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Relevant bibliographies by topics / Presentation inscription from I. I͡Assen

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Academic literature on the topic 'Presentation inscription from I. I͡Assen'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Presentation inscription from I. I͡Assen"

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Shafiq, Qasim, Sardar Ahmad Farooq, and Asim Aqeel. "Magical Realism Revisited in Erdrich's Tracks: An Interactional Thick Inscription." Global Social Sciences Review IV, no. IV (2019): 487–93. http://dx.doi.org/10.31703/gssr.2019(iv-iv).59.

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This study revisits Louise Erdrich's practice of 'magic realism' to explain how the realistic presentation of unreal elements in Erdrich's writings differs from the western expression of magic realism. With the interactional thick inscription of Erdrich's magic realism, this study argues that the unreal events in Tracks are not based on Erdrich's imagination but the spiritual facts of her inheritance. Her description of naturalcum-supernatural elements cohesively achieves a synthesis of the Chippewa Anishinaabe magic-realistic world and, simultaneously, derives the social and cultural hierarch

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Stasi, Paul. "“She Knew She Ought to Be Happy”: Socialized Subjects in Emma." Novel: A Forum on Fiction 57, no. 3 (2024): 357–74. https://doi.org/10.1215/00295132-11403574.

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Abstract This article argues that we have consistently misunderstood Jane Austen's subjects by assimilating them to a political liberalism in which she was uninterested. What matters in Austen is not subjective interiority so much as social status; her presentation of character resists the abstract equality characteristic of liberalism, which separates individuals from their social worlds. In contrast, Austen's subjects are almost entirely social. Tying Austen's presentation of the subject to the famous theses by Tom Nairn and Perry Anderson about the particular class compromise characteristic

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Radicevic, Dejan, and Ana Cicovic. "A new interpretation of prince Lazar’s “tipar” from the Rudnik mountain." Starinar, no. 71 (2021): 253–65. http://dx.doi.org/10.2298/sta2171253r.

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This paper offers a new interpretation of an object found on the Rudnik mountain in 2015. On its first public presentation, it was defined as a tipar (seal die) of the Serbian prince Lazar. However, a new reading of its inscription revealed a detail that demonstrates that it is not a seal die but an object with a different purpose. It is a mould (matrix) which would have been used for the fabrication of a medallion (plaquette) on the bottom of a goblet destined for the prince. This identification is also corroborated by examples of similar medallions known in the region of medieval Serbia and

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Sánchez Muñoz, Daniel. "A Sumerian Royal Inscription Describing the (Re)Building of a Chapel for Annunītum by King Enlil-Bāni of Isin." Archiv orientální 91, no. 1 (2023): 1–17. http://dx.doi.org/10.47979/aror.j.91.1.1-17.

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This article presents a new Sumerian royal inscription in which King Enlil-bāni of Isin claims to have built a residence for the goddess Annunītum. It is argued here that this construction work could have simply involved the maintenance of a chapel for Annunītum within the temple of Inana at Isin. Whatever the case, the work might have been very significant to Enlil-bāni, since he could have carried it out when Isin had lost control of Nippur due to its conquest by the rival kingdom of Larsa. In this way, Enlilbāni’s maintenance of the chapel of Annunītum, a goddess associated with kingship, c

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von Minnigerode, Elisa. ""Because No One Can Seize me from Behind": Sir Christopher Hatton's Double Portrait and Elizabethan Textual Paintings." ATHENS JOURNAL OF HUMANITIES & ARTS 8, no. 4 (2021): 325–40. http://dx.doi.org/10.30958/ajha.8-4-3.

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Many researchers have emphasised the special use of inscriptions and texts in Tudor paintings. Especially in Elizabethan times, emblematic images emerge and contain texts which present riddles to their audience, address an implicit or explicit beholder, and also give information about their own function. The enigmatic double-sided portrait of Christopher Hatton serves as an outstanding example of the various relations that texts and images form in this era. Two elements of its composition will be discussed here: the inscription and the depiction of Father Time, both on the verso-side. One, a t

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Sidorova, T. P. "Nadezhda Gorodetsky’s autographs in Belarus." Voprosy literatury, no. 5 (October 15, 2024): 164–71. http://dx.doi.org/10.31425/0042-8795-2024-5-164-171.

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The article analyzes inscriptions made by the writer Nadezhda Gorodetsky (Gorodetskaya) on her books gifted to M. Osorgin and P. Berkov. In a brief biographical summary included in the article, we learn about Gorodetsky — a Russian émigré writer and critic, and the key milestones of her literary career, including the years in Paris and England (Oxford and Liverpool). At large the study is concerned with two of her autographs discovered by Sidorova in Belarussian libraries. Their descriptions feature a detailed cultural-historical commentary. The first autograph appears on a copy of A Non-Throu

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Thin, Thin Aye. "A Study of Bell Inscriptions on the Shwedagon Pagoda's Platform." Dagon University Research Journal Vol.6, no. 2014 (2019): Pg.77–89. https://doi.org/10.5281/zenodo.3547113.

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It is a customary for Buddhist to hit the Bell and share their accumulated merits with all sentient beings after performing meritorious deeds. The ringing sound of the bell is very pleasant to every being including human being, deities, and Brahmana that it instigates to arise faithful and joyous feeling. It was a study and presentation of the bell inscriptions found on the platform of four cardinal side of the Shwedagon pagoda platform. There are also the thirty-one big bells hung on four cardinal sides. The names, addresses and the level of designations and positions of the donors, the weigh

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Reis, Bruce. "What is Meant by the Term Interpretation, and What is it For?" Journal of the American Psychoanalytic Association 71, no. 6 (2023): 1211–38. http://dx.doi.org/10.1177/00030651241231965.

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Analysts seem spellbound by language when it comes to the word interpretation, a word so idealized and grand, so laden with fantasy, that the term itself continues to hold a magical sense that defies us to think about it. Called upon to do far too much explanatory work in psychoanalysis, it is accorded a variety of meanings. It is employed for varied uses, often simultaneously, making it hard to know what analysts mean when referring to “interpretation” and what uses they intend for it. Approaches to interpretation may be heuristically separated into those having to do with the content of the

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Gatzke, Andrea F. "THE GATE COMPLEX OF PLANCIA MAGNA IN PERGE: A CASE STUDY IN READING BILINGUAL SPACE." Classical Quarterly 70, no. 1 (2020): 385–96. http://dx.doi.org/10.1017/s0009838820000324.

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Urban landscapes in the Roman world were covered in written text, from monumental building inscriptions to smaller, more personal texts of individual accomplishment and commemoration. In the East, Greek dominated these written landscapes, but Latin also appeared with some frequency, especially in places where a larger Roman audience was expected, such as major cities and Roman colonies. When Latin and Greek appear alongside each other, whether in the same inscription or across a single monumental space, we might ask what benefits the sponsor of the monument hoped to gain from such a bilingual

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Mladenovic-Ribic, Natasa. "Towards an integrative approach to the safeguarding of living heritage: Programmes of the center for the intangible cultural heritage of Serbia and the Ethnographic Museum in Belgrade." Glasnik Etnografskog instituta 72, no. 2 (2024): 19–37. http://dx.doi.org/10.2298/gei2402019m.

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The inscription of the element of living heritage in the National Registry of Intangible Cultural Heritage, which is managed by the Center for the Intangible Cultural Heritage of Serbia at the Ethnographic Museum in Belgrade, can be observed as just one step in the work on safeguarding social practices and skills, transmitted from generation to generation, that have been maintained to this day and represent an important constituent of identity of the communities and groups of practitioners. Although safeguarding of living heritage depends primarily on the willingness of the bearers to work on

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Books on the topic "Presentation inscription from I. I͡Assen"

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Juvenal. Juvenal and Persius. Harvard Univ. Press, 1990.

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Juvenal and Persius. Harvard University Press, 2004.

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Rhodes, R. A. W. On Local Knowledge. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198786115.003.0010.

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This chapter decentres the normative arguments favouring local knowledge suggesting the notion is more elusive than many recognize. It summarizes the mainstream political science and the interpretive views of local knowledge; unpacks the family of ideas that constitute local knowledge; identifies ten family resemblances, suggesting that local knowledge is: situated, embedded, ever-changing, contested, contingent and generative, performative practice, experiential, specialized, and comprised of folk theories that are authentic, natural, and accessible. It distinguishes between recovering local

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Book chapters on the topic "Presentation inscription from I. I͡Assen"

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Khanmohammadi, Behrouz, Vitolo Priscilla, and Roberto Dan. "On the Road to Mannea, the Archaeological Sited of Taštepe, Iran." In L’arte armena e oltre. Nuovi contributi Studies in Armenian and Eastern Christian Art 2022. Fondazione Università Ca’ Foscari, 2023. http://dx.doi.org/10.30687/978-88-6969-694-7/006.

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The purpose of this article is to make a re-evaluation of the site of Taštepe-1 and to introduce a newly discovered site called Taštepe-2. These are located on the southern shore of Lake Orumiyeh in Iran. Taštepe-1 consisted of a small outpost and a settlement. The most important feature is the Urartian inscription by King Minua. Taštepe-2 is a settlement. The archaeology of both sites is discussed, as is the presentation of pottery collected from the surface. Finally, the sites are discussed from the perspective of the historical events that characterised part of the first half of the first m

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Conference papers on the topic "Presentation inscription from I. I͡Assen"

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Grisoni, Michela Marisa. "The struggle for Stone-dry walling: the ambition to protect both processes and products." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15264.

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Quoting from the inscription into the Intangible Cultural Heritage List (2018), the art of dry-stone walling concerns “the know-how” related to making stone constructions that explains the interest towards the product process as well as the product itself. The protection of the ability in stones selection and their placement, without mortar or dry soil at most, has moved the attention from walls to walling too. As a result, the idea of authenticity should be rediscussed to preserve not only some existing monuments and amazing landscape, but a living heritage and a sustainable land use. A risk

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Reports on the topic "Presentation inscription from I. I͡Assen"

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Kempgen, Sebastian. Sv. Kliment Ohridski : His Tombstone and its Inscription. Otto-Friedrich-Universität, 2021. http://dx.doi.org/10.20378/irb-50305.

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The presentation is dedicated to the tombstone of Sveti Kliment in Ohrid, Macedonia, and its inscription. The presents a new facsimile and a new textual representation (in Unicode) of the inscription and compares them to the ones from the scholarly literature.

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