Relevant bibliographies by topics / Prehistoric peoples in art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Prehistoric peoples in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Prehistoric peoples in art"

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McGhee, Robert. "PREHISTORIC ARCTIC PEOPLES AND THEIR ART." American Review of Canadian Studies 17, no. 1 (1987): 5–14. http://dx.doi.org/10.1080/02722018709480971.

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Srisuchat, Amara. "Rock art in Thailand: A legacy." Sarawak Museum Journal LXXI, no. 92 (2013): 81–104. http://dx.doi.org/10.61507/smj22-2013-rt19-04.

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This paper discusses some significant points on rock art of the prehistoric period in Thailand beginning with how local folk tales influence local people’s perception of rock art which differs from that proposed by scholars, followed by archaeological visits to rock art sites, artworks on the rock walls of the prehistoric artists, the past information from rock art and the present condition of rock art sites and the challenges of preservation. Though non-scientific learning of local people on rock art prior to academic inventory rock art sites of archaeologists, the results of the archaeologic
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Baraliu, Sedat, and Ilir Hivzi Muharremi. "Geometric prehistoric motifs in the mural art of Kosovo." Street Art & Urban Creativity 9, no. 2 (2023): 38–45. https://doi.org/10.25765/sauc.v9i2.746.

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This paper addresses prehistoric murals content in the Balkans with special emphasis those in the territory of Kosovo. In Kosovo, murals are located in town of Ferizaj. The dominant figures in this mural are: the Goddess sitting on the Throne, Urns, anthropomorphic masks of the Neolithic period, geometric shapes in vases and various objects, e. The authors have made an interweaving between the figures and the compositional alignment, while the colors are completely independent of the figures. The purpose is to show the importance of prehistory as inspiration for modern artists. The murals that
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de Quirós, F. H. Bernaldo. "Reflections on the Art of the Cave of Altamira." Proceedings of the Prehistoric Society 57, no. 01 (1991): 81–90. http://dx.doi.org/10.1017/s0079497x00004898.

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Discovery of the cave of Altamira in 1879 introduced a new aspect to ideas on human evolution, requiring a fresh approach to previous notions of life and customs among prehistoric groups. In the final years of the 19th century the prevailing view of prehistoric life was still coloured by the prejudice and concepts which had marked early discussion on the origin of man. From what was known of their tools and art forms, early men were presented as living in simple communities which were considered equivalent to the ‘primitive peoples’ being described, often with a Euro-centric superiority, by co
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Nenakhova, Yuliya N. "Siberian Scientific School of Prehistoric Art Founded by Academician A. P. Okladnikov." Archaeology and Ethnography 18, no. 7 (2019): 19–41. http://dx.doi.org/10.25205/1818-7919-2019-18-7-19-41.

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Purpose. One of the most important research areas studied by A. P. Okladnikov was prehistoric art, in particular its origin and correlation with the concept of “aesthetic beginning”, as well as issues of ancient art development and a number of other related aspects. Siberian scientific school of prehistoric art founded by academician A. P. Okladnikov has already made a significant contribution to the study of prehistoric art on a worldwide scale. Results. A. P. Okladnilov’s scientific interest in prehistoric art issues formed at the beginning of the 1960s, when he moved to Akademgorodok in Nov
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Bradley, Richard. "Rock Art and the Perception of Landscape." Cambridge Archaeological Journal 1, no. 1 (1991): 77–101. http://dx.doi.org/10.1017/s0959774300000263.

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Studies of the prehistoric landscape are best suited to the analysis of sedentary communities with enclosed resources. Studies of prehistoric art show different limitations, especially an excessive subjectivity. This paper attempts to bring these areas of research together by considering the changing content of rock art in relation to topography, the movement of people in the cultural landscape, and the operation of specialized kinds of monument. The characteristic designs found in the open air are analyzed in terms of their organization and visual impact, and the results of this pilot study a
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Menu, Michel. "Cave Paintings: Structure and Analysis." MRS Bulletin 21, no. 12 (1996): 48–53. http://dx.doi.org/10.1557/s0883769400032115.

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Prehistoric art is the oldest manifestation of the human desire to record the religion, myths, and spirituality of prehistoric people. The purpose of this article is by no means to propose an interpretation of this artistic expression but to carry out, within a multidisciplinary approach, research aimed at rediscovering the technical system by which the walls of the prehistoric caves were decorated.
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Gedo, John E. "Art Alone Endures." Journal of the American Psychoanalytic Association 40, no. 2 (1992): 501–16. http://dx.doi.org/10.1177/000306519204000209.

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Sigmund Freud, a passionate collector of antiquities, often treated these objects as animate beings. He described such blurring of boundaries between persons and things in the protagonist of W. Jensen's novella, Gradiva. Freud began collecting when his father died, but his unusual attitude toward artefacts was established much earlier, presumably as a consequence of repeated early disappointments in human caretakers. It is postulated that this adaptive maneuver was not simply a displacement of love and hate, but a turning away from vulnerability in relationships, toward attachments over which
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Gortner, Willis A. "Bear Paw Petroglyphs and the Prehistoric Martis Complex." North American Archaeologist 15, no. 1 (1994): 69–76. http://dx.doi.org/10.2190/ccku-c0d5-x36f-ev80.

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People of the Martis Complex occupied lands adjoining the north-central Sierra Nevada from approximately 2000 B.C. to 500 A.D. They left their rock art on 100 or more rock outcroppings. The appearance of glyphs clearly resembling a bear paw or bear track at several dozen petroglyph sites suggested that this symbol in the north-central Sierra Nevada might be unique to the Martis people. A review of the occurrence of bear paw glyphs at ninety nine recorded sites in Nevada and 265 petroglyph sites in California showed that none of these glyphs appeared at the 293 sites more than 90 km from Martis
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Mishra, Nitesh Kumar, Anshu Mala Tirkey, and Baleswar Kumar Besra. "The Cultural Study of Tribes and Prehistoric Rock Paintings of Simdega District." Journal of Ravishankar University (PART-A) 26, no. 1 (2021): 39–48. http://dx.doi.org/10.52228/jrua.2020-26-1-7.

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This research paper will mainly consist of the unreported Neolithic site and rock art sites of Simdega district. In this paper there will be the detailed information about the rock paintings. The detailed study will be done of the various figures of the paintings. This paper will also describe the associated remains found along with the rock paintings. The research paper also consists of the developing phase of the rock art which can be seen in the tribal communities. Paper will also consist of the study of saddle quern, its various uses and how it is related to the tribal community. There wil
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Dissertations / Theses on the topic "Prehistoric peoples in art"

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Cox, Katharine, and n/a. "Human migration in prehistoric Northeast Thailand." University of Otago. Department of Anatomy & Structural Biology, 2009. http://adt.otago.ac.nz./public/adt-NZDU20090626.150746.

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The aim of this thesis is to examine the scale of human migration in three prehistoric settlements in the Upper Mun River Valley (UMRV) Northeast Thailand, from c. 1700BC - AD500. Archaeological data implies migration may have had a central role in the development of agriculture and later metal technology in the region, which is suggested to show increased social complexity over this important stage in the development of states in mainland Southeast Asia. The scale of these migrations, however, are not known and based on archaeological evidence it is unclear whether there were large numbers of
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Hay, Alistair, and n/a. "The morphology of the pre-European Maori femur and its functional significance." University of Otago. Department of Anatomy & Structural Biology, 1996. http://adt.otago.ac.nz./public/adt-NZDU20070601.094956.

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The life of the pre-European Maori consisted of subsistence strategies ranging from hunter-gatherer to horticultural activities. The femur of both sexes is generally characterised by a flattened proximal shaft rotated inward, and by a short, markedly bowed, robust diaphysis. Femoral rugosity denotes the attachment of relatively great thigh musculature which, in turn, is an indicator of the levels of physical activity associated with the subsistence strategies undertaken. The femoral neck and head is distinguished from contemporary populations and those of comparative subsistence strategies by
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Hood, David James, and n/a. "A social history of archaeology in New Zealand." University of Otago. Department of Anthropology, 1996. http://adt.otago.ac.nz./public/adt-NZDU20070530.152806.

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Consideration of the degree to which social factors have influenced the development of archaeology has become a recent focus of interest among archaeologists; however little work has been done on determining the relationship of social factors to archaeology in new Zealand. The aim of this thesis is to consider whether archaeologists were influenced by the surrounding New Zealand society between the years 1840 and 1954 and if so, in what manner were they influenced. In particular, consideration is given to how the social background of New Zealand archaeology compared with the social influences
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Ndlovu, Ndukuyakhe. "Incorporating indigenous management in rock art sites in KwaZulu -Natal /." Thesis, Rhodes University, 2005. http://eprints.ru.ac.za/1380/.

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Quinn, Carolyn J., and n/a. "Stable isotopes and diet : indications of the marine and terrestrial component in the diets of prehistoric populations from New Zealand and the Pacific." University of Otago. Department of Anthropology, 1990. http://adt.otago.ac.nz./public/adt-NZDU20070601.115004.

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The importance of marine versus terrestrial foods in prehistoric Pacific and New Zealand diets, and the adaptation of the Polynesian diet to new enviroments, is examined through the analysis of the ratios in human bone of the stable isotopes of carbon, nitrogen and sulphur. In particular, this study seeks to obtain quantitative information which could provide answers to five main questions, relating to the subsistence focus of the early Lapita colonists in the Pacific, the significance of suger cane in the diets of early Pacific populations, the proportions of reef versus open ocean and terres
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O'Sullivan, Rebecca. "Landscape and connections : petroglyphs of the Altai in the 2nd and 1st Millennium BCE." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:0171a563-274b-4b02-9577-4c31dfe9f388.

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This thesis presents a holistic study of connections in the Altai Mountains of the eastern Eurasian Steppe, as shown by rock-art. Currently divided by four countries, pecked images (petroglyphs) and painted images from the 2<sup>nd</sup>-1<sup>st</sup> millennium BCE have been subjected to very separate research traditions, exacerbated by language barriers. This thesis focusses on the entire Altai Mountain range as a study area, integrating research published in Chinese and Russian, with supplementary literature in Kazakh and Mongolian consulted. To demonstrate the potential for connectivity a
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Wymer, Dee Anne. "The paleoethnobotanical record of central Ohio - 100 B.C. to A.D. 800 : subsistence continuity amid cultural change." Connect to resource, 1987. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1219945114.

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Bartelheim, Martin. "Die Rolle der Metallurgie in vorgeschichtlichen Gesellschaften : sozioökonomische und kulturhistorische Aspekte der Ressourcennutzung ; ein Vergleich zwischen Andalusien, Zypern und dem Nordalpenraum = The @role of metallurgy in prehistoric societies /." Rahden, Westf. : Leidorf, 2007. http://www.vml.de/d/detail.php?ISBN=978-3-89646-872-7.

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Lagana, Louis. "Prehistoric Malta and contemporary art." Thesis, Loughborough University, 2005. https://dspace.lboro.ac.uk/2134/7718.

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Malta, a small island in the middle of the Mediterranean is extremely rich in its Prehistoric archaeological heritage. Local and also foreign artists were and continue to be fascinated and influenced by prehistoric art during the course of their careers. This thesis demonstrates the ways in which contemporary artists interpret Neolithic symbolism, particularly the images of Neolithic Goddesses found in various temples on the islands. The well preserved state of the Maltese Temples and their artefacts, and their beauty, still stimulate the imagination of artists to create works of art that show
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Kennedy, Jason R. "Terminal Ubaid ceramics at Yenice Yani implications for terminal Ubaid organization of labor and commensality /." Diss., Online access via UMI:, 2008.

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Books on the topic "Prehistoric peoples in art"

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Cârciumaru, Marin. Mărturii ale artei rupestre preistorice în România. Sport-Turism, 1987.

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Beilke-Voigt, Ines. Frühgeschichtliche Miniaturobjekte mit Amulettcharakter zwischen Britischen Inseln und Schwarzem Meer. R. Habelt, 1998.

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Frolov, B. A. Pervobytnai͡a︡ grafika Evropy. Nauka, 1992.

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Jaubert, Jacques. Préhistoires de France. Confluences, 2011.

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Pešić, Vesna. Nasleđe Prve Evrope: Odlomci za rekonstrukciju prošlosti. Pešić, 2011.

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Lilliu, Giovanni. Arte e religione della Sardegna prenuragica: Idoletti, ceramiche, oggetti d'ornamento. C. Delfino, 1999.

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Otto, Christina. Die Felsmalereien und -gravierungen des südlichen Afrika: Eine vergleichende Analyse. Universität Leipzig, 2006.

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Tosello, Gilles. Prehisto art: Gilles Tosello : illustrateur depuis 950,000 ans. Auréoline, 2005.

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Leelananda, Prematilleka, and Madhyama Saṃskr̥tika Aramudala (Sri Lanka), eds. The art and archaeology of Sri Lanka: Archaeology, archtecture, sculpture. Central Cultural Fund, Ministry of Cultural Affairs, 2007.

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Leelananda, Prematilleka, and Madhyama Saṃskr̥tika Aramudala (Sri Lanka), eds. The art and archaeology of Sri Lanka: Archaeology, archtecture, sculpture. Central Cultural Fund, Ministry of Cultural Affairs, 2007.

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Book chapters on the topic "Prehistoric peoples in art"

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Gooch, Jan W. "Prehistoric Art." In Encyclopedic Dictionary of Polymers. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_9392.

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Leon, Elmo. "Andes: Prehistoric Art." In Encyclopedia of Global Archaeology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_1684.

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Leon, Elmo. "Andes: Prehistoric Art." In Encyclopedia of Global Archaeology. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51726-1_1684-2.

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Leon, Elmo. "Andes: Prehistoric Art." In Encyclopedia of Global Archaeology. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_1684.

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Durband, Arthur C. "Prehistoric Human Art." In Encyclopedia of Evolutionary Psychological Science. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-16999-6_1839-1.

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Durband, Arthur C. "Prehistoric Human Art." In Encyclopedia of Evolutionary Psychological Science. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-19650-3_1839.

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Chen, Ting. "Prehistoric Arts." In Illustrated History of Chinese Art. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-97-5292-8_1.

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Sauvet, Georges, Cesar González Sainz, José Luis Sanchidrián, and Valentín Villaverde. "Europe: Prehistoric Rock Art." In Encyclopedia of Global Archaeology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_1278.

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Sauvet, Georges, Cesar González Sainz, José Luis Sanchidrián, and Valentín Villaverde. "Europe: Prehistoric Rock Art." In Encyclopedia of Global Archaeology. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_1278.

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Anati, Emmanuel. "Prehistoric Art and Religion." In Religion and Material Culture: Studying Religion and Religious Elements on the Basis of Objects, Architecture, and Space. Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.ash-eb.5.114429.

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Conference papers on the topic "Prehistoric peoples in art"

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Yuadi, Imam, Nisak Ummi Nazikhah, Khoirun Nisa’, and Toetik Koesbardiati. "Auto Local Threshold Analysis of Prehistoric Cave Art in Leang-Leang Archaeological Park, South Sulawesi, Indonesia." In 2024 International Conference on Information Technology Research and Innovation (ICITRI). IEEE, 2024. http://dx.doi.org/10.1109/icitri62858.2024.10698828.

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Katsangelou, Smaro, Parker Wilmoth, DimitrisA Pados, and Emmanouil Vermisso. "Latent Petroglyphs: Pattern Extraction From Prehistoric Rock Art Through Generative Workflows for a Design Project in Greece." In CAADRIA 2024: Accelerated Design. CAADRIA, 2024. http://dx.doi.org/10.52842/conf.caadria.2024.1.149.

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Tanabayeva, Anar, Samal Sagnaikyzy, and Marzhan Alikbayeva. "THE PATTERN OF THE �PERFECT MAN� IN SUFISM." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs07.19.

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In the history of culture, one of the most important periods in the study of the problem of the nature and formation of the �perfect man� was the historical stratum of medieval Islamic culture, in which the Sufi discourse played an important role. Sufism as a religious and mystical direction in Islam is actualized in the light of the study of the classical cultural heritage of the peoples of the East and modern socio-cultural processes. Sufism played a significant role in the development of medieval Islamic culture and made its unique contribution to the concept of the �perfect man�. The Sufi
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Kirkpatrick, David T., and Meliha S. Duran. "Prehistoric peoples of the northern Chihuahuan Desert." In 49th Annual Fall Field Conference. New Mexico Geological Society, 1998. http://dx.doi.org/10.56577/ffc-49.41.

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Карманов, В. Н. "THE IRRATIONAL IN THE STONE AGE AND EARLY METAL AGE CULTURES OF THE FAR NORTH-EAST OF EUROPE: DETAILS." In Материалы 23–25-го заседаний научно-методического семинара «Тверская земля и сопредельные территории в древности». Crossref, 2024. https://doi.org/10.70203/6896.2024.77.77.053.

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В статье обобщены и систематизированы сведения об источниках для изучения иррационального в культурах эпохи камня и периода раннего металла Крайнего Северо-Востока Европы. Определены три группы источников: необычные, аномальные ситуации, выявляемые на фоне изучения синхронных контекстов; остатки – поделки, игрушки или предметы первобытного искусства; следы обработки и разного вида износа. Из-за высокой мобильности охотников-собирателей тайги и тундры, особенностей сохранности материалов источники об иррациональном в культурах этих людей пока ещё крайне скудны. Кроме того, некоторые доступные д
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Bryan, Paul. "RECORDING PREHISTORIC ROCK-ART : A THREE DIMENSIONAL APPROACH." In Electronic Visualisation and the Arts (EVA 2009). BCS Learning & Development, 2009. http://dx.doi.org/10.14236/ewic/eva2009.3.

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Palaguta, Il’ya. "On the problem of the methodology of researching works of prehistoric art." In Antiquities of East Europe, South Asia and South Siberia in the context of connections and interactions within the Eurasian cultural space (new data and concepts). Institute for the History of Material Culture Russian Academy of Sciences, 2019. http://dx.doi.org/10.31600/978-5-907053-34-2-207-209.

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Schaich, Martin. "3D-PIT0TI: 3D acquisition, processing and presentation of prehistoric European rock-art." In 2013 Digital Heritage International Congress (DigitalHeritage). IEEE, 2013. http://dx.doi.org/10.1109/digitalheritage.2013.6744814.

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Seglins, Valdis, and Agnese Kukela. "THE PLOCHATA DOLMEN NEAR ZLATOSEL, BULGARIA." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s04.05.

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Bulgaria is extremely rich in prehistoric and historic monuments. Among Bulgaria�s outstanding monuments there are not only the well-known Varna Necropolis and Provadia-Solnitsata ancient salt mining and urban center, but also numerous other megalithic prehistoric monuments. Until now, they have been identified and recognized mainly as alone - standing objects. Current paper focuses on the study carried out in the vicinity of Zlatosel village on the prehistoric site of the Plochata Dolmen. The study indicates that this large area consists of a complex of ancient buildings� ruins and fragments
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Tatevosyan, Ashot Henrikovich. "DECORATIVE AND APPLIED ART OF THE INDIGENOUS PEOPLES OF THE RUSSIAN ARCTIC." In Themed collection of papers from Foreign international scientific conference «Joint innovation - joint development». Part 1. Ьу НNRI «National development» in cooperation with PS ofUA. June 2023. Crossref, 2023. http://dx.doi.org/10.37539/230629.2023.28.34.027.

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This article is dedicated to the decorative and applied art of the indigenous peoples of the Russian Arctic, particularly the Saami people who reside on the Kola Peninsula and in the Murmansk region. The article provides a detailed description of Saami dwellings, including typical forms such as the tupa, vee, and log cabins, as well as structures of auxiliary and economic significance, such as barns and cellars. Special attention is given to the decorative and applied art of the Saami, including wood carving, embroidery, folk clothing, metal and leather adornments. The article is of interest t
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Reports on the topic "Prehistoric peoples in art"

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Saville, Alan, and Caroline Wickham-Jones, eds. Palaeolithic and Mesolithic Scotland : Scottish Archaeological Research Framework Panel Report. Society for Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.06.2012.163.

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Why research Palaeolithic and Mesolithic Scotland? Palaeolithic and Mesolithic archaeology sheds light on the first colonisation and subsequent early inhabitation of Scotland. It is a growing and exciting field where increasing Scottish evidence has been given wider significance in the context of European prehistory. It extends over a long period, which saw great changes, including substantial environmental transformations, and the impact of, and societal response to, climate change. The period as a whole provides the foundation for the human occupation of Scotland and is crucial for understan
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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.

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Coffs Harbour on the north coast of NSW is a highway city sandwiched between the Great Dividing Range and the Pacific Ocean. For thousands of years it was the traditional land of the numerous Gumbaynggirr peoples. Tourism now appears to be the major industry, supplanting agriculture and timber getting, while a large service sector has grown up around a sizable retirement community. It is major holiday destination. Located further away from the coast in the midst of a dairy farming community, Bellingen has become a centre of alternative culture which relies heavily on a variety of festivals act
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Downes, Jane, ed. Chalcolithic and Bronze Age Scotland: ScARF Panel Report. Society for Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.184.

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The main recommendations of the panel report can be summarised under five key headings:  Building the Scottish Bronze Age: Narratives should be developed to account for the regional and chronological trends and diversity within Scotland at this time. A chronology Bronze Age Scotland: ScARF Panel Report iv based upon Scottish as well as external evidence, combining absolute dating (and the statistical modelling thereof) with re-examined typologies based on a variety of sources – material cultural, funerary, settlement, and environmental evidence – is required to construct a robust and up to da
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