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Journal articles on the topic 'Presentation inscription from E. A. Rheinhardt'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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1

Shafiq, Qasim, Sardar Ahmad Farooq, and Asim Aqeel. "Magical Realism Revisited in Erdrich's Tracks: An Interactional Thick Inscription." Global Social Sciences Review IV, no. IV (2019): 487–93. http://dx.doi.org/10.31703/gssr.2019(iv-iv).59.

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This study revisits Louise Erdrich's practice of 'magic realism' to explain how the realistic presentation of unreal elements in Erdrich's writings differs from the western expression of magic realism. With the interactional thick inscription of Erdrich's magic realism, this study argues that the unreal events in Tracks are not based on Erdrich's imagination but the spiritual facts of her inheritance. Her description of naturalcum-supernatural elements cohesively achieves a synthesis of the Chippewa Anishinaabe magic-realistic world and, simultaneously, derives the social and cultural hierarch
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Stasi, Paul. "“She Knew She Ought to Be Happy”: Socialized Subjects in Emma." Novel: A Forum on Fiction 57, no. 3 (2024): 357–74. https://doi.org/10.1215/00295132-11403574.

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Abstract This article argues that we have consistently misunderstood Jane Austen's subjects by assimilating them to a political liberalism in which she was uninterested. What matters in Austen is not subjective interiority so much as social status; her presentation of character resists the abstract equality characteristic of liberalism, which separates individuals from their social worlds. In contrast, Austen's subjects are almost entirely social. Tying Austen's presentation of the subject to the famous theses by Tom Nairn and Perry Anderson about the particular class compromise characteristic
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3

Radicevic, Dejan, and Ana Cicovic. "A new interpretation of prince Lazar’s “tipar” from the Rudnik mountain." Starinar, no. 71 (2021): 253–65. http://dx.doi.org/10.2298/sta2171253r.

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This paper offers a new interpretation of an object found on the Rudnik mountain in 2015. On its first public presentation, it was defined as a tipar (seal die) of the Serbian prince Lazar. However, a new reading of its inscription revealed a detail that demonstrates that it is not a seal die but an object with a different purpose. It is a mould (matrix) which would have been used for the fabrication of a medallion (plaquette) on the bottom of a goblet destined for the prince. This identification is also corroborated by examples of similar medallions known in the region of medieval Serbia and
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Sánchez Muñoz, Daniel. "A Sumerian Royal Inscription Describing the (Re)Building of a Chapel for Annunītum by King Enlil-Bāni of Isin." Archiv orientální 91, no. 1 (2023): 1–17. http://dx.doi.org/10.47979/aror.j.91.1.1-17.

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This article presents a new Sumerian royal inscription in which King Enlil-bāni of Isin claims to have built a residence for the goddess Annunītum. It is argued here that this construction work could have simply involved the maintenance of a chapel for Annunītum within the temple of Inana at Isin. Whatever the case, the work might have been very significant to Enlil-bāni, since he could have carried it out when Isin had lost control of Nippur due to its conquest by the rival kingdom of Larsa. In this way, Enlilbāni’s maintenance of the chapel of Annunītum, a goddess associated with kingship, c
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von Minnigerode, Elisa. ""Because No One Can Seize me from Behind": Sir Christopher Hatton's Double Portrait and Elizabethan Textual Paintings." ATHENS JOURNAL OF HUMANITIES & ARTS 8, no. 4 (2021): 325–40. http://dx.doi.org/10.30958/ajha.8-4-3.

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Many researchers have emphasised the special use of inscriptions and texts in Tudor paintings. Especially in Elizabethan times, emblematic images emerge and contain texts which present riddles to their audience, address an implicit or explicit beholder, and also give information about their own function. The enigmatic double-sided portrait of Christopher Hatton serves as an outstanding example of the various relations that texts and images form in this era. Two elements of its composition will be discussed here: the inscription and the depiction of Father Time, both on the verso-side. One, a t
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Sidorova, T. P. "Nadezhda Gorodetsky’s autographs in Belarus." Voprosy literatury, no. 5 (October 15, 2024): 164–71. http://dx.doi.org/10.31425/0042-8795-2024-5-164-171.

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The article analyzes inscriptions made by the writer Nadezhda Gorodetsky (Gorodetskaya) on her books gifted to M. Osorgin and P. Berkov. In a brief biographical summary included in the article, we learn about Gorodetsky — a Russian émigré writer and critic, and the key milestones of her literary career, including the years in Paris and England (Oxford and Liverpool). At large the study is concerned with two of her autographs discovered by Sidorova in Belarussian libraries. Their descriptions feature a detailed cultural-historical commentary. The first autograph appears on a copy of A Non-Throu
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Thin, Thin Aye. "A Study of Bell Inscriptions on the Shwedagon Pagoda's Platform." Dagon University Research Journal Vol.6, no. 2014 (2019): Pg.77–89. https://doi.org/10.5281/zenodo.3547113.

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It is a customary for Buddhist to hit the Bell and share their accumulated merits with all sentient beings after performing meritorious deeds. The ringing sound of the bell is very pleasant to every being including human being, deities, and Brahmana that it instigates to arise faithful and joyous feeling. It was a study and presentation of the bell inscriptions found on the platform of four cardinal side of the Shwedagon pagoda platform. There are also the thirty-one big bells hung on four cardinal sides. The names, addresses and the level of designations and positions of the donors, the weigh
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Reis, Bruce. "What is Meant by the Term Interpretation, and What is it For?" Journal of the American Psychoanalytic Association 71, no. 6 (2023): 1211–38. http://dx.doi.org/10.1177/00030651241231965.

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Analysts seem spellbound by language when it comes to the word interpretation, a word so idealized and grand, so laden with fantasy, that the term itself continues to hold a magical sense that defies us to think about it. Called upon to do far too much explanatory work in psychoanalysis, it is accorded a variety of meanings. It is employed for varied uses, often simultaneously, making it hard to know what analysts mean when referring to “interpretation” and what uses they intend for it. Approaches to interpretation may be heuristically separated into those having to do with the content of the
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Gatzke, Andrea F. "THE GATE COMPLEX OF PLANCIA MAGNA IN PERGE: A CASE STUDY IN READING BILINGUAL SPACE." Classical Quarterly 70, no. 1 (2020): 385–96. http://dx.doi.org/10.1017/s0009838820000324.

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Urban landscapes in the Roman world were covered in written text, from monumental building inscriptions to smaller, more personal texts of individual accomplishment and commemoration. In the East, Greek dominated these written landscapes, but Latin also appeared with some frequency, especially in places where a larger Roman audience was expected, such as major cities and Roman colonies. When Latin and Greek appear alongside each other, whether in the same inscription or across a single monumental space, we might ask what benefits the sponsor of the monument hoped to gain from such a bilingual
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Mladenovic-Ribic, Natasa. "Towards an integrative approach to the safeguarding of living heritage: Programmes of the center for the intangible cultural heritage of Serbia and the Ethnographic Museum in Belgrade." Glasnik Etnografskog instituta 72, no. 2 (2024): 19–37. http://dx.doi.org/10.2298/gei2402019m.

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The inscription of the element of living heritage in the National Registry of Intangible Cultural Heritage, which is managed by the Center for the Intangible Cultural Heritage of Serbia at the Ethnographic Museum in Belgrade, can be observed as just one step in the work on safeguarding social practices and skills, transmitted from generation to generation, that have been maintained to this day and represent an important constituent of identity of the communities and groups of practitioners. Although safeguarding of living heritage depends primarily on the willingness of the bearers to work on
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Doiar, Larуsa. "The proletarian revolution in early books of Soviet Ukraine (1919—1927)." Вісник Книжкової палати, no. 4 (April 28, 2020): 32–36. http://dx.doi.org/10.36273/2076-9555.2020.4(285).32-36.

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In this article the author continues a series of explorations devoted to the analysis of Bolshevik literature of the first decade of Soviet power. This article focuses on the genre of "Bolshevik non-fiction", extended since the inception of the Soviet republic in Ukraine (1919) and especially actualized in honor of the fifth and tenth anniversaries of the Great October Revolution of 1917. The author is characterized by unique qualitative characteristics, namely: a synergistic presentation of revolutionary events, which makes it possible to simultaneously and comprehensively consider different
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Nowak, Małgorzata. "O pewnym typie religijnych tekstów pamiątkowych (Obrazek prymicyjny)." Białostockie Archiwum Językowe, no. 5 (2005): 75–87. http://dx.doi.org/10.15290/baj.2005.05.07.

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The author proposes an linguistically-oriented analysis of the inscriptions in the pictures that a newly ordained priest gives to his faithful in order to commemorate the celebration of his First Mass. The source material contains 625 texts from the years 1907-2004. The research made on the material allows drawing the following conclusions: 1. Owing to the fact that the analyzed inscriptions realize the primary genological categories: intention of behind the utterance, typical linguistic form of the text (its fixed, schematic, recognizable and intuitively identifiable structure), the source te
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Koleva, Donka. "Project "Digital Presentation and Preservation of the Cultural Heritage of the Old-print Fund and the Historical Theatre Salon of Community Center "Nadejda 1869", Veliko Tarnovo"." Cultural and Historical Heritage: Preservation, Representation, Digitalization 6, no. 1 (2020): 32–42. http://dx.doi.org/10.26615/issn.2367-8038.2020_1_003.

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The topic is dedicated to the joint project between „Nadejda 1869” community Center and Regional Library „P.R.Slaveykov”. The objectives of the project are preservation and popularization of the Bulgarian cultural heritage in the European context of cultural and creative industries, cultural exchange and cultural diversity through: (1) Presentation and popularization of the value of the cultural wealth of the Community centre; Popularization of the theme of the book Treasures of the Community Library and innovative online presentation of the old Printing fund, storing it in electronic form to
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Herrmann, Judith, and Christina Cameron. "Associative dimension in World Heritage: an analysis of criterion (vi)." Journal of Cultural Heritage Management and Sustainable Development 5, no. 2 (2015): 115–29. http://dx.doi.org/10.1108/jchmsd-02-2014-0005.

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Purpose – This paper is based on a presentation given at the international World Heritage expert meeting on criterion (vi) held in Warsaw, Poland, in March 2012. Results were updated and adapted to scientific standards. The purpose of this paper is to understand the associative dimension in World Heritage by looking at the evolution and application of criterion (vi). Design/methodology/approach – For this paper, historical and qualitative approaches were combined. An understanding of the evolution of the criterion (vi) wording was gained through historical analysis and the consultation of rele
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KORCHAK, Andriy. "BRONZE CULT HANDS OF ROMAN TIME FROM THE TERRITORY OF UKRAINE: ORIGIN AND SACRED PURPOSE (ACCORDING TO HISTORIOGRAPHY)." Наукові зошити історичного факультету Львівського університету / Proceedings of History Faculty of Lviv University, no. 22 (July 14, 2022): 9–27. http://dx.doi.org/10.30970/fhi.2021.22.3674.

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Two bronze hands associated with the confession of oriental cults are very interesting archaeological items found on theterritoryofUkraine. The first one comes from the village Myshkiv inWestern Podillya, another – from the territory of the Ukrainian steppe. These artifacts are well studied by specialists in archeology, ancient history, theologians, but most of the works on this subject are written in German, Polish and Russian and, because of different reasons, are inaccessible to the Ukrainian reader. The main thesis of the article is an attempt to generalize diverse approaches, versions and
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Lomakina, Mariia, and Elena Aibabina. "Mediaeval Gift: A Book of Curative Plants Owned by K. F. Bogaevskii." Materials in Archaeology, History and Ethnography of Tauria, no. XXIX (December 27, 2024): 510–27. https://doi.org/10.29039/2413-189x.2024.29.510-527.

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This article presents a volume found in K. F. Bogaevskii’s personal library, an antique edition of 1626, the Herbal Book by the Italian physician and scientist Pietro Andrea Mattioli. This book, printed in Frankfurt am Main, is the fourth German edition with amendments by the physician Joachim Camerarius to discuss the medicinal plants of the Alpine region and the ways of their use for medicinal purposes. The study and translation of the handwritten inscriptions has revealed that two of them (including the presentation inscription to K. F. Bogaevskii of 1913) were made by P. Iu. Durante, the m
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17

Ivanova, Elena V., Ekaterina M. Barsukova, and Alexandra O. Iangurazova. "STUDENTS INTERACTION WITH EDUCATIONAL EVERYDAY ARTIFACTS AS AN ANTHROPOLOGICAL PRACTICE." Вестник антропологии (Herald of Anthropology), no. 2 (June 6, 2025): 44–66. https://doi.org/10.33876/2311-0546/2025-2/44-66.

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Based on a study conducted in 2023/24, the article examines students’ interactions with artifacts of everyday educational life from the perspective of anthropological practices. In the era of digital content and virtual communication, it is most interesting to monitor the processes of interaction between teachers, students, and parents with objects and things of school life. Children’s interest in artifacts is not accidental. At school, in a museum, in a home collection, they encounter artifacts of the historical, heroic or everyday past that “speak” to them in the language of an era. The scho
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18

Pant, Nicole, and Helmut O. Steinberg. "A Bizarre Case of Recurrent Hypoglycemia." Journal of the Endocrine Society 5, Supplement_1 (2021): A356. http://dx.doi.org/10.1210/jendso/bvab048.725.

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Abstract Introduction: Severe hypoglycemia is extremely rare in non-diabetic subjects and requires thorough evaluation due to its life threatening consequences. Any injuries resulting from medication use, including physical harm, mental harm, or loss of function is defined as adverse drug events (ADEs). Medication errors can occur due to the inappropriate use of medicine in any prescription stage. We hereby present an intriguing case of recurrent hypoglycemia in relation to it. Case presentation: A 65 year-old white male with surgically induced panhypopituitarism on replacement hydrocortisone,
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19

Troshchenkova, E. V. "MEMES AS TOOL FOR DECONSTRUCTING MEDIA MANIPULATION." Voprosy Kognitivnoy Lingvistiki, no. 2 (2023): 74–86. http://dx.doi.org/10.20916/1812-3228-2022-2-74-86.

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The aim of the article is to examine meme-macros on the issues of manipulation in digital media, to carry out cognitive modeling of the Internet users’ ideas how the new media implement the manipulation of their consciousness, which techniques of influence attract the public attention and what conclusions they draw for themselves. Internet meme macros (151 items) - polycode text-combinations of a static picture and an inscription - were selected by the main query in the Google and Yandex search engines using the phrases “media manipulation memes”, “memes on media manipulation” and “manipulatio
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Ūsaitytė, Jurgita. "The News in Album Studies (Two Case Reviews)." Tautosakos darbai 52 (December 30, 2016): 231–44. http://dx.doi.org/10.51554/td.2016.28875.

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The author reviews two publications in album studies. The stimulus to write this review was primarily the personal impression induced by the scope of scientific and cultural information combined with professional one, and equally attractive way of its presentation. The two books in question address different readership and apply different methods, yet they deal with the same cultural phenomenon and in a certain way continue and supplement each other. The first subject of the review is the beautiful, amply illustrated publication of the Wroblewski Library of the Lithuanian Academy of Sciences,
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Knoepfler, Denis. "Promenade érudite au coeur de la Vieille Grèce : une revue critique des plus récents travaux relatifs à l’épigraphie de la Béotie (avec la Mégaride) et de l’Eubée (avec la Chalcidique)." Journal des savants 2, no. 1 (2019): 217–351. http://dx.doi.org/10.3406/jds.2019.6416.

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Giving in this paper his last contribution to the «Bulletin épigraphique » (Revue des Études grecques), the author has organized the bulk of his critical notes on the most recent publications as he regularly did during the twelve past years (2006-2017) : he brings together the inscriptions from — or concerning — Boeotia with those from Euboea, having been convinced for a long time that these two neighbouring regions have formed in Antiquity a geographical and culural — if not linguistic — unit, which is not to be artificialy broken anew according to a traditional practice used in epigraphical
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Jakšić, Nikola. "Od hagiografskog obrasca do političkog elaborata - škrinja Sv. Šimuna, zadarska arca d’oro." Ars Adriatica, no. 4 (January 1, 2014): 125. http://dx.doi.org/10.15291/ars.491.

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The casket of St Simeon the God-Receiver is the most representative work in the applied arts of the Croatian Trecento and, at the same time, one which displays great iconographic complexity. Although it was the subject of two monographs and a large number of individual articles, a whole set of questions remains open and awaits plausible interpretations. Particularly great problems are connected to the interpretation of a number of scenes which were understood differently by different scholars. At the same time, it can be noted that the discussion about the casket’s complex iconographic program
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Catenacci, Carmine, Patrizio Domenicucci, and Oliva Menozzi. "A relief with Mithraic scenes on a sarcophagus lid: iconographic and literary issues." Libyan Studies, July 11, 2022, 1–21. http://dx.doi.org/10.1017/lis.2022.4.

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Abstract During the excavations of the team of the University of Chieti in the area of Ain Hofra, in the East necropolis of Cyrene, several interesting sculptures were found in tombs A and C, also called the Tomb of the Sarcophagi and the Tomb of the Sculptures. In this paper a specific find from Tomb A is presented, as it is a rare example of a Mithraic relief from a private funerary context. The find has only previously been published for the translation and presentation of the inscription; however, an analysis and interpretation of the relief together with the inscription has never been tac
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Posani, Claudia. "Mirroring the god: topic, images and word-order in the hieroglyphic Luwian inscription ALEPPO 6." BAF-Online: Proceedings of the Berner Altorientalisches Forum 4, no. 1 (2020). http://dx.doi.org/10.22012/baf.2019.25.

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The presentation provides a short introduction to the Aleppo Temple and the inscriptions discovered during its excavations -ALEPPO 4, 5, 6, 7- (or that are supposed to have come from the Storm-God Temple -BABYLON 1, 2, 3-).
 Then an analysis of BABYLON 1 and ALEPPO 6 is provided. Both the inscriptions deal with the topic of reciprocity and mutual favours between the king (or the ruler) and the god. This topic is well expected in temple inscriptions. However, in ALEPPO 6 inscription this topic seems to have been developed on three different levels:
 1) topic of the inscription;
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Posani, Claudia. "Mirroring the god: topic, images and word-order in the hieroglyphic Luwian inscription ALEPPO 6." December 8, 2020. https://doi.org/10.22012/baf.2019.25.

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The presentation provides a short introduction to the Aleppo Temple and the inscriptions discovered during its excavations -ALEPPO 4, 5, 6, 7- (or that are supposed to have come from the Storm-God Temple -BABYLON 1, 2, 3-).
 Then an analysis of BABYLON 1 and ALEPPO 6 is provided. Both the inscriptions deal with the topic of reciprocity and mutual favours between the king (or the ruler) and the god. This topic is well expected in temple inscriptions. However, in ALEPPO 6 inscription this topic seems to have been developed on three different levels:
 1) topic of the inscription;
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Nielsen, Hans Frede. "Deciphering the inscription of the Undley bracteate under the possibilities/restrictions of the Pre-Old English sound system." NOWELE / North-Western European Language Evolution 74, no. 1 (2021). http://dx.doi.org/10.1075/nowele.00049.nie.

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Abstract This paper was first read at a runic event held in Eichstätt in 2012 and was subsequently, in a revised and extended form, presented at the symposium on the Early History of the North-Sea Germanic Languages that took place in Odense on 13 March 2018. The paper is highly relevant to the theme of the Odense conference as well as to this special issue of NOWELE in that it deals with the runes and the language of the Undley bracteate, a stray runic find from the late fifth century discovered at Undley in Suffolk in the south-east of England. My presentation will focus on the vocalism of t
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OBROCK, LUTHER. "Uddhara's World: Geographies of Piety and Trade in Sultanate South Asia." Journal of the Royal Asiatic Society, September 14, 2020, 1–23. http://dx.doi.org/10.1017/s1356186320000528.

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Abstract The stabilisation of Delhi as the centre of power in the subcontinent reorganised not only political and military structures in north India but also opened up new connections for trade and traders. This article traces the journey of one Hindu merchant family from their ancestral home in the Indus Valley to new prominence in the Sultanate capital. A close reading of a Sanskrit donative inscription written in ornate poetry from the Delhi hinterland shows the changing imagination of politics, religion and space among elite merchants. Uḍḍhara Ṭhakkura adapts the linguistic heritage of San
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Tzanelli, Rodanthi, and Chris Taylor. "Interview with Chris Taylor, curator of Shifting Borders: A Journey to the Centre of Our World(s)1." Hospitality & Society, August 18, 2023. http://dx.doi.org/10.1386/hosp_00065_7.

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Shifting Borders exhibits ‘traces’ of human mobility across millennia: of exploratory journeys, forced migrations, exilic arrivals at foreign lands and artistic schematizations of them based on memory and experience. The traces assume the form of maps, passports, photographs of people and locations, as well as actual diaries of movement produced by those who move or by institutions who regulate their movements. Crafted as a form of pilgrimage to these stories, the exhibition transcends binary understandings of hospitality as an inviolable norm and/or a secular pact conforming with the commerci
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Nicolyna, Enriquez. "The Church of St. Anne, Anisaraki, Selino, Crete." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12573556.

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The church of St. Anne, located on the outskirts of the village of Anisaraki, is roughly 4km from the large village of Kandanos in the Selino province of southwestern Crete. Dated by inscription to 8 August 6965 (1457), the church is a single nave chapel with a barrel-vaulted interior and a saddle roof exterior. An original and painted stone iconostasis with a single archway opening divides the sanctuary from the nave. It includes, to the east, the images of two bishop saints facing the altar, and, to the west, the images of St. Anne holding the Virgin and Christ Pantocrator. The sanctuary aps
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Khorob, Solomiia. "EMIGRATION ISSUES IN THE COLUMNIST WORK OF TANIA MALIARCHUK (BASED ON THE AUTHOR'S COLUMNS IN "DEUTSCHE WELLE")." Young Scientist 9.1, no. 85.1 (2020). http://dx.doi.org/10.32839/2304-5809/2020-85.1-26.

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The paper has proved that Tania Mariarchuk's journalistic and publicist activity is marked by a certain way of thinking, which is characteristic of an emigrant artist. It argues noted that the genre of the column study makes it possible to identify and explore the originality of the expression and formation of the author's "I" in this type of journalistic publications. The aim of this paper is to identify peculiarities of the formation of the process of interpretation of Ukrainian socio-political problems from the perspective of abroad, as well as to single out the emigrational position and is
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Nicolyna, Enriquez. "Church of the Panagia, Prodromi." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12574083.

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Located outside of the village of Prodromi in the southwest province of Selino on the island of Crete, the Church of the Panagia is a single nave chapel covered with a barrel vault on the interior and a saddle roof exterior. Located just up a dirt track from the main road leading from Anydri to Temenia, the church overlooks the low brush of the surrounding hillsides leading down to the coast visible in the distance. Today whitewashed, the church has one entrance on the west side. The interior of the church is divided into two bays by a transverse arch. Each bay includes two niches on the north
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Marina, Toumpouri. "Leimonos Monastery." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12574649.

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The Monastery of Saint Ignatios, also called Moni Leimonos (meaning "Monastery of the meadow" in Greek) on the Greek island of Lesbos, not far from the small town of Kalloni, was founded in 1526 by Saint Ignatios Agallianos. It was presumably erected on the remains of a Byzantine monastery which was abandoned around 1462, when the island was taken by the Ottomans. There is no evidence, however, regarding its history, apart from references by Saint Ignatios in his Testament (Typikon), who mentions that the Monastery was built on an existing foundation and with his own expenses ("εκ παλαιών θεμε
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Nicolyna, Enriquez. "Church of St. George and St. Nicholas, Anydri." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12574052.

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The double church of St. George and St. Nicholas, located in the village of Anydri, overlooks both the mountainous landscape of southern Crete and the sea beyond. Located at the top of the Anydri Gorge, the village is connected to the coast via a 3km trail. Dating to 1323, the church of St. George, the original structure on the site, was painted by Ioannis Pagomenos. A single nave barrel vaulted construction, the church of St. George includes a high central transept which draws the eye upwards as one reaches the center of the nave. This architectural type is unusual in Crete. By contrast, the
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Nicolyna, Enriquez. "Church of St. Pelagia, Ano Viannos, Heraklion, Crete." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12573309.

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Located in the village of Ano Viannos, south of the capital city of Heraklion, the Church of St. Pelagia is a single nave chapel with a pointed barrel vault interior and saddle roof exterior. The church is whitewashed except for the stone frame decorating the entrance on the southern wall. A framed pointed-arch niche, also whitewashed, rises above the lintel with traces of painting still visible where the stone meets the whitewash. The door frame and niche are undecorated. A transverse arch divides the interior of the church into two bays while a short modern banister divides the sanctuary fro
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Maras, Steven. "Reflections on Adobe Corporation, Bill Viola, and Peter Ramus while Printing Lecture Notes." M/C Journal 8, no. 2 (2005). http://dx.doi.org/10.5204/mcj.2338.

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 In March 2002, I was visiting the University of Southern California. One night, as sometimes happens on a vibrant campus, two interesting but very different public lectures were scheduled against one another. The first was by the co-chairman and co-founder of Adobe Systems Inc., Dr. John E. Warnock, talking about books. The second was a lecture by acclaimed video artist Bill Viola. The first event was clearly designed as a networking forum for faculty and entrepreneurs. The general student population was conspicuously absent. Warnock spoke of the future of Adobe, shared st
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Pugsley, Peter. "At Home in Singaporean Sitcoms." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2695.

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 The use of the family home as a setting for television sitcoms (situation comedies) has long been recognised for its ability to provide audiences with an identifiable site of ontological security (much discussed by Giddens, Scannell, Saunders and others). From the beginnings of American sitcoms with such programs as Leave it to Beaver, and through the trail of The Brady Bunch, The Cosby Show, Roseanne, The Fresh Prince of Bel Air, and on to Home Improvement, That 70s Show and How I Met Your Mother, the US has led the way with screenwriters and producers capitalising on the
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Dwyer, Simon. "Highlighting the Build: Using Lighting to Showcase the Sydney Opera House." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1184.

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IntroductionThe Sydney Opera House is Australia’s, if not the world’s, most recognisable building. It is universally recognised as an architectural icon and as a masterpiece of the built environment, which has captured the imagination of many (Commonwealth of Australia 4). The construction of the Sydney Opera House, between 1959 and 1973, utilised many ground-breaking methods and materials which, together, pushed the boundaries of technical possibilities to the limits of human knowledge at the time (Commonwealth of Australia 36, 45). Typical investigations into the Sydney Opera House focus on
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Brien, Donna Lee. "Planning Queen Elizabeth II’s Visit to Bondi Beach in 1954." M/C Journal 26, no. 1 (2023). http://dx.doi.org/10.5204/mcj.2965.

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Introduction On Saturday 6 February 1954, on the third day of the Australian leg of their tour of the Commonwealth, Queen Elizabeth II and Prince Philip, the Duke of Edinburgh, visited Sydney’s Bondi Beach. The specially-staged Royal Surf Carnival they witnessed—comprising a spectacular parade, surf boat races, mock resuscitations and even unscheduled surf rescues—generated extensive media coverage. Attracting attention from historians (Warshaw 134; Ford 194–196), the carnival lingers in popular memory as not only a highlight of the Australian tour (Conway n.p.; Clark 8) and among the “most ce
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