Relevant bibliographies by topics / Prayer in fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Prayer in fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Prayer in fiction"

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Wolfe, Graham. "Theatrical Extraneity: John Irving’s A Prayer for Owen Meany and Dickensian Theater-Fiction." Dickens Quarterly 35, no. 4 (2018): 350–72. http://dx.doi.org/10.1353/dqt.2018.0035.

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Mubarak, Makbul. "An Epochal Analysis on Colonial Trauma in Independent Documentaries: Jeju Prayer as Study Case." ULTIMART Jurnal Komunikasi Visual 10, no. 2 (March 26, 2018): 66–72. http://dx.doi.org/10.31937/ultimart.v10i2.776.

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This paper departs from Raymond Williams’ notion of ‘epochal analysis,’ an analysis that functions to see a cultural process as a cultural system in the dialectic of the dominant, the residual, and the emergent. It is true that what Williams meant by ‘the dominant’ in his proposition is either the feudal culture and the bourgeois culture and their transition, but he also says that the epochal analysis functions to sense a movement in its connection to the future and the past. Williams wrote (1978, p. 121): “…Its methodology is preserved for the very different function of historical analysis, in which a sense of movement within what is ordinarily abstracted as a system is crucially necessary, especially if it is to connect with the future as well as with the past. Keywords : documentary, trauma, dominant fiction, psychoanalysis
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Hofmeister, Timothy P. ""Rest in Violence": Composition and Characterization in "Iliad" 16.155-277." Classical Antiquity 14, no. 2 (October 1, 1995): 289–316. http://dx.doi.org/10.2307/25011024.

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Rather than isolate Achilles' prayer to Zeus in Book 16 of the "Iliad" from its immediate context, this paper analyzes the passage as an integrated whole. Recent work on the Homeric simile shows that Homer links images by an "associative technique," sometimes in the service of characterization. Additionally, Phillip Stambovsky's study of literary imagery suggests that such imagery often contributes to characterization insofar as it "presentationally depicts" (at a "prediscursive" level of an audience's awareness) important themes of the literary work. I argue that indeed the imagery in the passage of Achilles' prayer dramatizes a great theme connected with his characterization: his indecision between desire for warfare and desire for safety. The elements of the passage repeatedly refigure Achilles' dissonant state of mind. The wolf simile, for example, opposes pure and defiled, to point proleptically to the combat that destroys Patroclus after Achilles dispatches him, the very outcome Achilles wishes to avert through ritual and prayer. The Myrmidon catalogue juxtaposes its first two entries, those of Menesthios and Eudoros, to highlight Eudoros' lack of a human father and alienation from his mother, a scenario which recalls Achilles' experience. Thus the catalogue reconstitutes in a separate fiction Achilles' own personal history in order to expose the sources of conflict there. Finally, the wasp simile, when contextualized according to the characterization of Achilles, also figures oppositions like those Achilles enacts when he urges on the war while at the same time seeking to mitigate its violence. The passage's imagery is itself a vivid narrative depicting Achilles' strenuous attempt to resist the violence of heroic combat as well as his own imminent death within it.
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Romanova, Svetlana V. "THE ONTOLOGY AND POETICS OF NON-FICTION PROSE OF SVETLANA ALEXIEVICH (‘Chernobyl Prayer. A Chronicle of the Future’)." Вестник Пермского университета. Российская и зарубежная филология 11, no. 1 (2019): 130–39. http://dx.doi.org/10.17072/2073-6681-2019-1-130-139.

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Misiarczyk, Leszek. "Terapeuci – żydowscy prekursorzy monastycyzmu chrześcijańskiego w De vita contemplativa Filona z Aleksandrii." Vox Patrum 70 (December 12, 2018): 9–23. http://dx.doi.org/10.31743/vp.3195.

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The article analyzes the most important aspects of the life of therapists, the Jewish precursors of Christian monasticism. The author advocates the datation of the De vita contemplativa for the years 40-41 of the first century and presents arguments for the authorship of Philo. Then he emphasizes the apologetic nature of the text and its content. The author is in favor of the hypothesis that therapists were not essenes, but a separate group of ascetics in Judaism of the 1st century AD. He is not convinced by the hypothesis that the Philo’s treaty is a literary fiction and the presentation of an ideal community. Too many details in the text contradict this opinion and even indicate that Philo himself knew the life of therapists from autopsy. Direct influence of therapists on Christian monastic life is impossible to demonstrate, while indirect influence manifests itself in the following elements poor clothing, modest meals: bread, salt and water, devoting little attention to the needs of the body - only as much as necessary for life, getting rid of ownership by giving it to the closest relatives, praying at sunrise, praying with hands raised to heaven, practicing allegorical exegesis of the Old Testament, living in continence. In the case of cenobites: common life under the direction of the superior, shared meals, common prayers, houses divided into a residential part and a monastery as a place of prayer.
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Edwin, Shirin. "Racing Away from Race: The Literary Aesthetics of Islam and Gender in Mohammed Naseehu Ali’s The Prophet of Zongo Street and Abubakar Adam Ibrahim’s The Whispering Trees." Islamic Africa 7, no. 2 (November 2, 2016): 133–58. http://dx.doi.org/10.1163/21540993-00702010.

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Some literary discussions on Islam in West Africa argue that African Muslims owe allegiance more to Arab race and culture since the religion has an Arab origin while owing less to indigenous and therefore “authentic” African cultures. Most notably, in his famous quarrel with Ali Mazrui, the Nobel laureate Wole Soyinka wrenches race to serve a tendentious historicism about African Muslims as racially Arab and therefore foreign to African culture. In their fiction, two new West African writers, Mohammed Naseehu Ali and Abubakar Adam Ibrahim, allegorize African Islamic identity as tied to Arab race and culture as madness, lunacy and even death. In particular, Ali’s short story “The Prophet of Zongo Street” engages with this obsessive dialectic between African Islamic identity and Arab race. Although not explicitly thematizing Islamic identity as tied to Arab race or culture, three other stories by the same authors, Ali’s story “Mallam Sile” and Ibrahim’s stories “The Whispering Trees” and “Closure,” gender the dialectic between race and Islamic identity. Ali and Ibrahim show African Muslim women’s abilities to effect change in difficult situations and relationships—marriage, romance, legal provisions on inheritance, prayer and honor. In so doing, I argue, these authors reflect a potential solution to the difficult debate in African literary criticism on Islamic identity and Arab race and culture.
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Riggio, Heidi R., Joshua Uhalt, Brigitte K. Matthies, Theresa Harvey, Nya Lowden, and Victoria Umana. "Explaining Death by Tornado: Religiosity and the God-Serving Bias." Archive for the Psychology of Religion 40, no. 1 (February 2018): 32–59. http://dx.doi.org/10.1163/15736121-12341349.

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Two self-report experiments examined how religiosity affects attributions made for the outcome of a tornado. Undergraduate students ( N = 533) and online adults ( N = 537) read a fictional vignette about a tornado that hits a small town in the United States. The townspeople met at church and prayed or prepared emergency shelters for three days before the tornado; either no one died or over 200 people died from the tornado. Participants made attributions of cause to God, prayer, faith, and worship. In both studies, individuals identifying as Christian made more attributions to God, prayer, faith, and worship, but only when no one died; when townspeople died, Christian participants made fewer attributions to God, prayer, faith, and worship (the God-serving bias). Individuals identifying as agnostic or atheist did not show this bias. Directions for future research in terms of implicit religious beliefs and normative evaluations of religion are discussed.
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DAMBRAUSKIENĖ, RAMUNĖ. "RETI IR VERTINGI LIETUVIŠKI KONTRAFAKCINIAI LEIDINIAI (1865–1904) KAUNO APSKRITIES VIEŠOJOJE BIBLIOTEKOJE." Knygotyra 56 (January 1, 2011): 202–16. http://dx.doi.org/10.15388/kn.v56i0.1503.

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Kauno apskrities viešoji bibliotekaRadastų g. 2, LT-44164 Kaunas, LietuvaEl. paštas: ramuned@kvb.ltSpaudos draudimo metais leisti lietuviškieji kontrafakciniai leidiniai užima svarbią vietą tarp Kauno apskrities viešojoje bibliotekoje saugomų spaudos paveldo objektų. Straipsnyje nagrinėjama šių leidinių repertuaro sudėtis, egzempliorių savybės, įrišimai, knygos ženklai, marginalijos. Dėl istoriškai susiklosčiusių kontrafakcijų gamybos bei sklaidos aplinkybių, caro valdžios vykdomo persekiojimo dauguma išlikusių leidinių yra reti. Turimi duomenys leidžia daryti išvadą, kad kontrafakcijų rinkinio knygos dėl retų egzempliorių, rankraštinių įrašų kirilika ir lotyniškais rašmenimis, marginalijų ir kitų knygos ženklų yra vertingas knygos ir kultūros istorijos tyrinėjimų šaltinis.Reikšminiai žodžiai: nacionalinė bibliografija, knygos istorija, spaudos draudimas, kontrafakcijos, spaudos paveldas, knygų įrišimai, knygos ženklai, proveniencijos, marginalijos.RARE AND VALUABLE LITHUANIAN CONTRAFACTIONS (1865–1904) OF THE KAUNAS COUNTY PUBLIC LIBRARYRAMUNĖ DAMBRAUSKIENĖ AbstractOld and Rare Books Department of the Kau­nas County Public Library (further referred to as KCPL) preserves over 200 thousand copies of books, periodicals, maps, manuscripts from the 15th–mid 20th century in Lithuanian and foreign languages. Written cultural heritage stored in the library is the only heritage of this type in Kaunas County and the largest among all County Public Libraries of Lithuania. An important part of the collection is Lithuanian contrafactions published in the press prohibiti­on period (1864–1904). The collection contains 465 publications of 218 titles, which constitu­te 26.2 percent of all published contrafactions (833). According to the presently known statis­tics, 41.7 percent of the contrafactions stored at the KCPL are rare (up to 10 remaining copies); among them, there are 2 unique publications, 12 rarities, 19 especially rare publications. The major part of the collection consists of religious publications: prayer-books, saints’ lives, ascetic literature, etc. One fifth of the collection con­sists of secular books: fiction, calendars, hou­sehold-practical books, etc. The low quality of polygraphy and artistry of their bindings are mostly due to contrafaction production and dis­tribution conditions. Books were published at a low price, paperback, small in size and volume. More impressive were only prayer-book bin­dings. In the collection, 185 books are marked with various ownership insignias. There were found 255 book insignias: 124 institutional and personal stamps, 111 manuscript inscriptions, 12 glue marks, 4 ex-librises, 4 super-ex-librises; 51 books contain marginalia, mostly those from the Samogitian Priest Seminary Library. Manu­script inscriptions written in the Cyrillic alpha­bet show the influence of the press prohibition period on the culture of Lithuanian script. Pro­venances of the KCPL contrafactions, margina­lia, book binding, etc. reflect the reading culture of the late 19th–early 20th century and are a source for the further investigation of the book and script history. The KCPL contrafactions are a significant supplement of national bibliograp­hy: 321 copies are not registered in the publica­tions of retrospective national bibliography and in the data-bank of the Bibliography and Book Science Centre of the National Library. This written heritage is valuable for the Kaunas regi­on for its amount and content, which represents the period of press prohibition. The second sta­ge of creating virtual libraries, which has started in regional libraries, will guarantee the preserva­tion and spread of this heritage.rif'; text-transform: uppercase;">
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Sano, Lucia. "Transformando a bomolochía: o prazer da ficção nas histórias verdadeiras." Nuntius Antiquus 9, no. 2 (December 31, 2013): 87–104. http://dx.doi.org/10.17851/1983-3636.9.2.87-104.

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The aim of this paper is to discuss Lucian’s statement that his novel Verae Historiae provides both pleasure (ψυχαγωγία) and θεωρία to the readers. I suggest that Lucian addresses the question of the production of fiction narratives in prose and how they should be read while arguing that his work is an appropriate reading to the pepaideuménoi.
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Mahood, M. M., and Yasmine Gooneratne. "Silence, Exile and Cunning: The Fiction of Ruth Prawer Jhabvala." Modern Language Review 82, no. 3 (July 1987): 728. http://dx.doi.org/10.2307/3730457.

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Dissertations / Theses on the topic "Prayer in fiction"

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Merican, Fadillah Fatima. "The fiction of Ruth Prawer Jhabvala : irony within a dual philosophical framework." Thesis, University of Hull, 1990. http://hydra.hull.ac.uk/resources/hull:12767.

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The thesis examines how Ruth Prawer Jhabvala, writing from the ironic perspective of the rootless, displaced European writer, utilises a dual framework of Hindu philosophy and religious tradition, and Platonic thought on Love to augment the .ironic narrative of her Indian and Western novels. The framework is discerned in allusions as well as fluid suggestions and associations to the Bhagavad Gita, The Symposium, moral precepts, ideals, cultural norms, myth and folk-tales. Northrop Frye's schema for narrative fiction as developed in Anatomy of Criticism provides a useful theoretical basis for the study. In particular the phases or literary structures of the comic and ironic mythoi, together with the typical traditional characters of comedy and irony - the deceiving and self-deceived alazon, the self-deprecating eiron and the scapegoat, the pharmakos - facilitate a grouping of the novels that corresponds to Jhabvala's darkening ironic viewpoint. The moral paradigms that operate in each novel are integrated with the particular features of the ironic mythos it manifests,to highlight the discrepancy be tween i deal and reality, between what is hoped for and what is achieved. The analysis traces how the Hindu frame work enhances the workings of Jhabvala's irony in the first two groups of ironic comedies and comic ironies. In the group of later and darker ironies, Hindu and Platonic ideas are ironic foils t o the quests of Western spiritual seekers in India. Finally in the two Western novels the hopeless search for Love and Beauty features ironic parallels to and inversions of Platonic and classical ideals and archetypes. The thesis is thus primarily a close reading of Jhabvala's ironic fiction. It also offers a perspective on contemporary fiction; as the work of the initiated - outsider her Indian writing suggests a contrast to that of new literatures in English which call upon cultural and traditional heritage mainly to highlight national identity and vitality.
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Plicka, Joseph B. "Man Down South." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1618.pdf.

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Romylos, Salomé. "The convergence of sacred and- secular space in selected postmodern novels / Salomé Romylos." Thesis, 2014. http://hdl.handle.net/10394/11961.

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This dissertation focuses on the return and revitalization of traditional Christian themes in contemporary postmodern novels. It offers an examination of how these themes materialize in novels written by writers who are not explicitly religious, or in novels which do not have an overtly religious focus. Some contemporary novels generate a privileged space in which the return of the religious can take place. The sacred is back, not just as a re-enchantment, but manifests itself in fundamentally new and productive ways (Ward, 2001:xv). The first matter under consideration is the fact that the co-existence of belief and unbelief is apparent in all the novels under discussion. As such, the reader as active participant in the novel is bound to be affected by these mutually inter-dependent and inextricably inter-connected sides of a coin. The themes of providence, sacrifice and the miraculous become evident in John Irving‟s A prayer for Owen Meany while the themes of sin, guilt and redemption feature in Ian McEwan‟s Atonement. Secondly, the study compares two novels that deal with the same supernatural phenomena, namely visions, faith healing and stigmata. Jodi Picoult is a non-believer and is the author of Keeping Faith, while Ron Hansen is a devout Catholic who wrote Mariëtte in ecstasy. These works, on the one hand, create a space for supernatural phenomena even though fiction cannot prove the reality of their existence. Postmodern people seem to have a definite longing for the miraculous and these novels seem to satisfy that yearning. On the other hand, both novels portray disbelief in the miraculous while subtly allowing room for characters or readers in a liminal space between belief and disbelief. The theories of Jean François Lyotard and specifically his notion of “incredulity towards metanarratives” provide a framework to explore this matter. Lyotard proposes “petit recits” or many small stories instead of the grand narratives. He contends that there is no objective knowledge and that narrative and scientific knowledge are subject to legitimization. The Christian story therefore needs no scientific basis as justification, which means that it is being newly considered after the mistrust created during the Enlightenment period. Gianteresio Vattimo‟s ideas on the role of religion in contemporary life and the possible convergences of postmodernity and the Christian faith also come into play. He advocates weak thought as opposed to strong thought and sees caritas (charity or neighbourly love) as essential. This concept of weak thought allows for plurality and tolerance. Vattimo sees Christ‟s kenosis (self-emptying) as essentially linked to a secularization in which humankind needs to retrace the path to the original Biblical message of love. Emphasis is on a non-doctrinal, anti-dogmatic spirituality and this manifests in the novels discussed. This study employs diverse reader-response theories to gauge the reaction of the reader to texts containing Biblical themes and supernatural phenomena. Stanley Fish‟s interpretive communities and Wolfgang Iser‟s implied reader are helpful and Michael Edwards‟s pattern of sin, the fall and redemption is of particular interest to this dissertation. Edwards believes that most novels, whether written by religious or non-religious writers, follow this pattern. Readers find themselves either on the side of the believing or unbelieving camp in the novels discussed. However, many readers may hover in the liminal space between belief and unbelief. Interpretation depends on many factors that constitute the world view of the reader, hence the plurality of interpretations.
MA (English), North-West University, Potchefstroom Campus, 2014
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Vávra, Jan. "Montážní princip v kompozici prozaického literárního díla." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-304246.

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The thesis examines the specificities of the different concepts of "Assembly principle" (principle of "Montage") in expert literary studies. Making use of this theoretical base, it dares to classify phenomenon. They are also analysed selected prose literary works of twenties and thirties of 20th century, in which the Montage apply. The thesis points to some of the world's pioneering novels, in which their authors discover the possibilities of the method (Joyce, Dos Passos, Döblin). Special attention is paid to the presence of "Montage" in the Czech utopian fiction novels. The Montage is used in a specific way to enlarge the effect of the (utopian) content - see: War with the Newts by Karel Čapek, "Dům o tisíci patrech" (House of Thousand Floors) by Jan Weiss or Jiří Haussmann's "Velkovýroba cnosti" (Mass production of Virtue). In addition to the Utopia appearance the Montage is used as a tool of author's game with readers - e.g. in the book "Robinsonáda" by Karel Konrád, representative of the Czech Poetism (literary movement).
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Books on the topic "Prayer in fiction"

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Waites, Martyn. Mary's prayer. London: Allison & Busby, 2001.

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Partridge, Norman. Wicked prayer. New York: HarperEntertainment, 2000.

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Macomber, Debbie. Thanksgiving prayer. Don Mills, Ont: Harlequin Books, 2012.

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Rossoff, Donald. The perfect prayer. New York, N.Y: UAHC Press, 2003.

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Fowler, Terry. Val's prayer. Uhrichsville, Ohio: Heartsong Presents, 2009.

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Fowler, Terry. Val's prayer. Uhrichsville, Ohio: Heartsong Presents, 2009.

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Griessman, Annette. Jenny's prayer. Harrisburg, PA: Morehouse Pub., 1998.

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Franklin, Ariana. The assassin's prayer. London: Bantam, 2010.

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Clipston, Amy. A simple prayer. Grand Rapids, Michigan: Zondervan, 2015.

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Atkinson, Deborah Turrell. Fire prayer. Scottsdale, AZ: Poisoned Pen Press, 2007.

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Book chapters on the topic "Prayer in fiction"

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Sucher, Laurie. "Introduction: Ruth Prawer Jhabvala and her Fiction." In The Fiction of Ruth Prawer Jhabvala, 3–21. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20239-3_1.

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Naidu, Sam. "Transnational Crime in Deon Meyer’s Devil’s Peak and Santiago Gamboa’s Night Prayers." In Transnational Crime Fiction, 45–61. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53413-4_2.

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Sucher, Laurie. "The International ‘Trick’: Three Continents." In The Fiction of Ruth Prawer Jhabvala, 200–227. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20239-3_10.

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Sucher, Laurie. "Dangerous Quest." In The Fiction of Ruth Prawer Jhabvala, 22–35. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20239-3_2.

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Sucher, Laurie. "Gurus: Short Stories." In The Fiction of Ruth Prawer Jhabvala, 39–47. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20239-3_3.

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Sucher, Laurie. "Gurus: A New Dominion or Travelers." In The Fiction of Ruth Prawer Jhabvala, 48–66. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20239-3_4.

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Sucher, Laurie. "‘The Housewife’." In The Fiction of Ruth Prawer Jhabvala, 69–76. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20239-3_5.

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Sucher, Laurie. "‘Desecration’." In The Fiction of Ruth Prawer Jhabvala, 77–97. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20239-3_6.

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Sucher, Laurie. "Demon-Lovers and Holy Mothers: Heat and Dust." In The Fiction of Ruth Prawer Jhabvala, 98–140. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20239-3_7.

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Sucher, Laurie. "Difficult Adjustments: Three Stories." In The Fiction of Ruth Prawer Jhabvala, 143–67. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20239-3_8.

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