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Journal articles on the topic 'Presentation inscription from E. A. Rheinhardt'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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1

Shafiq, Qasim, Sardar Ahmad Farooq, and Asim Aqeel. "Magical Realism Revisited in Erdrich's Tracks: An Interactional Thick Inscription." Global Social Sciences Review IV, no. IV (2019): 487–93. http://dx.doi.org/10.31703/gssr.2019(iv-iv).59.

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This study revisits Louise Erdrich's practice of 'magic realism' to explain how the realistic presentation of unreal elements in Erdrich's writings differs from the western expression of magic realism. With the interactional thick inscription of Erdrich's magic realism, this study argues that the unreal events in Tracks are not based on Erdrich's imagination but the spiritual facts of her inheritance. Her description of naturalcum-supernatural elements cohesively achieves a synthesis of the Chippewa Anishinaabe magic-realistic world and, simultaneously, derives the social and cultural hierarch
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2

von Minnigerode, Elisa. ""Because No One Can Seize me from Behind": Sir Christopher Hatton's Double Portrait and Elizabethan Textual Paintings." ATHENS JOURNAL OF HUMANITIES & ARTS 8, no. 4 (2021): 325–40. http://dx.doi.org/10.30958/ajha.8-4-3.

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Many researchers have emphasised the special use of inscriptions and texts in Tudor paintings. Especially in Elizabethan times, emblematic images emerge and contain texts which present riddles to their audience, address an implicit or explicit beholder, and also give information about their own function. The enigmatic double-sided portrait of Christopher Hatton serves as an outstanding example of the various relations that texts and images form in this era. Two elements of its composition will be discussed here: the inscription and the depiction of Father Time, both on the verso-side. One, a t
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3

Gatzke, Andrea F. "THE GATE COMPLEX OF PLANCIA MAGNA IN PERGE: A CASE STUDY IN READING BILINGUAL SPACE." Classical Quarterly 70, no. 1 (2020): 385–96. http://dx.doi.org/10.1017/s0009838820000324.

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Urban landscapes in the Roman world were covered in written text, from monumental building inscriptions to smaller, more personal texts of individual accomplishment and commemoration. In the East, Greek dominated these written landscapes, but Latin also appeared with some frequency, especially in places where a larger Roman audience was expected, such as major cities and Roman colonies. When Latin and Greek appear alongside each other, whether in the same inscription or across a single monumental space, we might ask what benefits the sponsor of the monument hoped to gain from such a bilingual
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4

Nowak, Małgorzata. "O pewnym typie religijnych tekstów pamiątkowych (Obrazek prymicyjny)." Białostockie Archiwum Językowe, no. 5 (2005): 75–87. http://dx.doi.org/10.15290/baj.2005.05.07.

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The author proposes an linguistically-oriented analysis of the inscriptions in the pictures that a newly ordained priest gives to his faithful in order to commemorate the celebration of his First Mass. The source material contains 625 texts from the years 1907-2004. The research made on the material allows drawing the following conclusions: 1. Owing to the fact that the analyzed inscriptions realize the primary genological categories: intention of behind the utterance, typical linguistic form of the text (its fixed, schematic, recognizable and intuitively identifiable structure), the source te
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5

Koleva, Donka. "Project "Digital Presentation and Preservation of the Cultural Heritage of the Old-print Fund and the Historical Theatre Salon of Community Center "Nadejda 1869", Veliko Tarnovo"." Cultural and Historical Heritage: Preservation, Representation, Digitalization 6, no. 1 (2020): 32–42. http://dx.doi.org/10.26615/issn.2367-8038.2020_1_003.

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The topic is dedicated to the joint project between „Nadejda 1869” community Center and Regional Library „P.R.Slaveykov”. The objectives of the project are preservation and popularization of the Bulgarian cultural heritage in the European context of cultural and creative industries, cultural exchange and cultural diversity through: (1) Presentation and popularization of the value of the cultural wealth of the Community centre; Popularization of the theme of the book Treasures of the Community Library and innovative online presentation of the old Printing fund, storing it in electronic form to
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6

Herrmann, Judith, and Christina Cameron. "Associative dimension in World Heritage: an analysis of criterion (vi)." Journal of Cultural Heritage Management and Sustainable Development 5, no. 2 (2015): 115–29. http://dx.doi.org/10.1108/jchmsd-02-2014-0005.

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Purpose – This paper is based on a presentation given at the international World Heritage expert meeting on criterion (vi) held in Warsaw, Poland, in March 2012. Results were updated and adapted to scientific standards. The purpose of this paper is to understand the associative dimension in World Heritage by looking at the evolution and application of criterion (vi). Design/methodology/approach – For this paper, historical and qualitative approaches were combined. An understanding of the evolution of the criterion (vi) wording was gained through historical analysis and the consultation of rele
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7

Pant, Nicole, and Helmut O. Steinberg. "A Bizarre Case of Recurrent Hypoglycemia." Journal of the Endocrine Society 5, Supplement_1 (2021): A356. http://dx.doi.org/10.1210/jendso/bvab048.725.

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Abstract Introduction: Severe hypoglycemia is extremely rare in non-diabetic subjects and requires thorough evaluation due to its life threatening consequences. Any injuries resulting from medication use, including physical harm, mental harm, or loss of function is defined as adverse drug events (ADEs). Medication errors can occur due to the inappropriate use of medicine in any prescription stage. We hereby present an intriguing case of recurrent hypoglycemia in relation to it. Case presentation: A 65 year-old white male with surgically induced panhypopituitarism on replacement hydrocortisone,
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8

Jakšić, Nikola. "Od hagiografskog obrasca do političkog elaborata - škrinja Sv. Šimuna, zadarska arca d’oro." Ars Adriatica, no. 4 (January 1, 2014): 125. http://dx.doi.org/10.15291/ars.491.

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The casket of St Simeon the God-Receiver is the most representative work in the applied arts of the Croatian Trecento and, at the same time, one which displays great iconographic complexity. Although it was the subject of two monographs and a large number of individual articles, a whole set of questions remains open and awaits plausible interpretations. Particularly great problems are connected to the interpretation of a number of scenes which were understood differently by different scholars. At the same time, it can be noted that the discussion about the casket’s complex iconographic program
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9

Posani, Claudia. "Mirroring the god: topic, images and word-order in the hieroglyphic Luwian inscription ALEPPO 6." BAF-Online: Proceedings of the Berner Altorientalisches Forum 4, no. 1 (2020). http://dx.doi.org/10.22012/baf.2019.25.

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The presentation provides a short introduction to the Aleppo Temple and the inscriptions discovered during its excavations -ALEPPO 4, 5, 6, 7- (or that are supposed to have come from the Storm-God Temple -BABYLON 1, 2, 3-).
 Then an analysis of BABYLON 1 and ALEPPO 6 is provided. Both the inscriptions deal with the topic of reciprocity and mutual favours between the king (or the ruler) and the god. This topic is well expected in temple inscriptions. However, in ALEPPO 6 inscription this topic seems to have been developed on three different levels:
 1) topic of the inscription;
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10

Nielsen, Hans Frede. "Deciphering the inscription of the Undley bracteate under the possibilities/restrictions of the Pre-Old English sound system." NOWELE / North-Western European Language Evolution 74, no. 1 (2021). http://dx.doi.org/10.1075/nowele.00049.nie.

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Abstract This paper was first read at a runic event held in Eichstätt in 2012 and was subsequently, in a revised and extended form, presented at the symposium on the Early History of the North-Sea Germanic Languages that took place in Odense on 13 March 2018. The paper is highly relevant to the theme of the Odense conference as well as to this special issue of NOWELE in that it deals with the runes and the language of the Undley bracteate, a stray runic find from the late fifth century discovered at Undley in Suffolk in the south-east of England. My presentation will focus on the vocalism of t
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11

OBROCK, LUTHER. "Uddhara's World: Geographies of Piety and Trade in Sultanate South Asia." Journal of the Royal Asiatic Society, September 14, 2020, 1–23. http://dx.doi.org/10.1017/s1356186320000528.

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Abstract The stabilisation of Delhi as the centre of power in the subcontinent reorganised not only political and military structures in north India but also opened up new connections for trade and traders. This article traces the journey of one Hindu merchant family from their ancestral home in the Indus Valley to new prominence in the Sultanate capital. A close reading of a Sanskrit donative inscription written in ornate poetry from the Delhi hinterland shows the changing imagination of politics, religion and space among elite merchants. Uḍḍhara Ṭhakkura adapts the linguistic heritage of San
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12

Khorob, Solomiia. "EMIGRATION ISSUES IN THE COLUMNIST WORK OF TANIA MALIARCHUK (BASED ON THE AUTHOR'S COLUMNS IN "DEUTSCHE WELLE")." Young Scientist 9.1, no. 85.1 (2020). http://dx.doi.org/10.32839/2304-5809/2020-85.1-26.

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The paper has proved that Tania Mariarchuk's journalistic and publicist activity is marked by a certain way of thinking, which is characteristic of an emigrant artist. It argues noted that the genre of the column study makes it possible to identify and explore the originality of the expression and formation of the author's "I" in this type of journalistic publications. The aim of this paper is to identify peculiarities of the formation of the process of interpretation of Ukrainian socio-political problems from the perspective of abroad, as well as to single out the emigrational position and is
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13

Maras, Steven. "Reflections on Adobe Corporation, Bill Viola, and Peter Ramus while Printing Lecture Notes." M/C Journal 8, no. 2 (2005). http://dx.doi.org/10.5204/mcj.2338.

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 In March 2002, I was visiting the University of Southern California. One night, as sometimes happens on a vibrant campus, two interesting but very different public lectures were scheduled against one another. The first was by the co-chairman and co-founder of Adobe Systems Inc., Dr. John E. Warnock, talking about books. The second was a lecture by acclaimed video artist Bill Viola. The first event was clearly designed as a networking forum for faculty and entrepreneurs. The general student population was conspicuously absent. Warnock spoke of the future of Adobe, shared st
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14

Pugsley, Peter. "At Home in Singaporean Sitcoms." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2695.

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 The use of the family home as a setting for television sitcoms (situation comedies) has long been recognised for its ability to provide audiences with an identifiable site of ontological security (much discussed by Giddens, Scannell, Saunders and others). From the beginnings of American sitcoms with such programs as Leave it to Beaver, and through the trail of The Brady Bunch, The Cosby Show, Roseanne, The Fresh Prince of Bel Air, and on to Home Improvement, That 70s Show and How I Met Your Mother, the US has led the way with screenwriters and producers capitalising on the
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15

Dwyer, Simon. "Highlighting the Build: Using Lighting to Showcase the Sydney Opera House." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1184.

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IntroductionThe Sydney Opera House is Australia’s, if not the world’s, most recognisable building. It is universally recognised as an architectural icon and as a masterpiece of the built environment, which has captured the imagination of many (Commonwealth of Australia 4). The construction of the Sydney Opera House, between 1959 and 1973, utilised many ground-breaking methods and materials which, together, pushed the boundaries of technical possibilities to the limits of human knowledge at the time (Commonwealth of Australia 36, 45). Typical investigations into the Sydney Opera House focus on
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