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Journal articles on the topic 'Preaching in art'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Dawami, Iqbal. "Drama Sebagai Media Dakwah." TASAMUH: Jurnal Studi Islam 10, no. 1 (2018): 215–39. http://dx.doi.org/10.47945/tasamuh.v10i1.71.

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Realization of preaching does not only attempt to increase the understanding in behavior and perspective but also to aim the broader target. By the complicated problem of preaching, preaching must be role to aim toward implementation of Islam more overall and share the kinds of life aspect. The preaching media is used for religious teacher to convey the preaching’s messages must be appropriate with condition of society. This matter causes the media of traditional preaching still existing in the center of modern media for present day. One of the traditional preaching media is still used until p

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2

Mumford, Debra J., and Africa S. Hands. "Preaching Justice through Art." Homiletic 45, no. 2 (2020): 14–24. http://dx.doi.org/10.15695/hmltc.v45i2.4997.

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As the saying goes, “A picture is worth a thousand words.” However, the printed word—more specifically, scripture—has been the traditional base of the sermon. Through a personal experience reflection, this paper advocates using artwork as the foundational text for sermons, and presents an approach to art exegesis based on the practical method of art criticism. Employing art historian and educator Edmund Burke Feldman’s approach to art criticism, the authors present a step-by-step exegesis of an artwork that mirrors the exegesis of biblical texts, including selecting an artwork, exegeting the a

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3

Bolwell, Brian J. "The Art of Preaching." Oncology Times 39, no. 22 (2017): 24. http://dx.doi.org/10.1097/01.cot.0000527366.52535.36.

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Csinos, David M. "Light Art, Street Art, and the Art of Preaching: Sound-and-Light Shows as Public Proclamation." International Journal of Homiletics 4, no. 1 (2020): 74–87. http://dx.doi.org/10.21827/ijh.2020.39506.

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This article examines how the phenomenon of sound-and-light shows fulfills the purposes of preaching and, as such, can be perceived as a form of public proclamation. Originating in France but now offered all over the world, these shows use large-scale video projection to display images on the facades of historic buildings, many of which are religious in nature, set to sound effects and music. The author begins by addressing three purposes of preaching that arise within homiletical discourse: testimony of God’s story, empowering transformation, and engendering encounters with God. Drawing from

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Kater, M. J. "Er staat wat op het spel in de prediking. Het spel en de prediker als homo ludens in Bohrens Homiletik." Theologia Reformata 65, no. 4 (2022): 338–53. http://dx.doi.org/10.21827/tr.65.4.338-353.

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The German homiletician Rudolf Bohren speaks of “preaching as play, a play which must be qualified because preaching is a serious act. This essay reviews Bohren’s view of the art and nature of the ‘preaching game’ and how this influences the writing of sermons. It then examines elements of this game as discussed by Johan Huizinga in his Homo ludens, in order to uncover the contributions of ‘preaching as play’ to Reformed homiletics. The essay ends with an evaluation of the preacher as ‘homo ludens’, the sermon preparation as play, and preaching itself as play. It concludes by suggesting that p

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Rahmayani, Nur, Fatmawati Fatmawati, and Mohammad Nur Ahsan. "SENI SEBAGAI MEDIA DAKWAH PADA ANAK USIA DINI." Al-Mishbah | Jurnal Ilmu Dakwah dan Komunikasi 12, no. 2 (2017): 271. http://dx.doi.org/10.24239/al-mishbah.vol12.iss2.74.

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This paper deals with the art as media of preaching in early childhood at the Early Childhood Education Institution of Kabelo Singgah-Singgani, Palu. The questions include (1) How does art become media of preaching in early childhood at this institution? (2) How is the implementation of art as media of preaching in early childhood at this institution? The result showed that, first, the art which is categorized as media of preaching is one which contains Islamic values. This Islamic art which is taught in this educational institution includes dances such as Kaili’s local dance called momonte, q

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7

Hooke, Ruthanna B. "The Preacher as Artist: An Exploration of Sermon Creation as Art-Making." Religions 15, no. 5 (2024): 604. http://dx.doi.org/10.3390/rel15050604.

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Preaching is one of the most creative things a pastor does. This essay explores how a theology of creativity, the imagination, and the arts can encourage preachers to embrace proclamation as creative work. The invitation to preachers to engage their creativity and imagination in preaching rests on the theological claim that creativity is intrinsic to human beings as made in the image of God the Creator. To create is to realize a core human vocation and to deepen knowledge of God. The imagination is a primary avenue to such knowledge, since the imagination is a faculty that allows for a holisti

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Lyter Bright, Laurie. "Woman in a Man’s Pulpit: Incarnating Feminism in a Black and White Collar." Feminist Theology 27, no. 1 (2018): 103–10. http://dx.doi.org/10.1177/0966735018794487.

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This article explores the potential applications of feminist pedagogy to the lived experience of weekly preaching from the perspective of a young, white, cis female, heterosexual faith community leader. When privilege is both obvious (whiteness, heterosexual, cis gender, middle class), but authority is simultaneously presumed and challenged based on historical constructs of theological role and presentation of gender, the act of preaching becomes a site of resistance. This article then discusses the act of homiletics – the art of interpretive storytelling, history teaching, persuasive speech,

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Bostic, Philmont Devon. "A Comedian in the Pulpit: Empowering the Use of Humor in Preaching." Religions 14, no. 9 (2023): 1155. http://dx.doi.org/10.3390/rel14091155.

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Each week, the preacher mounts the pulpit with many tools to deliver an impactful sermon. One element of preaching that the black church should embrace is humor. Humor and preaching may appear strange bedfellows, but humor is embedded in the art of black preaching. This study explores humor within the confines of the African Methodist Episcopal Zion Church.

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10

Farley, W. Edward. "Can Preaching Be Taught?" Theology Today 62, no. 2 (2005): 171–80. http://dx.doi.org/10.1177/004057360506200203.

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Preaching—defined as sermon writing, exegesis, or discursive skill—appears to be teachable. On the other hand, is preaching, defined as announcing the gospel, hence the mysteries of God and God's redemptive work, teachable? Preaching the gospel embodies and, at the same time, transforms the three primary features of aesthetic art: creativity, emotional world-engagement, and imagination. If these artistic features are gifts prior to any teaching, then we may doubt that pedagogy can facilitate preaching the gospel. At the same time, however, teachers of preaching can identify students' artistic

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Croft, Wayne E. "The Soul of Black Preaching." Theology Today 81, no. 1 (2024): 35–39. http://dx.doi.org/10.1177/00405736241226867.

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This article explores the richness of African American preaching. It contends that preaching is central in African American worship and interweaves aspects of African traditional religion. It reviews certain theological and rhetorical characteristics of Black preaching, such as poetic storytelling, call and response, rhythm, and musical sound. This article further contends that the soul of Black preaching is both an art and a discipline. It is also a historical, life-giving, and empowering entity, reflecting a rich tapestry of culture, communication, inspiration, faith, and empowerment within

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12

Groover, Bill. "Book Review: Expository Preaching: The Art of Preaching through a Book of the Bible." Review & Expositor 93, no. 2 (1996): 307–8. http://dx.doi.org/10.1177/003463739609300222.

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13

Yang, Sunggu. "Picasso for Preaching: The Demand and Possibility of a Cubist Homiletic." Religions 11, no. 5 (2020): 232. http://dx.doi.org/10.3390/rel11050232.

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The purpose of this article is to propose a cubist homiletic based on the Picasso-originated art movement known as cubism. To that end, I explore the twofold question: What is cubist preaching, and why do we need it today? It is a critical inquiry into a theology and methodology of cubist preaching and its contextual rationale. In particular, I adopt cubism’s artistic-philosophical routine of transcendental deconstruction and multi-perspectival reconstruction as the key hermeneutical and literary methodology for cubist preaching. This cubist way of preaching ultimately aims for the listener to

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White, Cynthia J. "The Northumberland Bestiary and the Art of Preaching." Reinardus / Yearbook of the International Reynard Society 18 (December 31, 2005): 167–92. http://dx.doi.org/10.1075/rein.18.12whi.

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15

Firdaus, Firdaus. "THE DAKWAH TRILOGY OF RHOMA IRAMA IN THE INDONESIAN DANGDUT MUSIC STAGE." Al-Risalah 15, no. 1 (2024): 354–70. http://dx.doi.org/10.34005/alrisalah.v15i1.3517.

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This research delves into the way Rhoma Irama integrates the arts of music, religious preaching, and politics within the urgency of his religious propagation. Rhoma Irama has successfully utilized the art of music, especially in the dangdut genre, as an effective tool to convey the message of religious preaching. Through song lyrics and his performances, he has communicated messages of morality, religion, and nationalism to a wide audience. The art of music serves as a bridge connecting Rhoma Irama with his fans, enabling him to inspire and influence many people through this art. This research

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Makruf, Syahdara. "PENGKADERAN DA’IAH MELALUI PELATIHAN RETORIKA DAKWAH (KELOMPOK KAJIAN IBU-IBU ‘CENGKIR GATI’ DI DUSUN SAWAHAN NOGOTIRTO GAMPING SLEMAN)." Jurnal Abdimas Madani dan Lestari (JAMALI) 1, no. 1 (2019): 47–52. http://dx.doi.org/10.20885/jamali.vol1.iss1.art6.

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Training cadre is a learning process that is carried out in stages and continuously in accordance with the levels, achievements, situations and specific needs that enable a cadre to develop all his potential potentials, physical abilities, and social morals. Preaching rhetoric is the art of talking about influencing others through messages. It is a branch of communication science that discusses how to convey messages to others through the art of talking so that preaching messages can be received. Through a series of dedication activities under the title of Development of Islamic Life Quality I

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Elhany, Hemlan, and Wawan Trans Pujianto. "RELEVANSI RETORIKA DAN KOMUNIKASI DALAMAKTIVITAS DAKWAH." Ath Thariq Jurnal Dakwah dan Komunikasi 5, no. 2 (2022): 209. http://dx.doi.org/10.32332/ath_thariq.v5i2.3762.

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Rhetoric is a term that refers to art in communication with language as the main medium in its delivery with the aim of influencing the audience. Therefore rhetoric becomes significant in preaching so that messages can be conveyed effectively and efficiently so that it has an influence on society as an object of da'wah. This article aims to explain how rhetoric and communication in preaching are not only focused on linguistic aspects but also include other aspects by referring to the description of the verses of the Al-Qur'an and the practices carried out by the Prophet Muhammad SAW in preachi

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Mandalika, Mandalika, and Miswar Rasyid Rangkuti. "SENI KALIGRAFI SEBAGAI MEDIA DAKWAH ISLAM DI INDONESIA." Jurnal Ekshis 2, no. 2 (2024): 146–55. http://dx.doi.org/10.59548/je.v2i2.272.

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Preaching is one of the most ideal media for conveying Islamic teachings. The da'wah activity that has been known to the general public is only a verbal delivery to the wider community. In fact, non-verbal communication can also be conveyed in conveying Islamic da'wah. In da'wah there are many ways that can be done both verbally and non-verbally. This non-verbal Da'wah can be applied through the art of writing or often referred to as the art of calligraphy. The method that researchers use is the library research method, namely by collecting literature in the form of journals related to the res

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19

Cilliers, J. "Die geheim van die prediking: om na die stem van die teks te luister." Verbum et Ecclesia 23, no. 1 (2002): 67–79. http://dx.doi.org/10.4102/ve.v23i1.1201.

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The secret of preaching: listening to the voice of the Biblical text This paper concentrates on the function of the Biblical text in preaching, contending that there can in fact be no preaching in the true sense of the word if the text is not honoured both in its content and form. It argues that a significant percentage of contemporary preaching has lost its Biblical integrity because (a) it does not understand the basic need for and character of meditation, (b) it has lost the art of reading the text, (c) it does not utilize the text as source of creative structuring, and (d) it fails to unde

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20

Bausch, Michael. "Celebrating the Possibilities: Media Art in Preaching and Worship." Liturgy 23, no. 3 (2008): 27–35. http://dx.doi.org/10.1080/04580630802003602.

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21

Orr, Mary C. "Book Review: Preaching as Local Theology and Folk Art." Interpretation: A Journal of Bible and Theology 53, no. 3 (1999): 329. http://dx.doi.org/10.1177/002096439905300334.

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22

Graves, Mike. "Book Review: Preaching as Local Theology and Folk Art." Review & Expositor 96, no. 2 (1999): 328–29. http://dx.doi.org/10.1177/003463739909600231.

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23

Kae-Jé, Bert. "The Clergy and Art Therapy." Journal of Pastoral Care 52, no. 3 (1998): 261–66. http://dx.doi.org/10.1177/002234099805200306.

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Defines the professional minister as subject to confining social attitudes and expectations. Posits clergy as good candidates for art therapy. Reports on a small pilot study that field tested a curriculum exploring the relationship between preaching and mental health and made use of several art activities. Uses results of this study to illustrate art therapy's potential to free clergy for authentic expression and to explore the potential and the problems posed by clergy as a target group for additional research.

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Shercliff, Liz. "Towards a New Homiletic." Feminist Theology 29, no. 1 (2020): 48–60. http://dx.doi.org/10.1177/0966735020944894.

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Feminism’s contribution to homiletics so far has arguably been restricted to exploring gender difference in preaching. In 2014, however, Jennifer Copeland identified a need not merely to ‘include women “in the company of preachers” but to craft a new register for the preaching event’. This article considers what that new register might be and how it might be taught in the academy. It defines preaching as ‘the art of engaging the people of God in their shared narrative by creatively and hospitably inviting them into an exploration of biblical text, by means of which, corporately and individuall

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Ostafiński, Witold. "The Importance of Homiletics and Communication." Roczniki Teologiczne 70, no. 1 (2023): 27–45. http://dx.doi.org/10.18290/rt2023.2.

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Formal homiletics, which treats the homily as an act of interpersonal communication involving the connection of four elements, the preacher, the listener, the content and the mode of transmission, demands that contemporary developments in communication studies concerning the art of effective transmission be considered. The article discusses the importance of homiletics and communication theory and their interrelationship concerning the collection, analysis, interpretation and transmission of preaching content. Additional material is provided on the relationship between neuroscience and homilet

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Augustine, Jonathan C. "Who's Searching for the Soul of Black Preaching? History Proves It's Never Been Lost." Theology Today 81, no. 1 (2024): 12–21. http://dx.doi.org/10.1177/00405736241226880.

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The 2023 Black Theology and Leadership Initiative convened around the theme, “Searching for the Soul of Black Preaching.” Rather than focusing on the performative aspects of Black preaching, as an art form, the convening looked substantively at the soul of Black preaching, that is, its very essence. What does it mean to provide hope to a people who have historically been marginalized, as part of the Black experience in America? In relying on some of America's most respected scholars, as well as some of my own previously published works, I argue that the soul of Black preaching includes four fu

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Saefulloh, Aris. "SENI PERTUNJUKAN MUSIK POPULER REBANA DAN THEK-THEK SEBAGAI MEDIA DAKWAH DI PURWOKERTO." Dakwatun : Jurnal Manajemen Dakwah 2, no. 2 (2023): 225–36. http://dx.doi.org/10.58194/jdmd.v2i2.1320.

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The aim of preaching is not only to convey a religious message, but also how the message is received and implemented in daily life. Maximizing all potential, including culture, local traditions and art, can support the success of da'wah. This research is intended to answer the question of how the popular performing arts in the form of Hadrah and Thek-thek Banyumasan are used as a medium for preaching in Purwokerto. This research uses qualitative descriptive analysis, with a phenomenological approach obtained by observation, documentation and interviews. The results of the research show that ha

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Nemtseva, Kseniia Igorevna. "Techniques of persuasion in contemporary Spanish preaching discourse." Philology. Theory & Practice 18, no. 1 (2025): 296–301. https://doi.org/10.30853/phil20250044.

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The purpose of the study is to identify the means of speech influence of preachers on the target audience. The scientific novelty of this work lies in the fact that for the first time the research focuses on the use of invasive means in modern Spanish preaching. The article reflects the centuries-old history of the development of preaching discourse, which originated in the first centuries of Christianity and was particularly developed in Spain during the reign of Catholic kings. Currently, in Spain, preaching acts as an important social practice involving a large audience, as evidenced by the

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Maghrobi, Muhammad Ezhar Fatih, and Akhmad Rifa'i. "Dakwah dan Warisan Budaya Nusantara di Kalimantan Selatan: Kajian Seni Syair Sastra Madihin dalam Perspektif Semiotika Roland Barthes." Empirisma: Jurnal Pemikiran dan Kebudayaan Islam 33, no. 1 (2024): 167–86. http://dx.doi.org/10.30762/empirisma.v33i1.1477.

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The art of Madihin poetry is a rich part of the archipelago's cultural values and is an important heritage in Indonesian literary tradition. This article aims to examine the value of da'wah contained in the art of literary verse from the semiotic perspective of Roland Barthes. Originally intended for nobles or royal families, Madihin has evolved into a popular art form over time. Beyond its performative aspects, Madihin's literary dimension encapsulates numerous values. This study employs a qualitative descriptive method, utilizing Roland Barthes' semiotic analysis to interpret denotations, co

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30

Roest, Bert. "The Renaissance Pulpit: Art and Preaching in Tuscany, 1400–1550." Church History and Religious Culture 88, no. 2 (2008): 279–81. http://dx.doi.org/10.1163/187124108x354420.

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31

Bailey, Raymond. "Book Review: Preaching: The Art of Connecting God and People." Review & Expositor 83, no. 4 (1986): 670–71. http://dx.doi.org/10.1177/003463738608300467.

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32

Hirst, Russel. "Sacred Texts as Crucibles of Invention: Austin Phelps on the Art of Text Taking." Journal of Communication and Religion 29, no. 2 (2006): 347–69. http://dx.doi.org/10.5840/jcr200629216.

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The homiletic theory of Austin Phelps, Professor of Sacred Oratory at Andover TSfrom 1848-79, includes valuable typology and guidance for choosing sermon texts. His lectures on the topic, published in The Theory of Preaching (J 881) ojfjfer an "art of text taking'' that is representative of conservative, orthodox homiletics in nineteenthcentury America. Phelps was a powerful advocate of the traditional text-based sermon, and his homiletic process is based on the idea that homiletic invention begins in the moment of divine connection when the preacher finds the right text on which to base a ser

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Patterson, W. B. "William Perkins’sThe Arte of Prophecying:A Literary Manifesto." Studies in Church History 48 (2012): 170–84. http://dx.doi.org/10.1017/s0424208400001303.

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William Perkins, the late sixteenth-century Cambridge theologian and one of the best-selling authors of his time, wrote the first major English book on preaching. During his ministry in Cambridge, as a fellow of Christ’s College and lecturer at Great St Andrew’s Church, he also preached a large number of sermons, which illustrated the art he taught. Historians of preaching have generally seen him as the chief proponent of the puritan ‘plain style’, a way of preaching sometimes contrasted with the learned, elaborate, ‘metaphysical’ style of preaching fashionable in the Established Church during

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34

Świątkowski, Andrzej Marian. "PROCESSING OF PERSONAL DATA BY MEMBERS OF THE RELIGIOUS COMMUNITY OF JEHOVAHS WITNESSES." Roczniki Administracji i Prawa 1, no. XXIII (2023): 81–94. http://dx.doi.org/10.5604/01.3001.0053.3228.

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The author presents a dispute in Finland over a decision prohibiting the religious community of Jehovahs Witnesses from collecting and otherwise processing personal data as part of the preaching activity. The public authorities of this country have recognized that the community and its members are controllers of personal data and entities responsible for the processing of such data. According to the community, preaching is an individual religious practice. Data collected solely on the personal initiative of the members of the Jehovahs Witness community do not constitute a dataset, and the comm

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Musliadi, Musliadi, and R. Firdaus Wahyudi. "Retorika Dakwah di kelurahan Tassililu kec. Sinjai Barat Dalam Mencegah Radikalisme." INKAMKU : Journal of Community Service 2, no. 1 (2023): 28–34. http://dx.doi.org/10.47435/inkamku.v2i1.2198.

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Da'wah rhetoric is the art of conveying da'wah messages, this art aims so that the messages conveyed by the preacher can be well received by listeners in an effort to prevent radicalism in Tassililu village, especially to youth or mosque youth, da'wah rhetoric training activities are certainly an alternative that can be done so that young people or young people in the mosque can understand and accept sentences or da'wah messages conveyed by a da'i so that later when they grow up they can distinguish between sentences that can lead to actions that contain elements of radicalism. The method used

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Roser, Traugott. "The Reality of Fear: Preaching in a Frightened World." International Journal of Homiletics, Supplementum Duke Conference (November 25, 2019): 63–78. http://dx.doi.org/10.21827/ijh.2019.39485.

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Fear is a recurrent theme in today’s popular culture. Film director Steven Spielberg’s lifelong work presents the full range from awe and fear to terror, heading towards a deeply humanist approach of overcoming fear. This article puts homiletics into the context of current sociocultural discourse by applying the concept of ‘paradigm scenario’ (Ronald de Sousa) to fear in media culture and preaching. Preaching, like film, works with emotions such as fear and anxiety, initiating strong physical and mental reaction. To preach within a fearful world demands that one be aware of the psychology of f

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Debby, Nirit Ben-Aryeh. "Saint Bernardino of Siena and Art: Preaching and Baptism in Tuscany." Catholic Historical Review 107, no. 2 (2021): 165–90. http://dx.doi.org/10.1353/cat.2021.0010.

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Bailey, Raymond. "Book Review: III. Ministry Studies: Preaching: The Art and the Craft." Review & Expositor 86, no. 3 (1989): 463–64. http://dx.doi.org/10.1177/003463738908600342.

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39

Rohmad, Muhammad Ali. "THE ROLE OF ISLAMIC ART IN ENHANCING THE SPIRITUALITY OF INDONESIAN YOUNG GENERATION." Teosofia 9, no. 1 (2020): 63. http://dx.doi.org/10.21580/tos.v9i1.5376.

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<em>Islamic art is radiant beauty of the Islamic spiritual. The young generation must be able to be the front guard in preaching a beautiful religion. The public abandoned Islamic art because it was considered ancient and inferior to the conventional art, which was increasingly innovative. But lately, Islamic art has become popular in Indonesian people again as a phenomenon which is widely discussed, namely the pesantren literary art, represented by the novel Hati Suhita by Khima Anis. While, Islamic music art represented by Sabyan Gambus. As long as Islamic art can maintain quality and

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40

Sounaye, Abdoulaye. "Salafi Aesthetics: Preaching Among the Sunnance in Niamey, Niger." Journal of Religion in Africa 47, no. 1 (2017): 9–41. http://dx.doi.org/10.1163/15700666-12340101.

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Abstract In their effort to contribute to Islamic reform in Niamey, young Salafi (Sunnance) have embraced preaching and have made it part of their religious practice. As preachers or audience members, they invest time and energy to imagine various ways to popularize the Sunna, the tradition of the prophet Muhammad. Because of the jokes, mimicry, and theatrics that characterize their preaching style, their critics have rejected their initiatives, claiming they are unqualified and therefore should not be allowed to preach. In response, Sunnance have argued that an effective sermon (wazu) require

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Yunisa, Rika Ananda, and Jihan Hijrahani Azizah Brutu. "SENI KALIGRAFI SEBAGAI MEDIA DAKWAH DAN PENDIDIKAN ISLAM." Jurnal Ekshis 3, no. 1 (2025): 28–39. https://doi.org/10.59548/je.v3i1.354.

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The art of calligraphy is the art of beautiful writing which is one of the characteristics of Islamic art. The art of calligraphy not only has aesthetic value, but also the value of worship and preaching. This research aims to examine the role and function of calligraphy art as a medium for Islamic da'wah and education in Indonesia. The research method used is a qualitative method with a descriptive analytical approach. Research data was obtained from literature studies. The research results show that the art of calligraphy has an important role in conveying Islamic messages, enriching the tre

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Abdul Hatim, Ahmad Sahlan, Mohd Nizam Sahad, and Rosmawati Mohamad Rasit. "Persepsi Pelajar Terhadap Pembentukan Akhlak Melalui Penerapan Nilai Murni Dalam Aktiviti Dakwah Kesenian Di SMKA Negeri Kedah (Student’s Perception Towards Formation of Morals (Akhlaq) by Inculcating Noble Values in the Art Da’wah Activity in SMKA of Kedah)." UMRAN - International Journal of Islamic and Civilizational Studies 7, no. 2 (2020): 1–16. http://dx.doi.org/10.11113/umran2020.7n2.398.

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The education system of the country places great emphasis on morals to create balanced people who master the knowledge and appreciate the values. However, the involvement of students in the symptoms of moral collapse caused by a lack of knowledge and appreciation of religion is a serious issue. As such, the medium of art is seen as being able to attract students to engage in preaching activities in strengthening religious appreciation. In addition to identifying the level of implementation of the art propaganda activities, this study also identified the values applied in the implementation of

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Christian, Timothy J. "Paul and Rhetoric Revisited: Reexamining Litfin’s Assumptions on Pauline Preaching in 1 Corinthians." Religions 16, no. 3 (2025): 363. https://doi.org/10.3390/rel16030363.

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In contemporary New Testament studies, the question of whether Paul employed Greco-Roman rhetoric in his writings and preaching remains contentious. A prominent critic of Paul’s rhetorical usage is Duane Litfin, whose works, St. Paul’s Theology of Proclamation: 1 Corinthians 1–4 and Greco-Roman Rhetoric (1994) and Paul’s Theology of Preaching: The Apostle’s Challenge to the Art of Persuasion in Ancient Corinth (2015), argue that Paul outright rejected rhetoric in favor of a straightforward proclamation of the gospel. Litfin asserts that Paul viewed himself as a herald rather than a rhetorician

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Riyadi, Abdul Kadir, and Moh Adib Amrullah. "NU dan Musik Religi: Dialektika Agama dan Budaya." Tebuireng: Journal of Islamic Studies and Society 3, no. 1 (2022): 35–42. http://dx.doi.org/10.33752/tjiss.v3i1.3567.

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Music, in its development, follows social and cultural needs. In the Islamic world, music has long been discussed in terms of how Islamic law regulates the use of musical instruments or listening to songs. From the two opinions that allow and prohibit, Nahdlatul Ulama has long engaged in a dialectic of musical art with religious law through the provision of a platform for both containing and developing musical art. Through the approach of Sufism and historical evidence of the success of preaching through art, religious music, which is a manifestation of the transformation of musical art in the

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Kalbarczyk, Adam. "The Protestant Homiletics Approach toward Preaching on the Internet." Poznańskie Studia Teologiczne, no. 37 (April 19, 2021): 77–88. http://dx.doi.org/10.14746/pst.2020.37.04.

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The presence of the sermon in cyberspace requires an in-depth theological interpretation and an appropriate classification. Evangelicals maintain that traditional homiletics is not able to meet this new technological challenge, thereby they call for creating a new homiletics, i.e. the one crafted for the Internet. This article outlines the proposal of such homiletics and discusses it thoroughly. This new approach toward Gospel preaching stems from the paradigm which perceives the sermon as an ‘open work of art’, adopted from Gerhard M. Martin’s aesthetic homiletics. Its supporters claim that t

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Yang, Sunggu A. "With Jørn Utzon: Approaching and Preaching Architectural Texts." Homiletic 45, no. 2 (2020): 53–69. http://dx.doi.org/10.15695/hmltc.v45i2.5000.

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Architecture is communication. It conveys human stories, feelings, philosophies, and cultural histories and interacts through them with viewers, occupants, artists, and surrounding communities. Architecture, whether explicitly religious or not, is spiritual, too. Embodying and manifesting spatial spirituality, it invokes in the mind of the appreciator awe, wonder, and contact with the transcendent. All this is possible because architecture is, to borrow Paul Tillich’s language, an art form carrying the ultimate concerns of human life. Recognizing the communicative, spiritual, and existential n

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Wadsworth, Andrew R. "The Art of Preaching: A Theological and Practical Primer by Daniel Cardó." Antiphon: A Journal for Liturgical Renewal 26, no. 2 (2022): 216–18. http://dx.doi.org/10.1353/atp.2022.0017.

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Graves, Mike. "Book Review: Speaking of the Holy: The Art of Communication in Preaching." Review & Expositor 99, no. 1 (2002): 124–25. http://dx.doi.org/10.1177/003463730209900123.

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Quicke, Michael. "Book Review: III. Ministerial Studies: The Art of Preaching Old Testament Narrative." Review & Expositor 99, no. 4 (2002): 638–39. http://dx.doi.org/10.1177/003463730209900423.

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Fahy, Barbara M. ":The Renaissance Pulpit: Art and Preaching in Tuscany, 1400-1550." Sixteenth Century Journal 40, no. 2 (2009): 481–82. http://dx.doi.org/10.1086/scj40540671.

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