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Journal articles on the topic 'Practice creative network'

Author: Grafiati

Published: 25 May 2024

Last updated: 31 July 2025

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1

Bown, Oliver, Sam Ferguson, Augusto Dias Pereira Dos Santos, and Kurt Mikolajczyk. "Hacking the Medium: Shaping the creative constraints of network architectures in multiplicitous media artworks." Organised Sound 26, no. 3 (2021): 305–16. http://dx.doi.org/10.1017/s135577182100039x.

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In this article we discuss our practice-based research into effective architectures and creative workflows for creatively coding massive multidevice light and sound installation artworks. We discuss the challenges of working with networked multidevice systems and illustrate these challenges with examples of the type of content that one may wish to display on these systems. We then consider how the structuring of a creative framework can strongly influence how an artist approaches the creation of such work, eases the process of creative search and discovery and reduces the time cost and risk of

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Wu, Jiayue. "Empowering Musicians: Innovating Virtual Ensemble Concert Music with Networked Audio Technology." Virtual Worlds 4, no. 1 (2025): 9. https://doi.org/10.3390/virtualworlds4010009.

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This study investigates the application of network audio technology in performing arts and media art collaborations within virtual environments, analyzing its impact through four case studies. Employing a practice-based research methodology through using a variety of open-source software and communication protocols, it examines the cultural and social dynamics, creative workflows, and technical frameworks of ensembles leveraging network audio technology for remote recording and virtual production. These projects, recognized internationally within the electroacoustic music community, underscore

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Dovey, Jonathan, Simon Moreton, Sarah Sparke, and Bill Sharpe. "The practice of cultural ecology: network connectivity in the creative economy." Cultural Trends 25, no. 2 (2016): 87–103. http://dx.doi.org/10.1080/09548963.2016.1170922.

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Sancho Querol, Lorena, and Cláudia Pato Carvalho. "Introduction: Community and Creative Research. Developing Participatory Methodologies." Conjunctions. Transdisciplinary Journal of Cultural Participation 5, no. 1 (2018): 1–6. http://dx.doi.org/10.7146/tjcp.v5i1.105285.

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In September 2016, we organized a roundtable entitled “Community engaged cultural research: an emerging agenda of practice” at the 9th Midterm Conference of the ESA Research Network Sociology of the Arts in Porto, Portugal. The authors sharing their research during that session challenged us to go further and publish our experiences with society-friendly research in a variety of cultural contexts, practices, backgrounds and beliefs. By choosing the theme of “community and creative research”, this thematic issue of Conjunctions has gathered experiences from around the world (Australia, Brazil,

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Comunian, Roberta. "Temporary Clusters and Communities of Practice in the Creative Economy: Festivals as Temporary Knowledge Networks." Space and Culture 20, no. 3 (2016): 329–43. http://dx.doi.org/10.1177/1206331216660318.

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The article explores the role of art festivals as platforms for knowledge and network development in the creative industries and creative policy intervention using the case of a small street art festival ( Fuse Festival in Medway, UK). The analysis provides a broader perspective on the current research and debate on the impact and role played by arts festivals in local economic and cultural development—which usually concentrate on either their socioeconomic impact on local communities—to focus instead of their role in building knowledge communities and communities of practice. The results high

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de Lacey, Alex. "Pirate mentality: How London radio has shaped creative practice in grime music." Radio Journal:International Studies in Broadcast & Audio Media 19, no. 1 (2021): 197–215. http://dx.doi.org/10.1386/rjao_00041_1.

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Grime music is an Afrodiasporic performance form originating in London. While artists such as Stormzy and Skepta are now international stars, its gestation took place within a grounded network of record shops, radio stations and raves. This article argues for grime pirate radio’s role as both an oppositional channel and site of creative practice. Based on empirical work undertaken from 2017 to 2019 in London’s grime scene, it demonstrates how artists harness radio’s communicative power to engender a Black counterpublic, before outlining a framework for creative agency: afforded by a network of

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Campbell, Louise, and Terri Hron. "The Participatory Creative Music Hub: Process Over Product." Performing Practice-Based Research 9, no. 1-2 (2023): 236–52. http://dx.doi.org/10.7202/1102397ar.

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A community-based project, the Participatory Creative Music Hub (the Hub) was developed by the Canadian New Music Network (CNMN) to research, create, and distribute an online resource to inspire creativity in music and sound for all. In addition to inspiring people of many backgrounds to create their own music, the process of building and sharing the Hub has helped to develop a sense of community among diverse creative practitioners across Canada. In doing so, it has raised questions about both the aesthetic and social values of music. In recent years, on an organizational level, CNMN’s focus

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Harwood, Tracy. "Cocurated Digital Culture: Machinima." Leonardo 52, no. 2 (2019): 123–27. http://dx.doi.org/10.1162/leon_a_01328.

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This article explores hybrid curatorial practices that have developed around digital “socio-techno-cultural” practices such as machinima. Machinima is a creative cultural movement that has evolved considerably since its emergence in 1996. The article highlights interrelated themes of curatorial practice: coevolving sense-making and social consumption; creative cognition and exploratory visualization; technologies as cultural intermediaries; social products, materialized expression and collective memory; capturing contexts through cocuration; and sustainability and stability of cultural capital

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Sharma, Neha, Skanthesh Lakshmanan, Kritika Pandey, et al. "Ayurveda-Practice-Based Research Network (A-PBRN): Lesson Learned and Way Forward in the UK." Global Journal of Health Science 14, no. 10 (2022): 36. http://dx.doi.org/10.5539/gjhs.v14n10p36.

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We have recently undertaken a corporate strategy evaluation for a more accurate appraisal of the Ayurveda Practice Based Research Network&#39;s two-year outcomes. While many of our views and experiences may not be original to PBRN networks, we feel that for Integrative Ayurveda, our insights will be valuable to others who are constructing or reshaping Ayurveda practice in a shifting health care context.  Research that is contemporary, applicable, and amenable to integration into practice must be prioritized. Clinicians, academics, information technologists, and various scientis

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Küttim, Merle, Katrin Arvola, and Urve Venesaar. "Development of Creative Entrepreneurship: Opinion of Managers from Estonia, Latvia, Finland and Sweden." Business: Theory and Practice 12, no. (4) (2011): 369–78. https://doi.org/10.3846/btp.2011.38.

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Due to the nature of the creative sector, which consists of a large number of SMEs and self-employed or part-time employees operating in complex and dynamic environment, the creative enterprises face a number of difficulties and are in need of support. The current study was carried out in the framework of an INTERREG project "Creative Entrepreneurship Training Network – CREAENT". The sample of the study consisted of 74 creative managers from Estonia, Latvia, Finland and Sweden. For data collection structured interviews were carried out. The method of data analysis was thematic content analysis

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Esteban, Jose Miguel, and Elisabeth Motley. "Fragmenting cripistemology: Gap movement and choreographic practice." Choreographic Practices 15, no. 1 (2024): 113–32. http://dx.doi.org/10.1386/chor_00069_1.

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This article attends to the creative process of our choreographic video essay, Mourning Movements (2023). Between the distances of Tkaranto (Toronto) and Lenapehoking (New York City), we explore approaches and methods for choreographic practice through gaps of space, time and differing corporealities. Theorizing our creative collaboration within these gaps, the methodological framework of fragmentation emerges as a network for disjointed choreographic sense-making. Refiguring our ‘gap’ movement as crip choreographic practice, we consider fragmentation as a basis for a choreography that embrace

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Hill, Alan. "Civil intent: Rethinking ‘the political’ in art and photography education." Art, Design & Communication in Higher Education 23, no. 2 (2024): 101–14. http://dx.doi.org/10.1386/adch_00092_1.

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Recent scholarship bringing together photography, visual culture and political theory is unsettling established approaches to understanding photography beyond art-historical frameworks. This article examines the implications and potentials for education practices of this emerging new paradigm by exploring how the civil potential of photography and creative practice might be activated in learning environments. The article reflects on the collective learning arising from a series of educational experiments developed by the Doing Visual Politics network which have sought to connect cultures of so

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Eutsler, Lauren, Leslie Hancock, and Traci H. Pettet. "Twitter as a Professional Learning Network in Teacher Preparation." International Journal of Digital Literacy and Digital Competence 13, no. 1 (2022): 1–16. http://dx.doi.org/10.4018/ijdldc.309101.

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To explore and examine the role of social media as a tool for professional learning within teacher preparation, this qualitative case study examined 73 preservice teachers' observations of literacy teaching on Twitter. Findings indicate that visual posts enhanced teaching strategies and lesson ideas, posts influenced beliefs about teaching and connections to practice, and observations increased enthusiasm toward becoming a teacher. Attention was given to students learning in-action. Reflections emphasize what to teach using a specific strategy or idea. Findings imply that expanding professiona

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Ma, Chuanqi. "Design and Practice of Aerobics Teaching Design Based on Data Fusion Algorithm." Wireless Communications and Mobile Computing 2022 (January 11, 2022): 1–14. http://dx.doi.org/10.1155/2022/1275508.

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Aerobic exercise is a very popular form of exercise. It combines various forms of sports and music. Aerobic exercise improves muscle tone and relaxes the mind and body while burning calories. It is designed to individualize instruction for different audiences. It is an important factor in the applicability of the operation. The purpose of this paper is to build different human models based on sensor network numbers to quantify different movements through the Internet of Things (IoT) to design personalized curriculum design and practice to improve the popularity of creative aerobics curriculum.

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Mitterlechner, Matthias. "Governing integrated care networks through collaborative inquiry." Journal of Health Organization and Management 32, no. 7 (2018): 860–74. http://dx.doi.org/10.1108/jhom-01-2018-0012.

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Purpose The purpose of this paper is to develop a theory of governing in integrated care networks. Asking how and why the governance of these networks emerges and evolves over time, it responds to calls for more innovative thinking in this field. Design/methodology/approach Data result from a rare longitudinal qualitative case study conducted with the Healthcare Centre Lower Engadin, the lead organisation of pioneering health and social care network in a rural Swiss region. Findings Actors governed the network through repetitive sequences of collaborative inquiry, a practice through which they

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Davydova, Tatiana V. "Instagram as a platform for contemporary aesthetic practice." Digital Scholar: Philosopher`s Lab 4, no. 4 (2021): 104–22. https://doi.org/10.32326/2618-9267-2021-4-4-104-122.

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The article examines the scale, features and capabilities of the social network “Instagram” as a platform for contemporary aesthetical practice. The purpose of the article is to consider the “Instagram” tools which can be used for contributing to modern aesthetic practice: from hashtags under the photo to the increasingly popular video format “reels”. The author focuses on photography as an integral form of the content of this social network and demonstrates how a user can express their identity and aesthetic taste with the help of photography. The following examples show how an aesthetic prac

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Sidik, Muhamad Fauzan, Nuning Yanti Damayanti, Intan Rizky Mutiaz, and Banung Grahita. "A Study of Traditional Oil Painters' Artmaking Experiences in Virtual Reality." Jurnal Sosioteknologi 23, no. 3 (2024): 336–46. http://dx.doi.org/10.5614/sostek.itbj.2024.23.3.3.

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Recent technological developments have brought back virtual reality (VR) as a new creative medium. This research investigates how artists with no prior VR experience perceive and employ immersive VR environments to translate their physical world creative concepts into the virtual realm. By bridging the gap between traditional and virtual reality art, this study contributes to a deeper understanding of affordance theory in today’s context. Using a phenomenological approach, data was collected through immersive VR painting sessions, think-aloud protocols, and reflective interviews. Over three se

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Shelginskaia, Victoria A. "DEVELOPMENT OF THE YOUTH CREATIVE POTENTIAL IN THE CONDITIONS OF DIGITALIZATION AND DIGITAL SOCIAL ENVIRONMENT." Society and Security Insights 6, no. 2 (2023): 150–64. http://dx.doi.org/10.14258/ssi(2023)2-10.

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The high importance of mass creative culture and the active digitalization of all spheres of life, combined with social restrictions during the pandemic, are caused changes in society's perception of cultural and social values. These affect the most psychologically flexible social group, the youth, who are equally open to any innovation and dependent on the socio-psychological and cultural environment. The article raises the problem of formation of an artist-person in the period of digitalization from the point of view of the development of creative potential. Based on a systematic approach an

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Spear, Suzanne, and Richard A. Rawson. "Linking Researchers and Practitioners in the Substance Abuse Field: Perspectives of Two “Bridgers”." Journal of Drug Issues 32, no. 3 (2002): 881–92. http://dx.doi.org/10.1177/002204260203200310.

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This article presents a conceptual framework for substance abuse research and practice collaboration based on John-Steiner's (2000) seminal work on characterizing creative collaborative processes in fields such as science, art, music, and literature. Using John-Steiner's core concept of “co-construction of knowledge,” the authors provide examples of informal and formal collaborative methods for “bridging the gap” between substance abuse research and practice. An ongoing collaborative effort in Los Angeles County, California, called “L.A. County Partnerships Network,” is described and important

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Huang, Qiwei. "Converting the Intangible Cultural Heritage into the Economical Value in the Perspective of Creative Economic: A Case Study of "Tantou New Year Prints"." Highlights in Art and Design 5, no. 1 (2024): 17–24. http://dx.doi.org/10.54097/hiaad.v5n1.04.

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Based on the Chinese intangible cultural heritage " Tantou New Year Prints " as the research subject, within the perspective of the "creative economy" in the cultural and creative industries, the basic paths of cultural exploration, focusing on pain points, form translation, and urban regeneration are employed to explore its contemporary value. In the research process, a model is constructed to theoretically innovate and regenerate the "art" of the " Tantou New Year Prints " era. In practice, it hones the "skills" of the era, achieving a mutually reinforcing and winning convergence. Through th

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Reinhardt, Jonathon, and Jieun Ryu. "Using Social Network-Mediated Bridging Activities to Develop Socio-Pragmatic Awareness in Elementary Korean." International Journal of Computer-Assisted Language Learning and Teaching 3, no. 3 (2013): 18–33. http://dx.doi.org/10.4018/ijcallt.2013070102.

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Informed by a bridging activities model (Thorne & Reinhardt, 2008), the authors designed and implemented a series of activities using Facebook to develop elementary level Korean learners’ socio-pragmatic awareness of the use of Korean honorifics. Nine students took part in the activities, which involved student collaboration to create five invented profiles and shared resources, guided analysis of expert/native use, role play activities to practice new socio-grammatical understandings, and analysis of peer production. Based on analysis of student work and post-instructional surveys, the au

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De Sario, Beppe. "‘Precari su Marte’: An Experiment in Activism against Precarity." Feminist Review 87, no. 1 (2007): 21–39. http://dx.doi.org/10.1057/palgrave.fr.9400374.

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This article discusses how the issue of precarity has developed into a new catalyst for activism in Italy and demonstrates how this activism is linked to changes in the employment and capitalist manufacturing environment of the 1980s and 1990s. It links events in Italy to the activism of the global anti-neoliberal movement and discusses how various activist movements (the independent Marxist tradition, creative activism, social activism, Lesbian, Gay, Bisexual and Transgender (LGBT), radical feminist activism) are mobilizing around the issue of precarity. This article focuses specifically on t

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Lockheart, Julia. "Editorial." Journal of Writing in Creative Practice 16, no. 1 (2023): 3–6. http://dx.doi.org/10.1386/jwcp_00066_2.

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This editorial offers a brief overview for our network of current editorial changes in relation to Writing Purposefully in Art and Design (WritingPAD) and its published voice, the Journal of Writing in Creative Practice (JWCP). The writing goes on to provide taster summaries of the articles, so as to present a thematic snapshot of the varied approaches contained in this issue.

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Sames, Lucy A. "The outside is already inside." Journal of Writing in Creative Practice 16, no. 2 (2023): 165–75. http://dx.doi.org/10.1386/jwcp_00050_2.

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This editorial details the contributions to this second Special Issue of Journal of Writing in Creative Practice to emerge from the Ways of Writing in Art and Design (WoW) research network, which sits within the Visual Culture Research Group at the University of the West of England, Bristol (https://vcrg.co.uk/). This second Special Issue is divided into two halves - issues 16.2 and 17.1.

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Johnson, Clare. "Editorial." Journal of Writing in Creative Practice 15, no. 2 (2022): 105–11. http://dx.doi.org/10.1386/jwcp_00032_2.

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This Editorial charts the journey from an initial conversation amongst visual culture colleagues at the University of the West of England to this Special Issue on ‘Ways of Writing in Art and Design’. It describes our intention to imagine forms of writing in/through/ alongside/with creative practice, as opposed to writing ‘about’ it, in the context of visual culture pedagogy. This is the desire to treat the artwork or other type of creative practice as a fellow subject, not an object to be written about. The Editorial explains the process through which we came together as a research network, de

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Iacullo-Bird, Maria T., and Lorraine S. Wallace. "Introduction - Spring 2024." Scholarship and Practice of Undergraduate Research 7, no. 3 (2024): 4–5. http://dx.doi.org/10.18833/spur/7/3/4.

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The themed Spring 2024 issue of Scholarship & Practice of Undergrad Research (SPUR): Global Perspectives and Practices of Undergraduate Research, Scholarship, and Creative Inquiry features content addressing the expansion of student research in an international context. The collection of essays includes three open-access articles that substantively address the history, planning, and outcomes of the World Congresses on Undergraduate Research (WorldCUR) held successively in Qatar, Germany, and the United Kingdom; an article on the development of a European-wide student research network; an a

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Turina, Romana. "Autoethnography and postmemory." Alphaville: Journal of Film and Screen Media, no. 17 (July 1, 2019): 64–79. http://dx.doi.org/10.33178/alpha.17.04.

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Practice as Research (PaR), and Practice-led Research, as studied by Hazel Smith, Roger T. Dean, and Graeme Sullivan, are increasingly being implemented in a wide range of disciplines. In this article, I will report on the methodological trajectory of my creative practice, an autoethnographic work that used film forms as research. The process progressed on three levels of investigation: the narrative, the epistemological, and the ontological. It developed from my personal experience and research in the archive, as a network of references supporting and responding to the needs of producing film

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Eko Fikriando, Ramadhi Ramadhi, Relifra Relifra, et al. "Industri Kreatif Bagi Anak Berkebutuhan Khusus di SLB 1 Payakumbuh." Kegiatan Positif : Jurnal Hasil Karya Pengabdian Masyarakat 2, no. 4 (2024): 192–200. https://doi.org/10.61132/kegiatanpositif.v2i4.1455.

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The creative industry holds significant potential in providing economic opportunities, especially for children with special needs (CSN), who often face limitations in independently utilizing their skills after graduating from school. A community service program at SLB 1 Payakumbuh aims to empower CSN through training in creative skills, managerial reinforcement, and product marketing. Using a practice-based approach, this training includes crafting production, graphic design, and introducing digital marketing platforms. The results indicate an improvement in technical skills and self-confidenc

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Dzhimova, Mariya, and Francisco Tigre Moura. "Calculated Randomness, Control and Creation: Artistic Agency in the Age of Artificial Intelligence." Arts 13, no. 5 (2024): 152. http://dx.doi.org/10.3390/arts13050152.

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The recent emergence of generative AI, particularly prompt-based models, and its embedding in many social domains and practices has revived the notion of co-creation and distributed agency already familiar in art practice and theory. Drawing on Actor-Network Theory (ANT) and its central notion of agency, this article explores the extent to which the collaboration between the artist and AI represents a new form of co-creation and distributed agency. It compares AI art with artistic movements such as Dada, Surrealism, Minimalism and Conceptual Art, which also challenged the notion of the autonom

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Vallis, Owen, Dimitri Diakopoulos, Jordan Hochenbaum, and Ajay Kapur. "Building on the Foundations of Network Music: Exploring interaction contexts and shared robotic instruments." Organised Sound 17, no. 1 (2012): 62–72. http://dx.doi.org/10.1017/s1355771811000525.

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Historically, network music has explored the practice and theory of interconnectivity, utilising the network itself as a creative instrument. The Machine Orchestra (TMO) has extended this historical idea by developing the custom software suite Signal, and creating a shared, social instrument consisting of musical robotics. Signal is a framework for musical synchronisation and data sharing, designed to support the use of musical robotics in an attempt to more fully address ideas of interconnectivity and embodied performance. Signal, in combination with musical robotics, also facilitates the exp

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Kirshin, Boris N. "NETWORK JOURNALISM: PRACTICAL ASPECT." Sign problematic field in mediaeducation 49, no. 3 (2023): 76–80. http://dx.doi.org/10.47475/2070-0695-2023-49-3-76-80.

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The transformation of media and journalism in the digital world needs to be understood not only scientifi cally, but also in practical terms. What roles are there for young journalists in new media? Will there be a place there for all representatives of traditional journalism? These questions from journalism students and current professionals served as the impetus for considering the practice of one of the leading regional media - the Internet portal 74.ru. His publications over the past ten years were studied, in the preparation of which the tools of online journalism identifi ed by media res

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Johan, Ahmad, Zulganef Zulganef, and Sri Astuti Pratminingsih. "The Drivers of Business Performance: Does Sales Force Strategy and Network Capability Matter?" JBTI : Jurnal Bisnis : Teori dan Implementasi 14, no. 1 (2023): 253–66. http://dx.doi.org/10.18196/jbti.v14i1.17019.

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Many factors that SMEs must consider in driving their business to achieve success. This study attempts to identify and analyze the factors that can encourage the business performance of SMEs by considering sales force strategy and network capability. This study also examines the mediating role of network capability in the influence of sales force strategy on business performance. This study used a quantitative approach, with 140 creative SMEs in Bandung, West Java, as the respondents. The data was collected using a survey and further analyzed using regression and path analysis with SPSS 25 sof

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Chung, Peichi. "The Creative Industry of Singapore: Cultural Policy in the Age of Globalisation." Media International Australia 128, no. 1 (2008): 31–45. http://dx.doi.org/10.1177/1329878x0812800105.

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This article examines the development of the creative industry in Singapore in the context of globalisation. In studying the application of a government-based development model that prioritises economic goals in fostering a culture-based creative industry, the article explores the effects on the complex social network when the state is involved in introducing Western globalisation into the local society of Singapore. It discusses the major government initiatives to develop the creative industry and the views of local new media artists towards this policy. The article concludes with the resilie

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Dernini, Sandro. "Transmitting Mediterranean food culture through art: a creative interdisciplinary approach." Public Health Nutrition 9, no. 8A (2006): 1141–43. http://dx.doi.org/10.1017/s136898000766858x.

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AbstractObjectiveAs a qualitative problem solving method, to manage the accelerating phenomenon of overweight and obesity among children and adolescents as well as to promote the Mediterranean Diet and the diversity of the Mediterranean Food Cultures heritage, it is presented a creative interdisciplinary approach through art.DesignTaking into account that young generations are becoming the highest majority of the consumer population in the Southern and Eastern Mediterranean countries, it is reported the artist practice and the creative community-based interdisciplinary experience of Plexus Int

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Klementyev, A. A. "MEMORIALIZATION OF THE CREATIVE HERITAGE OF THE UDMURT WRITER AND JOURNALIST NIKOLAI VASILIEV IN THE MODERN SOCIO-CULTURAL SPACE." Historical and cultural heritage 15, no. 1 (2025): 101–9. https://doi.org/10.62669/30342139.2025.1.12.

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The article examines the problem of memorialization and the history of perpetuating the memory of the Udmurt writer and journalist N. V. Vasiliev. The article presents the practices of preserving, studying and popularizing the creative heritage of a fellow countryman of MPEI Muvazhinskaya secondary school of Alnashsky district: organizing and holding an interregional scientific and practical conference “Vasilievsky Readings”, creating an exhibition “The Life and Creative Work of Nikolai Vasiliev” in the museum of local lore of Muvazhinskaya secondary school and a virtual museum, publishing boo

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Wermann, Yannick, Matyáš Erban, Ognjen Vučković, Luca Manca, Lenka Fábryová, and Kasperi Riihimäki. "Report from the 2024 Screenwriting Research Network Conference." Journal of Screenwriting 16, no. 1 (2025): 107–15. https://doi.org/10.1386/josc_00171_7.

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The 16th Screenwriting Research Network (SRN) Conference hosted a student programme that brought together film school and film studies students from Austria, Finland, Slovakia, Slovenia and the Czech Republic. This report summarizes the insights and experiences shared by these students as they engaged with the conference’s diverse discussions on screenwriting and filmmaking. The students examined how the conference’s blend of theoretical and practical approaches reshaped their understanding of screenwriting and its relevance to their careers. They focus on themes such as the relationship betwe

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Dzvonik, Veronika. "Vkontakte Social Network as a Tool of Professional Skills Development in University Students (the example of the educational standard Journalism)." Virtual Communication and Social Networks 2022, no. 3 (2022): 114–17. http://dx.doi.org/10.21603/2782-4799-2022-1-3-114-117.

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The article considers social networks as a platform for online learning as in case of experimental television programs made by Kemerovo State University students of Journalism. Social networks provide a gaming environment for the academic process. Pedagogical theory and practice lack tools for assessing the impact of social networks on the formation of professional competencies in university students. They create content for online programs in professional television editorial offices under realistic conditions. This experience motivates them and develops their professional skills. Social netw

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Silcheva, Alina G., Anna V. Lamzina, and Tatiana L. Pavlova. "Specifics of using text and graphical chatbots with artificial intelligence in English language teaching." Perspectives of Science and Education 64, no. 4 (2023): 621–35. http://dx.doi.org/10.32744/pse.2023.4.38.

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Introduction. The current development of mobile applications, including the introduction of chatbots using artificial intelligence, further expands the possibilities of the teaching process, its personalization, and the development of an individual educational trajectory. Using the chatbots ChatGPT and Midjourney will make it possible to practice English language skills at one’s own speed, simulating communication with a native speaker, as well as practice the formulation of clear commands for an algorithmized executor. The aim of this paper is to describe the specifics of using chatbots in th

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Virta, Sari, and Gregory Ferrell Lowe. "Integrating media clusters and value networks: Insights for management theory and research from a case study of Mediapolis in Finland." Journal of Management & Organization 23, no. 1 (2016): 2–21. http://dx.doi.org/10.1017/jmo.2016.56.

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AbstractWe argue that there is scholarly potential in linking theory on industry clusters with theory on value networks. To date, these two theoretical streams have developed largely in parallel, limiting understanding of how the two are integrated in practice. By considering these theories in combination and the unique context of creative industries, we generate insight on the management of clusters as value networks. Our ongoing longitudinal empirical case is a new media cluster called ‘Mediapolis’ in the city of Tampere, Finland. The case study commenced at the time the cluster was in the p

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Xiao, Jiaxin. "Aesthetics of Women: A Visual Rhetoric Study to Short Videos about Beauty & Makeup." Advances in Education, Humanities and Social Science Research 4, no. 1 (2023): 248. http://dx.doi.org/10.56028/aehssr.4.1.248.2023.

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With the diffusion of digital intermediary platforms in the media space, platform technology has brought revolutionary changes to cultural and creative content, which has spawned new categories of creative workers, such as online celebrities. Such creative workers who rely on mental, spiritual, and emotional labor as the core in cyberspace have realized the labor upgrading from "digital odd jobs" to "digital spiritual jobs". Then it is worth pondering over how platform capital will achieve ideological control of digital flexible labor through hidden labor control. At present, there are a lot o

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Nabila Shabiriani, Uzda, Muhammad Khirzan Ulinnuha, Satrya Dirgantara, and Daniella Oktalina Manalu. "EMPOWERING FUTURE CREATIVES: A COMMUNITY ENGAGEMENT PROGRAM ON ILLUSTRATION IN THE INDUSTRY FOR QUALITY EDUCATION." SEEIJ (Social Economics and Ecology International Journal) 9, no. 1 (2025): 1–7. https://doi.org/10.21512/seeij.v9i1.12213.

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To the increased need for illustrators in the creative sector, Community Engagement Program on Illustration in The Industry for Quality Education came up with the Empowering Future Creatives program. It impacted 39 emerging creatives and tertiary learners to continue studying about illustration using webinars, seminars, and collaboration spaces that used experiential learning. The students were also able to experience significant parts of professional illustration, including the ideation process, storytelling, and business involved in the career. The students were also directly exposed to indu

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Markova, Lora, and Roger Shannon. "Leonora Carrington on and off Screen: Intertextual and Intermedial Connections between the Artist’s Creative Practice and the Medium of Film." Arts 8, no. 1 (2019): 11. http://dx.doi.org/10.3390/arts8010011.

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This article explores the under-researched intertextual and intermedial connections between Leonora Carrington’s transdisciplinary practice and the medium of film. The analysis focuses on the artist’s cameo appearances in two 1960s Mexican productions—There Are No Thieves in This Village (Alberto Isaac 1964) and A Pure Soul (Juan Ibáñez 1965)—which mark her creative collaborations with Surrealist filmmaker Luis Buñuel and Magic Realists Gabriel García Márquez and Carlos Fuentes. Carrington’s cameo roles are analyzed within a network of intertextual translations between her visual and literary

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Hufiah, Atika, Afandi Afandi, and Eko Sri Wahyuni. "ANALISIS BIBLIOMETRIK DOMAIN KETERAMPILAN BERPIKIR TINGKAT TINGGI DALAM PENDIDIKAN ABAD 21 MENGGUNAKAN VOSVIEWER." JS (JURNAL SEKOLAH) 6, no. 1 (2021): 1. http://dx.doi.org/10.24114/js.v6i1.29841.

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Abstract : Bibliometric Analysis of Higher Order Thinking Skills (HOTS) Domain in 21st Century Education Using Vosviewer.This study aims to determine the development of research on the domain of higher order thinking skills in Scopus indexed journals or proceedings from 2010-2020. Data collection is done using the Publish or Perish application with the keywords critical thinking, creative thinking, and problem solving. Microsoft Excel was used to analyze the development of the number of publications, author productivity, and top articles cited by Microsoft Excel, while to analyze the relations

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Sun, YuanHong. "Design and Purchase Intention Analysis of Cultural and Creative Goods Based on Deep Learning Neural Networks." Computational Intelligence and Neuroscience 2022 (August 29, 2022): 1–7. http://dx.doi.org/10.1155/2022/3234375.

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With the rise of cultural and creative industries, cultural creativity has gradually become an important factor to promote the value of design in the future, and it is also a trend to integrate “cultural elements” into the design of products. At present, the cultural and creative industries in Western countries and Taiwan are the mainstay of their economic development. We should actively absorb their successful experiences and, with the support of national policies, carry out effective and lasting development of them, as well as continuously improve the quality of cultural and creative product

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Коваль, Е., E. Koval', А. Монина, and A. Monina. "Analysis of the Development of Network Forms of Organization of Project Training in the Interaction of Organizations of General and Vocational Education." Scientific Research and Development. Socio-Humanitarian Research and Technology 7, no. 3 (2018): 3–7. http://dx.doi.org/10.12737/article_5ba3928a9a8c66.58882970.

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The authors consider one of the most important tasks of modernization, both general and secondary vocational education, namely the comprehensive development of project forms of education in the framework of network forms of interaction of organizations of General and vocational education. The purpose of the network project training is to create conditions for self-motivated acquisition of missing knowledge by students from different sources; training skills of using the acquired knowledge to solve real cognitive and practical problems; acquisition of communication skills, work in groups; devel

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Zhestkova, Elena, Dmitriy Gusev, Natalya Kudakova, Elvira Maklaeva, Svetlana Fedorova, and Liudmila Filippova. "SOCIAL NETWORKS AS A COMPONENT OF EDUCATIONAL AREA OF THE HIGH SCHOOL." ENVIRONMENT. TECHNOLOGIES. RESOURCES. Proceedings of the International Scientific and Practical Conference 2 (June 20, 2019): 253. http://dx.doi.org/10.17770/etr2019vol2.4092.

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Currently, there is an active process of expanding the educational space, including the higher education of the Russian Federation, at the expense of informatization. Informatization of educational area of higher education is impossible without using web-technologies and, such as social networks. The authors of the article suggest social networks to be understood as a working version of an “interactive multi-user website that implements a network social structure consisting of a group of nodes — social objects (groups of people, communities) and links between them (social relationships), on th

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Barratt-Peacock, Ruth, and Sophia Staite. "Nostalgic transmediation: A not-so-final fantasy? Ichigo’s Sheet Music online platform as an object network of creative practice." Australasian Journal of Popular Culture 9, no. 2 (2020): 179–93. http://dx.doi.org/10.1386/ajpc_00026_1.

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Using the music of the Final Fantasy game series as our case study, we follow the music through processes of transmediation in two very different contexts: the Netflix series Dad of Light and music transcription forum Ichigo’s Sheet Music. We argue that these examples reveal transmediation acting as a process of ‘emptying’, allowing the music to carry its nostalgic cargo of affect into new relationships and contexts. This study’s theoretical combination of transmediation with Bainbridge’s object networks of social practice frame challenges normative definitions of nostalgia. The phenomenon of

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Petkovic, Dusan. "Notes from Notes on Blindness: The challenges of the in-house1 film production model in independent cinema." Scene 6, no. 2 (2018): 121–31. http://dx.doi.org/10.1386/scene_00013_1.

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This article, derived from a larger ethnographic research created around the production of the award-winning independent film Notes on Blindness (2016) and conducted by a researcher active as a film professional, explores the deeper consequences of choosing to pursue a production ‘in-house’. Through participant observation, Actor-Network Theory and negotiation between film practice and research, the researcher finds independent filmmakers caught between the opposing trends of high-end industry and the digital economies. The organization forms observed in this article stand opposite to the prev

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Kovacek, Daniel, and Steven Weijs. "BCUB – a large-sample ungauged basin attribute dataset for British Columbia, Canada." Earth System Science Data 17, no. 1 (2025): 259–75. https://doi.org/10.5194/essd-17-259-2025.

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Abstract. The British Columbia Ungauged Basin (BCUB) dataset is an open-source, extensible dataset of attributes describing terrain, soil, land cover, and climate indices of over 1.2 million ungauged catchments in British Columbia, Canada, including trans-boundary regions. The attributes included in the dataset are similar to those found in the large-sample hydrology literature for their association with hydrological processes. The BCUB database is intended to support water resources research and practice, namely monitoring network analysis studies, or hydrological modelling where basin charac

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Overton, Julie, Jon Pynoos, Emily Nabors, et al. "Advancing State and Local Home Modification Practice and Policy: Findings From Aging Network Surveys." Innovation in Aging 5, Supplement_1 (2021): 488. http://dx.doi.org/10.1093/geroni/igab046.1885.

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Abstract Home modification (HM) can promote older adults’ functioning as their needs change, reduce fall risks, and support caregivers. A supportive home environment is increasingly important as homes become healthcare delivery sites for home and community-based services (HCBS). HM is funded and administered by disparate agencies, often hindering access to HM services for at-risk older adults who need them the most. The Aging Network (State Units on Aging (SUAs), Area Agencies on Aging (AAAs), and Title VI organizations serving Native American older adults) plays an important but not well unde

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