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Dissertations / Theses on the topic 'Preservation of traditional art'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Twose, Megan Frances, and n/a. "Studies of Phormium tenax fibre prepared in the traditional Maori manner." University of Otago. Department of Clothing and Textile Sciences, 1988. http://adt.otago.ac.nz./public/adt-NZDU20070619.110247.

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Museum textiles provide priceless documentation of the activities of people throughout time. They record human interests and serve as resources for students of many disciplines. In New Zealand there are artefacts made from Phormium tenax which are extremely important in terms of providing a record of early New Zealand life and links to our past as both artistic and cultural symbols: they present an insight into the many faceted nature of early Maori culture. However there are some which are clearly in need of preservative treatment. Others may need care in the future for inevitably they are, o

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2

Gatenby, Susannah Lija, and n/a. "The identification of traditional binders used on Australian Aboriginal painted objects prior to 1970." University of Canberra. Applied Science, 1996. http://erl.canberra.edu.au./public/adt-AUC20060711.130218.

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Many painted objects within ethnographic collections suffer from paint loss. In the past, assumptions have been made that this phenomenon was caused by a low binder concentration, although binder presence had not been investigated, confirmed or it's type identified. Simple laboratory methods which can detect the presence of binders on a painted object are outlined. They are based on tests developed for the medical industry and modified by the author for routine use in conservation. Methods presented outline procedures to identify three broad chemical groups of binders used in the manufacture o

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3

Brohman, Stephanie Anne. "(Self) Preservation." Thesis, University of Iowa, 2016. https://ir.uiowa.edu/etd/3053.

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Creatures of the sea, creating wearable adornment to protect the body and unique materials, inspire my artwork. Through research and examination of sea creatures, I look to their defense mechanisms and imagine what it would be like if humans had similar qualities or if we could borrow from these beings and transform the way we physically protect our bodies. Through mixed materials I form adornment that acts as armor and the human being and the sea creature merge. The following pages will give you access to my thought process, accounts of technical experimentation, and my body of work.

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4

Verschooren, Karen A. (Karen Annemie). ".art : situating Internet art in the traditional institution for contemporary art." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/39149.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2007.<br>Includes bibliographical references (p. 187-202).<br>This thesis provides a critical analysis of the relation between Internet art and the traditional institution for contemporary art in the North American and West-European regions. Thirteen years after its inception as an art form, the Internet art world finds itself in a developmental stage and its relation to the traditional institution for contemporary art is accordingly. Through an elaborate discussion of the key players, institutions and di

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5

Yeung, Wai-fung Jacky. "The re-search of place and placelessness in Shan Ha Tsuen : a traditional village in Ping Shan /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25948520.

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6

Loeb, Rachel L. (Rachel Lauren) 1973. "Preservation without boundaries : transitioning Bhutan's traditional settlements into an urban environment." Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/49804.

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Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 2002.<br>Includes bibliographical references (p. 111-114).<br>The Royal Government of Bhutan requires that all national policies incorporate the promotion and protection of the country's cultural heritage. This thesis connects the Kingdom of Bhutan's cultural heritage agenda with the government's new effort to preserve the twelve traditional settlements in its capital Thimphu. The Royal Government of Bhutan places its unique vision, Gross National Happiness, at the center of its development philosophy.

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7

Duque, Cuartas Alejandro. "Colombia's Classical Guitar Repertoire: Traditional, Traditional-Popular, and Art Music Idioms." Thesis, Griffith University, 2020. http://hdl.handle.net/10072/394724.

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This research explores the diversity of Colombia’s classical guitar repertoire (CCGR). Using musicological and artistic approaches, it aims to expand understanding of the wide stylistic range and diversity of CCGR. In particular, building on previous categorisations of Colombian music, this project offers a three-part framework for better understanding the diversity of CCGR idioms in their contemporary manifestations: namely, traditional, traditional-popular, and art music. Drawing on methods characteristic of historical musicology and artistic research, this research contributes to new unders

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8

Cooper, Julie A. "Changing the Traditional High School Photography Curriculum: Integrating Traditional and Digital Technologies." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/art_design_theses/68.

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This thesis presents a photography curriculum for a beginning high school level photography class. It is designed as a teaching guide to structure a photography class that incorporates both film photography and digital photographic technology. One of the biggest challenges for teachers of photography is how to structure a curriculum with a limited number of enlargers and space in the darkroom, while incorporating digital technology with limited computer access for students. The curriculum presented here includes three major parts: a traditional photographic film component, a digital photogr

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9

Sabine, Choshen. "Heritage Preservation and Tourism Development in Two ‘Ancient Villages’ of Vietnam." Kyoto University, 2019. http://hdl.handle.net/2433/244573.

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10

Lekagul, Apichoke. "Toward Preservation of the Traditional Marketplace: A Preference Study of Traditional and Modern Shopping Environments in Bangkok, Thailand." Diss., Virginia Tech, 2002. http://hdl.handle.net/10919/26378.

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The objectives of this dissertation are to: 1) identify the aspects of shopping environments that are important to people; and 2) identify strategies to maintain the cultural relevance and viability of traditional marketplaces in the new global economy. This dissertation uses a Content Identifying Methodology (CIM) to determine preferences of general Thai shoppers for different shopping environments in Bangkok, Thailand. The procedures include preference rating, scene description, and respondentsâ background surveys. Data were analyzed using factor analysis, content analysis, Analysis of

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11

Sui, Lai-fong. "Urban re-development and the preservation of traditional heritage hutongs in Beijing /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B3661869X.

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12

Sui, Lai-fong, and 蕭麗芳. "Urban re-development and the preservation of traditional heritage: hutongs in Beijing." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B3661869X.

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13

Hayes, Dawn Michelle. "Archaeological and Historic Preservation in Tampa, Florida." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4901.

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For archaeological or historic preservation to occur, there must be public support for it. This research examines historic and archaeological preservation in the Tampa Bay area of Florida through the use of selected case studies. It analyses opinions about archaeology and preservation from members of the general public and members of two groups focused on historic preservation and archaeology. Data were collected from interviews, surveys, archival research, and participant observation, and analyzed to determine the public's definition of archaeology, possible origins of people's interest in

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14

Tamang, Buddhiman. "Role of lactic acid bacteria in fermentation and biopreservation of traditional vegetable products." Thesis, University of North Bengal, 2006. http://hdl.handle.net/123456789/907.

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15

Ballard, Daniel Isaiah. "Traditional Pottery in Ghana." Digital Archive @ GSU, 2007. http://digitalarchive.gsu.edu/art_design_theses/19.

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16

Wade, Amanda E. "Balancing preservation and interaction in the museum setting." Greensboro, N.C. : University of North Carolina at Greensboro, 2007. http://libres.uncg.edu/edocs/etd/1509Wade/umi-uncg-1509.pdf.

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Thesis (M.S.)--University of North Carolina at Greensboro, 2007.<br>Title from PDF t.p. (viewed Feb. 28, 2008). Directed by Patrick Lee Lucas; submitted to the School of Human Environmental Sciences. Includes bibliographical references (p. 149-152).

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Choudhury, Anamika. "Traditional art and craft of Sub- Himalayan Darjeeling: historical study." Thesis, University of North Bengal, 2019. http://ir.nbu.ac.in/handle/123456789/4026.

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18

Siegel, Virginia Denise. "Traditional Cultural Properties and Casita Rincón Criollo." TopSCHOLAR®, 2015. http://digitalcommons.wku.edu/theses/1488.

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According to the 1990 bulletin issued by the National Park Service, traditional cultural properties (TCPs) derive their significance from cultural practices or beliefs of living communities. This thesis centers on a case study of the nomination of Casita Rincón Criollo to the National Register of Historic Places as a TCP. The nomination is a collaborative project of Place Matters in New York City and Western Kentucky University, initiated by the American Folklore Society Working Group in Folklore and Historic Preservation Policy. Casita Rincón Criollo has several issues that make nomination to

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19

Crawford, Jennifer Marie. "Edinburgh Art School." Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/74870.

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20

Gallagher, Meghan M. "Claiming Images: The Production and Preservation of Desire in Richard Prince's Re-Photography." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/679.

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This thesis explores the re-photography of contemporary artist, Richard Prince. Using Lacanian theories of the gaze and of the drive cycle, it attempts to establish desire as the central theme of Prince's work. It looks primarily at the Cowboys, Girlfriends, and New Portraits, in order to combat the dominant perception of Prince's work as critical commentary on contemporary consumer culture.

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21

Rieke, Lauren. "The Achfa-hammi Plankhouse: Understanding Tribal Architectures in the Realm of Historic Preservation." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13224.

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After years of assimilation and acculturation, many Native Americans have both the means and strength to assert their unique identity among mainstream America. They have devised various channels for accomplishing this, such as language classes and continuing traditional practices, often using resources offered through State, Federal or Tribal Historic Preservation programs. Constructions of contemporary traditional architecture can be another of these tools used to promote this cultural renaissance. As a field that defines itself on the basis of cultural conservation, Historic Preservation pri

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22

Corbett, Jon Michael Robert. "Indigitalized : traditional Métis artistic expression in contemporary media art." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/55891.

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This thesis examines a re-indigenizing process facilitated through traditional and computer-based media artistic expressive forms. My recent discovery of my Canadian Indigenous ancestry has brought me to investigate how my identity as a contemporary artist has been impacted by my exploration of Indigenous forms of expression that were lost to me due to my grandmother’s assimilation to a homogenized Canadian ideal. I examined the relationships between my contemporary artistic practice and Indigenous perspectives to develop an exhibition of work that bridged computer-based media and tradition

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23

Lu, Qiang. "The art of traditional architectural ornaments in northern China." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3297119.

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Thesis (Ph.D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2007.<br>Title from dissertation home page (viewed Sept. 25, 2008). Source: Dissertation Abstracts International, Volume: 69-02, Section: A, page: 0705. Adviser: Henry Glassie.

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24

Tollefson-Hall, Karin Lee. "Alternativeness in art education case studies of art instruction in three non-traditional schools /." Diss., This edition also available online via University of Iowa:, 2009. http://ir.uiowa.edu/etd/322.

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25

Annan, Esi Sam. "SANKOFA ART EDUCATION: A CULTURAL BASIS FOR GHANAIAN ART EDUCATION." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3867.

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This study is a curriculum research project that focuses on teaching the traditional arts of Ghana and enduring artistic ideas to Ghanaian basic school students. It has been designed based on data from a survey conducted with experts in Ghana arts history and on the traditional arts of Ghana. The curriculum covers the major arts practiced by the traditional artists. It also recognizes some contemporary Ghanaian artists and their artworks. This study offers insights into Ghanaian basic school art teachers’ philosophies and experience with their traditional arts. Through analysis of the findings

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26

Cooper, Malcolm Ashton. "Gerard Baldwin Brown : Edinburgh and the Preservation Movement (1880-1930)." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/25962.

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In 1880 Gerard Baldwin Brown (1849-1932) was appointed by Edinburgh University as its first Watson Gordon Professor of Fine Art. Over the fifty-year period that he held the professorship he was to become well-known as a scholar of Anglo-Saxon art and culture, preparing the first comprehensive study of Anglo-Saxon church architecture in England as part of a six volume study of the arts in early England. In 1905 he produced a monograph, The Care of Ancient Monuments (Cambridge, 1905) which provided a comprehensive assessment of the protective systems in place across Europe and America for the pr

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McMorran, Susan Mary. "Interactive painting : an investigation of interactive art and its introduction into a traditional art practice." Thesis, Northumbria University, 2007. http://nrl.northumbria.ac.uk/3125/.

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This practice-based study investigates the application of an individual studio practice, grounded in Painting, to notions of interactive art, and seeks to establish how the interactivity might impact upon the meaning and the affective power of the work. It investigates the current state of interactive art, its ancestry, development and contextualisation, leading up to its presumed current location within New Media. The thesis examines a range of both theoretical and practical artistic research outputs. It investigates interaction models and taxonomies from New Media, and a range of other inter

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28

Lai, Siu-lun Francis, and 黎兆麟. "Vanishing puppets: the demise of a Chinese traditional art form." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31972445.

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29

Lai, Siu-lun Francis. "Vanishing puppets : the demise of a Chinese traditional art form /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B24534407.

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30

Burke, Molly Jo. "Explorations in Glass, Sculpture and Art." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1253589776.

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31

Kim, Mina. "Pan Tianshou (1897-1971): Rediscovering Traditional Chinese Painting in the Twentieth Century." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1469004754.

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32

Sakariassen, Emily. "Place Among the Displaced: Envisioning Preservation of a Metis Settlement in Montana." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18417.

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The focus of this study is on the South Fork of the Teton River Canyon Settlement, a previously unevaluated historic settlement associated with the history of the Métis in Montana. The site is located along the South Fork of the Teton River, approximately thirty miles west of Choteau, Montana, and was once occupied by Métis families fleeing persecution for alleged involvement in the Northwest Rebellion of 1885. The study establishes precedent for the site's inclusion on the National Register of Historic Places and addresses the potential for the site's designation as a Traditional Cultural Pro

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33

Hayes, Kathy Q. "The Influence of Family in the Preservation of Appalachian Traditional Music: From the Front Porch to Performance." Wright State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=wright1216063157.

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34

Hidalgo, Ilivette L. "The Imperial Hotel : a case study in the art of preservation and re-adaptation." Thesis, Georgia Institute of Technology, 1994. http://hdl.handle.net/1853/23918.

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35

Boulton-Funke, Adrienne. "Context and teacher practice : visual art in a secondary traditional school." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/12615.

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Based on a ten-week case study in a senior Visual Art class, at The Secondary Traditional School in Lower Mainland British Columbia, this thesis identifies how the traditional educational philosophy conditioned the curriculum decisions and pedagogical practices of a Visual Art teacher. Data was collected from three groups of participants: the Principal of the school, the Visual Art teacher, and a focus group of Visual Art students using the ethnographic methods of document collection, participant observation, and formal and informal interviews. Analysis of the characteristics of Goodlad et a

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Maghrabi, Hesham A. "Application of traditional abstract painting in new media environments." Thesis, Coventry University, 2007. http://curve.coventry.ac.uk/open/items/975cb65c-9570-d5dc-6649-f793b886d6cb/1.

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This thesis presents an investigation into the process of new forms of installation art; an exploration of the shifting of artistic activities from conventional studios and fine artist practices to installation art practices. A combined approach was taken whilst undertaking research by studying literature within the field, engaging with other practicing artists and conducting practical analysis. There is also a discussion of new technology in the field of abstract expressionist painting and a dialogue on the differences between traditional and digital abstract painting with regard to their pro

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Harper, Rachel K. "A Study of For Freedoms: New Ways for Artists to Participate via Traditional Mediums." Ohio University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1555942050060463.

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38

Kuo, Joice. "Promoting a culture of contemporary and traditional Chinese Theater Art in Taipei." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3302.

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Thesis (M. Arch.) -- University of Maryland, College Park, 2005.<br>Thesis research directed by: School of Architecture, Planning and Preservation Architecture . Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Molloy, Ryan Dominic James. "The traditional-contemporary dichotomy in Irish art music : a new compositional approach." Thesis, Queen's University Belfast, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602590.

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The issue of Irish art music has been the subject of much discussion in this past decade and beyond. Since Sean 0 Riada's exploits into the usage of Irish traditional music in an art music medium, there is thought to have been a fundamental division in Irish art music. Between composers who work mainly in the European styles of the twentieth century with perhaps only a nodding glance to Irish traditional music and those composers who use Irish music with a retrospective eye to the techniques of the nineteenth century, there has been no perfect marriage of the two. In this work, the current dic

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Shobeirinejad, Seyed Abdolhadi. "Using deconstruction to advance traditional compositional and pictorial spaces in contemporary Iranian art." Thesis, Northumbria University, 2010. http://nrl.northumbria.ac.uk/972/.

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This thesis considers the possible association of Deconstructive thinking with the pictorial practices of traditional Iranian painting. The author‘s intention has been to improve the understanding of the type of compositional device here termed 'broken space‘ for artists who are interested in the traditional Iranian concept of space, by using deconstruction philosophy and its application in architecture. This research compares and contrasts the ideas that inspired Iranian painters and deconstructionist architects in order to explore ways in which they can be integrated. The author realized tha

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Yeung, Wai-fung Jacky, and 楊偉峰. "The re-search of place and placelessness in Shan Ha Tsuen: a traditional village in Ping Shan." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31985580.

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42

Zhang, Yang [Verfasser], and Werner [Akademischer Betreuer] Konold. "Linking the public with landscape preservation: public perception of a traditional urban landscape : : a case study from Suzhou, China." Freiburg : Universität, 2017. http://d-nb.info/1156171040/34.

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Hsu, Man-Ting, and 徐縵庭. "The Traditional Singing Group of Sinvaudjan and the Preservation of their Traditional Songs." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/a2b6dw.

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碩士<br>國立臺灣師範大學<br>民族音樂研究所<br>105<br>In this thesis, I would like to discuss the reservation and reconstruction of traditional songs and culture in Sinvaudjan, a Paiwan indigenous tribe in the hill of southern Taiwan. Focusing on the traditional singing group of Sinvaudjan, I disscuss its origin, process of transformation, and situation from the past to now. The recording and analysis of their songs help me generalize the characteristics of traditional songs in Sinvaudjan. I found that music is produced in response to different time and space. Thus, the purpose of preserving traditional songs i

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Félix, Marín Tahinee M. "Modern architecture + art : an analysis of preservation strategies for installed art." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3568.

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The purpose of this Master’s Report was to determine an appropriate preservation strategy for a particular set of buildings and their accompanying art from the Modern Architecture Movement. The research question was: What type of strategy is best suited for the preservation of installed art created for Modern style buildings? The study analyzed preservation strategies afforded to Modern art and architecture during rehabilitation of the buildings. The case studies are Modern Movement office or bank buildings with art commissioned for the space by the architects or owners. An analysis of the mai

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TSENG, MEI-CHUEH, and 曾美雀. "The Maintenance and Preservation of The Traditional Houses in Lanyu." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/6c6958.

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碩士<br>國立高雄師範大學<br>經學研究所<br>105<br>Lanyu (Orchid Island) is a beautiful island, subjected to the Taitung County, including four villages, Iraraley, Iranmilek, Yayo, and Imowrod. The four villages divide into six tribes, Iranmilek, Ivalino, Imowrod, Iratey, Yayo, and Iraraley. For the limitation of climate and geography, the traditional main-houses in Lanyu are half-hidden in the ground to prevent the sandstorm and typhoon so that people should feel warm in winter and cool in summer. There are three kinds of architectural elements, the main-house (underground house), the tall part of the ho

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Lapham, Rebecca Scott. "Traditional Cultural Properties : a potential tool for community-driven historic preservation." Thesis, 2012. http://hdl.handle.net/2152/ETD-UT-2012-05-5130.

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National Register Bulletin 38: Guidelines for Evaluating and Documenting Traditional Cultural Properties was first published in 1990 as a response to the Secretary of the Interior's report Cultural Conservation. Submitted to Congress and the President in 1983, Cultural Conservation "recommended in general that traditional cultural resources...be more systematically addressed in implementation of the National Historic Preservation Act and other historic preservation authorities." Bulletin 38 defined Traditional Cultural Properties (TCPs), as those "whose significance is derived from the role th

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Boikhutso, Doreen Nanky. "Methods of indigenous knowledge preservation in South Africa." 2012. http://encore.tut.ac.za/iii/cpro/DigitalItemViewPage.external?sp=1000655.

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M. Tech. Comparative Local Development. Department of Economics<br>Indigenous knowledge is the systematic body of knowledge acquired by local people through accumulation of formal and informal experiences, as well as intimate understanding of the environment in a given culture. This study was aimed at reviewing the current indigenous knowledge systems in South Africa, with particular emphasis on its preservation and as a tool for development.

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"Nancy Newhall and Environmentalism: Art, Activism, and Land Preservation." Master's thesis, 2016. http://hdl.handle.net/2286/R.I.38808.

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abstract: During the politically charged period between the 1950s and 1970s in the United States, Nancy Newhall emerged as an important advocate for open space. She began traveling to the West which encouraged her dedication to land preservation and invigorated her enthusiasm for photography. Newhall was already a respected curator and author addressing the communicative roles of photographs. After spearheading groundbreaking museum retrospectives of contemporary photographers she expanded her artistic vison to include conservation activism. The notable photographers, scholars, writers, and po

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Li-Chaun, Lang, and 郎莉娟. "The Traditional Paper-Pasted Art in Tainan." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/75189647600211300977.

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碩士<br>國立雲林科技大學<br>文化資產維護系碩士班<br>91<br>The Traditional Paper-Pasted Art in Tainan ABSTRACTThe Paper-pasted art is one of the Chinese traditional arts. It is indispensable in the folk customs, the religious rites, the funerals, and the rituals of Ghost Festival. This art displays in abundant types, shapes and characters. However, most of the paper-pasted josses were made for the funerals and religious reasons. They would eventually be burned at the end of the ritual. Due to the nature, people often see the paper-pasted art as the "symbol of bad omen". Little of the works has been pre

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Tsai, Pei Hsuan, and 蔡沛玹. "The Architectural Art and Its Preservation of Taipei Baoan Temple." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/85031245678231085826.

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碩士<br>輔仁大學<br>宗教學系碩士在職專班<br>102<br>In recent years, government and civil society are increasing awareness of preservation for the monuments. Nevertheless, although everyone has slowly taken a positive attitude, for the preservation of monuments the results were still limited. Taipei Baoan Temple’s maintenance for preservation was subject to international acclaim. Baoan Temple was restored several times through the years, the longest time being the time of the Vice Chairman Mr. Liao Wuzhi, who led the group to abandon governmental subsidies, and self-financed and self-supervised.The entire proc

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