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Relevant bibliographies by topics / Poulin

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Academic literature on the topic 'Poulin'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2022

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Journal articles on the topic "Poulin"

1

Lamontagne, André. "L’autre Poulin." TTR : traduction, terminologie, rédaction 15, no. 1 (2003): 45–63. http://dx.doi.org/10.7202/006800ar.

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Résumé Cet article propose une synthèse descriptive de la réception de Jacques Poulin au Canada anglais entre 1973 et 1989. S’ils font l’objet d’un consensus critique des plus favorables au Québec, les romans de Jacques Poulin connaissent un accueil beaucoup plus mitigé au sein de l’institution littéraire anglo-canadienne en dépit de leur diffusion en traduction. Notre étude révèle des écarts entre les deux principales communautés linguistiques et interprétatives du Canada tant sur le plan des jugements évaluatifs que sur celui de l’interprétation des oeuvres. À l’exception de certains commentaires positifs, la critique anglophone semble résister au style minimaliste de Poulin, à son univers thématique et à ses filiations littéraires anglo-saxonnes. Serait-ce que le plus américain des écrivains québécois ne rencontre pas l’horizon d’attente des lecteurs anglo-canadiens ? Le fait que ces lecteurs se soient penchés presque exclusivement sur les oeuvres en traduction anglaise est-il déterminant ? Tout se passe comme si une grande partie de la critique anglo-canadienne avait de la difficulté à reconnaître l’altérité de l’oeuvre romanesque de Jacques Poulin, du moins l’altérité qu’elle attend de la littérature québécoise et qui motive son intérêt pour cette dernière.

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Grégoire, Tania. "BIBLIOGRAPHIE DE JACQUES POULIN." Voix et Images 45, no. 2 (2020): 107. http://dx.doi.org/10.7202/1069514ar.

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Lapointe, Jean-Pierre, and Yves Thomas. "Entretien avec Jacques Poulin." Voix et Images 15, no. 1 (1989): 8. http://dx.doi.org/10.7202/200811ar.

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Lapointe, Jean-Pierre, and Jean Levasseur. "Bibliographie de Jacques Poulin." Voix et Images 15, no. 1 (1989): 58. http://dx.doi.org/10.7202/200816ar.

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ECCHER, STEPHEN H. "Albert A. Poulin, MD." Radiology 177, no. 3 (1990): 887. http://dx.doi.org/10.1148/radiology.177.3.887-a.

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Delphy, Christine. "Richard Poulin :Abolir la prostitution." Nouvelles Questions Féministes 26, no. 2 (2007): 130. http://dx.doi.org/10.3917/nqf.262.0130.

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Weiss, Jonathan. "Jacques Poulin, lecteur de Hemingway." Études françaises 29, no. 1 (1993): 11. http://dx.doi.org/10.7202/035891ar.

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Bentley, Kelvin. "Speaking Personally–With Russ Poulin." American Journal of Distance Education 30, no. 3 (2016): 203–7. http://dx.doi.org/10.1080/08923647.2016.1198115.

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Poirier-Poulin, Samuel. "Memory, Autofiction, and Identity in Video Games: The Case of Looking Back. An Interview with Kristopher Poulin-Thibault." Loading 13, no. 21 (2020): 77–90. http://dx.doi.org/10.7202/1071453ar.

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Indie developer Kristopher Poulin-Thibault speaks with Samuel Poirier-Poulin (no relation) about the creation of the video game Looking Back. The interview starts with a brief discussion about the RPG genre and quickly moves toward a broader discussion about autofiction, trauma, time, memory, retro games, and language. Poulin-Thibault reflects on the interconnectedness of these topics and their influence on identity construction.

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Sanz-Lázaro, Fernando. "Jacques Poulin’s Volkswagen Blues." Thélème. Revista Complutense de Estudios Franceses 35, no. 2 (2020): 269–80. http://dx.doi.org/10.5209/thel.68361.

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This article analyses the intertextuality of the novel Volkswagen Blues by Jacques Poulin, a French-Canadian take on the road novel. The aim of the paper is to examine not only the relationships between Volkswagen Blues and its culturally diverse sources, but also to show how those multicultural intertexts permeate the road novel genre. In order to achieve this purpose, the study identifies in the novel instances of intertextuality which are analyzed within Genette’s framework for transtextuality. Considering the intertextual presence in Volkswagen Blues, the analysis ponders whether it is limited to this novel or is a manifestation of Americanness and, thus, a piece of evidence of multiculturality in the hegemonic American discourse. The study shows how Poulin depicts the crucial role of non-Anglo-American identities in contemporary American culture and explains the influence of world literatures in Poulin’s work

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Dissertations / Theses on the topic "Poulin"

1

Lees, Cynthia Currie. "Jacques Poulin et le Nouveau Roman de Tendre: (Jacques Poulin and the New Tender Novel)." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/LeesCC2003.pdf.

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Grandmangin, Nicolas. "Jacques Poulin blues : les logiques intratextuelles." Mémoire, Université de Sherbrooke, 1993. http://hdl.handle.net/11143/9982.

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C'est le hasard qui m'amena un jour à lire Le Vieux Chagrin, de Jacques Poulin. Séduit, je me procurai très vite ses six autres romans, mais puisque j'avais déjà commencé par le dernier paru, je choisis de poursuivre ma découverte à rebours. Mon premier constat fut que l'oeuvre paraissait se complexifier à mesure qu'on se rapprochait du premier roman, lequel me sembla, à prime abord, complètement hermétique (tant j'étais resté sur l'impression de fluidité particulière au Vieux Chagrin). Il y avait là matière à réflexion. Voilà un auteur qui avait évolué selon une logique perceptible. Qui plus est, je remarquai que ses romans donnaient l'impression de parfaitement s'imbriquer les uns aux autres, et ce malgré leurs indéniables différences. Des éléments développés dans un titre se trouvaient suggérés dans celui qui le précédait, et ainsi de suite jusqu'au premier, lequel contenait, à l'état embryonnaire, les germes de l'oeuvre entière. Je relus ensuite toute la série dans son ordre de parution, ce qui confirma et étoffa mes premières impressions. Il y avait enfin ce petit texte de présentation, sur la couverture du Coeur de la baleine bleue, qui semblait presque avoir été écrit en écho à mes propres convictions…

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Dupuis, Gilles. "Jacques Poulin : une dynamique de l'écriture." Thesis, University of Ottawa (Canada), 1990. http://hdl.handle.net/10393/5889.

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Richardson, Rébecca A. S. "Gabrielle Roy dans l'univers de Jacques Poulin." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99746.

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This thesis offers a critical study of Gabrielle Roy's presence in Jacques Poulin's works. Roy is a character, a reference and an inspiration; her books and her brilliant green eyes enthral Poulin and his protagonists. She is present through intertextual references---the mention of her name, her books, her characters or her quotes---but also, in a more abstract sense, through influence. In order to study the relationship between the two authors, a set of themes common to their literary works are analysed: their North-American identity (americanite), and their ambiguous treatment of sexuality.

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Roberts, Paula Ann. "La dualité dans l'oeuvre de Jacques Poulin." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ41575.pdf.

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Dupont, Nathalie. "L'altérite, témoin du postcolonialisme chez Jacques Poulin." Sherbrooke : Université de Sherbrooke, 2001.

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Dupont, Nathalie. "L'altérite, témoin du postcolonialisme chez Jacques Poulin." Mémoire, Université de Sherbrooke, 2001. http://savoirs.usherbrooke.ca/handle/11143/2249.

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Ce mémoire aborde le postcolonialisme littéraire en s'appuyant sur des notions théoriques traitant du postcolonialisme et du postmodernisme. Il tente également d'établir la distinction entre ces deux notions connexes en utilisant la figure de l'altérité comme notion différenciatrice. L'explication du postcolonialisme se fait par une mise en corrélation de ce moment littéraire avec le postmodernisme, qui a fait l'objet de plus d'études. Ainsi, plusieurs ouvrages de références traitant plus particulièrement du postmodernisme tels que ceux de Janet Paterson et Jean-François Lyotard sont mis en relation avec ceux de Jean-Marc Moura et Marie Vautier, permettant ainsi d'établir les parallèles et les différences entre ces deux concepts trop souvent indistincts. La figure de l'Autre vient ensuite jouer un rôle capital dans l'établissement d'une notion différenciatrice entre le postmodernisme et le postcolonialisme. Cette notion est étudiée suivant l'interprétation qu'en fait Bakhtine, soit une notion élargie où l'Autre prend le visage d'un protagoniste, du lectorat et s'immisce dans le texte par les figures littéraires telles que l'intertextualité et la mise en abîme. L'autre étant une figure récurrente chez Jacques Poulin, plusieurs caractéristiques postcoloniales peuvent aussi s'y retrouver ; c'est ce qui explique le choix du corpus romanesque de ce mémoire. L'analyse de deux romans de Jacques Poulin, Les Grandes Marées et Volkswagen Blues, permet ensuite de montrer le fonctionnement d'un texte postcolonial tout en introduisant une lecture renouvelée de l'oeuvre poulienne. Ainsi, ce mémoire explique non seulement les différentes particularités du postcolonialisme mais démontre la possibilité d'une telle lecture de romans québécois.

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Crainic, Corina. "Représentation de la bibliothèque chez Bessette et Poulin." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81482.

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On examining novels written in Quebec after the 1950s, surprisingly some common themes emerge. One finds progressively increasing references to the themes of the book, the library, and the author. In this thesis, we study the fictional work of Gerard Bessette and Jacques Poulin, two authors who make abundant references to the universe of the book. Their characters read, write, work and even live in libraries and bookshops.<br>We will discuss the concept of the library, in order to clarify various key issues. Our definition of the library will include any place where books are read or stored. In other words, we do not intend to limit our study only to the traditional library, but rather to extend it to any place which shelters books. The concept of the library is thus taken in its broadest definition and includes the bookshop, the office, or even the bus.<br>These books were selected because each author gives an account of contemporary Quebec history. In addition, the opposing themes in these fictitious worlds, seem to be at the core of the concept of the library. Indeed, it is at the same time both closedness and openness, both hoarding and lending. We will examine how the paradoxical realities are presented in these novels.

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Navarro, Pardinas Blanca. "La représentation de la lecture chez Jacques Poulin." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39332.

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This thesis examines the model(s) of reading proposed by J. Poulin's novels. On the one hand, a phenomenological analysis enables us to observe textual strategies, such as intertextuality and photographs, which guide the empirical Reader through his readings. On the other hand, the representation of fictional Readers' act of reading, another textual strategy, is also analyzed.<br>As the phenomenological approach to the act of reading has not often been put into practice, our essay allows us to evaluate the reliability of different contemporary theories of the act of reading, particularly that of Iser in his The Act of Reading.

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Ledoux, Nathaly. "La représentation de l'écrivain dans l'oeuvre de Jacques Poulin." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23224.

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This thesis analyses the intratextual literary symbols of Jacques Poulin's writings, and illustrates the autorepresentative characteristic of his production. Inspired by the three levels for the analysis of autorepresentation established by Janet M. Paterson, this essay demonstrates how Poulin's writings do, in fact, compose a system.<br>The author's choice to stage a character writer experiencing difficulties in his creative effort, is representative in itself: Poulin obviously wished to attract the reader's attention to the literary discourse of his writings. The concrete circumstances of the act of creation are therefore revealed by the fictitious writer. This essay suggests that the presence of auctorial figures complexify the text and generate a theory of the act of writing inherent to Poulin's works. If it shows how the author's discourse corresponds to an autotheorisation of the act of writing, it also shows how the reader's discourse works as instruction. The fictitious reader, by revealing his conception of the act of reading, indicates how Poulin's novel's should be read.<br>Finally, this essay suggests that Poulin's production is not only filled with literary references, but also with numerous references to itself. This network of autoreferences implies that Poulin's writing must be considered and studied as a whole.

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Books on the topic "Poulin"

1

Klepac, Walter. Roland Poulin. Macdonald Stewart Art Centre, 1990.

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Nemiroff, Diana. Roland Poulin: Sculpture. National Gallery of Canada, 1994.

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1935-, Kuspit Donald B., Poulin Roland 1940-, and National Gallery of Canada, eds. Roland Poulin: Sculpture. Musée des beaux-arts du Canada, 1994.

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Boulanger, Chantal. Roland Poulin: Oeuvres récentes. Musée du Québec, 1998.

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Klepac, Walter. Roland Poulin: [exhibition catalogue]. Macdonald Stewart Art Centre, 1990.

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Fontaine, Lise. Les grandes marées, Jacques Poulin. Hurtubise HMH, 1997.

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Juanita Poulin y otras crónicas. Fundación Editorial Perro y Rana, 2006.

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Poulin, Roland. Roland Poulin: Sculptures and drawings. Canada House Cultural Centre, 1990.

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9

Poulin, Robert E. Family echoes in Canada: The Poulin family history, letters of an uncle to his niece (Martin, Coll, Shuburg [Shoeberg], Leitch and Poulin [Poulain]). Pamela L. Poulin, 2010.

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10

Asselin, Olivier. Dédales: Parcours de l'œuvre de Roland Poulin. Fondation J. Armand Bombardier, 2002.

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Book chapters on the topic "Poulin"

1

Kirsch, Fritz Peter. "Poulin, Jacques." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13670-1.

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Kirsch, Fritz Peter. "Poulin, Jacques: Volkswagen Blues." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13671-1.

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Lüsebrink, Hans-Jürgen. "Poulin, Jacques: L'homme de la Saskatchewan." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_15810-1.

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Lüsebrink, Hans-Jürgen. "Poulin, Jacques: Un jukebox dans la tête." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_15811-1.

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Ertler, Klaus-Dieter. "Poulin, Jacques: L'anglais n'est pas une langue magique." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13672-1.

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Molinié, F., A. Danzon, G. Hédelin, and E. A. Sauleau. "Poumon." In Survie des patients atteints de cancer en France. Springer Paris, 2007. http://dx.doi.org/10.1007/978-2-287-39310-5_25.

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Foster, Robert J. "Pouring Rights." In Coca-Globalization. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230610170_7.

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Ray, William. "Poulet, Georges." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk. University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-155.

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Lichtenstein, Daniel A. "Poumon: Syndrome alvéolaire." In L’échographie corps entier chez le patient critique. Springer Paris, 2011. http://dx.doi.org/10.1007/978-2-8178-0227-5_16.

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Potter, Jeremy. "Warhol and Poulson." In Independent Television in Britain. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-06335-2_8.

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Conference papers on the topic "Poulin"

1

Beaujard, Anne-Laure. "Poulet free." In ACM SIGGRAPH 2012 Computer Animation Festival. ACM Press, 2012. http://dx.doi.org/10.1145/2341836.2341882.

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Yano, Ken'ichi, Motoki Kaneko, Yoshiyuki Noda, and Kazuhiko Terashima. "Supervisory control of automatic pouring process considering residual pouring quantity." In European Control Conference 2007 (ECC). IEEE, 2007. http://dx.doi.org/10.23919/ecc.2007.7068564.

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Dai, Shuai, Zhonghao Ye, Erfei Li, and Chuyao Zheng. "Comparative Study on Self-Compacting Concrete Pouring Methods of AP1000 Structure Module." In 2013 21st International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/icone21-16823.

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Modular construction technology is one of the main technical features of AP1000. But after the construction practices of two self-reliance supporting projects, we found that concrete poured in the module is extremely difficult, the advantages of shorter construction duration in modular construction will be seriously weakened, so we designed three different pouring methods: layered pouring method, layered continuous pouring method and loop continuous pouring method. Deep comparative analysis on the principle, characteristic and implementation effect of these three pouring methods are studied in this paper.

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Cheatham, Melissa R., R. S. Kanwar, J. Lorimor, H. Xin, and C. Pedersen. "Poulty Manure Impacts on Water Quality." In Proceedings of the 16th Annual Integrated Crop Management Conference. Iowa State University, Digital Press, 2004. http://dx.doi.org/10.31274/icm-180809-801.

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Tsuji, Takaaki, and Yoshiyuki Noda. "High-precision pouring control using online model parameters identification in automatic pouring robot with cylindrical ladle." In 2014 IEEE International Conference on Systems, Man and Cybernetics - SMC. IEEE, 2014. http://dx.doi.org/10.1109/smc.2014.6974313.

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Sueki, Yuta, and Yoshiyuki Noda. "Optimal positioning of ladle in automatic pouring machine in consideration of pouring liquid accurately into sprue." In 2017 IEEE International Conference on Advanced Intelligent Mechatronics (AIM). IEEE, 2017. http://dx.doi.org/10.1109/aim.2017.8014132.

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Gaus-Liu, Xiaoyang, Alexei Miassoedov, Thomas Cron, Jerzy Foit, Thomas Wenz, and Silke Schmidt-Stiefel. "Core Melt Solidification Characteristics in RPV Lower Head: Experimental Results From LIVE-Tests." In 17th International Conference on Nuclear Engineering. ASMEDC, 2009. http://dx.doi.org/10.1115/icone17-75450.

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Core melt solidification phenomena during external reactor vessel cooling is investigated in LIVE tests with different external cooling conditions and melt pouring positions. A non-eutectic simulant melt (80-20 mole% KNO3-NaNO3) is used in the LIVE tests. It is found out that when the vessel is cooled with water at the beginning of the melt pouring, the cooling is more effective than in the case of delayed water cooling condition, in which the vessel is first cooled with air and then flooded by water. The initial water cooling leads to a faster growth of crust layer, lower crust thermal conductivity and thinner crust layer than those under the delayed water cooling condition. The initial water cooling leads also to higher heat flux through the vessel wall during the steady state and shorter crust growth period in comparison with the delayed water cooling condition. The solidification of the melt is probably under supercooling condition. The pouring position near the vessel wall results in considerable asymmetric heat flux distribution at one latitude. The heat flux at the position of melt pouring is higher than the one at other locations.

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Iatesen, Loredana. "MODERN RECEPTION OF THE MUSICIAN FRANCIS POULENC." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s25.028.

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Schneiders, Jan, Richard Dwight, and Fulvio Scarano. "Beyond Nyquist by Pouring Space into Time." In 54th AIAA Aerospace Sciences Meeting. American Institute of Aeronautics and Astronautics, 2016. http://dx.doi.org/10.2514/6.2016-0147.

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Yamaguchi, Akihiko, Christopher G. Atkeson, Scott Niekum, and Tsukasa Ogasawara. "Learning pouring skills from demonstration and practice." In 2014 IEEE-RAS 14th International Conference on Humanoid Robots (Humanoids 2014). IEEE, 2014. http://dx.doi.org/10.1109/humanoids.2014.7041472.

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Reports on the topic "Poulin"

1

Hébert, C., O. van Breemen, and P. Lacoste. Tectonic setting and U-Pb zircon age of the Poulin-de-Courval Mangerite, Saguenay-Lac Saint-Jean area, Grenville Province, Quebec. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1998. http://dx.doi.org/10.4095/210057.

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Ligocki, Aaron, and Nicholas Eales. Human Beating, Brushing, Screwing, Inserting, and Pouring Motion Analysis. RPAL, 2018. http://dx.doi.org/10.32555/2018.ir.002.

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Ford, K. L., J. M. Carson, R. Dumont, et al. Geophysical series - NTS 74 H/16 - Poulton Lake, Saskatchewan. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2005. http://dx.doi.org/10.4095/220544.

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Ebadian, M. A. Investigation of waste glass pouring behavior over a knife edge. Office of Scientific and Technical Information (OSTI), 1998. http://dx.doi.org/10.2172/665909.

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M.A. Ebadian, Ph D. INVESTIGATION OF WASTE GLASS POURING PROCESS OVER A KNIFE EDGE. Office of Scientific and Technical Information (OSTI), 1999. http://dx.doi.org/10.2172/772514.

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Bannochie, C. Analytical Results of DWPF Glass Sample Taken During Pouring of Canister S01913. Office of Scientific and Technical Information (OSTI), 2005. http://dx.doi.org/10.2172/890153.

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Cozzi, A. D., N. E. Bibler, and C. J. Bannochie. Analytical Results of DWPF Glass Sample Taken During Pouring of Canister S01913: Summary Report. Office of Scientific and Technical Information (OSTI), 2005. http://dx.doi.org/10.2172/881512.

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Shadday, M. A. Jr. Heat transfer modelling of the saltstone pouring and curing process. Task Number: 93-016-0. Office of Scientific and Technical Information (OSTI), 1993. http://dx.doi.org/10.2172/10124122.

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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more open about his sexuality. Lorca paid a heavy price for this refusal to dissimulate; his arrest in August 1936 and his assassination the following day, probably by Nationalist militia, was accompanied by taunts from his killers about his sexuality. Everything about the Spanish poet’s life, his artistic affinities, his personal predilections and even the relationship between these and his death made him someone to whom Poulenc would be naturally drawn and whose untimely demise he would feel keenly and might wish to commemorate musically. Starting with the death of both his parents while he was still in his teens, reinforced by the sudden loss in 1930 of an especially close friend, confidante and kindred spirit, and continuing throughout the remainder of his life with the periodic loss of close friends, companions and fellow-artists, Poulenc’s life was marked by a succession of bereavements. Significantly, many of the dedications that head up his compositions are ‘to the memory of’ the individual named. As Poulenc grew older, and the list of those whom he had outlived lengthened inexorably, his natural tendency towards the nostalgic and the elegiac fused with a growing sense of what might be termed a ‘survivor’s anguish’, part of which he sublimated into his musical works. It should therefore come as no surprise that, during the 1940s, and in fulfilment of a desire that he had felt since the poet’s death, he should turn to Lorca for inspiration and, in the process, attempt his own act of homage in two separate works: the Violin Sonata and the ‘Trois Chansons de Federico García Lorca’. This exposition attempts to unfold aspects of the two men’s aesthetic pre-occupations and to show how the parallels uncovered cast reciprocal light upon their respective approaches to the creative process. It also examines the network of enfolded associations, musical and autobiographical, which link Poulenc’s two compositions commemorating Lorca, not only to one another but also to a wider circle of the composer’s works, especially his cycle setting poems of Guillaume Apollinaire: ‘Calligrammes’. Composed a year after the ‘Trois Chansons de Federico García Lorca’, this intricately wrought collection of seven mélodies, which Poulenc saw as the culmination of an intensive phase in his activity in this genre, revisits some of ‘unheard voices’ and ‘unseen shadows’ enfolded in its predecessor. It may be viewed, in part, as an attempt to bring to fuller resolution the veiled but keenly-felt anguish invoked by these paradoxical properties.

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Amoroso, J. COMPUTER MODELING OF HIGH-LEVEL WASTE GLASS TEMPERATURES WITHIN DWPF CANISTERS DURING POURING AND COOL DOWN. Office of Scientific and Technical Information (OSTI), 2011. http://dx.doi.org/10.2172/1027495.

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