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Journal articles on the topic 'Pozzo'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 March 2023

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1

Jaffe, D. "Some Recent dal Pozzo Publications." Journal of the History of Collections 5, no. 2 (January 1, 1993): 231–38. http://dx.doi.org/10.1093/jhc/5.2.231.

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2

Braun, Alan, Tomislav Vidović, and Dubravko Bačić. "Rudarsko-industrijski sklop Pozzo Littorio pored Labina." Prostor 27, no. 1 (57) (June 28, 2019): 36–49. http://dx.doi.org/10.31522/p.27.1(57).3.

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Rudarsko-industrijski sklop Pozzo Littorio izgrađen je u razdoblju 1939.-1942. godine, na vrhuncu međuratnoga gospodarskog razvoja labinskoga kraja. Za razliku od stambenog naselja Pozzo Littorio d’Arsia industrijski je sklop ostao posve neistražen. Stoga se u članku, na temelju sinteze poznatih i novih arhivskih izvora, utvrđuju slijed gradnje i arhitektonske odlike izvornih građevina sklopa, njihovi projektanti te mijene tijekom sedamdeset godina njihova postojanja.
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3

Lázaro, Sara Fuentes. "El perfil de Andrea Pozzo como maestro de perspectiva." Varia Historia 32, no. 60 (December 2016): 611–37. http://dx.doi.org/10.1590/0104-87752016000300003.

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Resumen La influencia internacional del arquitecto, cuadraturista y constructor de aparatos efímeros Andrea Pozzo (1642-1709) se debió principalmente a la amplia difusión de su tratado Perspectiva Pictorum Architectorum (Roma 1693-1700). Pozzo ofrecía en estos volúmenes, además de los modelos perspectivos aprendidos de Vignola, Pietro Accolti y Jean Dubreuil, entre sus fuentes más evidentes, un método simplificado de creación personal. Su técnica estaba ideada para resolver cualquier representación de arquitectura desde diferentes puntos de vista utilizando solamente procedimientos gráficos que no implicaban ninguna operación matemática. El perfil como perspectivo de Andrea Pozzo se caracterizó por combinar la formación intelectual y técnica adquirida en las librerías de la Orden, con su experiencia como maestro de un desarrollado taller y una importante ambición artística que contrasta con otras publicaciones de su época presuntamente similares en función y contenido (como L'architettura civile ridotta a' metodo facile e breve de F. Eschinardi). La obra de Pozzo constituye el último estadio en la divulgación de la técnica perspectiva, a través de un plan docente fácilmente aplicable a cualquier ámbito de la arquitectura y la pintura, en el que confluyen la tradición óptico-perceptiva y el dominio geométrico-matemático.
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4

Karner, Herbert. "Giuseppe Pozzo und der mitteleuropäische Altarbau." Wiener Jahrbuch für Kunstgeschichte 55-56, no. 1 (December 2007): 225–36. http://dx.doi.org/10.7767/wjk.2007.5556.1.225.

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5

Fuentes Lázaro, Sara. "Ad vitandam confusionem. Una aproximación analítica al tratado sobre perspectiva de Andrea Pozzo = Ad vitandam confusionem. An Analytical Approach to Andrea Pozzo’s Treatise on Perspective." Espacio Tiempo y Forma. Serie VII, Historia del Arte, no. 7 (December 13, 2019): 103. http://dx.doi.org/10.5944/etfvii.7.2019.24219.

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El tratado Perspectiva Pictorum Architectorum es uno de los principales méritos que han consagrado al hermano coadjutor Andrea Pozzo (1642-1709) como el más renombrado artista de la Compañía de Jesús. A pesar de haber servido a pintores, geómetras y arquitectos del último Barroco en cuatro continentes como fuente de formación y repertorio visual, sigue siendo un texto citado mayormente de modo superficial. El presente examen de sus contenidos pretende analizar su organización y los diferentes propósitos que fundamentaron la obra, esto es: ponderar la arquitectura de la Orden y del propio Pozzo; servir de eficaz manual de taller; y, entonces como hoy en día, interesar como objeto de bibliofilia.AbstractThe treatise Perspective Pictorum Architectorum is one of the main reasons that have consecrated brother coadjutor Andrea Pozzo (1642-1709) as the most renowned artist of the Society of Jesus. Despite having served painters, geometricians and architects of four continents as a source of instruction and visual repertoire during the Late Baroque, it still remains –save honorable exceptions– as a superficially read text. Our examination of its contents analyzes how the plates were grouped to fulfill the different functions which the treatise was meant to accomplish, i.e.: praising Jesuit architecture and the one designed by Pozzo himself; being effective as a workshop manual; and, then as now, drawing attention to its character as an object of bibliophilia.
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6

Fadillah, Nur, Burhanuddin Arafah, and Herawaty Abbas. "The Act of Slavery in 20th Century as Reflected in Samuel Beckett’s Waiting for Godot." Journal of Language Teaching and Research 13, no. 1 (January 2, 2022): 66–72. http://dx.doi.org/10.17507/jltr.1301.08.

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This study aims to analyze the act of slavery that happened in Samuel Beckett’s Waiting for Godot. The characters that are involved are Pozzo as the master and Lucky as his slave. By analyzing how Pozzo oppresses Lucky, it reflects the act of slavery that also happened in reality in the 20th century when the story was written. This study is a qualitative descriptive method using the sociology of literature approach to reveal the connection between the situations in the play with the situations of the world in the 20th century. The data of this research are collected from the utterances and dialogues of the characters in the text play Waiting for Godot. The result showed that the act of slavery acted by Pozzo and Lucky also happened in the 20th century before, during, and after World War II in the 1940s. An upper-class society would enslave and oppress a lower-class society at the time because they had power and money.
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7

BRYDEN, MARY. "POZZO IN SAMUEL BECKETT'S WAITING FOR GODOT." Notes and Queries 43, no. 1 (March 1, 1996): 60–61. http://dx.doi.org/10.1093/nq/43-1-60.

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8

BRYDEN, MARY. "POZZO IN SAMUEL BECKETT'S WAITING FOR GODOT." Notes and Queries 43, no. 1 (1996): 60–61. http://dx.doi.org/10.1093/nq/43.1.60.

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9

Haskell, Francis, and Henrietta McBurney. "The Paper Museum of Cassiano dal Pozzo." Visual Resources 14, no. 1 (January 1998): 1–17. http://dx.doi.org/10.1080/01973762.1998.9658438.

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10

Cannon-Brookes, P. "The 'Museo Cartaceo' of Cassiano dal Pozzo." Museum Management and Curatorship 12, no. 3 (September 1993): 307–8. http://dx.doi.org/10.1016/0964-7775(93)90074-s.

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11

Russell, Susan. "Pirro Ligorio, Cassiano Dal Pozzo and the Republic of Letters." Papers of the British School at Rome 75 (November 2007): 239–74. http://dx.doi.org/10.1017/s006824620000355x.

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PIRRO LIGORIO, CASSIANO DAL POZZO E LA REPUBBLICA DELLE LETTEREPirro Ligorio (ca. 1512/13–83), pittore, architetto e antiquario, ha lasciato un enorme corpus di disegni, commentari e ricostruzioni dell'antica Roma, che sono stati in seguito saccheggiati indiscriminatamente o accantonati come fantasiosio falsi. L'articolo considera la reputazione di Ligorio nella Roma di diciassettesimo secolo, quando materiale dai suoi manoscritti era cercato avidamente dagli accademici della cosiddetta Repubblica delle Lettere, che includeva Lorenzo Pignoria (1571–1631), Girolamo Aleandro (1574–1629), Nicolas-Claude Fabri de Peiresc (1580–1637), Giovanni Battista Doni (1594–1647), Jose Maria Suarès (1599–1677), Lucas Holste (1596–1661) e Claude Menestrier (Ménétrier, ob. 1639). L'antiquario collezionista, Cassiano dal Pozzo (1588–1657), un membro della famiglia del cardinale Francesco Barberini, emerge come figura centrale tra questa rete di studiosi, e si arguisce che il suo ruolo nella raccolta di informazioni ottenuta dai manoscritti di Ligorio furono determinanti, specialmente per l'ottenimento di copie di parte dei manoscritti di Ligorio che erano nella collezione farnese a Roma. Come questo materiale è stato usato e disseminato viene anche considerato attraverso le attività e le pubblicazioni del circolo erudito connesso a Dal Pozzo.
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12

Ioriatti Ferrari, Elena. "Barbara Pozzo (editor), Ordinary Language and Legal Language." European Review of Private Law 14, Issue 1 (February 1, 2006): 143–50. http://dx.doi.org/10.54648/erpl2006005.

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13

Grignon, Marc. "Pozzo, Blondel, and the Structure of the Supplement." Assemblage, no. 2 (February 1987): 96. http://dx.doi.org/10.2307/3171091.

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14

Klapisch-Zuber, Christiane. "Moderata FONTE [Modesta Pozzo], Le Mérite des femmes." Clio, no. 18 (November 1, 2003): 286–88. http://dx.doi.org/10.4000/clio.630.

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15

Tanjshina, Natalya. "K.V. Nesselrode and Ch.-A. Pozzo di Borgo: a Diplomatic Tandem." Novaia i noveishaia istoriia, no. 5 (2021): 71. http://dx.doi.org/10.31857/s013038640015111-0.

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Based on the documents preserved in the Archive of the Foreign Policy of the Russian Empire, the private correspondence between Karl Nesselrode, the head of the Foreign Policy Department, and ambassador Carlo Pozzo di Borgo and the main milestones of their biographies are analyzed through the prism of their joint activities in the field of foreign policy. Their epistolary heritage is very extensive. A comparative analysis of the personalities of K. Nesselrode and C. Pozzo di Borgo reveals the peculiarities of their respective characters and show both the political and human qualities of these two bright and outstanding diplomats from a new angle. Nesselrode's attitude towards Pozzo di Borgo allows one to take a completely different look at the personality of the former, who was not at all “selflessly ready to fade away”, timid, and weak-willed. The most important quality that they had in common was moderation in everything, based on pragmatism and rationalism. It was practicality, elevated to a principle, that forced both men to consistently defend the “system of moderation”, rejecting extremes of any kind, adhering to a moderate foreign policy course. Both of them strived to preserve peace and stability in Europe. In the service of the Russian Empire, they formed a fruitful diplomatic tandem.
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16

Simonetti, Manlio. "Origene, il pozzo di Giacobbe e l’άνήρ della samaritana." Augustinianum 56, no. 1 (2016): 21–33. http://dx.doi.org/10.5840/agstm20165612.

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With regard to the interpretation of the conversation between Jesus and the Samaritan woman examined by Origen in Book 13 of the Commentary on John, in this study the Author analyzes certain terms (e.g. φρέαρ, πηγή, άνήρ, νόμος) or expressions (e.g. “you spoke the truth there”, Io. 4, 18) on which Origen’s analysis focuses, and he concludes that the great Alexandrian exegete does not seem to show his best skills in these explanations.
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17

Carretero Calvo, Rebeca. "Recepció del tractat del jesuïta Andrea Pozzo a l’Aragó." Locus Amoenus 15 (December 22, 2017): 117. http://dx.doi.org/10.5565/rev/locus.301.

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18

Corradini, Claudia Ruggiero. "Modesta Dal Pozzo [Moderata Fonte] (1555–1592): “Women's Merit's." Philosophical Forum 33, no. 3 (January 2002): 254–57. http://dx.doi.org/10.1111/1467-9191.00097.

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19

SPARTI, D. L. "CARLO ANTONIO DAL POZZO (1606 1689): An Unknown Collector." Journal of the History of Collections 2, no. 1 (January 1, 1990): 7–20. http://dx.doi.org/10.1093/jhc/2.1.7.

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20

Cabeleira, João. "Andrea Pozzo: difusão científica e alinhamento do imaginário arquitectónico." Estudos Italianos em Portugal, no. 12 (2017): 177–92. http://dx.doi.org/10.14195/0870-8584_12_11.

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21

Pozzo, María Isabel, Adriana Ahumada, Florencia Bisiacco, Lara Ordoñez, Natalia Paz, and María Sol Valiente. "Jornada de socialización de proyectos de investigación de la Escuela de Ciencias de la Educación de la Universidad Nacional de Rosario." Archivos de Ciencias de la Educación 12, no. 13 (July 6, 2018): e046. http://dx.doi.org/10.24215/23468866e046.

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Jornada de socialización de proyectos de investigación de la Escuela de Ciencias de la Educación de la Universidad Nacional de Rosario María Isabel Pozzo, Adriana Ahumada, Florencia Bisiacco, Lara Ordoñez, Natalia Paz y María Sol Valiente
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22

Fantoli, Margherita. "Review of: Bente Maegaard, Riccardo Pozzo, Alberto Melloni, Matthew Woollard (eds.), Stay Tuned to the Future: Impact of the Research Infrastructures for Social Sciences and Humanities, Leo S. Olschki, Firenze 2019, XXXVI + 190 pp., ISBN: 9788822266439." Mediterranea. International Journal on the Transfer of Knowledge 7 (March 27, 2022): 621–31. http://dx.doi.org/10.21071/mijtk.v7i.14106.

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Review of: Bente Maegaard, Riccardo Pozzo, Alberto Melloni, Matthew Woollard (eds.), Stay Tuned to the Future: Impact of the Research Infrastructures for Social Sciences and Humanities, Leo S. Olschki, Firenze 2019 (Lessico intellettuale europeo, 128), XXXVI + 190 pp., ISBN: 9788822266439.
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23

Barbeito, José Manuel. "Juan Gómez de Mora, Antonio Mancelli y Cassiano dal Pozzo." Archivo Español de Arte 86, no. 342 (June 30, 2013): 107–22. http://dx.doi.org/10.3989/aearte.2013.v86.i342.539.

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24

Clewis, Robert R. "History of Philosophy and the Reflective Society by Riccardo Pozzo." Review of Metaphysics 76, no. 1 (September 2022): 156–58. http://dx.doi.org/10.1353/rvm.2022.0059.

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25

Horn, Andrew. "Andrea Pozzo and the Jesuit “Theatres” of the Seventeenth Century." Journal of Jesuit Studies 6, no. 2 (June 21, 2019): 213–48. http://dx.doi.org/10.1163/22141332-00602003.

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Considered within the context of Jesuit theatre and liturgy, and within the broader culture of spectacle and ritual in the era of Counter-Reform, the works of art and architecture commissioned by the Jesuits in the seventeenth century can be read as “theatres” of religious performance. This concept is given an ideal case study in the work of Jesuit artist Andrea Pozzo (1642–1709). In this essay I present Pozzo’s work within the context of ritual and prayer for which it was produced, focusing on two of his religious scenographies and two of his lesser-known painting projects. As I consider their use of allegory, emblems and symbols, visual narratives, spatial illusions, and architecture, I argue that both the scenographies and the permanent church decorations achieve persuasion through the engagement of the observer as a performer in a ritual involving both internal and external performance.
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26

Kenrick, Philip M. "A section through the ancient Via Cassia, north of Rome at Km. 13·8." Papers of the British School at Rome 57 (November 1989): 77–89. http://dx.doi.org/10.1017/s0068246200009090.

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UNA SEZIONE DI SCAVO SULLA VIA CASSIA ANTICA A NORD DI ROMA, AL KM. 13,8Sono presentati i risultati di uno scavo del 1966, comprendente una sezione del fondo stradale della Via Cassia ed alcuni resti vicini: vennero scoperti nell'occasione tre fasi di costruzione ed un pozzo di ispezione dell'Aqua Traiana.
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Bell, Janis. "A Treatise on Mirrors Attributed to Matteo Zaccolini." Nuncius 33, no. 3 (November 26, 2018): 563–84. http://dx.doi.org/10.1163/18253911-03303007.

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Abstract A short discourse on concave mirrors, Apparenze diverse del Specchio Concavo, among the papers of Cassiano dal Pozzo at Montpellier, is here attributed to Matteo Zaccolini, a Theatine perspective painter in Rome with a reputation for his mastery of optics. A transcription and translation of the treatise are also included.
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APFELSTADT, ERIC. "CHRISTOPHER COLUMBUS, PAOLO DAL POZZO TOSCANELLI AND FERNO DE RORIZ: NEW EVIDENCE FOR A FLORENTINE CONNECTION." Nuncius 7, no. 2 (1992): 69–80. http://dx.doi.org/10.1163/182539192x00857.

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Abstracttitle RIASSUNTO /title Si ritiene che Paolo dal Pozzo Toscanelli abbia mandato tre lettere in Portogallo tra il 1474 e il 1482: una, comprendente una mappa, indirizzata ad un canonico di Lisbona chiamato Fernando Martins; un'altra, contenente copie della prima lettera e della carta, a Cristoforo Colombo; e una terza ancora a Colombo. Sebbene l'autenticit delle tre lettere sia stata accettata dalla maggior parte degli studiosi colombiani, l'intera corrispondenza stata negata da alcuni, e le due lettere a Colombo da altri. In giuoco almeno una parte della stima per la scoperta del Mondo Nuovo. Martins stato spesso identificato col canonico portoghese Fernando de Roritz, che stato testimone al testamento di Niccol di Cusa insieme con Paolo dal Pozzo Toscanelli, ma nessun'altra prova della sua conoscenza con Toscanelli stata finora conosciuta. Nuovi documenti adesso confermano la presenza del Roritz a Firenze nel 1459, quando egli ha servito accanto al Toscanelli come medico del cardinale Giacomo di Portogallo ed stato testimone al testamento del cardinale, e di nuovo nel 1466, quando stato testimone all'atto di dote della cappella del cardinale in San Miniato al Monte.
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Fuhring, Peter. "The Print Collection of Cassiano dal Pozzo, i: Ceremonies, Costumes, Portraits and GenreThe Print Collection of Cassiano dal Pozzo, ii: Architecture, Topography and Military Maps." Journal of the History of Collections 32, no. 3 (August 25, 2020): 586–89. http://dx.doi.org/10.1093/jhc/fhaa026.

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30

Silva, Mateus Alves. "Método, modelo e memória: Perspectiva Pictorum et Architectorum, de Andrea Pozzo." Risco Revista de Pesquisa em Arquitetura e Urbanismo (Online) 19 (July 28, 2021): 157–76. http://dx.doi.org/10.11606/1984-4506.risco.2021.183607.

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No final do século XVII o jesuíta Andrea Pozzo (1642 - 1709) publicou, em Roma, o tratado Perspectiva Pictorum et Architectorum (1693 e 1700). Essa obra objetivava apresentar a pintores e arquitetos um modo prático e rápido de se realizar a perspectiva. Por esse caráter, a obra conheceu rápida difusão, sendo reeditada, impressa e traduzida em diversas línguas. Neste artigo discutem-se questões relativas ao tratado, em três vias: como um método didático de se realizar desenhos em perspectiva, baseado na experiência do autor; como modelo para a arquitetura, em função da representação de formas clássicas e de invenções e novas soluções; e, por fim, como memória dos feitos do autor e da Companhia de Jesus, da qual fazia parte.
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31

Crook, Malcolm. "John M. P. McErlean, Napoléon et Pozzo di Borgo 1764-1821." Annales historiques de la Révolution française, no. 355 (January 1, 2009): 240–42. http://dx.doi.org/10.4000/ahrf.10790.

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32

Trevisan, Fabio. "Il pozzo e le pozzanghere and Uomovivo by G. K. Chesterton." Chesterton Review in Italiano 2, no. 1 (2012): 131–35. http://dx.doi.org/10.5840/chesterton-italiano20122119.

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33

Pignatti, Terisio. "Il tema di Giacobbe e Rachele al Pozzo di Paolo Veronese." Wiener Jahrbuch für Kunstgeschichte 40, no. 1 (December 1987): 235–38. http://dx.doi.org/10.7767/wjk.1987.40.1.235.

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34

Araujo, Arturo. "Book Review: Andrea Pozzo and Video Art. By Felix Burda-Stengel." Theological Studies 76, no. 1 (March 2015): 228. http://dx.doi.org/10.1177/0040563914565315y.

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Cook, A. "A Roman correspondence: George Ent and Cassiano dal Pozzo, 1637–55." Notes and Records of the Royal Society 59, no. 1 (January 22, 2005): 5–23. http://dx.doi.org/10.1098/rsnr.2004.0074.

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George Ent (FRS 1663), a distinguished physician, was in Rome in 1636, visited the notable collector Cassiano dal Pozzo and saw his Paper Museum. After he returned to London he carried on a correspondence with Cassiano in letters of more than ordinary interest. Cassiano had sent Ent specimens of fossil wood and a table made from fossil wood. They had come from the estates at Acquasparta belonging to Prince Federico Cesi, the founder of the Accademia dei Lincei. The specimens and the table were shown to early meetings of The Royal Society and had a significant part in the developing debate on the origin of fossils. The letters also record exchanges of books between London and Rome. Among medical matters there is news of William Harvey and his works.
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36

Beck, Lois. "Le second souffle suivi du Diable gardien by Philippe Pozzo di Borgo." French Review 86, no. 6 (2013): 1280–81. http://dx.doi.org/10.1353/tfr.2013.0159.

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37

Audra, Philippe. "Le pozzo del Merro, Italie, plus grand puits noyé du monde (-392)." Karstologia : revue de karstologie et de spéléologie physique 41, no. 1 (2003): 55–56. http://dx.doi.org/10.3406/karst.2003.2837.

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38

Rolfe, W. D. Ian. "Materia medica in the seventeenth-century Paper Museum of Cassiano dal Pozzo." Geological Society, London, Special Publications 375, no. 1 (November 15, 2012): 137–56. http://dx.doi.org/10.1144/sp375.3.

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Jaffe, D. "Nicholas-Claude Fabri de Peiresc: Lettres a Cassiano dal Pozzo (1626 1637)." Journal of the History of Collections 3, no. 1 (January 1, 1991): 100–104. http://dx.doi.org/10.1093/jhc/3.1.100.

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40

Harris, S. A. "The Paper Museum of Cassiano dal Pozzo. Series B: Natural History. Fungi." Journal of the History of Collections 18, no. 2 (June 29, 2006): 287–88. http://dx.doi.org/10.1093/jhc/fhl025.

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41

Rutgers, Jaco. "Otto Marseus van Schrieck in Rome: een opdracht van Cassiano dal Pozzo." Oud Holland 125, no. 1 (2012): 59–64. http://dx.doi.org/10.1163/18750176-90000023.

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42

Caramanna, Giorgio, Alessio Argentieri, and Vincenzo Buonfiglio. "[The “Pozzo del Merro” drowned sinkhole: 20 years of exploration and study]." Acque Sotterranee - Italian Journal of Groundwater 11, no. 4 (December 20, 2022): 73–78. http://dx.doi.org/10.7343/as-2022-605.

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43

Errasti, Alejandra, Sandra Giani, and Andrea Nuñez. "El archivo como contrapunto de la fotografía." Nimio, no. 7 (September 21, 2020): e027. http://dx.doi.org/10.24215/24691879e027.

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En este trabajo se analiza una selección de fotografías de los internos de la Unidad Penitenciaria N.° 5 de Mercedes tomadas en 1881 en el taller de los fotógrafos Pozzo- Bradley, considerando su inserción en el contexto al que se subordinan, que es el archivo del Servicio Penitenciario bonaerense. Así, nuestro objetivo se centra en el vínculo que se establece entre fotografía y archivo, el que forma parte de un sistema discursivo donde la imagen adquiere valor documental e histórico.
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Mai, Sabine. "Genomic instability and nuclear architecture in cancer." Open Access Government 37, no. 1 (January 9, 2023): 88–89. http://dx.doi.org/10.56367/oag-037-10240.

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Genomic instability and nuclear architecture in cancer Genomic instability is a hallmark of cancer. It drives the evolution of cancer cells having a genome that differs from that of normal cells. It enables the development of cell clones and cell-to-cell heterogeneity within the tumour and between the tumour and its metastatic site(s). Here Professor Sabine Mai and Aline Rangel-Pozzo, at the CancerCare Manitoba Research Institute and The University of Manitoba, Winnipeg, Canada, discuss genomic instability in relation to 3D spatial organisation of telomeres.
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45

Chamoux, François, and Mireille Pastoureau. "L'Institut de France et le « Musée de papier» de Cassiano dal Pozzo (information)." Comptes-rendus des séances de l année - Académie des inscriptions et belles-lettres 141, no. 1 (1997): 319–24. http://dx.doi.org/10.3406/crai.1997.15732.

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46

Ruta, Giancarlo, Veerle Rots, and Margherita Mussi. "Stone projectiles at Grotta di Pozzo (Italy). Results of a macro-fractures analysis." Journal of Archaeological Science: Reports 42 (April 2022): 103412. http://dx.doi.org/10.1016/j.jasrep.2022.103412.

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47

Gilli, Patrick. "DA PECATOLOGIA DOS GOVERNANTES À NECESSIDADE DO TIRANICÍDIO: OS VÍCIOS MONÁRQUICOS DE ÁLVARO PELAYO À PARIDE DEL POZZO (SÉCULOS XIV-XV)." SIGNUM - Revista da ABREM 16, no. 2 (December 28, 2015): 98. http://dx.doi.org/10.21572/2177-7306.2015.v16.n2.06.

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O presente artigo visa discutir e analisar a tipologia dos vícios e excessos dos homens de poder, apresentados por Álvaro Pelayo (1275/80-1349), em seus trabalhos De statu et planctu Ecclesiae (1330-1332) e Speculum regnum (1341-1344), e Paride del Pozzo (1411/13-1493), em sua obra De syndicatu (1473-1485). Para tal, faremos uma análise comparativa entre a pecatologia apresentada nas três obras a fim de compreender como a fenomenologia desses excessos pode ser indicativo do substrato da ciência política dos séculos XIV e XV.
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48

Kim, Jean. "Theological Implications of the Jesuits‘ ‘Perspective’ Education: Focused on the Andrea Pozzo’s Artworks." Korean Journal of Christian Studies 120 (April 30, 2021): 163–94. http://dx.doi.org/10.18708/kjcs.2021.04.120.1.163.

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49

Sparti, Donatella Livia. "Cassiano Dal Pozzo, Poussin and the Making and Publication of Leonardo's Trattato." Journal of the Warburg and Courtauld Institutes 66, no. 1 (January 1, 2003): 143–88. http://dx.doi.org/10.1086/jwci40026315.

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50

Fleming, Alison C. "Andrea Pozzo and the Religious Theatre of the Seventeenth Century, written by Andrew Horn." Journal of Jesuit Studies 7, no. 3 (April 11, 2020): 504–7. http://dx.doi.org/10.1163/22141332-00703008-10.

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