Academic literature on the topic 'Preservation of traditional art'

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Journal articles on the topic "Preservation of traditional art"

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Mujiburrahman, Mujiburrahman, Richa Meliza, Aflia Riski, et al. "Preservation of Traditional Art in the Modern Era." Andalas International Journal of Socio-Humanities 6, no. 2 (2024): 91–99. http://dx.doi.org/10.25077/aijosh.v6i2.69.

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The focus of this research is on the strategies for preserving Seudati dance by the Pidie Jaya government in the era of disruption. Pidie Jaya is one of the regencies known for the Seudati dance, and many prominent Seudati leaders, known as "syeh," hail from this region. This research was conducted in Pidie Jaya Regency, with the location chosen due to the observed phenomenon that the youth are no longer interested in learning and performing Seudati. Data collection techniques in this research included participant observation, where the researcher directly observed the subjects to gather data.
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Hung, Chi-Sen, Tien-Li Chen, and Yun-Chi Lee. "From Cultural Heritage Preservation to Art Craft Education: A Study on Taiwan Traditional Lacquerware Art Preservation and Training." Education Sciences 11, no. 12 (2021): 801. http://dx.doi.org/10.3390/educsci11120801.

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In Taiwan, preservation and training policies of intangible cultural assets are highly valued by the government. In this study, lacquerware art craft education as intangible cultural heritage is the subject of this study. We conducted in-depth interviews and secondary data collection to obtain research data and carried out a grounded theory data analysis method through expert meetings to explore the passing on education strategy of “lacquerware art craft” in Taiwan. Firstly, based on Bloom’s educational objectives, the study analyzed three aspects of lacquer art education: cognitive, affection
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Darmantho, Adhitya, and Maria Magdalena Cita Hapsari. "Art Studio as Preservation Engine: Performance Art Conservation Management Strategies in Purworejo Regency." Journal of Linguistica 1, no. 3 (2024): 9–18. http://dx.doi.org/10.62872/319cb494.

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Performing arts, as the highest manifestation of human creative wisdom, reflect the soul and cultural identity of a nation. In Indonesia, performing arts not only mirror diversity but also are deeply rooted in cultural sustainability. However, traditional arts are fragile in the era of modernity, facing challenges of continuity and extinction. Preservation efforts become an eternal call, with art studios becoming loci for cultural preservation and transformation. Research in the Purworejo region emphasizes the importance of preserving traditional arts in both local and global contexts, reinfor
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Nendi, Ikhsan. "Preservation of Traditional Arts in Growing Love of Local Culture in Sanggar arts, Klapa Jajar, Cirebon City." Devotion : Journal of Community Service 2, no. 1 (2020): 1–10. http://dx.doi.org/10.36418/dev.v2i1.66.

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This study aims to describe various problems related to the preservation of traditional arts at the Klapa Jajar Art Studio, Pekalipan Village, Cirebon City. In this study the authors used a qualitative descriptive research method. The author saw firsthand the problems that existed in the Klapa Jajar art studio, Pekalipan Village, Cirebon City. Then the author developed specifically the problems that were in place and made an Innovation Design in the form of implementation. Data collection techniques were carried out by direct interviews and documentation and direct observation. Based on the re
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Chen, Zhijuan, and Xijin Li. "Digital Integration of Traditional Craft Motifs in Mobile AR/VR Interactive Art Creation." International Journal of Interactive Mobile Technologies (iJIM) 19, no. 13 (2025): 148–61. https://doi.org/10.3991/ijim.v19i13.56599.

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With the rapid advancement of digital technology and mobile augmented reality (AR) or virtual reality (VR), the digital integration of traditional craft motifs into contemporary art has emerged as a significant research focus. Traditional craft motifs embody profound cultural heritage and artistic value, and their distinctive visual characteristics offer substantial potential for digital artistic expression. The immersive and interactive affordances of mobile AR/VR technologies provide a novel paradigm for artistic creation. The effective integration of traditional craft motifs into mobile AR/
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Adie, Anthonia Ugiebeme, Joy Enya Idu, Victoria Echeng Enya, Denis Ashikong Utang, and Elizabeth Ushama Ushie. "The Intersection of Tradition and Technology: Impact on Art Practices and Preservation." Sarcouncil Journal of Arts Humanities and Social Sciences 4, no. 3 (2025): 5–12. https://doi.org/10.5281/zenodo.15032947.

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This paper explores the multifaceted impact of technology on traditional art practices, examining both the opportunities and challenges that arise from this intersection. It begins with a historical perspective on the evolution of traditional art forms and the early integration of technology, highlighting significant shifts in artistic creation and dissemination. The paper discusses the emergence of digital tools, such as digital painting and 3D modeling, and their influence on traditional craftsmanship. It further analyzes how digital platforms and social media have transformed art distributi
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Meylani, Hilda, and Wawan Hernawan. "Spiritual and Communal Harmony Through Tarawangsa Traditional Art." Journal of Contemporary Rituals and Traditions 2, no. 2 (2024): 139–54. http://dx.doi.org/10.15575/jcrt.661.

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Purpose of the Study: This research explores how Tarawangsa Art, as a traditional cultural practice, plays a crucial role in strengthening communal identity and spirituality within the Budi Daya community in Cibedug, Lembang, West Java, Indonesia. Methodology: The study adopts a qualitative approach through participatory observation and in-depth interviews with community members, traditional leaders, and practitioners of Tarawangsa Art. Main Findings: The findings reveal that Tarawangsa Art not only acts as an expression of culture and spirituality but also as a crucial pillar in nurturing the
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Dzakia, Shinta Nur, Indri Dewi Saputri, Rani Puspita Sari, and Kulsum Nur Hayati. "Contribution of Educational Institutions in the Preservation of Traditional Culture Karawitan Java." Jurnal Smart Paud 7, no. 2 (2024): 157–68. http://dx.doi.org/10.36709/jspaud.v7i2.162.

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Culture as a state identity must always be preserved so that it remains alive and relevant for every generation of society. Indonesia has a variety of cultures, including traditional music on the island of Java, namely Karawitan Art. The process of cultural inheritance can be through educational institutions which are leading institutions that are in direct contact with the nation's generation. So this research was taken to describe the efforts made by educational institutions in contributing to preserving the traditional culture of karawitan art concretely. A study designed using a qualitativ
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Prasukma, Nadia Putri. "MELESTARIKAN KESENIAN GAMELAN PADA ERA MODERN." Muria Jurnal Layanan Masyarakat 5, no. 1 (2023): 32–34. http://dx.doi.org/10.24176/mjlm.v5i1.8635.

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This article, entitled Preserving Gamelan Traditional Arts in the Modern Era as an effort to foster a love of traditional culture in the Muludan Tlompakan community, describes various problems related to the preservation of traditional arts in the Muludan Tlompakan community. There are several studies in this article, namely: 1. Art as the identity of the village environment, 2. Documentation as a place for preservation, 3. Design of Art Conservation in the modern era, 4. Process of Preservation Implementation, 5. Traditional culture. In describing the discussion of this article, the influenci
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Saitaer, Xiakeer. "The Art of Uyghur Traditional Decorative Felt Making and its Preservation." Advanced Materials Research 332-334 (September 2011): 2040–44. http://dx.doi.org/10.4028/www.scientific.net/amr.332-334.2040.

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Chinese and foreign scholars agree that felt is an important invention of ancient central asian nomads. The art of handcrafted felt is a direct product of their pastoral lifestyles. The long-established and traditional Uyghur handicraft of felt making has over the ages developed unique ethnic distinctives and an inheritable nature. It has value in the historical, cultural, scientific, aesthetic, and economic realms, and thus qualifies as priceless intangible cultural heritage. Felt products with decorative designs are the most precious of the felt products. This paper discusses in detail the p
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Dissertations / Theses on the topic "Preservation of traditional art"

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Twose, Megan Frances, and n/a. "Studies of Phormium tenax fibre prepared in the traditional Maori manner." University of Otago. Department of Clothing and Textile Sciences, 1988. http://adt.otago.ac.nz./public/adt-NZDU20070619.110247.

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Museum textiles provide priceless documentation of the activities of people throughout time. They record human interests and serve as resources for students of many disciplines. In New Zealand there are artefacts made from Phormium tenax which are extremely important in terms of providing a record of early New Zealand life and links to our past as both artistic and cultural symbols: they present an insight into the many faceted nature of early Maori culture. However there are some which are clearly in need of preservative treatment. Others may need care in the future for inevitably they are, o
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Gatenby, Susannah Lija, and n/a. "The identification of traditional binders used on Australian Aboriginal painted objects prior to 1970." University of Canberra. Applied Science, 1996. http://erl.canberra.edu.au./public/adt-AUC20060711.130218.

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Many painted objects within ethnographic collections suffer from paint loss. In the past, assumptions have been made that this phenomenon was caused by a low binder concentration, although binder presence had not been investigated, confirmed or it's type identified. Simple laboratory methods which can detect the presence of binders on a painted object are outlined. They are based on tests developed for the medical industry and modified by the author for routine use in conservation. Methods presented outline procedures to identify three broad chemical groups of binders used in the manufacture o
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Brohman, Stephanie Anne. "(Self) Preservation." Thesis, University of Iowa, 2016. https://ir.uiowa.edu/etd/3053.

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Creatures of the sea, creating wearable adornment to protect the body and unique materials, inspire my artwork. Through research and examination of sea creatures, I look to their defense mechanisms and imagine what it would be like if humans had similar qualities or if we could borrow from these beings and transform the way we physically protect our bodies. Through mixed materials I form adornment that acts as armor and the human being and the sea creature merge. The following pages will give you access to my thought process, accounts of technical experimentation, and my body of work.
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Verschooren, Karen A. (Karen Annemie). ".art : situating Internet art in the traditional institution for contemporary art." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/39149.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2007.<br>Includes bibliographical references (p. 187-202).<br>This thesis provides a critical analysis of the relation between Internet art and the traditional institution for contemporary art in the North American and West-European regions. Thirteen years after its inception as an art form, the Internet art world finds itself in a developmental stage and its relation to the traditional institution for contemporary art is accordingly. Through an elaborate discussion of the key players, institutions and di
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Yeung, Wai-fung Jacky. "The re-search of place and placelessness in Shan Ha Tsuen : a traditional village in Ping Shan /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25948520.

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Loeb, Rachel L. (Rachel Lauren) 1973. "Preservation without boundaries : transitioning Bhutan's traditional settlements into an urban environment." Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/49804.

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Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 2002.<br>Includes bibliographical references (p. 111-114).<br>The Royal Government of Bhutan requires that all national policies incorporate the promotion and protection of the country's cultural heritage. This thesis connects the Kingdom of Bhutan's cultural heritage agenda with the government's new effort to preserve the twelve traditional settlements in its capital Thimphu. The Royal Government of Bhutan places its unique vision, Gross National Happiness, at the center of its development philosophy.
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Duque, Cuartas Alejandro. "Colombia's Classical Guitar Repertoire: Traditional, Traditional-Popular, and Art Music Idioms." Thesis, Griffith University, 2020. http://hdl.handle.net/10072/394724.

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This research explores the diversity of Colombia’s classical guitar repertoire (CCGR). Using musicological and artistic approaches, it aims to expand understanding of the wide stylistic range and diversity of CCGR. In particular, building on previous categorisations of Colombian music, this project offers a three-part framework for better understanding the diversity of CCGR idioms in their contemporary manifestations: namely, traditional, traditional-popular, and art music. Drawing on methods characteristic of historical musicology and artistic research, this research contributes to new unders
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Cooper, Julie A. "Changing the Traditional High School Photography Curriculum: Integrating Traditional and Digital Technologies." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/art_design_theses/68.

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This thesis presents a photography curriculum for a beginning high school level photography class. It is designed as a teaching guide to structure a photography class that incorporates both film photography and digital photographic technology. One of the biggest challenges for teachers of photography is how to structure a curriculum with a limited number of enlargers and space in the darkroom, while incorporating digital technology with limited computer access for students. The curriculum presented here includes three major parts: a traditional photographic film component, a digital photogr
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Sabine, Choshen. "Heritage Preservation and Tourism Development in Two ‘Ancient Villages’ of Vietnam." Kyoto University, 2019. http://hdl.handle.net/2433/244573.

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Lekagul, Apichoke. "Toward Preservation of the Traditional Marketplace: A Preference Study of Traditional and Modern Shopping Environments in Bangkok, Thailand." Diss., Virginia Tech, 2002. http://hdl.handle.net/10919/26378.

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The objectives of this dissertation are to: 1) identify the aspects of shopping environments that are important to people; and 2) identify strategies to maintain the cultural relevance and viability of traditional marketplaces in the new global economy. This dissertation uses a Content Identifying Methodology (CIM) to determine preferences of general Thai shoppers for different shopping environments in Bangkok, Thailand. The procedures include preference rating, scene description, and respondentsâ background surveys. Data were analyzed using factor analysis, content analysis, Analysis of
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Books on the topic "Preservation of traditional art"

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Albala, Ken. The lost art of real cooking: Rediscovering the pleasures of traditional food, one recipe at a time. Perigee, 2010.

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Rosanna, Nafziger, ed. The lost art of real cooking: Rediscovering the pleasures of traditional food, one recipe at a time. Perigee, 2010.

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Shanghai College of Traditional Chinese Medicine. Health preservation and rehabilition. Edited by Zhang Enqin. Publishing House of Shanghai College of Traditional Chinese Medicine, 1990.

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Mehmet, Özel, and Turkey. Güzel Sanatlar Genel Müdürlüğü., eds. Traditional Turkish arts. Turkish Republic, Ministry of Culture and Tourism, General Directorate of Fine Arts, 1986.

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Larasati, Balai Lelang. Traditional, modern & contemporary art. Balai Lelang Larasati, 2012.

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Larasati, Balai Lelang. Traditional, modern & contemporary art. Larasati Auctioneers, 2014.

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Larasati, Balai Lelang. Traditional, modern & contemporary art. Larasati Auctioneers, 2011.

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Fosu, Kojo. Traditional art of Ghana. Dela Publications and Design Services, 1994.

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Larasati, Balai Lelang. Traditional, modern & contemporary art. Larasati Auctioneers, 2012.

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Larasati, Balai Lelang. Traditional, modern & contemporary art. Larasati, 2011.

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Book chapters on the topic "Preservation of traditional art"

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Liang, Hui, Fanyu Bao, Yusheng Sun, Chao Ge, and Jian Chang. "Virtual Scenes Construction Promotes Traditional Chinese Art Preservation." In Advances in Computer Graphics. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-89029-2_46.

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Tom, Cybele. "When Old Was New: Rethinking Traditional and Contemporary Art and Their Paradigms of Care." In Conservation of Contemporary Art. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42357-4_5.

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AbstractThe widespread belief that old and contemporary works of art are fundamentally different from each other, warranting distinct and separate conservation approaches, needs examination. Immateriality and mutability, two qualities considered to be unique to contemporary artworks of unconventional object ontology, are also features of old objects and artefacts, especially when considered in their original contexts. The chapter argues that the perceived differences between old and contemporary are neither inherent nor fundamental, but arise from an under-examined tendency to identify a tradi
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Yusof, Saemah, Asliza Aris, and Norizan Sajar. "Recreating the Malay Traditional Tekat Embroidery for Its Preservation and Continuity as a Cultural Heritage." In Proceedings of the Art and Design International Conference (AnDIC 2016). Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0487-3_46.

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Wielocha, Aga. "Collections of (An)archives: Towards a New Perspective on Institutional Collecting of Contemporary Art and the Object of Conservation." In Conservation of Contemporary Art. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42357-4_14.

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AbstractThe immanent features of contemporary art, understood as a new paradigm of artistic practice, call for new approaches to the institutional collecting and all interrelated practices, including conservation. The identity of a contemporary artwork is distributed between physical objects and processes, and concepts and contexts, which shape an artwork throughout its career. These intangible agents often exist in, and thus might be transmitted only through, various kinds of documents. The resulting documentation does not only contain information about an artwork’s provenance, history, meani
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Wijers, Gaby. "UNFOLD." In Cultural Inquiry. ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_20.

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UNFOLD: Mediation by Reinterpretation is a research project and interdisciplinary network initiated by LIMA, Platform for Media Art in Amsterdam, that examines reinterpretation as an emerging practice for artistic production, presentation, and preservation of media works. New elements stretch the boundaries of traditional preservation methods and require insights from both the artist and the curator to decide how pieces can be restaged. This essay investigates how to deal with the changes of digital/media artworks over time, and how to preserve and mediate their performative aspects.
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Saka, Gunay. "Preservation and Storage of Food." In Food Safety. Nobel Tip Kitabevleri, 2024. http://dx.doi.org/10.69860/nobel.9786053358787.36.

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In order to meet their nutritional needs, people have developed methods to store food without spoiling since time immemorial. Today, different methods are being developed with new technologies. In this article, it is aimed to examine food preservation and storage methods and to make suggestions to consumers. The World Health Organisation states that safe food is the primary determinant of human health and access to safe, nutritious and healthy food is a basic human right. Unsafe food leads to infectious diseases and poisoning, creating a vicious cycle of disease, malnutrition and disability, e
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Saçan Bombar, Cansu, and Müjgan Karatosun. "Evaluation of Ecovillage Movement as an Alternative Approach to Sustainable Preservation of Traditional Patterns: Case of Marmariç, Turkey." In Cities’ Identity Through Architecture and Arts. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-99480-8_13.

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Cappitelli, Francesca, and Federica Villa. "Novel Antibiofilm Non-Biocidal Strategies." In Microorganisms in the Deterioration and Preservation of Cultural Heritage. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69411-1_5.

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AbstractSubaerial biofilm (SAB) formation on cultural heritage objects is often considered an undesirable process in which microorganisms and their by-products, e.g., enzymes and pigments, cause damage or alteration to a surface. Since biofilms are widespread phenomena, there has been a high demand for preventive and control strategies that resist their formation or reduce their negative effects once formed. Up to date, the main strategy to control biofilms has been the use of biocides. Because of their intrinsic properties, biocidal products can pose risks to humans, animals, and the environm
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Oskal, Anders, Ravdna Biret Marja Eira Sara, Kia Krarup-Hansen, Inger Anita Smuk, and Svein Disch Mathiesen. "Reindeer Herders’ Food Knowledge Systems." In Reindeer Husbandry. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42289-8_6.

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AbstractReindeer husbandry is part of an Arctic civilization strongly tied to nature and dependent on it in multiple aspects, including the diets of its peoples. Food production in nomadic Sámi reindeer herding has, through generations, been nested within the seasonal use of pastures, securing biodiversity, and traditional knowledge of food preservation techniques. The traditional knowledge, culture, and language of reindeer herders provide a central foundation for building sustainable food systems and social-ecological resilience in the Arctic. Food knowledge systems of Arctic Indigenous peop
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Amer, Mohamed. "6. Mutrah Old Market, Oman." In Tangible and Intangible Heritage in the Age of Globalisation. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0388.06.

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Mohamed Amer examines the tangible and intangible heritage characteristics of the traditional market of Mutrah in Oman’s capital city of Muscat. He assesses its interactive historic, architectural, urban, social, economic and cultural values alongside their managerial features, in order to identify practical measures for the enhancement of this living cultural heritage, the effective preservation of Omani cultural identity, avenues for local socio-economic empowerment and sustainable cultural tourism. Here, Strengths, Weaknesses, Opportunities and Threats (SWOT) analyses brought to light the i
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Conference papers on the topic "Preservation of traditional art"

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Uutala, Eric, Cliff Cracauer, and Boris Miksic. "Evaluating Efficacy of Volatile Corrosion Inhibitors versus Traditional Methods for Preservation of Industrial Equipment and Operational Spare Parts." In CORROSION 2015. NACE International, 2015. https://doi.org/10.5006/c2015-05678.

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Abstract Corrosion protection of industrial equipment and spare parts during mothballing and deep storage is an ongoing issue worldwide. Many factors must be considered when determining best practice for asset preservation; length of time, type of equipment, accessibility, preventative maintenance schedule, and environmental and storage conditions have the greatest influence, while other conditions may also need to be considered. Traditional preservation methods such as nitrogen blanketing, desiccation, or heavy, wax based surface applied coatings can be costly to implement and maintain, and c
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Price, Andy. "Novel DNA Extraction and Preservation for Identification of Micro-organisms On-site Using Novel Nucleic Acid Extraction Cards for the Oil and Gas Industry." In CORROSION 2012. NACE International, 2012. https://doi.org/10.5006/c2012-01758.

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Abstract Traditional microbiological methods based on culturing procedures such as the Most Probable Number (MPN) technique have been used for many years to monitor microbial numbers in oilfield samples. However, such methods are far from ideal as it is estimated that only 0.01–10% of all micro-organisms present in environmental samples are culturable by these methods. In addition, without further extensive procedures being carried out, such methods cannot identify the variety of micro-organisms in the sample. Molecular microbiological methods (MMM) negate such problems, providing information
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Wulterkens, John, Sen Kang, and Casey Heurung. "Corrosion Protection in Oil System with Water Ingress by Use of Volatile Corrosion Inhibitors (VCI)." In CORROSION 2019. NACE International, 2019. https://doi.org/10.5006/c2019-12905.

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Abstract Volatile corrosion inhibitors (VCI) are commonly used in various oil systems to prevent corrosion during preservation and in intermittent operation. However, water ingress still introduces risk of corrosion when water separates and pools at the bottom of these systems. Traditional corrosion inhibitors used in lubricating oils provide good corrosion protection in the oil-phase, but cannot offer protection beneath the oil-water phase line due to their typical, hydrophobic nature. It has been determined that the use of proper organic VCIs (which also offer protection in the vapor phase a
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Bîzgu, Tatiana. "The art of traditional vests — recovery of treasure." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.29.

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Leather, fur and textile vests are part of the traditional costume of Transcarpathia and not only. This article presents the results of the analysis of vests from the collection of the National Museum of Ethnography and Natural History in Chisinau. The task was to analyze the materials, cut, decoration techniques of the studied exhibits. After a comparative analysis of this collection, was created a gallery with the most remarkable exhibits according to the studied parameters. The growing interest in traditional clothing among designers and artists contributes to the preservation and inclusion
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Adascalița-Crigan, Lucia, and Viorica Cazac-Scobioala. "Perpetuating the rhombus in traditional Romanian art." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.01.

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The rhombus as an ornamental motif of traditional art can be found both among the signs sewn on popular costumes or in interior textiles, on household objects, and among the shapes found in traditional cuisine. Being a geometrical motif with an archaic symbolic charge, characterized by perpetuity and cosmic sacredness, it was exploited and integrated into all the daily, celebratory and ceremonial circumstances of man. In this context, the objective of the study was directed towards the presentation of the multicriteria interpretation of this motif. On the one hand, the Rhombus carries a specia
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Yuda, Fabio, Emah Winangsit, Hengki Armez Hidayat, and Fajry Sub’haan Syah Sinaga. "Limited Creativity as a Form of Minangkabau Traditional Randai Preservation." In Eighth International Conference on Languages and Arts (ICLA-2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200819.076.

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Zubair, Anis, Elta Sonalitha, Salnan Ratih, Bambang Nurdewanto, Kukuh Yudhistiro, and Irfan Mujahidin. "Blackbox Testing Using Fuzzy Clustering Based on Boundary Value Analysis on The Text Opinion Mining Application in Traditional Culture Arts Presentation." In International Conference of Science Management Art Research Technology. RSF Press & RESEARCH SYNERGY FOUNDATION, 2020. http://dx.doi.org/10.31098/ic-smart.v1i1.21.

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The success of organizing a traditional work of art cannot be separated from the important role of data and information obtained from the public in general, and viewers or art connoisseurs in particular. This information is an indicator that can be used to measure the amount of public attention to traditional arts, which is an effort to promote traditional cultural arts. Data and information related to traditional artworks were obtained from filling out the instruments that were distributed to the public online to produce an opinion form that contained a complete description with a discussion
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Jiniputri, Asyifa Rachmadina, Ratna Panggabean, and Dian Widiawati. "Preservation of Traditional Ikat Ulos by Motif Design Development and Natural Dye Utilization in Muara District, North Tapanuli." In ICON ARCCADE 2021: The 2nd International Conference on Art, Craft, Culture and Design (ICON-ARCCADE 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211228.012.

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Blindu, Natalia. "The decade of Moldovan art and literature in Moscow in 1960: the success of Doina choir chapel." In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.16.

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This article deals with the performance of the Doina Choir Chapel within the Decade of Moldovan Art and Literature in Moscow from May 27 to June 7, 1960, as the first wide recognition of the collective. The work on the preparation of the concert programs is considered, reports and reviews are given in the Union press about the high level of the performances of the chapel, which took place on various stage venues in Moscow. It is concluded that the participation of the Choir in such a significant cultural event of all-Union level was a key event in the formation and development of the collectiv
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Petrov, Denis Sergeevich, and Aleksei Ivanovich Tiukhin. "Theoretical aspects of the integration of new technologies into traditional opera productions." In All-Russian scientific and practical conference with international participation. Publishing house Sreda, 2025. https://doi.org/10.31483/r-138257.

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The article analyzes the main theoretical approaches to the implementation of modern technologies in opera productions. Conclusions are made about the synthetic nature of opera art, which allows searching for and implementing innovative directorial ideas. At the same time, another facet of opera is highlighted – its traditional nature, which does not allow radically transforming the original musical genres. Taking into account this contradiction, the most effective innovative technologies are substantiated, ensuring the spectacle and preservation of the cultural and historical experience of op
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Reports on the topic "Preservation of traditional art"

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Liu, Pei, and Chiemi Iba. Influence of Energy-saving Renovation Plan on the Hygrothermal Distribution Inside Kyo-machiya Soil Walls Considering their Moisture Buffering Effect. Department of the Built Environment, 2023. http://dx.doi.org/10.54337/aau541650556.

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Kyo-machiya are traditional townhouses in Kyoto that represent an important aspect of cultural heritage preservation. Because of the poor thermal insulation performance, they require energy-saving renovations. However, their unique soil walls possess a moisture-buffering effect that can be strongly influenced by the applied renovation plan and are expected to remain functional even after renovation. Conventional renovation methods apply an inside vapor barrier to the interior insulation to prevent condensation between the insulation and wall; however, applying this barrier may hinder the buffe
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Silva, Ana Tarrafa. The Sustainability of Urban Heritage Preservation: The Case of Oporto. Inter-American Development Bank, 2010. http://dx.doi.org/10.18235/0006915.

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The Oporto authorities currently face the challenge to revitalize the Historic Center of Oporto and make it attractive for investors without compromising the permanence of the traditional residents and their integration with new ones. This study discusses the impacts and sustainability of the rehabilitation and revitalization efforts, as well as how authorities can prevent gentrification and desertion, which can jeopardize the outstanding universal value of the Historic Center of Oporto.
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Buichik, A. G. TRADITIONAL APPLIED ART OF RUSSIA IN THE 21-ST CENTURY: OPPORTUNITIES AND PROSPECTS. Modern Science: Actual Problems of Theory and Practice №3, 2019. http://dx.doi.org/10.18411/buichik-ag-doi-4.

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Korol, A. Non-traditional Methods of Teaching Based on Emotional and Evocative Dramatic Art in the Creative Development of the Personality. Lardy Publishing House, 2018. http://dx.doi.org/10.31812/123456789/3287.

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Non-traditional methods of teaching are ways of improvement to the activity of the individual in the process of learning and creative work. It is the result from the destruction of usual stereotypes in knowledge and skills that starts off mechanisms of spontaneous activities, an integration of logical and evocative components. Current study examines the method of emotional and evocative drama art as a way of improvement to effectiveness in the learning and creative activities of the personality.
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Liang, BiYan, BiYan Liang, and Jian Wang. A Meta Analysis of the Efficacy of Tonic Method in Traditional Chinese Medicine for AIDS Immunological Nonresponses. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2022. http://dx.doi.org/10.37766/inplasy2022.4.0077.

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Review question / Objective: To evaluate the efficacy of tonic method in treating AIDS immunological nonresponses. Eligibility criteria: ①Study type: RCT based on tonic method in TCM for AIDS INRs. The language was limited to Chinese and English. ②The research object: HIV/AIDS patients with any disease stage; the intervention objects were adults with no gender restrictions. ③Intervention measures: The treatment group was treated with tonic prescriptions combined with ART, including four types of prescriptions for nourishing qi, nourishing blood, nourishing yin, or nourishing yang; the dosage,
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Duncan, Michael. Recording, Sharing, and Futureproofing Art & Design Research in Pure: Make it count. University of Dundee, 2025. https://doi.org/10.20933/100001404.

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How can practice research be preserved, cited, and recognised for it's valuable contribution to knowledge and understanding? This presentation by Michael Duncan, Research Librarian at the University of Dundee, explores best practices for documenting and sharing art and design research using Pure. It highlights the importance of metadata, DOIs, and evidence-based records to futureproof creative work for the REF and beyond. Whether you’re submitting exhibitions, performances, or artistic outputs, you’ll learn how to boost the visibility and discoverability of your practice research. From underst
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Trachunthong, Deondara, Suchintana Chumseng, Worrayot Darasawang, and Mathuros Tipayamongkholgul. Risk Factors and National Burden of Selected Noncommunicable Diseases in People Living with HIV: Systematic Review, Meta-Analysis and, Disability-Adjusted Life Years protocol. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2022. http://dx.doi.org/10.37766/inplasy2022.9.0018.

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Review question / Objective: 1. Are the prevalence/incidence of four major groups of NCDs including MetS, DM, CVD, and CKD different among adults with and without HIV infection? 2. Are there relationships between HIV status, ART (ART use, short and long-term effects of ART), traditional risk factors (BMI), and the development of four major NCDs? 3. Does the trend of NCDs burden attributable to HIV in Thailand increase according to the time? Information sources: 1. Electronic databases: the following databases will be searched: PubMed/Medline, Scopus, Embase, Cochrane Library Thai journals onli
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Bruce. L52282 State-of-the-Art Assessment of Alternative Casing Repair Methods. Pipeline Research Council International, Inc. (PRCI), 2007. http://dx.doi.org/10.55274/r0010195.

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Many natural gas storage wells suffer damage during normal storage operations. Storage operators spend upwards of $100 million per year recovering lost deliverability. Damage to casings in gas storage wells is largely the result of localized loss of metal from corrosion; however, other types of damage do occur. Individual corrosion pits can be found either on the inside or outside of the casing wall. Repair methods that are currently used for natural gas storage well casings include patches, plugs, liners, etc. While currently-used repair methods can be a cost-effective means of repairing dama
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Удріс, Ірина Миколаївна, and Наталя Сергіївна Удріс-Бородавко. Design of the Franco-Belgian Exhibition Poster of the 1890-s in the Context of the Art Nouveau Style Formation. КНУКіМ, 2019. http://dx.doi.org/10.31812/123456789/5087.

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The purpose of the article is to determine the artistic and graphic peculiarities of the Franco-Belgian exhibition poster of the 1890s in the context of the formation of the Art Nouveau style. The research methodology of the work is based on the use of traditional art methods: historical and cultural, reconstructive and model, historical and attributive, which contributed to the revealing of artistic and graphic transformations in the field of Franco-Belgian spectacular poster. The scientific novelty of the article lies in the author’s artistic interpretation of the stylistic manner of the cre
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Idrissa, Rahmane, and Bethany McGann. Mistrust and Imbalance: The Collapse of Intercommunal Relations and the Rise of Armed Community Mobilization on the Niger-Mali Border. RESOLVE Network, 2021. http://dx.doi.org/10.37805/cbags2021.2.

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The border area of Mali, Niger, and Burkina Faso is a site of endemic violence. The area is punctuated by anti-state attacks, the targeted killing of traditional chiefs, and attacks on markets and other socioeconomic convening locales that otherwise serve as central mechanisms for the preservation of normalized intercommunal interactions. In addition, foreign military interventions and asymmetric insurgent warfare pit multiple state and non-state actors equipped with heavy weaponry against one another, adding another level of insecurity and threat to local communities. Community-based armed gr
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