any inbuilt advantages, successfully expand its own path by using differentiation strategies to create its own unique and part of competitive advantages in multi-market competitions so as to build a sustainable development model. According to Porter's points, if enterprises can provide a certain distinct value to consumers, they can create the differences from the competitors. The differentiation strategies are making companies’ products or services different from others in order to create the unique products that also means that the enterprises produce better quality and performance products in the market with their own advantages, or use interesting advertisements, special marketing strategies and offer better after-sales services. The costumers will have a better brand image built in than regular products that the companies could have competitive advantages in the market. Nonetheless, the three main topics of this case study are products, services and marketing that are also often analyzed in the differentiation strategies by domestic and foreign researchers. This study, firstly, focuses on the overall industrial environment and the competitiveness in Kinmen and use the Five Forces model to analyze; then uses the SWOT model to study a specific company how it can take advantage of its management superiorities and overcome the inferiorities to exploit opportunities from the exterior environment and avoid the threats from the competitors; in the end, analyzes the differentiation strategies of the company so the competitiveness of the ceramics in Kinmen and the company could be enhanced. The study found that the business strategy of the company and the Kinmen ceramics industry is product-oriented with multifarious creation and affordable products combined the local characteristic cultures on product differentiation efforts. The efforts have formed a sustainable development niche with the distinct differences and competitiveness advantages already, but the services and the market-oriented marketing strategies are still relative weak. The main problem is the lack the concepts of techniques, network services, the strategic alliances mechanism, the marketing and the brand equity, so the Kinmen eramicsindustry should adjust its strategic direction to a market-oriented to respond to the market demand with enhancing services and marketing. However, the specific company, which has advantages on low feature conflict for the diverse products, should maximize its profit coordinated with the strategic alliance mechanism. In summary, this study found that the local market is small, so the Kinmen ceramic companies should be parallel integrated through the strategic alliance mechanism to share resources and benefits on the market instead of running the business alone. Furthermore, they can use the power of industrial organizations to integrate vertically the public sector’s policy support and to assist and help the companies on the service and the marketing areas in order to enhance the overall competitiveness and the advantages in the market.
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33

Hsueh, Chia-ling, and 薛嘉齡. "The Research of Cultural Industry--the Example of Cochi Pottery in CHIA-YI." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/94802289963377326673.

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碩士
南華大學
非營利事業管理研究所
93
This research report adopts the quality and study with the field investigation by visiting and observing the Hsin-Chung’s koji pottery masters. At first, it is the whole in preliminary gathering together the materials with deepening interview, studying the pottery pinched , mould and burned to shape. 　 　　The text recollects a retrospect of handing in koji pottery’s history at Taiwan (which has a history of more than 300 years), and puts into the state of koji environment at present, and then the situation which the skill teacher passes down his arts incurs great sympathy. 　 　　The research offers a direction that industrialization must be based on the culture development. Owing to inspiring the pottery culture-industry, accommodate the characteristic of the local region to the public is very important. The Hsin-Chung’s koji pottery’s tradition is a teacher-pupil system, and the teacher went down from the temple carries the great skill, as the field investigation, the pottery can be divided into three kinds: 1.building materials; 2.commercial goods; 3.treasure collection. The creating way is also divided into three species: 1. spontaneity creation; 2.entrusting type; 3.historical antiquity maintenance. Therefore we can know the koji pottery has its cultural meaning on handing in the future development, although the koji pottery has changed its faces many times in the history, but still lack of favorable pushing hands to glory. 　 　　Many koji pottery masters contributed their lives to this lands, and the koji pottery’s art has distinguished the rich building from the luxurious temples slowly and has become an independent traditional art. Looking forward, it is believed that the development of handing in the koji pottery in the future is still optimistic, and have scene(vision) of perspective wishing even more.
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34

LAM, CHAN THANH, and 林振聲. "An Expert Recommendation System for Precision Marketing: A Case Study for Pottery Industry." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/6cv4qa.

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35

Wei, Hsiu-fen, and 魏綉芬. "A Cultural Study of Pottery Industry Transformation on The "Snake" Kiln in Shuei-Li." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/26105119691014577567.

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36

Yi-lien, Wu, and 吳易蓮. "Tourism of Local Industry and Community Recontruction --- With a Case Study of Pottery Industry in Yin-Ko Town." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/07876120852563543418.

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37

HU，SHU-HUI and 胡淑惠. "Research on the Inheritance and Innovation of Yingge Ceramic Industry-A Case Study of“Hongye Pottery”." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/w2dh76.

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碩士
亞太創意技術學院
茶陶創意研究所
106
Abstract Taiwan’s Yingge District is famous as ceramic industry. In 1905, Wu-Ji , a ceramist, came to Taiwan from Cizao Town of Fujian Province to make pottery for living and his descendants passed down their ancestral heritage. Wu-Ji laid the foundation for Yingge and founded Hongye Ceramics Co., Ltd. (as mentioned Hongye Ceramics behind). Hongye Ceramics has been operating the ceramics industry in Taiwan for more than 100 years. With the changes of the times and advancement in science and technology, the management has been revolved. Although the influence of local cultural development and industrial policies, Hongye ceramics has its own cultural value. Based on historical values, the transition towards cultural creation and education approaches. This researches is to discuss the different stages of business strategy and the contingency of market demand of Honey Ceramics by the founding and transformation process of Yingge Hongye Ceramics, and hope to find its own opportunity of growing space in the tea-pottery culture. This research starts with historical exploration methods by using field investigation methods, interviews, and literature analysis methods to summarize and analyze the origins and transformation strategies of the development of Hongye Ceramics. The research results found that the past glory of the ceramic industry in Taiwan was due to the needs of the market. At the same time of reform and innovation, it must be integrated into cultural creative strategy, establish a complete ceramic education system, and rejuvenate the original advantages of Taiwan. Innovative marketing strategy, government policies and maintaining good cross-strait economic and trade relations can help the ceramic industry sustainability. This study hope to provide references for the business strategy of Taiwan's ceramic industry in transformation and development. Key Words: Yingge, Cizao, pottery, ceramic industry.
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38

Lai, Meng-chun, and 賴孟君. "Research on Management and Marketing in Pottery Creative Industry--A case study on the Chao's Kilnhome." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/77927973038390167061.

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39

YEH, TSAI-CHEN, and 葉彩蓁. "A Study on the Development Model of Local Cultural Industry Brand－Take Tai-Hwa Pottery as an example." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/14038842322410947324.

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40

Huang, Shu-Min, and 黃淑敏. "A Research on the Development of Koji Pottery Industry in Chiayi County--From the Point of View of the Resource-Based Theory." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/90127106562438371866.

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碩士
南華大學
文化創意事業管理學系文創行銷碩士班
103
In recent years, the government has given impetus to cultural and creative industry. Crafts have been the main part of the promotion. Koji Pottery has changed from architectural decoration to works of art. Besides, it has been the accessory of the traditional architectural industries. However, it turns into an independent cultural and creative industry of crafts. 　　Among the current enterprises, the resource-based theory has been broadly used in strategic management field. This study analyzes the the core resources in enterprises and elevate the values. It is expected that Koji Pottery can have competitive advantage. 　　The participants of the study were the personnel of the Koji Pottery. The literature reviewed the history of Koji Pottery in Chiayi county. 　　Interviews were conducted by the resource-based theory. Also, the data was collected systematically in order to realize the current situation of Koji Pottery in Chiayi county, as well as the basis of the developmental resources. Finally, the study provided the future developmental strategies for Koji Pottery industry in Chiayi county. 　　The findings of the study show that the advantages of Koji Pottery industry are brand, quality, product development, cultural values, inheritance of the techniques and materials. Therefore, the study provides several suggestions below for Koji Pottery development in Chiayi county: maintain the competitive advantages, better management of Koji Pottery art festival, strengthen marketing strategies, preserve cultural resources and cultivate people concerned. Besides, protecting patent and intellectual property rights requires professional assistance. As for industry clustering, the possibilities of its development lie in the policies from the government, financial support and the cooperation between the industries.
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41

Blažková, Tereza. "Odpad v kruhu: výpovědní potenciál artefaktů z rondelu v Praze-Ruzyni." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-321522.

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This thesis is focused on research of the rondel (circular ditch) located in the Prague- -Ruzyně area, dated to Late Neolithic Era with the Stroked Pottery culture. Quantitative, qualitative and spatial analysis of rondel's object fillings were carried out and the results and interpretation are presented in this thesis. Particularly thanks to Stroke-ornamented pottery analysis, it was possible to determine the relative chronology of the ditches filling. The interpretation of the material analysis and material spatial distribution tried to describe the trends associated with the formative processes and the development of origin of the ditches fillings. This work brings the results of processing of archeological findings and field documentation of a fully explored rondel, situated in the settlement of the Stroked Pottery culture. This work contributes to the understanding of Late Neolithic settlement structure and the rondels in general. Catalogue of findings is included. KEY WORDS: Late Neolithic - Stroked Pottery culture - Circular ditch - spatial analysis - formation processes - pottery - lithics - daub - animal skeletal remains
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