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1

Renault, Mary. The praise singer. Arrow, 2004.

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Renault, Mary. The praise singer. Vintage Books, 1988.

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Renault, Mary. The praise singer. Penguin, 1990.

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Meunier, Pierre Eugène. The praise singer: A comedy. Space 2000 Pace Publishers, 1992.

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(Firme), Beauchemin, ed. Les singes. Beauchemin, 2004.

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Bennett, Angie. Narcissistic praise-junkies. CreateSpace], 2012.

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Schulz, Dorothea Elisabeth. Perpetuating the politics of praise: Jeli singers, radios, and political mediation in Mali. R. Köppe, 2001.

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Schulz, Dorothea Elisabeth. Perpetuating the politics of praise: Jeli singers, radios, and political mediation in Mali. Köppe, 2001.

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9

In praise of messy lives: Essays. The Dial Press, 2012.

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Kielanowski, Matthew. Irena Renata Anders w prasie i na scenie. Pro-Vision Publishing, 2012.

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In praise of single parents: Mothers and fathers embracing the challenge. Houghton Mifflin, 1994.

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12

Performing operas for Mozart: Impresarios, singers and troupes. Cambridge University Press, 2011.

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13

Golz-Goldlust, Marianne. Ich war glücklich bis zur letzten Stunde: Marianne Golz-Goldlust 1895-1943. Berliner Taschenbuch Verlag, 2004.

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Publishing, RH Value. Praise Singer. Random House Value Publishing, 1988.

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15

Renault, Mary. The Praise Singer. Vintage, 2003.

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16

Sutton, Charyn. Grio the Praise Singer. Enteracom, 1992.

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17

Grio the Praise Singer (Grio). Enteracom, Incorporated, 1989.

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18

Renault, Mary. Praise Singer: A Virago Modern Classic. Little, Brown Book Group Limited, 2015.

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19

Martyn, David. The Praise Singer: A Disciple of Melchizedek. Covenant Books, 2018.

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Grio "The Praise Singer": The 1987 Chronicle of Afro-American Heritage (Grio). Enteracom, Incorporated, 1988.

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21

Hal Leonard Publishing Corporation (COR). The Praise and Worship Fake Book: An Essential Tool for Worship Leaders, Praise Bands and Singers! Hal Leonard Corporation, 2004.

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22

Blum, Reinhard, and Johannes Steiner, eds. Klavierpraxis und Selbstbegleitetes Singen. Waxmann Verlag GmbH, 2020. http://dx.doi.org/10.31244/9783830992691.

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Schulpraktisches Klavierspiel und Selbstbegleitetes Singen sind für einen lebendigen Musikunterricht von zentraler Bedeutung. Lange als Zusatz in traditionellen Ausbildungscurricula positioniert, wird diesem Bereich zunehmend mehr Gewicht und Bedeutung im fachlichen und didaktischen Diskurs zugemessen. In diesem Band werden Aspekte des künstlerisch-performativen Potenzials sowie innovative Zugänge zum Schulpraktischen Klavierspiel und Selbstbegleiteten Singen behandelt. Das Spektrum der Beiträge reicht von spezifischen klavier(praxis)bezogenen Konzepten über schulmusikalisch relevante Frageste
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23

Praise Blue Skies. Instantpublisher.com, 2003.

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Poet, Breeze ILifeThis The, and Mr Frederick S Eberhardt Jr. Amerikkkan History X-The Miseducation of... /The Praise Dance of a Sinner. CreateSpace Independent Publishing Platform, 2018.

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In Praise of Messy Lives. Canongate Books, 2013.

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Gama, Cristina, and Manuel Francisco Pereira. As praias de Sines e o seu legado geológico. Imprensa Universidade de Évora, 2021. http://dx.doi.org/10.24902/uevora.23.

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Esta monografia pretende ser um instrumento formativo complementar de actividades de campo a desenvolver no litoral de Sines no âmbito da Geologia. As praias adjacentes ao Cabo de Sines são essencialmente constituídas por areias cujas características reflectem as suas fontes sedimentares e as variações da magnitude do transporte sedimentar transversal e longitudinal. Este transporte é condicionado principalmente pela energia das ondas que é dissipada na praia emersa e submarina, traduzindo-se na variação morfológica sazonal do perfil de praia emersa e na granulometria da areia. A areia das pra
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27

Woodfield, Ian. Performing Operas for Mozart: Impresarios, Singers and Troupes. Cambridge University Press, 2017.

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28

Jon, Wilson, and Ridley Kimberley, eds. Signs of hope: In praise of ordinary heroes, selections from Hope magazine. Pushcart Press, 2000.

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29

Ingalls, Monique M. Bringing Worship to the Streets. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190499631.003.0005.

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Chapter 4 examines what happens when congregational music “goes public” through the lens of the praise march, a public procession in which evangelical Christians sing contemporary worship songs in the streets of their cities. It examines two consecutive praise marches in Toronto—the March for Jesus and the Jesus in the City Parade—as public congregations whose participants use contemporary worship music to engage in spiritual warfare, to imagine and embody the global evangelical community while creating new intimacies, and to unify area Christians across ethnic, national, and denominational di
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Bennett, Jana Marguerite. Loneliness: The Character of a Single Life? Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190462628.003.0001.

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The author broadly defines singleness as including never-married, people in casual relationships as well as committed unmarried relationships, same-sex attracted and unattached people, widowed, divorced, and single parents; these are also called “states of singleness.” Singleness is usually identified with loneliness, having no sex, and having no romantic relationships. Focusing on any one of those identifications should be troubling for Christians, though, especially since Christian tradition has often praised and privileged single life. Loneliness is not the one central characteristic that s
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van Es, Bart. 5. Character. Oxford University Press, 2016. http://dx.doi.org/10.1093/actrade/9780198723356.003.0006.

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In his 1927 study, Aspects of the Novel, E.M. Forster divided characters into two categories: ‘flat’ and ‘round’. Shakespeare’s ability to create distinct, memorable characters has long been singled out for praise. Shakespeare’s most memorable creations—such as Bottom, Falstaff, and Malvolio—tend to have a complicating element of sadness, which can knock comedy off course: there is always an element of unease. How does Shakespeare combine complexity with laughter? And make pathos compatible with farce? One answer is that his characters are shape-shifters. Shakespeare adapts their level of self
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Urquízar-Herrera, Antonio. The Antiquarian Appropriation of Islamic Monuments. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198797456.003.0007.

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Chapter 6 focuses on three case studies: the appropriation of Córdoba Mosque as a classical edifice, the transformation of Seville Giralda into an antiquity, and, finally, the humanist reading of Toledo. Since in the latter the destruction of the Aljama Mosque had deprived the city of major Islamic buildings, it provides a useful example to explore the limits of antiquarian strategy (Francisco de Pisa, Pedro de Rojas, Cristóbal Lozano). Regarding Córdoba, Pablo de Céspedes’ theory about a section of the mosque actually being Roman is commented on. Regarding Seville, the common praise for the G
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Grewal, J. S. The Last Year. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199467099.003.0027.

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The unpopularity of Master Tara Singh’s idea of a Sikh homeland was reflected in the elections of 1967 when his candidates won only two seats. Master Tara Singh denounced the United Front ministry of the Akalis for shielding Sant Fateh Singh who was keen on preserving the firepit (havan kund) as a symbol of his willingness to sacrifice his life for the Sikh Panth. By contrast, Master Tara Singh praised the deliberate self-immolation of Bhai Nand Singh as genuine martyrdom. It seems that Master Tara Singh’s own decision to break his fast unto death due to weakness or a mistaken view of his situ
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Brumbaugh, Michael. The New Politics of Olympos. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190059262.001.0001.

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The New Politics of Olympos offers the first in-depth analysis of Kallimachos’ only fully extant poetry book, the Hymns, by examining its contemporary political setting, engagement with a tradition of political thought stretching back to Homer, and portrayal of the poet as an image-maker for the king. In addition to investigating the political dynamics in the individual hymns, this book details how the poet’s six hymns, once juxtaposed within a single bookroll, constitute a macro-narrative on the prerogatives of Ptolemaic kingship. Throughout the collection Kallimachos refigures the infamously
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35

DiMatteo, Larry, André Janssen, Ulrich Magnus, and Reiner Schulze, eds. International Sales Law. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748922056.

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Almost five years have passed since the first successful edition of this work and for various reasons it was time for a new edition. Much relevant case law and legal literature have since been published which requires treatment. Furthermore, several hard and soft laws relevant to the book have under­gone important changes, making a new edition necessary: the enactment of the new Chinese Civil Code, the French Civil Code following extensive reforms in 2016, the UNI­DROIT Principles now apply as amended in 2016, and the INCOTERMS 2020 replace the former INCOTERMS 2010. Praise for the 1st edition
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36

McKinley, Mary. Montaigne on Women. Edited by Philippe Desan. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780190215330.013.33.

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Women appear in different lights in the Essays; Montaigne can alternately praise and disparage them. He often presents them in binary opposition to men, but at times he subtly aligns himself with them, thereby troubling that binary divide that had characterized men’s writings about women since antiquity. The Essays record his ongoing questioning about the nature of women and their relationship to men. Montaigne recognized the political influence of certain noble women. Although he rarely mentions the women in his family, they were a prominent presence in his home life, and his essays obliquely
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McDonald, Marianne. Croaks into Song. Edited by Robert Gordon. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195391374.013.0020.

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“Croaks into Song” puts Sondheim’sFrogsinto the context of his other work. His music adds informed commentary. Sondheim is the most modern and insightful of present-day composers of musicals, skillfully reflecting not only the blackness of the times, but adding doubts about the future. Sondheim often turns to the classics, so Aristophanes’sThe Frogs, with its descent into Hades, was a natural choice. His work concludes with a hymn to death and praise for the way of life in Hades. There is political criticism, like the Aristophanic original: disparaging the insanity of war and know-nothing poli
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38

Newton, Hannah. ‘A Double Delight’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198779025.003.0005.

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Recovery from disease was an event of profound religious significance in early modern England, because it was thought to be ordained by God. This chapter investigates the perceived impact of bodily recovery on spiritual well-being, and asks how patients and their loved ones reacted to the belief that ultimately it was the Lord who had raised them from the sickbed. It shows that across the Protestant spectrum, experiences of recovery were shaped by what can be called the ‘art of recovery’, a set of moral duties and devotional practices derived from Scripture, which were supposed to be performed
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Elkins, Nathan T. Nerva and the Roman Empire. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190648039.003.0004.

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While denotative images celebrating aspects of Nerva’s policy have attracted most scholarly study, their importance is overemphasized since the most common images on Nerva’s coinage are personifications of imperial ideals such as Libertas, Aequitas, and Fortuna. Many scholars have dismissed such images as generic and repetitive. There is a strong correspondence between the personifications and contemporary writers who ascribe the same qualities to Nerva. These coins thus visualize the written and spoken praise directed at Nerva by contemporaries. The frequency and widespread distribution of th
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Jousmäki, Henna. Christian Metal and the Translocal North. Edited by Fabian Holt and Antti-Ville Kärjä. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.7.

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This chapter offers insight into one of the region’s vibrant metal cultures. The analysis begins by addressing the unique place of the Nordic region in the global networks of the metal genre since the early 1990s. Conceptually, the chapter explores how notions of locality are changing with the global circulation of Christian metal in social media services, most notably YouTube. The argument is that the geography of this religious youth pop culture is expanded by the media evolution, while a distinct sense of origin remains. The analysis highlights affordances of YouTube’s search engine–based g
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Meyer, Susan Sauvé. Self-Mastery and Self-Rule in Plato’s Laws. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198817277.003.0006.

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Plato’s famous image of the divine puppets in Book 1 of the Laws illustrates the notion of self-mastery. The puppet achieves self-mastery when its golden cord (logismos) wins a struggle against the iron cords (pleasure, pain, fear, and desire). Self-mastery, so conceived, involves internal conflict. This raises a considerable puzzle, since the Athenian endorses a conception of virtue that involves harmony between rational and non-rational motivations, and he has criticized the conception of self-mastery praised by his interlocutors. Yet he presents the puppet image as an illumination of a conc
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Freedgood, Elaine. Worlds Enough. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691193304.001.0001.

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Now praised for its realism and formal coherence, the Victorian novel was not always great, or even good, in the eyes of its critics. As this book reveals, it was only in the late 1970s that literary critics constructed a prestigious version of British realism, erasing more than a century of controversy about the value of Victorian fiction. Examining criticism of Victorian novels since the 1850s, this book demonstrates that while they were praised for their ability to bring certain social truths to fictional life, these novels were also criticized for their formal failures and compared unfavor
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43

Hylen, Susan E. Gendered Virtues. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190237578.003.0003.

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Ancient sources widely portrayed the ideal woman as modest, industrious, and loyal to her family. But instead of assuming a single way in which women were virtuous in antiquity, this chapter explores what the virtues looked like in a particular time and place. For example, when women were praised for modesty, what kinds of things were they doing? The chapter argues that virtues like industry and loyalty intersected with and complicated expressions of modesty, so that the virtues were expressed in multiple ways. Thus, virtuous women engaged in a wide variety of activities. Moreover, as they did
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44

Benschop, Yvonne, Charlotte Holgersson, Marieke van den Brink, and Anna Wahl. Future Challenges for Practices of Diversity Management in Organizations. Edited by Regine Bendl, Inge Bleijenbergh, Elina Henttonen, and Albert J. Mills. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199679805.013.24.

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In this chapter, we zoom in on a set of diversity practices that prevail in organizations: training, mentoring, and networks. These practices meet scholarly critique for their lack of transformation. They are often seen as targeting ‘the Other’ employees to get them at par with majority employees, leaving the current system intact. However, it can be questioned whether values, practices and routines indeed remain intact in the organizations that engage in diversity training, mentoring, and networks. The aim of this chapter is to come to a better assessment of the transformative potential of th
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45

Gooley, Dana. Improvisatoriness. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190633585.003.0007.

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Chapter 6 differs from the other chapters in its focus on representations and discourses about improvisation, which overtook practices in the period 1847–1880. The chapter begins with a discussion of pockets of improvisational activity that survived in the tributaries, including conservatory training in accompagnement, the ongoing interludes and preludes of concert pianists, and the uninterrupted practice of organists. It then discusses literary representations of improvisation, all of which present it in aesthetically and ethically positive light. Wagner’s essay “On the Destiny of Opera” prai
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Romero, Andrea, Carmen R. Lugo-Lugo, Dixa Ramirez, et al. Latinxs and Black Lives Matter: Latinx Talk Mini-Reader #1. Edited by Rosa Amador and Theresa Delgadillo. The Ohio State University Libraries, 2021. http://dx.doi.org/10.18061/2575-887x.0001.

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Latinx Talk Mini-Readers offer a curated selection of essays and creative work previously published on our site and our predecessor site, Mujeres Talk, on specific themes and topics, followed by a set of discussion questions relevant to the readings. We hope these resources contribute to growing knowledge in and of Latinx Studies, expanding dialogues on critical issues, and turning ideas into praxis. These mini-readers are made for classroom and community use. Mujeres Talk published from 2011 to 2017. Latinx Talk has been in publication since 2017.
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47

Kovan, Martin. Being and Its Other. Edited by Daniel Cozort and James Mark Shields. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198746140.013.21.

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As in many other religious and ethical traditions, the status of suicide in Buddhism is contested and ambiguous, from the earliest Pāli record through to twentieth-century Mahāyāna praxes, and in a sense particular to Buddhist thought, paradoxical. This chapter will focus on three main areas: (1) the canonical accounts of suicide in the Śrāvakayāna and Mahāyāna traditions; (2) their theorization in a Buddhist psychological and phenomenological understanding of suicide; and (3) the ramifications of that understanding for contemporary social and medical practice, namely in assisted suicide and a
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48

Garnett, Liz. Choral Pedagogy and the Construction of Identity. Edited by Frank Abrahams and Paul D. Head. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199373369.013.7.

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This chapter examines how theories of identity construction can usefully inform choral praxis. It starts with an outline of key concepts in theories of identity and how they can help us understand the processes by which choirs inculcate their members into their particular choral culture. It then examines three areas particularly salient for the choral leader. The first is the phenomenon of “non-singers”: how they emerge as a by-product of western cultural discourses, and what can be done to rehabilitate them. The second is the interpenetration of social and musical identity categories: how ele
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49

Jørgensen, Harald, and Susan Hallam. Practising. Edited by Susan Hallam, Ian Cross, and Michael Thaut. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199298457.013.0025.

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This article reviews studies on the nature of practice and its importance in developing musical expertise. The musician not only needs to consider the development of technical skills but must also develop musical interpretation, may have to play or sing from memory, rehearse and perform in cooperation with other musicians, improvise, and contend with stage fright. Both the quantity and quality of practice contribute to the level of expertise attained, and the individual's ability to adopt more effective practising strategies is inextricably linked with their level of expertise. Musicians exhib
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50

Molloy, Richard G., Graham J. MacKay, Campbell S. Roxburgh, and Martha M. Quinn, eds. SBAs and EMIs for the General Surgery FRCS. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198794158.001.0001.

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SBAs and EMIs for the General Surgery FRCS is a key resource for trainees preparing to face the challenging FRCS Section 1 examination. Featuring over 600 Single Best Answers (SBAs) and Extended Matching Items (EMIs) written by successful candidates of the General Surgery FRCS, this resource ensures high-quality self-assessment. Split into chapters on key sub-specialties, all questions are mapped to the surgical curriculum and mirror the level of detail required to succeed in the Section 1 examination. Each chapter is clearly structured with all SBA and EMI questions first, followed by corresp
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