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Relevant bibliographies by topics / Presentations of art of movement. Choreography / Books

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Books on the topic 'Presentations of art of movement. Choreography'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

Uribe, Jorge Holguín. Danzas privadas: Manual de rituales. 3rd ed. [s.n.], 1989.

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2

Fight choreography: The art of non-verbal dialogue. Thomson Course Technology, 2008.

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3

Hardt, Yvonne. Politische Körper: Ausdruckstanz, Choreographien des Protests und die Arbeiterkulturbewegung in der Weimarer Republik. Lit, 2004.

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4

Dance. MIT Press, 2012.

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5

Lepecki, André. Dance. MIT Press, 2012.

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6

Kreng, John. Fight Choreography: The Art of Non-Verbal Dialog. Course Technology PTR, 2007.

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7

The state of the art: A descriptive study of the current practices of evaluation at choreographic competitions. 1987.

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8

The state of the art: A descriptive study of the current practices of evaluation at choreographic competitions. 1988.

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9

Pouillaude, Frédéric. Unworking Choreography. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199314645.001.0001.

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There is no archive or museum of human movement where choreographies can be collected and conserved in pristine form. The central consequence of this is the incapacity of philosophy and aesthetics to think of dance as a positive and empirical art. In the eyes of philosophers, dance refers to a space other than art, considered both more frivolous and more fundamental than the artwork without ever quite attaining the status of a work. This book develops this idea and postulates a désoeuvrement (unworking) as evidenced by a conspicuous absence of references to actual choreographic works within ph

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10

Dance - 1. edición. MIT Press, 2012.

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11

Moving Without A Body Digital Philosophy And Choreographic Thought. MIT Press Ltd, 2013.

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12

Dance portraits: A choreographic investigation of formal elements as parallel means of expression in painting and dance. 1987.

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13

Dance portraits: A choreographic investigation of formal elements as parallel means of expression in painting and dance. 1986.

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14

Wilcox, Emily E. Women Dancing Otherwise. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199377329.003.0004.

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In twenty-first-century urban Chinese contemporary dance, gender and female sexuality are often constructed in ways that reinforce patriarchal and heterosexual social norms. Although “queer dance” as a named category does not exist in China, it is possible to identify queer feminist perspectives in recent dance works. This essay offers a reading of representations of gender and female sexuality in two works of contemporary dance by Beijing-based female Chinese choreographers: Wang Mei’s 2002 Thunder and Rain and Gu Jiani’s 2014 Right & Left. Through choreographic analysis informed by ethno

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15

Gotman, Kélina. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190840419.003.0001.

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‘Choreomania’ borrows from and extends the Orientalist trope described by Edward W. Said: imagined as feminine, exotic, and ancient, so-called choreomaniacs were also described in colonial medical and anthropological literature as jagged and unpredictable. ‘Epidemic hysterias’ involving frenzied dancing, or individual ticking and jerking, constitute an alternative history of gestural modernity, opposite to the smooth and efficient movement of ‘torque’. The fantasy of dance-like neuromotor disorder disrupting the smooth march of modernity constitutes choreomania as a swarm-like madness whose co

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