Academic literature on the topic 'Praise poem'

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Journal articles on the topic "Praise poem"

1

Maddock, Lelys. "Praise poem… in praise of an accountant." Accounting, Auditing & Accountability Journal 32, no. 4 (2019): 1207–8. http://dx.doi.org/10.1108/aaaj-05-2019-045.

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2

Moses, croc E. "Praise Poem for Amahle." Agenda 25, no. 3 (2011): 96–97. http://dx.doi.org/10.1080/10130950.2011.610996.

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3

Henderson, W. J. "Die antieke Griekse lofgedig." Literator 17, no. 1 (1996): 153–68. http://dx.doi.org/10.4102/lit.v17i1.592.

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Ancient Greek praise poems Arguing from both the surviving texts themselves and from ancient theorists, the present article deals with early Greek lyric poems in praise of human beings. This type of lyric falls under the more “secular types” of ancient Greek lyric, in the sense that they were addressed, not to a divine being, but to a human being. The context or space of such “secular” lyric performance includes, not only the public gathering of officials and the populace, but also the private and intimate circle of individuals with shared interests. Both choral odes and solo-lyrics are theref
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4

Dwyer, Jaclyn. "Praise Poem for American Girls." Ploughshares 39, no. 1 (2013): 39–40. http://dx.doi.org/10.1353/plo.2013.0011.

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5

Kabir, Saleh Muhammad, Zakir Alhaj Shariff та Muhammad Tukur Abdullahi. "Zajal al-Asīr fī Madḥ al-Shaykh Usman Al-Bashir, Qaṣīdah Nūnīyah li-Musa Kalim Al-Qali: Dirāsah Taḥlīlīyah Adabīyah". Al-Ma‘rifah 18, № 1 (2021): 97–108. http://dx.doi.org/10.21009/almakrifah.18.01.09.

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This study aims to study the life of the poet Musa Kalim Al-Qali and his eulogy poem. The method used in this study is the descriptive-analytical approach, where the researchers read the selected poem and then follow it with study and analysis. The poem chosen was Zajal al-Asīr which contains his praise to Sheikh Usman Al-Bashir. The results of this study indicate that (1) the beginning of the poem (maṭla‘ al-qaṣīdah) invites the reader to follow what he will say about the praised Sheikh; (2) good disposal (ḥusn al-takhalluṣ) of the poem, the poet proceeded directly with the topic, noting that
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6

Collison, David J. "In praise of the refereed poem." Critical Perspectives on Accounting 9, no. 3 (1998): 386. http://dx.doi.org/10.1006/cpac.1996.0235.

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7

Vayntrub, Jacqueline. "Beauty, Wisdom, and Handiwork in Proverbs 31:10–31." Harvard Theological Review 113, no. 1 (2019): 45–62. http://dx.doi.org/10.1017/s0017816019000348.

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AbstractThe book of Proverbs concludes with an alphabetic acrostic that describes and praises its feminine subject (Prov 31:10–31). The poem’s praise closes with a generalized critique of beauty, its deceptiveness and short-lived nature (v. 30). What function does this critique of beauty serve in light of the praise of the woman and her deeds? How do the poem and, specifically, this critique of beauty function in the broader organization of the book of Proverbs? This study argues that the poem rejects innate beauty in favor of acquired wisdom, a message that can be found elsewhere in Proverbs.
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8

İsmailova, E. "PRAISE OF HUMAN FEELINGS IN M.SHAHRIYAR'S POEM “SAHANDIYA”." East European Scientific Journal 3, no. 5(69) (2021): 37–40. http://dx.doi.org/10.31618/essa.2782-1994.2021.3.69.60.

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There is nothing that can affect the spirit and national consciousness of the people as an artistic word. Glorification, propagation and transmission of human feelings from generation to generation is the highest task of the art of speech and literature. In this sense, there is a greater task and responsibility before genius masters of a word. In keeping the people alive, instilling human feelings, and glorifying the highest human feelings such as patriotism, heroism, and bravery, the poets held a leading position in all periods of society. The works of the poet Mohammad Hussein Shahriyar (190
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9

Földi, Zsombor J., and Gábor Zólyomi. "A Praise Poem of Warad-Sîn, King of Larsa, to Nippur." Altorientalische Forschungen 47, no. 1 (2020): 57–66. http://dx.doi.org/10.1515/aofo-2020-0004.

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AbstractThis paper publishes a praise poem of Warad-Sîn, king of Larsa. The manuscript, a one-column tablet, comes from a private collection and is unprovenanced. The text might be an excerpt from a longer composition. Its 20 lines long text praises first Nippur, the city of Enlil, then Warad-Sîn speaks in the first person about the commission given to him by Enlil, about his deeds to the city, and about their permanence. The author of this text appears to be familiar both with the literary corpus and the royal inscriptions of the early Old Babylonian period.
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10

Kuzner, James. "George Herbert’s “The Flower” and the Problem of Praise." Modern Language Quarterly 82, no. 1 (2021): 27–53. http://dx.doi.org/10.1215/00267929-8742413.

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AbstractThis essay dwells on George Herbert’s “The Flower” and on how its speaker can love and praise God. Writing of praise and doubt, Stanley Cavell remarks that the problem of skepticism is partly a problem of finding an object that one can praise, a search that certainly occurs in “The Flower.” While Herbert’s speaker seeks God as that object, his own memory impedes him, making him question God’s goodness and forcing him not only to abandon forms of remembering that Herbert’s sources—from psalmists to theologians—employ so as to rise to praise, but also to use form in order to forget. The
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