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Relevant bibliographies by topics / Praise – Poetry

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Dissertations / Theses
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Academic literature on the topic 'Praise – Poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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Journal articles on the topic "Praise – Poetry"

1

Maimane, K. C., and N. Mathonsi. "“TO BE OR NOT TO BE, THAT IS THE QUESTION”: THE CASE OF LITHOKO VS PRAISE POETRY." Southern African Journal for Folklore Studies 26, no. 2 (2017): 12–23. http://dx.doi.org/10.25159/1016-8427/1890.

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For a long time, lithoko have been understood and so referred to as not just poetry but praise poetry. This is evidenced in some of the classical lithoko analysts such as Damane and Sanders (1974), and Kunene (1971) in their texts: Lithoko sotho Praise poems and Heroic Poetry of the Basotho respectively. The same perception still prevails in the eyes and minds of many modern and oral literature analysts even today. Hence the question this paper poses: whether lithoko are to be or not to be perceived as praise poetry. This paper therefore sets out to pursue this critical question regarding lith

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Nigliazzo, Stacy R. "Praise For Poetry." AJN, American Journal of Nursing 111, no. 1 (2011): 12. http://dx.doi.org/10.1097/01.naj.0000393039.16042.40.

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Ramsay, William Everett. "Against Stanley Fish on Ben Jonson and the Community of the Same." Ben Jonson Journal 24, no. 1 (2017): 117–40. http://dx.doi.org/10.3366/bjj.2017.0182.

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In his classic essay “Authors-Readers: Ben Jonson and the Community of the Same,” Stanley Fish argues, primarily on the basis of a series of close readings, that (1) Jonson's poetry of praise hints at a community in which everyone is the same; (2) Jonson's poetry of praise is nonrepresentational, while his poetry of blame is representational; (3) Jonson's poems of praise and the members of the community mentioned in them are largely interchangeable; and (4) Jonson writes nonrepresentational poetry of praise in which everyone is the same in order to maintain his independence in a patronage soci

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Hazrat, Florence. "In Praise of Useless Poetry." Cambridge Quarterly 48, no. 2 (2019): 171–80. http://dx.doi.org/10.1093/camqtly/bfy038.

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Sedakova, Olga, Stephanie Sandler, and Caroline Clark. "Supplication | In Praise of Poetry." Prairie Schooner 88, no. 4 (2014): 51–52. http://dx.doi.org/10.1353/psg.2014.0144.

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Draskic-Vicanovic, Iva. "Psychagogic art theory." Theoria, Beograd 55, no. 2 (2012): 107–17. http://dx.doi.org/10.2298/theo1202107d.

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The text represents a specific approach to Gorgias' Praise to Helen. Instead of considering it as a cradle of art theory of illusion (apate) or some kind of rhetoric acrobatic feat in which Gorgia praises the blameworthy, author considers Praise to Helen as first aesthetic text in European philosophy in which fine arts and poetry had been connected by means of one notion - notion of psychagogia, and looks upon it as a foundation of art theory that could be denoted as theory of psychagogia.

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Kibigo, Mary Lukamika. "Language, History, Ideology and Power Relations Used in Bullfighting Praise Poetry: A Case Study of Kakamega County, Kenya." East African Journal of Arts and Social Sciences 2, no. 1 (2020): 171–82. http://dx.doi.org/10.37284/eajass.2.1.234.

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Language is a people’s culture and it cannot be discussed singly without associating it to a certain community. The concept of bullfighting in the Isukha Community, Shinyalu Sub- County of Kakamega County in Kenya has a long history as it involves chanting of words that portray masculinity in this community. The Isukha praise poetry that is chanted during the Shilembe ritual and the indigenous sport of Mayo is one of the ways in which masculinity is portrayed during bullfighting. In this praise poetry, language, history, ideology and power relations are portrayed by the artists. This article h

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Ojaide, Tanure, and Ode Ogede. "Art, Society, and Performance: Igede Praise Poetry." World Literature Today 73, no. 1 (1999): 199. http://dx.doi.org/10.2307/40154639.

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Olson, Glending. "The Poetry of Praise (review)." JEGP, Journal of English and Germanic Philology 108, no. 3 (2009): 401–3. http://dx.doi.org/10.1353/egp.0.0047.

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Zimmerman, E. "Swift's Scatological Poetry A Praise of Folly." Modern Language Quarterly 48, no. 2 (1987): 124–44. http://dx.doi.org/10.1215/00267929-48-2-124.

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Dissertations / Theses on the topic "Praise – Poetry"

1

Schoales, Elizabeth. "Praise and propaganda : prophetic poetry in Wales." Thesis, University of Wales Trinity Saint David, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683199.

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Waling, Amanda. "Vicious praise : flatery in late medieval english politiics and poetry /." May be available electronically:, 2007. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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Meister, Felix Johannes. "Momentary immortality : Greek praise poetry and the rhetoric of the extraordinary." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:2a2e9801-b29e-485f-bb1d-2eda190de8e1.

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This thesis takes as its starting point current views on the relationship between man and god in Archaic and Classical Greek literature, according to which mortality and immortality are primarily temporal concepts and, therefore, mutually exclusive. This thesis aims to show that this mutual exclusivity between mortality and immortality is emphasised only in certain poetic genres, while others, namely those centred on extraordinary achievements or exceptional moments in the life of a mortal, can reduce the temporal notion of immortality and emphasise instead the happiness, success, and undistur

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Salifu, Abdulai. "Names that prick : royal praise names in Dagbon, northern Ghana /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3344619.

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Thesis (Ph.D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2008.<br>Title from PDF t.p. (viewed on Oct. 6, 2009). Source: Dissertation Abstracts International, Volume: 70-02, Section: A, page: 0649. Advisers: John H. McDowell; Hasan M. El-Shamy.

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Nkatingi, R. O. "Nxopoxopo wa switlhokovetselo leswi ndhunduzelaka vavasati eka xitsonga." Thesis, University of Limpopo, 2014. http://hdl.handle.net/10386/1415.

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Tomba, Diogo Amevi Christine Cerena. "Étude d'un genre de la littérature orale : la devise (kûmbù) chez les Punu du Gabon." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015INAL0022/document.

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Cette recherche est axée sur la langue et la littérature orale des Punu du sud du Gabon. Elle explore le champ littéraire punu et plus particulièrement la devise qui n’a que très rarement été étudiée. Définie comme une formule de louange que l’individu déclame pour s’identifier, elle lui permet de se distinguer et d’exprimer sa vision du monde. Cette thèse se divise en cinq chapitres et dresse un essai théorique sur ce genre dans la société. En prenant la notion de performance comme critère définitoire, elle met en évidence les propriétés discursives ainsi que les fonctions de la devise. A cel

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Mutiso, Kineene Wa. "Kasida ya Hamziyyah (part 1)." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-98128.

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Kasida ya Hamziyyah, yumkini, ndiyo tafsiri ya Kiswahili ya zamani zaidi. Kiswahili kilichotumiwa katika ukawafi huu kimechakaa sana hata maneno mengine hayatumiki tena. Hii ni kasida ambayo ni maarufu sana katika ulimwengu wa fasihi na dini ya Kiislamu na Waswahili huikariri wakati wa sherehe za Maulidi ya Nabii Muhammadi au wanapocheza Twari la Ndiya. Kasida hii ya Hamziyah pia hujulikana kama Chuo cha Hamziyah au Utenzi wa Hamziyah. Kasida ya Hamziyyah ilitafsiriwa kutoka kwa Kiarabu na Sayyid Aidarus bin Athumani bin Sheikh Abubakar bin Salim hapo mwaka wa 1652b. Pamoja na kuinukuu kwa hat

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Ayabé, Mami. "Francis Ponge : un atelier pratique du "moviment"." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100102/document.

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Resitué dans le contexte original, L’Écrit Beaubourg, le mot «moviment » s’avère emblématique des pratiques poétiques de Ponge. ll incarne en un seul mot deux éléments fondamentaux 1 le jeu de décalage et de rapprochement des choses différentes, et la matérialité du moyen d’expression. Sous le principe de l’éloge paradoxal, ces caractéristiques permettent la synthèse textuelle des éléments contradictoires, notamment le temps et l’espace, l’abstrait et le concret. Ajouté à cette animation intellectuelle, les textes se meuvent dans leur composition comme un corps organique, en tant que composant

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Jadezweni, Mhlobo. "Two Xhosa Praise Poets in Performance: The Dawn of a New Era." Universität Leipzig, 1999. https://ul.qucosa.de/id/qucosa%3A33560.

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The dynamic element of Xhosa oral poetry has clearly changed and is continuing to change with changes in the Nguni society. The aim of this paper is to investigate the changes that have intruded into Xhosa praise poetry during 1990s.

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Ben, Mansour Mohamed. "Le poète et le Prince : couleurs de l'éloge et du blâme à l'époque abbasside (750 - 965)." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSEN086.

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En partant de l’une des périodes les plus riches dans l’histoire de l’Islam en termes de créativité et de production poétiques, notre projet vise à mettre au jour les formes qu’a revêtues le rapport entre le poète et le Prince. Pour élucider ce rapport aussi complexe que protéiforme, nous ferons appel à un corpus riche et varié, et on tentera alors d’examiner la question de l’éloge et du blâme à travers trois prismes : la rhétorique, l’éthique et la politique. Le discours encomiastique mobilise la rhétorique afin d’emporter l’adhésion d’un auditoire sur une matière qui n’est pas encore établie

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Books on the topic "Praise – Poetry"

1

Ilorin praise poetry. Bookcraft, 2011.

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2

Burrow, J. A. The poetry of praise. Cambridge University Press, 2008.

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Dead men's praise. Grove Press, 1999.

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In praise: Poems. Lost Horse Press, 2009.

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Amorosi, Ray. In praise: Poems. Lost Horse Press, 2009.

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6

In praise of falling. University of Pittsburgh Press, 2009.

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7

Little lips shall praise Thee. Harvest House Publishers, 1986.

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8

Levin, Donald. In praise of old photographs. Little Poem Press, 2005.

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Fitzmaurice, Gabriel. In praise of football. Mercier Press, 2009.

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10

Tom, Humphries, ed. In praise of football. Mercier Press, 2009.

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Book chapters on the topic "Praise – Poetry"

1

Adu-Amankwah, David. "Oratory and Rhetoric: Praise Poetry." In The Palgrave Handbook of African Oral Traditions and Folklore. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-55517-7_15.

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Loxley, James. "‘Cum Priuilegio: For the KING’: A Caroline Poetry of Praise." In Royalism and Poetry in the English Civil Wars. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230389199_2.

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Adeniji-Neill, Dolapo. "I Will Chant Homage to the Orisa: Oriki (Praise Poetry) and the Yoruba Worldview." In Indigenous Concepts of Education. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137382184_13.

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Zacher, Samantha. "Multilingualism at the Court of King Æthelstan: Latin Praise Poetry and The Battle of Brunanburh." In Studies in the Early Middle Ages. Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.sem-eb.4.8005.

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Oyěwùmí, Oyèrónkẹ́. "The Poetry of Weeping Brides: The Role and Impact of Marriage Residence in The Making of Praise Names." In What Gender is Motherhood? Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137521255_8.

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Alessandra, Benedicty-Kokken. "Italy, Somalia, and the Black Mediterranean, or reading Igiaba Scego's Adua alongside Bâ, Mbembe, Waberi, and Somali praise poetry." In Transnational Africana Women's Fictions. Routledge, 2021. http://dx.doi.org/10.4324/9781003177272-14.

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Keniston, Ann. "Trying to Praise the Mutilated World." In A Companion to Poetic Genre. John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781444344318.ch5.

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Jones, Kevin M. "Double-Edged Praise." In The Dangers of Poetry. Stanford University Press, 2020. http://dx.doi.org/10.11126/stanford/9781503613393.003.0004.

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This chapter explores the patronage relationships between poets and political elites through the evolution of the panegyric in the colonial state. It looks at how the Hashemite state subsidized popular poets in order to cultivate their own political legitimacy and how dissident poets challenged the state through creative public performances. It argues that modern protest poetry emerged from the dissident panegyric, which became subversive when poets praised political elites for their commitment to policies that those elites could not or would not actually support. The chapter also shows how poetic engagement with social issues like women’s education and veiling shaped popular opinion and contributed to growing social cleavages between generations and how patronage rivalries contributed to new sectarian tensions in Iraqi political life.

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Oldham, John. "In Praise of Poetry." In The Poems of John Oldham, edited by Harold F. Brooks and Raman Selden. Oxford University Press, 1987. http://dx.doi.org/10.1093/oseo/instance.00024906.

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"Afar praise poetry: orowwaḥ." In Voice and Power. Routledge, 2005. http://dx.doi.org/10.4324/9780203985397-25.

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Conference papers on the topic "Praise – Poetry"

1

Grominová, Andrea. "Может ли стать метареалистский текст привлекательным для студентов вуза?" У Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.6.

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The poetry of metarealism is considered the poetry of the complexity of perception, interpretation, understanding, not only for students, but also for the researchers and literary critics themselves. The rich use of metametaphors, or the metabol, and their sequential accumulation makes it difficult to decode individual images and the meaning of the whole poem. Poetic texts of this kind, in addition, require their readers to have a general outlook on knowledge of history, culture, literature, technology, etc. Deciphering the meaning often resembles solving crosswords. To motivate university stu

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Sonntag, Inna. "Любовная лирика как предмет коммуникативного анализа". У Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.19.

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The article considers the specifics of love lyrics from the point of view of rhetorical positions: the features of appropriate speech analysis of love poetry, as well as the genre repertoire (external and internal) of love poems are characterized.

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