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Books on the topic 'Pre-islamic poetry'

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1

Stetkevych, Suzanne Pinckney. The Mute Immortals Speak: Pre-Islamic Poetry and Poetics of Ritual. Cornell University Press, 1993.

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2

Warraq, Ibn, ed. Which Koran ?: Variants , manuscripts , and the influence of pre-Islamic poetry. Prometheus Books, 2008.

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3

Qabāwah, Fakhr al-Dīn. Translation and critical study of ten pre-Islamic odes: Traces in the sand. Edwin Mellen Press, 1993.

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4

Naʻīmī, Sayyidah Fāṭimah. Shiʻr-i nabavī: Ganjīnah-yi shiʻr va adab. Najm-i Kubrā, 2012.

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5

Pūrnāmdārīyān, Taqī. Dāstān-i payāmbarān dar Kullīyāt-i Shams: Sharḥ va tafsīr-i ʻirfānī-i dāstānhā dar ghazalhā-yi Mawlavī. Muʼassasah-ʼi Muṭālaʻāt va Taḥqīqāt-i Farhangī, 1985.

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6

ʻAṭṭār, Farīd al-Dīn, -approximately 1230, ред. Dāstānʹhā-yi payāmbarān dar shiʻr-i ʻAṭṭār Nīshāpūrī. Hilāl Pablīkayshanz, 2002.

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7

Dīk, Iḥsān. Ṣadá al-usṭūrah wa-al-ākhar fī al-shiʻr al-Jāhilī: Dirāsāt fī al-fikr wa-al-muʻtaqad = The echo of the legend and the other in the pre-Islamic poetry. Majmaʻ al-Qāsimī lil-Lughah al-ʻArabīyah, Akādīmīyat al-Qāsimī, 2013.

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8

Ḥabīb, Muḥammad ibn. Prominent murder victims of the pre- and early Islamic periods including the names of murdered poets. Brill, 2021.

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9

Mumayiz, Ibrahim. Society, Religion, and Poetry in Pre-Islamic Arabia. Garant Uitgevers, 2010.

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10

Hussein, Ali A. Lightning-Scene in Ancient Arabic Poetry: Function, Narration and Idiosyncrasy in Pre-Islamic and Early Islamic Poetry. Harrassowitz Verlag, 2014.

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11

The lightning-scene in ancient Arabic poetry: Function, narration and idiosyncrasy in pre-Islamic and early Islamic poetry. Harrassowitz, 2009.

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12

Which Koran?: Variants, Manuscripts, And the Influence of Pre-islamic Poetry. Prometheus Books, 2007.

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13

Elmeligi, Wessam. Poetry of Arab Women from the Pre-Islamic Age to Andalusia. Taylor & Francis Group, 2019.

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14

Elmeligi, Wessam. Poetry of Arab Women from the Pre-Islamic Age to Andalusia. Taylor & Francis Group, 2019.

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15

Poetry of Arab Women from the Pre-Islamic Age to Andalusia. Taylor & Francis Group, 2019.

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16

Elmeligi, Wessam. The Poetry of Arab Women from the Pre-Islamic Age to Andalusia. Routledge, 2019. http://dx.doi.org/10.4324/9780429451317.

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17

Bateson, Mary Catherine, and Ecole Pratique des Hautes Etudes. Structural Continuity in Poetry: A Linguistic Study of Five Pre-Islamic Arabic Odes. De Gruyter, Inc., 2019.

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18

People from the desert: Pre-Islamic Arabs in history and culture : selected essays. 2012.

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19

Qadaya al-adab al-jahili wa-al-dars al-adabi l-muasir. Dar al-Nasr lil-Tawzi wa-al-Nashr, 2000.

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20

Dmitriev, Kirill, and Christine van Ruymbeke, eds. “Passed around by a Crescent”. Ergon – ein Verlag in der Nomos Verlagsgesellschaft, 2022. http://dx.doi.org/10.5771/9783956509094.

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This publication explores the presence of the shared heritage and interdependence of poetry composed around the theme of wine in diverse literary traditions of the Islamic world. The specialist contributions discuss multiple aspects of the literary polyphony of wine in the pre-modern Arabic, Persian, Hebrew, Ottoman Turkish, and Urdu literatures during the first millennium of the Islamic era. Presenting these together and in dialogue with one another, the volume offers a comparative perspective on a long, varied, but singularly mutual tradition. It traces how this poetry develops, flourishes a
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21

Poemes palestiniens d'hier et d'aujourd'hui. Pontificio istituto di studi arabi e d'islamistica, 2005.

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22

Thurlkill, Mary. Sacred Scents in Early Christianity and Islam. Published by Lexington Books, 2016. https://doi.org/10.5040/9781978732056.

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Medieval scholars and cultural historians have recently turned their attention to the question of “smells” and what olfactory sensations reveal about society in general and holiness in particular. Sacred Scents in Early Christianity and Islam contributes to that conversation, explaining how early Christians and Muslims linked the “sweet smell of sanctity” with ideals of the body and sexuality; created boundaries and sacred space; and imagined their emerging communal identity. Most importantly, scent—itself transgressive and difficult to control—signaled transition and transformation between ca
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23

Issa, Islam. Paradise Lost in Arabic. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198754824.003.0023.

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This chapter outlines the extant Arabic translations of Milton’s works, then attends to the ways in which three translators—Maḥmūd, Enani, and Aboud—have translated parts of Paradise Lost into Arabic. Close readings of these three translators’ renderings of key images reveal telling correspondences and differences that bring to light the attention to detail in, and thus specific value of, Enani’s translation. The chapter describes Enani’s use of, for example, pre-Islamic archaisms, Qur’ānic style, and prose rhyme, as translational techniques that portray Milton’s grand style, stylize the poeti
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24

Dorraj, Manochehr, and Mehran Kamrava. Iran Today. Greenwood, 2008. http://dx.doi.org/10.5040/9798400672460.

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Iran dominates the media headlines once again and has taken center stage in the U.S. and European Union strategy toward the Middle East. A more nuanced understanding of Iranian society has assumed even greater significance and urgency.Iran Today: An Encyclopedia of Life in the Islamic Republicoffers crucial insight for students and the general reader into an often misunderstood and complex country that is shrouded in mystery and misperception. Heir to a long history and a great culture and civilization, Iran embodies a rich, complex, and diverse mosaic that defines its national identity. Diver
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25

Hammond, Marlé. The Tale of al-Barrāq Son of Rawḥān and Laylā the Chaste. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266687.001.0001.

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This book is a bilingual edition and study of a lengthy specimen of pre-modern Arabic storytelling. The tale’s origins are unknown but it probably dates from the seventeenth century. As a sustained fairy tale of the knight-in-shining-armour-rescues-damsel-in-distress variety, it reads as fiction and was probably intended as such. However, scholars in the Arab renaissance or Nahḍa received the text as history. Its pre-Islamic protagonists, ever emoting in verse, were thus celebrated as some of the earliest Arabic poets. The Arabic text featured in the monograph is sourced from five manuscripts
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26

Çalışkan, Mehmet. Kur’ân Dilinde Yemin Üslûbu. Edited by Ayşe Uzun. Oku Okut Yayınları, 2021. http://dx.doi.org/10.55709/okuokutyayinlari.9.

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The Style of Oath in the Qur’ānic Language. In this study, in particular, the subject of what qasams mean in the integrity of the Qur’ān is discussed in the context of the Surah. In the introduction of the four-part study, the subject was examined in terms of scope and method. The first chapter focused on the sameness and difference of concepts such as qasam, oath and hilf within the conceptual framework. In the linguistic framework, the letters used for Qasam are explained; the oath with him (muqsamūn bih) and the answer to the oath (muqsamūn alayh). Again, in the first chapter “zahir” and “m
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