Relevant bibliographies by topics / Prerogative, Royal, in art

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Academic literature on the topic 'Prerogative, Royal, in art'

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Published: 4 June 2021

Last updated: 7 February 2022

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Journal articles on the topic "Prerogative, Royal, in art"

Hough, Barry. "Judicial review where the Attorney General refuses to act: time for a change." Legal Studies 8, no. 2 (1988): 189–200. http://dx.doi.org/10.1111/j.1748-121x.1988.tb00549.x.

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‘Today, therefore, the controlling factor in determining whether the exercise of a prerogative power is subject to judicial review is not its source but its subject matter.’ So uttered Lord Scarman, expressing the view of the majority of the House of Lords in Council of Civil Service Unions v Minister for the Civil Service (the GCHQ case). The Attorney General, in deciding whether to institute proceedings for the enforcement ofa public right, exercises a power vested in him by virtue of the royal prerogative. This power, it was previously held, was ‘absolute and non-reviewable’. The question now arises as to whether the Attorney General’s discretionary powers are embraced within that category of prerogative powers whose subject matter renders them amenable to judicial review, or whether they remain beyond judicial scrutiny.

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Cox, Noel. "BLACK V. CHRÉTIEN AND THE CONTROL OF THE ROYAL PREROGATIVE." Constitutional Forum / Forum constitutionnel 12, no. 1, 2 & 3 (2011): 2002. http://dx.doi.org/10.21991/c94m3j.

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Conrad Black, a prominent publisher and businessman in both Canada and the United Kingdom, submitted his name for one of the peerages to be created for the new-model House of Lords following the House of Lords Act 1999.1 The rights and duties of peers depend entirely upon custom.2 The principal legal distinction of British peers is — or was — their right to sit and vote in Parliament.3 Not all peers however were Lords of Parliament (principally the Irish peers not also possessing another peerage entitling them to a seat), and some Lords of Parliament, the bishops, are not peers.4 Essentially, Black was seeking, and had been promised, a seat in the upper house of the British Parliament.

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Eleftheriadis, Pavlos. "Two Doctrines of the Unwritten Constitution." European Constitutional Law Review 13, no. 3 (2017): 525–50. http://dx.doi.org/10.1017/s1574019617000190.

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United Kingdom Supreme Court – Brexit – European Communities Act 1972 – British unwritten Constitution – Theories of the unwritten Constitution – Royal prerogative – Constitutional instruments – Higher law – Process of withdrawal from the European Union – Rule of recognition – H.L.A. Hart – A.V. Dicey – John Finnis – ‘Rule of recognition’ – Theory of sovereignty – Common law Constitution – John Laws

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Feldman, David. "PULLING A TRIGGER OR STARTING A JOURNEY? BREXIT IN THE SUPREME COURT." Cambridge Law Journal 76, no. 2 (2017): 217–23. http://dx.doi.org/10.1017/s0008197317000435.

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FOLLOWING a referendum on 23 June 2016 in which 52% of voters (38% of the total electorate) had expressed a preference for the UK to leave the EU, the Government announced that it would start the process of withdrawal, in accordance with Article 50 of the Treaty on European Union (“TEU”), by notifying the European Council of the UK's decision, exercising the Government's prerogative power to conduct foreign relations. A number of legal challenges were fast-tracked to the Supreme Court. In R. (Miller) v Secretary of State for Exiting the European Union (Birnie and others intervening) [2017] UKSC 5; [2017] 2 W.L.R. 583 after an expedited hearing, the Court decided two issues: (1) whether the Government could exercise its power under the royal prerogative to give notice, or needed an Act of Parliament to authorise the giving of notice; and (2) whether the Government required the consent of devolved legislatures in Northern Ireland, Scotland and Wales before giving notice or introducing to Parliament a Bill authorising the giving of notice. The Court sat unprecedentedly with all 11 serving members. On issue (1), the Court, by an 8–3 majority, held that an Act of Parliament would be required in order to authorise the giving of notice. On issue (2), the Court unanimously held that there was no legal requirement for consent by the devolved institutions.

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PARCELLS, ASHLEY. "RURAL DEVELOPMENT, ROYAL HISTORY, AND THE STRUGGLE FOR AUTHORITY IN EARLY APARTHEID ZULULAND (1951–4)." Journal of African History 59, no. 2 (2018): 199–219. http://dx.doi.org/10.1017/s0021853718000403.

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AbstractFrom 1951, apartheid officials sought to implement soil rehabilitation programs in Nongoma, the home district of Zulu Paramount Chief Cyprian Bhekuzulu. This article argues that these programs brought to the surface fundamental questions about political authority in South Africa's hinterland during the first years of apartheid. These questions arose from ambiguities within native policy immediately after the passage of the 1951 Bantu Authorities Act: while the power of chiefs during the colonial and segregationist era in Zululand had been tied to their control of native reserve land, in Nongoma, these development interventions threatened that prerogative at the very moment apartheid policy sought to strengthen ‘tribal’ governance. In response, the Zulu royal family in Nongoma called on treaties with the British from the conquest era, colonial law, and the very language of apartheid to reassert chiefly control over land, and more importantly, to negotiate this new apartheid political order.

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Cross, Claire. "Monks, Friars, and the Royal Supremacy in Sixteenth-Century Yorkshire." Studies in Church History. Subsidia 9 (1987): 437–56. http://dx.doi.org/10.1017/s014304590000209x.

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The revolutionary changes initiated by the Government in the 1530s obliterated at a stroke the centuries-old division in England between Church and State. The preamble of the Act in Restraint of Appeals to Rome of 1533 marks particularly clearly the country’s transition from a dual to a single allegiance, setting out in a quite unequivocal expression of the new royal supremacy how by divers sundry old authentic histories and chronicles it is manifestly declared and expressed that this realm of England is an empire, and so hath been accepted in the world, governed by one supreme head and king, having the dignity and royal estate of the imperial crown of the same, unto whom a body politic, compact of all sorts and degrees of people divided in terms and by names of spiritualty and temporalty, be bounden and owe to bear next to God a natural and humble obedience; he being also institute and furnished by the goodness and sufferance of Almighty God with plenary, whole and entire power, preeminence, authority, prerogative and jurisdiction to render and yield justice and final determination to all manner of folk resiants or subjects within this realm, in all causes, matters, debates and contentions happening to occur, insurge or begin within the limits thereof, without restraint or provocation to any foreign princes or potentates of the world.

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Golden, Charles. "FRAYED AT THE EDGES: COLLECTIVE MEMORY AND HISTORY ON THE BORDERS OF CLASSIC MAYA POLITIES." Ancient Mesoamerica 21, no. 2 (2010): 373–84. http://dx.doi.org/10.1017/s0956536110000246.

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AbstractThis article explores social memory and history as they pertain particularly to secondary political centers on the edges of the Classic Maya kingdoms of Piedras Negras and Yaxchilan. Over the course of the Late Classic period (a.d. 600–900) the rulers of Maya polities in the Usumacinta River basin increasingly relied on the subordinate lords who governed these secondary centers to patrol and control the boundaries of their territories. For the rulers of any state, formulating an appropriate and coherent history to guide social memory is a critical political act for maintaining the cohesion of the political community. But as the Classic period progressed, client lords were increasingly permitted a formerly royal prerogative; they were accorded their own inscribed monuments. The monuments, together with associated ritual performances, were an integral part of the construction of history and collective memory in local communities and allowed secondary nobles to restructure social memory for their own interests. This trend, in turn, increased the potential for royal history and authority to be contested throughout the kingdom. Through several case studies this paper examines the ways that subordinate nobles could contest social memory and history sanctioned by primary rulers and the ways in which kings acted to maintain the reins of history and memory.

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Orakhelashvili, Alexander. "un Security Council Resolutions before uk Courts." Max Planck Yearbook of United Nations Law Online 19, no. 1 (2016): 39–64. http://dx.doi.org/10.1163/18757413-00190003.

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Over the past decade, the effective performance by the UN Security Council of its primary responsibility in the area of peace and security has increasingly become contingent on the implementation of its decisions within the national legal systems of the UN Member States. An examination of this issue in the context of the British legal system could offer a useful case-study of the ways to enhance the effectiveness of the UN collective security mechanism, to enforce the limits on the legitimacy of that mechanism, and also to highlight the practical difficulties that may accompany the attempts to apply Security Council resolutions domestically. This contribution exposes all these issues, focusing on the practice of the uk courts over the past decade. It examines the mediation of the effect of Security Council resolutions into English law through the 1946 United Nations Act, the royal prerogative and other common law techniques. After that, the contribution moves on to examine the English courts’ handling of the normative conflict between a Security Council resolution and other sources of international law.

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Tyrer, S. P. "Royal Prerogative?" Psychiatric Bulletin 12, no. 8 (1988): 340. http://dx.doi.org/10.1192/pb.12.8.340-a.

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Tyrer, Stephen P. "Royal Prerogative?" Bulletin of the Royal College of Psychiatrists 12, no. 8 (1988): 340. http://dx.doi.org/10.1192/s0140078900021131.

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Dissertations / Theses on the topic "Prerogative, Royal, in art"

Kelly, Margaret Rose Louise Leckie. "King and Crown an examination of the legal foundation of the British king /." Phd thesis, Australia : Macquarie University, 1999. http://hdl.handle.net/1959.14/71499.

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"27 October 1998" Thesis (PhD)--Macquarie University, School of Law, 1999. Bibliography: p. 509-550. Thesis -- Appendices. 'The Crown' has been described as a 'term of art' in constitutional law. This is more than misleading, obscuring the pivotal legal position of the king, which in modern times has been conveniently ignored by lawyers and politicians alike. -- This work examines the legal processes by which a king is made, tracing those processes from the earliest times to the present day. It concludes that the king is made by the selection and recognition by the people, his taking of the Oath of Governance, and his subsequent anointing. (The religious aspects of the making of the king, though of considerable legal significance, are not examined herein, because of space constraints.) -- The Oath of Governance is conventionally called the 'Coronation Oath'-which terminology, while correctly categorising the Oath by reference to the occasion on which it is usually taken, has led by subliminal implication to an erroneous conclusion by many modern commentators that the Oath is merely ceremonial. -- This work highlights the legal implications of the king's Oath of Governance throughout history, particularly in times of political unrest, and concludes that the Oath legally :- conveys power from the people to the person about to become king (the willingness of the people so to confer the power having been evidenced in their collective recognition of that person); - bestows all the prerogatives of the office of king upon that person; - enshrines the manner in which those prerogatives are to be exercised by the king in his people(s)' governance; and that therefore the Oath of Governance is the foundation of the British Constitution. -- All power and prerogative lie with the king, who as a result of his Oath of Governance is sworn to maintain the peace and protection of his people(s), and the king can not, in conscience or law, either do, or allow, anything that is in opposition to the terms of that Oath. Mode of access: World Wide Web. xxvii, 818 p

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Mortimer, Brenda Gean. "Rethinking penal reform and the Royal Prerogative of mercy during Robert Peel's stewardship of the Home Office 1822-7, 1828-30." Thesis, University of Leicester, 2017. http://hdl.handle.net/2381/39954.

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This thesis is the first to undertake an extensive study of the petitions for the Royal Prerogative of mercy submitted to Robert Peel during his stewardship of the Home Office between 1822-7 and 1828-30. It analyses the separate functions Peel was obliged to discharge as legislator, member of the Executive and servant of the Crown. Against the background of the criminal justice system in place in 1822, it explores the underlying legal, jurisprudential and constitutional issues which constrained Peel’s decision- making and identifies the nature and extent of the conventions which evolved to curtail the personal discretion of the Monarch. It focuses on the challenges faced by Peel in reforming the maze of statutes, common law and custom, the main sources of English Law, and demonstrates that criminal law reform, in this period, was conducted incrementally in a continuum with consensus of both Tories and Whigs. It also stresses the importance of using accurate legal language in order to distinguish the common place meaning of mercy from the exercise of the Royal Prerogative of mercy with its constitutional constraints, and suggests that this is a pre-requisite for an accurate appraisal of Peel’s stewardship. Based on research of more than 5,000 cases, it reconstructs the process of begging for mercy and shows that, whilst there were no formalities for the petitions, the Home Office’s responses were increasing standardised and bureaucratic. The conclusions reached will demonstrate that Peel’s penal reforms and his recommendations for the exercise of the Royal Prerogative of mercy were key landmarks in the transition from a parochial system with capital punishment at its heart to a more centralised system based on secondary punishments.

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Cunliffe-Charlesworth, Hilary. "The Royal College of Art : its influence on education, art and design 1900-1950." Thesis, Sheffield Hallam University, 1991. http://shura.shu.ac.uk/3144/.

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The Royal College of Art is considered through its teaching of art and design, and its work as a centre for the training of art teachers. The ideas of some of the staff are evaluated with regard to the need for art and design education. The influence of the diplomates of the College on the areas of education, art and design is appraised with a view to assessing the value of the work of the College. The relevance of government bodies to the Royal College of Art is examined in some detail, notably the Board and Ministry of Education, the Board of Trade and the Treasury. The relationship between the Civil Servants and the College Principals, Visitors and College Council are considered. The extent to which the College was prevented from achieving its original aims and objectives is explored. This is appraised together with examples of criticism the College received from government circles and external bodies. How such criticism was adapted for future educational policy at the College is also noted. When the Royal College of Art obtained independence from the Ministry of Education the College established its status as a post-graduate institution and was able to address the requirements of modern design education. The Appendices provide details of the Royal College of Art's chronology of events, statistical information and summarised results of a questionnaire given to ex-students.

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Moore, Cathie A. "Eternal Gaze: Third Intermediate Period Non-Royal Female Egyptian Coffins." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1401301633.

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Soden, Joanna. "Tradition, evolution, opportunism the role of the Royal Scottish Academy in art education, 1826-1910 /." Thesis, Available from the University of Aberdeen Library and Historic Collections Digital Resources, 2006. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=59750.

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KISER, EDGAR VANCE. "KINGS AND CLASSES: CROWN AUTONOMY, STATE POLICIES, AND ECONOMIC DEVELOPMENT IN WESTERN EUROPEAN ABSOLUTISMS (ENGLAND, FRANCE, SWEDEN, SPAIN)." Diss., The University of Arizona, 1987. http://hdl.handle.net/10150/184073.

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This dissertation explores the role of Absolutist states in the transition from feudalism to capitalism in Western Europe. Three general questions are addressed: (1) what are the determinants of variations in the autonomy of rulers? (2) what are the consequences of variations in autonomy for states policies? and (3) what are the effects of various state policies on economic development? A new theoretical framework, based on a synthesis of the neoclassical economic literature on principal-agent relations and current organizational theory in sociology, is developed to answer these three questions. Case studies of Absolutism in England, France, Sweden, and Spain are used to illustrate the explanatory power of the theory.

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Foot, Michelle Elizabeth. "Modern spiritualism and Scottish art between 1860 and 1940." Thesis, University of Aberdeen, 2016. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=230582.

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This thesis is formed from original research into the cultural impact of Modern Spiritualism in Scotland during the late nineteenth and early twentieth century. Until the twenty first century academic scholarship has failed to recognise the historic importance of the Spiritualist movement's widespread popularity and the influence it had on art during this period. The findings of this research provide a new understanding and greater appreciation of art from this time. As academic investigation into Spiritualism's historic significance is largely absent, this study focuses on primary sources from an extensive range of Spiritualist literature, including Spiritualist magazines and newspapers. The number of cited artworks, which were discovered and analysed during this research, support the notion that investigation into Spiritualism's influence during this period is necessary. This thesis is divided into two parts: Part One focuses on artworks by Spiritualists intended for Spiritualist audiences. Chapter 1 outlines a history of the Spiritualist movement in Scotland for the first time in order to establish a context for discussion in the following chapters. Chapters 2, 3 and 4 highlight unknown artworks by Spiritualists, such as Jane Stewart Smith and David Duguid, and analyse how those artists responded to private and public Spiritualism in Scotland. Part Two reveals new interpretations of mainstream Scottish art but which art historians have not previously acknowledged as having Spiritualist associations. In Chapter 5, case studies of members of the Royal Scottish Academy demonstrate that Spiritualism did influence mainstream Scottish artists, such as Alfred Edward Borthwick and George Henry Paulin. Chapter 6 reconsiders the Celtic Revival in Scotland, specifically by re-evaluating current interpretations of John Duncan's work with reference to Duncan's Spiritualism. The final chapter examines war memorials in Scotland as a response to mass social bereavement and Spiritualism's increased popularity during and after the First World War.

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Westhead, Jonathan Michael. "Royal ideology in Mesopotamian iconography of the third and second millennia BCE with special reference to gestures." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/96899.

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Thesis (MA)--Stellenbosch University, 2015. ENGLISH ABSTRACT: This thesis aims to examine to what extent the visual representations of ancient Mesopotamia portrayed the royal ideology that was present during the time of their intended display. The iconographic method is used in this study and this allows for a better understanding of the meaning behind the work of art. This method allows the study to better attempt to comprehend the underlying ideology of the work of art. The eight images studied date between three thousand BCE and one thousand BCE and this provides a broad base for the study. By having such a broad base it enables the study to provide a brief understanding of how the ideology adapted over two thousand years. The broad base also enables the study to examine a variety of different gestures that are portrayed on the representations. This thereby provides the reader with a better understanding of why certain gestures were used and how the underlying ideology was communicated through these movements. The study concludes that while the gestures lend a life-like appearance to the representation they do not solely portray an underlying ideological message. Rather, they enhance the already inherent ideological message. AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek tot watter mate die visuele voorstellings van Ou Mesopotamië die koninklike ideologie — van die tyd toe hulle uitgestal is — uitgebeeld het. Die ikonografiese metode is in hierdie studie gebruik en maak dit moontlik om 'n beter begrip van die betekenis agter die kunswerk te verkry. Die metode stel die studie in staat om die onderliggende ideologie van die kunswerk beter te verstaan. Die agt bestudeerde beelde dateer tussen drieduisend v.C. en 'n duisend v.C. en bied 'n breë basis vir die studie. So ‘n breë basis stel die studie in staat om te verstaan hoe die ideologie oor meer as twee duisend jaar aangepas is. Die breë basis stel die studie ook in staat om 'n verskeidenheid verskillende gebare wat uitgebeeld word, te ondersoek. Hierdeur verskaf dit die leser met 'n beter begrip waarom sekere gebare gebruik is en hoe die onderliggende ideologie deur middel van hierdie bewegings gekommunikeer is. Die studie kom tot die gevolgtrekking dat terwyl die gebare 'n lewensgetroue voorkoms aan die voorstelling gee, hulle nie uitsluitlik onderliggende ideologiese boodskappe uitbeeld nie. Inteendeel, hulle versterk die reeds onderliggende ideologiese boodskap.

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Laanela, Erika Elizabeth. "His Majesty's Ship Saphire and the Royal Navy in 17th-Century Newfoundland." W&M ScholarWorks, 2019. https://scholarworks.wm.edu/etd/1563899019.

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The English fifth-rate frigate Saphire was set on fire by its commander in Newfoundland during an attack by a French squadron in September 1696. Prior to its untimely sinking, this small warship had served the Royal Navy for over two decades, primarily in the Mediterranean, acting as convoy and escort to English shipping. This study combines multiple lines of evidence, including archaeology and material culture recovered from the wreck and contemporary documents, art, and illustrations, to explore the significance of the Saphire through a series of multi-scalar and diachronic interpretive lenses. The approach is inspired by an analytical framework for the study of wrecks first proposed by Muckelroy in 1978, while employing a multi-disciplinary methodology informed by social theory to orient the ship in its social and historical context. The first lens considers the Saphire at the broadest level, as an entangled tool of the Royal Navy built and operated at great cost to advance the imperial ambitions of England’s Stuart rulers in the late 17th century. Contemporary records allow the formulation of a biography of this small warship from its launching in 1675 to its loss in 1696, situated against the backdrop of the major political, military and social events of 17th century England. Although the ship was not fully excavated, available archaeological information, naval correspondence and contemporary images illuminate the material processes of constructing, outfitting, operating and maintaining the Saphire as a complex technological artifact. The second lens focuses on the significance of the Saphire at the regional level by examining the social and economic relationships between naval personnel and the settlers and fishers of Newfoundland in the late 17th century. At that time, naval commanders played a role not only in defense, but also in government and judicial affairs of the island. A comparison of material culture recovered from the Saphire with the archaeological record of settlements such as Ferryland illustrates how seaborne trade led to an increasingly globalized material culture that represents a growing consumerism. The third lens examines social relationships and daily life on a small warship in the late 17th century through the material culture from the wreck and contemporary documents. It looks at how naval hierarchy was established, expressed and contested. The concept of assemblages of practice is used to better understand how the artifacts recovered from the wreck reflect the habitus of the daily lives of 17th-century seamen.

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Gibson, Katherine Mary Beatrice. "'Best belov'd of kings' : the iconography of King Charles II." Thesis, Courtauld Institute of Art (University of London), 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243284.

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Books on the topic "Prerogative, Royal, in art"

Evatt, Herbert Vere. The royal prerogative. Law Book Co., 1987.

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Crown powers, subjects, and citizens. Pinter, 1998.

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Beaune, Colette. Le miroir du pouvoir. Editions Hervas, 1989.

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Chitty, Joseph. A treatise on the law of the prerogatives of the crown, and the relative duties and rights of the subject. The Lawbook Exchange, Ltd., 2010.

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Chitty, Joseph. A treatise on the law of the prerogatives of the crown, and the relative duties and rights of the subject. The Lawbook Exchange, Ltd., 2010.

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Paekche ŭi wangkwŏn. Churyusŏng, 2008.

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Alves, Ana Maria. Iconologia do poder real no período manuelino: À procura de uma linguagem perdida. Impr. Nacional-Casa da Moeda, 1985.

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Jensen, Birgit Bjerre. Udnævnelsesretten i enevældens magtpolitiske system 1660-1730. Rigsarkivet, 1987.

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Torres, Manuel Fernández-Fontecha. La monarquía y la constitución. Fundación "Agrupación Independiente del Senado 1977", Editorial Civitas, S.A., 1987.

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Bagshaw, Edward. The rights of the crovvn of England as it is established by law: [microform]. Printed by A.M. for Simon Miller, 1992.

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Book chapters on the topic "Prerogative, Royal, in art"

Barnett, Hilaire. "The Royal Prerogative." In Constitutional & Administrative Law. Routledge, 2017. http://dx.doi.org/10.4324/9781315458373-7.

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Barnett, Hilaire. "The Royal Prerogative." In Constitutional & Administrative Law. Routledge, 2019. http://dx.doi.org/10.4324/9780429322686-5.

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Cox, Noel. "Curtailment of the prerogative." In The Royal Prerogative and Constitutional Law. Routledge, 2020. http://dx.doi.org/10.4324/9781003048718-10.

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Cox, Noel. "Classification of the prerogative." In The Royal Prerogative and Constitutional Law. Routledge, 2020. http://dx.doi.org/10.4324/9781003048718-4.

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Cox, Noel. "The prerogative and statute." In The Royal Prerogative and Constitutional Law. Routledge, 2020. http://dx.doi.org/10.4324/9781003048718-7.

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Cox, Noel. "The prerogative and convention." In The Royal Prerogative and Constitutional Law. Routledge, 2020. http://dx.doi.org/10.4324/9781003048718-8.

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Cox, Noel. "The origins of the prerogative." In The Royal Prerogative and Constitutional Law. Routledge, 2020. http://dx.doi.org/10.4324/9781003048718-1.

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Cox, Noel. "The nature of the prerogative." In The Royal Prerogative and Constitutional Law. Routledge, 2020. http://dx.doi.org/10.4324/9781003048718-2.

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Cox, Noel. "The scope of the prerogative." In The Royal Prerogative and Constitutional Law. Routledge, 2020. http://dx.doi.org/10.4324/9781003048718-3.

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Cox, Noel. "Judicial review of the prerogative." In The Royal Prerogative and Constitutional Law. Routledge, 2020. http://dx.doi.org/10.4324/9781003048718-6.

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Conference papers on the topic "Prerogative, Royal, in art"

Dare, Eleanor, and Libby Heaney. "Royal College of Art." In Electronic Visualisation and the Arts. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/eva2018.77.

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Nilsen, Jay. "Atlantis “Royal towers preview”." In ACM SIGGRAPH 98 Electronic art and animation catalog. ACM Press, 1998. http://dx.doi.org/10.1145/281388.281806.

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Murray, Rod. "Holography at The Royal College of Art, London." In LkForest 91, edited by Tung H. Jeong. SPIE, 1992. http://dx.doi.org/10.1117/12.57803.

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Null. "Off with its head - technological investigations at the Royal Armouries." In IEE Colloquium on `NDT in Archaeology and Art'. IEE, 1995. http://dx.doi.org/10.1049/ic:19950768.

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Read, Steve, Yu Cao, and Hazel Antaramian-Hofman. "Mining the Royal Portrait Miniature for the Art Historical Context." In 2008 IEEE International Conference on Networking, Sensing and Control (ICNSC). IEEE, 2008. http://dx.doi.org/10.1109/icnsc.2008.4525429.

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Wu, Fengjuan, and Zhengshun Han. "Reaping the Royal Rewards of Risk-Taking." In 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-15). Atlantis Press, 2016. http://dx.doi.org/10.2991/icelaic-15.2016.187.

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Mason, Catherine. "THE FORETIETH ANNIVERSARY OF EVENT ONE AT THE ROYAL COLLEGE OF ART." In Electronic Visualisation and the Arts (EVA 2009). BCS Learning & Development, 2009. http://dx.doi.org/10.14236/ewic/eva2009.15.

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Lee, Hanna, and Jong-hoon Choe. "The Malleable Identity Design of Korean Royal Palace Gyeongbokgung based on Historical Restoration." In Art, Culture, Game, Graphics, Broadcasting and Digital Contents 2016. Science & Engineering Research Support soCiety, 2016. http://dx.doi.org/10.14257/astl.2016.125.02.

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Song, Okju, Won-Hyung Lee, and Jung-Yoon Kim. "A Study on color features based on color classification of the Korean royal costumes during Choseon Era." In Art, Culture, Game, Graphics, Broadcasting and digital Contents 2015. Science & Engineering Research Support soCiety, 2015. http://dx.doi.org/10.14257/astl.2015.87.14.

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Lee, Hanna, and Jong-hoon Choe. "The Malleable Identity Design of Korean Royal Palace Gyeongbokgung based on Historical Restoration." In 5th International Workshop on Art, Culture, Game, Graphics, Broadcasting and Digital Contents 2016. Global Vision School Publication, 2016. http://dx.doi.org/10.21742/asehl.2016.1.02.

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