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Journal articles on the topic 'Preservation of traditional art'

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1

Mujiburrahman, Mujiburrahman, Richa Meliza, Aflia Riski, et al. "Preservation of Traditional Art in the Modern Era." Andalas International Journal of Socio-Humanities 6, no. 2 (2024): 91–99. http://dx.doi.org/10.25077/aijosh.v6i2.69.

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The focus of this research is on the strategies for preserving Seudati dance by the Pidie Jaya government in the era of disruption. Pidie Jaya is one of the regencies known for the Seudati dance, and many prominent Seudati leaders, known as "syeh," hail from this region. This research was conducted in Pidie Jaya Regency, with the location chosen due to the observed phenomenon that the youth are no longer interested in learning and performing Seudati. Data collection techniques in this research included participant observation, where the researcher directly observed the subjects to gather data.
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Hung, Chi-Sen, Tien-Li Chen, and Yun-Chi Lee. "From Cultural Heritage Preservation to Art Craft Education: A Study on Taiwan Traditional Lacquerware Art Preservation and Training." Education Sciences 11, no. 12 (2021): 801. http://dx.doi.org/10.3390/educsci11120801.

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In Taiwan, preservation and training policies of intangible cultural assets are highly valued by the government. In this study, lacquerware art craft education as intangible cultural heritage is the subject of this study. We conducted in-depth interviews and secondary data collection to obtain research data and carried out a grounded theory data analysis method through expert meetings to explore the passing on education strategy of “lacquerware art craft” in Taiwan. Firstly, based on Bloom’s educational objectives, the study analyzed three aspects of lacquer art education: cognitive, affection
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Darmantho, Adhitya, and Maria Magdalena Cita Hapsari. "Art Studio as Preservation Engine: Performance Art Conservation Management Strategies in Purworejo Regency." Journal of Linguistica 1, no. 3 (2024): 9–18. http://dx.doi.org/10.62872/319cb494.

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Performing arts, as the highest manifestation of human creative wisdom, reflect the soul and cultural identity of a nation. In Indonesia, performing arts not only mirror diversity but also are deeply rooted in cultural sustainability. However, traditional arts are fragile in the era of modernity, facing challenges of continuity and extinction. Preservation efforts become an eternal call, with art studios becoming loci for cultural preservation and transformation. Research in the Purworejo region emphasizes the importance of preserving traditional arts in both local and global contexts, reinfor
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Nendi, Ikhsan. "Preservation of Traditional Arts in Growing Love of Local Culture in Sanggar arts, Klapa Jajar, Cirebon City." Devotion : Journal of Community Service 2, no. 1 (2020): 1–10. http://dx.doi.org/10.36418/dev.v2i1.66.

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This study aims to describe various problems related to the preservation of traditional arts at the Klapa Jajar Art Studio, Pekalipan Village, Cirebon City. In this study the authors used a qualitative descriptive research method. The author saw firsthand the problems that existed in the Klapa Jajar art studio, Pekalipan Village, Cirebon City. Then the author developed specifically the problems that were in place and made an Innovation Design in the form of implementation. Data collection techniques were carried out by direct interviews and documentation and direct observation. Based on the re
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Chen, Zhijuan, and Xijin Li. "Digital Integration of Traditional Craft Motifs in Mobile AR/VR Interactive Art Creation." International Journal of Interactive Mobile Technologies (iJIM) 19, no. 13 (2025): 148–61. https://doi.org/10.3991/ijim.v19i13.56599.

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With the rapid advancement of digital technology and mobile augmented reality (AR) or virtual reality (VR), the digital integration of traditional craft motifs into contemporary art has emerged as a significant research focus. Traditional craft motifs embody profound cultural heritage and artistic value, and their distinctive visual characteristics offer substantial potential for digital artistic expression. The immersive and interactive affordances of mobile AR/VR technologies provide a novel paradigm for artistic creation. The effective integration of traditional craft motifs into mobile AR/
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Adie, Anthonia Ugiebeme, Joy Enya Idu, Victoria Echeng Enya, Denis Ashikong Utang, and Elizabeth Ushama Ushie. "The Intersection of Tradition and Technology: Impact on Art Practices and Preservation." Sarcouncil Journal of Arts Humanities and Social Sciences 4, no. 3 (2025): 5–12. https://doi.org/10.5281/zenodo.15032947.

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This paper explores the multifaceted impact of technology on traditional art practices, examining both the opportunities and challenges that arise from this intersection. It begins with a historical perspective on the evolution of traditional art forms and the early integration of technology, highlighting significant shifts in artistic creation and dissemination. The paper discusses the emergence of digital tools, such as digital painting and 3D modeling, and their influence on traditional craftsmanship. It further analyzes how digital platforms and social media have transformed art distributi
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Meylani, Hilda, and Wawan Hernawan. "Spiritual and Communal Harmony Through Tarawangsa Traditional Art." Journal of Contemporary Rituals and Traditions 2, no. 2 (2024): 139–54. http://dx.doi.org/10.15575/jcrt.661.

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Purpose of the Study: This research explores how Tarawangsa Art, as a traditional cultural practice, plays a crucial role in strengthening communal identity and spirituality within the Budi Daya community in Cibedug, Lembang, West Java, Indonesia. Methodology: The study adopts a qualitative approach through participatory observation and in-depth interviews with community members, traditional leaders, and practitioners of Tarawangsa Art. Main Findings: The findings reveal that Tarawangsa Art not only acts as an expression of culture and spirituality but also as a crucial pillar in nurturing the
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Dzakia, Shinta Nur, Indri Dewi Saputri, Rani Puspita Sari, and Kulsum Nur Hayati. "Contribution of Educational Institutions in the Preservation of Traditional Culture Karawitan Java." Jurnal Smart Paud 7, no. 2 (2024): 157–68. http://dx.doi.org/10.36709/jspaud.v7i2.162.

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Culture as a state identity must always be preserved so that it remains alive and relevant for every generation of society. Indonesia has a variety of cultures, including traditional music on the island of Java, namely Karawitan Art. The process of cultural inheritance can be through educational institutions which are leading institutions that are in direct contact with the nation's generation. So this research was taken to describe the efforts made by educational institutions in contributing to preserving the traditional culture of karawitan art concretely. A study designed using a qualitativ
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Prasukma, Nadia Putri. "MELESTARIKAN KESENIAN GAMELAN PADA ERA MODERN." Muria Jurnal Layanan Masyarakat 5, no. 1 (2023): 32–34. http://dx.doi.org/10.24176/mjlm.v5i1.8635.

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This article, entitled Preserving Gamelan Traditional Arts in the Modern Era as an effort to foster a love of traditional culture in the Muludan Tlompakan community, describes various problems related to the preservation of traditional arts in the Muludan Tlompakan community. There are several studies in this article, namely: 1. Art as the identity of the village environment, 2. Documentation as a place for preservation, 3. Design of Art Conservation in the modern era, 4. Process of Preservation Implementation, 5. Traditional culture. In describing the discussion of this article, the influenci
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Saitaer, Xiakeer. "The Art of Uyghur Traditional Decorative Felt Making and its Preservation." Advanced Materials Research 332-334 (September 2011): 2040–44. http://dx.doi.org/10.4028/www.scientific.net/amr.332-334.2040.

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Chinese and foreign scholars agree that felt is an important invention of ancient central asian nomads. The art of handcrafted felt is a direct product of their pastoral lifestyles. The long-established and traditional Uyghur handicraft of felt making has over the ages developed unique ethnic distinctives and an inheritable nature. It has value in the historical, cultural, scientific, aesthetic, and economic realms, and thus qualifies as priceless intangible cultural heritage. Felt products with decorative designs are the most precious of the felt products. This paper discusses in detail the p
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Kolay, Saptarshi. "Cultural Heritage Preservation of Traditional Indian Art through Virtual New-media." Procedia - Social and Behavioral Sciences 225 (July 2016): 309–20. http://dx.doi.org/10.1016/j.sbspro.2016.06.030.

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Wijayanto, Wasis, Vina Cahya Maulida, and Umi Khalimah. "ANALISIS DRAMA KETHOPRAK SISWO BUDOYO TULUNGAGUNG SEBAGAI KOLABORASI SENI DRAMA, MUSIK, DAN TARI JAWA." Jurnal Kajian Pembelajaran dan Keilmuan 9, no. 1 (2025): 101–10. https://doi.org/10.26418/jurnalkpk.v9i1.89926.

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Kethoprak is a traditional Javanese performing art, as well as a medium for cultural preservation through a combination of drama, music and dance elements.The background to this research is that the existence of kethoprak remains relevant, because the current generation is more interested in digital entertainment. This research aims to examine the collaboration of artistic elements in Kehtoprak Siswo Budoyo Tulungagung and its role in maintaining Javanese culture. The main focus of this research is how art elements are collaborated and their contribution to the preservation of traditions. This
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Zhang, Xin, and Ahmad Rashdi Bin Yan Ibrahim. "Exploring the Integration of Traditional Cultural Elements in Digital Media Sculpture Creation." Journal of Education and Educational Research 10, no. 2 (2024): 48–52. http://dx.doi.org/10.54097/eg5vzg41.

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With the rapid advancement of digital technology, the incorporation of traditional cultural elements into digital media sculpture has emerged as a significant research area within contemporary art. This phenomenon not only exemplifies the deep integration of traditional culture with modern technology but also highlights the unique advantages of digital media art in the expression and preservation of cultural heritage. This paper delves into the definition and categorization of traditional cultural elements, examining their visual representation, emotional conveyance, and value interpretation w
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Jumriani, Jumriani, Muhammad Muhaimin, Mutiani Mutiani, Ersis Warmansyah Abbas, and Rusmaniah Rusmaniah. "Efforts to preserve traditional music through social knowledge subjects." Journal of Education and Learning (EduLearn) 18, no. 1 (2024): 140–47. http://dx.doi.org/10.11591/edulearn.v18i1.20838.

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People's lives tend to the outside world, leading to the waning of cultural preservation values due to the ease with which foreign cultural influences enter and threaten the existence of local culture. To avoid the decline of the younger generation's interest in traditional art, it is necessary to carry out an idea of preservation through education, in this case, social studies subjects at school. This study aims to analyze the relationship between traditional art and social studies as a learning resource. The traditional art discussed in this study is panting music which is traditional arts i
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Jumriani, Jumriani, Muhaimin Muhammad, Mutiani Mutiani, Warmansyah Abbas Ersis, and Rusmaniah Rusmaniah. "Efforts to preserve traditional music through social knowledge subjects." Efforts to preserve traditional music through social knowledge subjects 18, no. 1 (2024): 140~147. https://doi.org/10.11591/edulearn.v18i1.20838.

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People's lives tend to the outside world, leading to the waning of cultural preservation values due to the ease with which foreign cultural influences enter and threaten the existence of local culture. To avoid the decline of the younger generation's interest in traditional art, it is necessary to carry out an idea of preservation through education, in this case, social studies subjects at school. This study aims to analyze the relationship between traditional art and social studies as a learning resource. The traditional art discussed in this study is panting music which is traditional arts i
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Putra, I. Nyoman Agus Suarya, I. Made Marthana Yusa, Ayu Gede Willdahlia, and Mohammad Ryan Adiftia. "“LONTAR PRASI” : THE PRESERVATION OF TENGANAN PAGRINGSINGAN TRADITIONAL VILLAGE." Capture : Jurnal Seni Media Rekam 14, no. 1 (2022): 41–48. http://dx.doi.org/10.33153/capture.v14i1.3836.

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Prasi art is a cultural heritage that remains in the traditional Balinese Aga (ancient) village of Tenganan Pagringsingan that must be preserved and promoted. One of the measures that may be implemented is the creation of informative and educative audio-visual works. The creation of this work focused on how to produce and draw on lontar prasi typical of Tenganan Pagringsingan traditional village. The creation of the work utilized an expository documentary approach involving pre-production, production, and post-production phases. The results of the work creation show that the video artwork was
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Wafa, Itmamil, Rochgiyanti Rochgiyanti, Mansyur Mansyur, and Wisnu Subroto. "The Role of Tunjung Nyaho Art and Culture Studio in the Preservation of Karungut Art in Palangka Raya City, Central Kalimantan." Riwayat: Educational Journal of History and Humanities 8, no. 2 (2025): 1519–27. https://doi.org/10.24815/jr.v8i2.44564.

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Karungut art is one of the traditional art forms that is currently facing various challenges in its preservation. This is due to the development of modern arts and the lack of support for the development of traditional arts. This research examines how the Tunjung Nyaho Art and Culture Studio plays a role in preserving Karungut art. The research used a descriptive qualitative approach with data collection techniques through observation, interviews, and documentation of studio activities. Data analysis used the Miles and Huberman interactive analysis model which includes data reduction to select
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Mihaylova, N. "Fostering national identification and patriotism based on folk art." Journal of Pedagogical Studies 9, no. 5 (2024): 82–90. https://doi.org/10.12737/2500-3305-2024-9-5-82-90.

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The article examines the modern problems of the formation of national identity and patriotic education of the younger generation based on traditional applied art. Particular attention is paid to the interpretation in modern conditions of such concepts as "national identification," "folk art," "traditional art crafts." The preservation of the cultural heritage of Russia is considered in the article through the prism of transferring traditions, technologies, worldview and the spiritual component of folk art to the younger generation, through the professional education of creators of new highly a
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Widagdo, Jati, Adzrool Idzwan Ismail, Asmidah Alwi, and Nimas Aulia Pambajeng Miftahunnajah. "THE GEDHOK FABRIC PRESERVATION THROUGH CULTURE AND ECONOMY." Journal of Creative Industry and Sustainable Culture 2 (October 31, 2023): 81–95. http://dx.doi.org/10.32890/jcisc2023.2.6.

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Culture is a manifestation of real behaviour created by humans as cultured social beings. Culture is a form of actualization of art that exists in a collection of people. There are seven elements of universal cultures, one of them is art. Traditional art is a means that is used to create a sense of beauty from within the human soul, one of which is to be expressed on a beauty of cloth. Gedhok cloth is a traditional textile which uses two production techniques, namely weaving to produce the textured motif on cloth, then coloring the cloth with batiktechnique to produce another set of motifs. Th
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Kartika, Sony Dharsono. "KARYA SENI SANGGIT: PERJUMPAAN TRADISI MODERN DALAM PARADIGMA KEKARYAAN SENI RUPA." Jurnal Budaya Nusantara 2, no. 1 (2018): 216–28. http://dx.doi.org/10.36456/b.nusantara.vol2.no1.a1715.

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The encounter of modern tradition is a paradigm of modern art with a touch of tradition, a phenomenon tosearch for Indonesian roots in Indonesian cultural identity, then called the work of sanggit. To meet the global era, thealternative we have to build is how to do local studies (traditional arts) that can be an alternative to the development ofart towards global ideology, so that global phenomena will become more local. Preservation of traditional art, as a formof cultural resilience. Preservation can be interpreted as preservation and conservation. Preservation is maintaining,caring for, an
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Kartika, Sony Dharsono. "KARYA SENI SANGGIT: PERJUMPAAN TRADISI MODERN DALAM PARADIGMA KEKARYAAN SENI RUPA." Jurnal Budaya Nusantara 2, no. 1 (2018): 216–28. http://dx.doi.org/10.36456/jbn.vol2.no1.1715.

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The encounter of modern tradition is a paradigm of modern art with a touch of tradition, a phenomenon tosearch for Indonesian roots in Indonesian cultural identity, then called the work of sanggit. To meet the global era, thealternative we have to build is how to do local studies (traditional arts) that can be an alternative to the development ofart towards global ideology, so that global phenomena will become more local. Preservation of traditional art, as a formof cultural resilience. Preservation can be interpreted as preservation and conservation. Preservation is maintaining,caring for, an
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Purwasih, Ririn, Ha Van Thang, and Benedict Arko. "Methic Arts: Cultural Preservation and Character Education Agent for the Community." Journal of Social Knowledge Education (JSKE) 3, no. 4 (2022): 125–31. http://dx.doi.org/10.37251/jske.v3i4.904.

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Purpose of the study: This research aims to investigate the role of the community in preserving Methik Pari art, a traditional art form and a medium of character education, in Jeruk Village, Bandar District, Pacitan Regency.
 Methodology: This research uses a qualitative approach with the people of Jeruk Village as the subjects. The data collection techniques are observation, interview and documentation methods. The data analysis technique is triangulation, which involves comparing and cross-checking data from different sources and perspectives.
 Main Findings: Methik Pari art origin
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Andar, Indra Sastra, Stevenson Yan, Rofilendes Adjuoktoza, and Surheni. ""HIDUP SEGAN MATI TAK MAU": IDENTITY CRISIS AND THE CONCEPT OF REVITALIZATION OF THE KETALANG PETANG DANCE." Global Journal of Arts Humanity and Social Sciences 4, no. 8 (2024): 595–602. https://doi.org/10.5281/zenodo.13374182.

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Indeed, Art has an important role in life, however, its state of preservation vary across the region. Some arts can flourish throughout time, while others endure under particular circumstances, and the others are even threatened with extinction, such as in the Ketalang Petang Dance. This reflects the general condition of traditional art in Merangin Regency, Jambi Province - Indonesia. The proverb "hidup segan mati tak mau" symbolizes the identity dilemma of the Merangin people's traditional arts. An identity crisis in the context of traditional art occurs when a culture or group of artists fac
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Dewi, Aplia Eka. "LEGAL PROTECTION OF TRADITIONAL DANCE ACCORDING TO INTERNATIONAL LAW." Lampung Journal of International Law 1, no. 1 (2020): 35. http://dx.doi.org/10.25041/lajil.v1i1.2023.

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Indonesia is a country that consists of various ethnics that have a diverse culture with the types and forms of art. One form of traditional art is a traditional dance that requires maintenance, preservation, and protection to be enjoyed by the next generation. Traditional dance is one of the cultural products that are also prone to become victims such as claims occur in Reog Dance and Pendet Dance by neighbouring countries. This research aims to determine the legal protection of traditional dance in International Law and the implementation of the legal protection of traditional dance in Indon
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Ismiyarti, Wilia, Irawati Irawati, and Ismail Ismail. "Design and Construction of Traditional Tribal Musical Instruments in Sumbawa With Augmented Reality Technology Android-Based." Brilliance: Research of Artificial Intelligence 4, no. 2 (2024): 713–21. https://doi.org/10.47709/brilliance.v4i2.4210.

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Areas of various tribes have distinctive characteristics, such as those of the Sumbawa tribe. Dance arts and traditional tools are elements of the Sumbawa tribal culture. Apart from dance and traditional instruments, the Sumbawa tribe has unique arts, which we generally know as fairy tales (Sakeco), accompanied by the conventional Rebana musical instrument. The culture of the Sumbawa tribe is preserved by building an art studio as a place for its preservation. Sumbawa Regency, especially in Alas District, has a studio called Kemban Alas Art Studio. We can see cultural preservation using modern
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Quraysshyhaq, Aldi, and Ayi Budi Santosa. "Wajah Baru Ronggeng Kedempling di Kabupaten Majalengka (Suatu Kajian Historis Tahun 2000-2018)." FACTUM: Jurnal Sejarah dan Pendidikan Sejarah 10, no. 1 (2021): 31–44. http://dx.doi.org/10.17509/factum.v10i1.28750.

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The dynamics that occurred in Ronggeng Kedempling dance art in Majalengka Regency during the period 2011-2018, there was an effort to revitalize this art that was initially vacuum and unknown to the public became one of the icons of traditional art originating from Majalengka Regency. The artists made changes to the traditional arts due to negative views and aimed to make Ronggeng Kedempling dance acceptable to the community. The method used in this study is a historical method consisting of heuristics, source criticism, and historiography and assisted by interdisciplinary science, namely soci
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Gerasimova, D. L., and G. L. Rahubenko. "RETENTION AND RESURGENCE OF THE TRADITIONAL SCHOOL IN CONTEMPORARY EDUCATION." Regional problems of architecture and urban planning, no. 18 (December 16, 2024): 376–82. https://doi.org/10.31650/2707-403x-2024-18-376-382.

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The article focuses on the preservation of traditional art schools of regional significance, individual creative development, and academic orientation of students in the context of the implementation of modern standards and educational programs. The main problem of preserving the traditions of art "schools" in the professional training of artists is the lack of a mechanism for implementing this process. The essence of the traditions of art education is that it ensures the preservation of the art education system itself, supports a principled approach to the recognition of the need for an art "
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Saitaer, Xiakeer. "The Traditional Dyes and Design Types of Uyghur Traditional Decorative Felt." Advanced Materials Research 472-475 (February 2012): 2801–4. http://dx.doi.org/10.4028/www.scientific.net/amr.472-475.2801.

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The ancient Uyghur people before entering the Tarim culture, that has not yet learned to grow cotton before, put the felt used to make houses, coat of important raw materials. As the title of felting Uyghur handicraft industry is a historical necessity, is indispensable for industrial and bedding material, Uygur ancestors felting skills to further develop, felt is not only common household items, and become aesthetic value of art, and also become a valuable asset of Uyghur people. Felt products with decorative designs are the most precious of the felt products. This paper discusses in detail t
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Yuanyuan, Cai, Wan Aida Wan Yahaya, Wei Chen, and Zhang Sheng. "A Case Study of Young Animation Designers’ Contribution to the Sustainable Development (SDG) of Door God Paintings of Creation Scheme." Journal of Lifestyle and SDGs Review 4, no. 3 (2024): e02363. http://dx.doi.org/10.47172/2965-730x.sdgsreview.v4.n03.pe02363.

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Objective: The study explores the contributions of young animation designers to the sustainable development of door god paintings, focusing on how they employ innovative techniques in the modern digital context to advance sustainable strategies and research methods for folk art. Theoretical Framework: The research is grounded in art aesthetics and animation technology theories. Through case interviews and group discussions, the study examines how young designers understand and innovate traditional folk art, proposing strategies for the sustainable protection and preservation of digital cultura
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Wulan, Diah Ayu. "Digitalisasi Kegiatan Seni Budaya Sanggar Seni Topeng Malang Asmorobangun dalam Media Sosial Sebagai Sarana Peningkatan Pelestarian Budaya." Jurnal Gramaswara 4, no. 3 (2024): 301–14. https://doi.org/10.21776/ub.gramaswara.2024.004.03.09.

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This community service program aims to support the preservation of traditional cultural arts by digitalizing the Panji Asmorobangun masks at Padepokan Asmorobangun in Malang Regency. This digitalization effort focuses on enhancing the visibility and appreciation of Malang’s traditional mask art, which faces challenges related to limited public access and engagement. Employing the ADDIE model (Analyze, Design, Develop, Implement, and Evaluate), the program produces a digital catalog and a 3D virtual reality (VR) model of 74 Panji Asmorobangun masks. Each phase of the ADDIE model provides a syst
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Dhakad, Rohit, Rehan Ansari, Rajveer Singh, Prof Nisha Rathi, and Prof Satyam Shrivastava. "Cultural Heritage and Traditional of India." International Journal for Research in Applied Science and Engineering Technology 13, no. 4 (2025): 460–65. https://doi.org/10.22214/ijraset.2025.68269.

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Abstract: The Cultural Heritage and Traditions of India project is an innovative platform designed to showcase and preserve India's rich cultural heritage by integrating historical insights, regional traditions, festivals, art, and architecture into a unified system. This system provides a centralized database for documenting cultural practices, showcasing visual and multimedia content, and guiding users to significant heritage sites across different states. The platform also includes features for mapping heritage locations with travel directions, ensuring easy accessibility for visitors. With
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Alsheikh Mahmoud, Sara, Huzaifa Bin Hashim, Mohd Fazaulnizam Shamsudin, and Hamza Alsheikh Mahmoud. "Effective Preservation of Traditional Malay Houses: A Review of Current Practices and Challenges." Sustainability 16, no. 11 (2024): 4773. http://dx.doi.org/10.3390/su16114773.

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Traditional Malay houses are a significant part of Malay cultural heritage. They depict local culture, customs, and philosophy and symbolize national identity. As a tourism-based facility, traditional Malay houses contribute to the growth of the economic and tourism sectors in Malaysia. Over time, Malay houses have deteriorated owing to human and natural factors. Modernization and urbanization also threaten the existence of Malay houses. These factors, along with the 2030 Sustainable Development Goals, are the main drivers for Malay houses preservation. The aim of this study is to investigate
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Sakharbayeva, K. "The syncretic work of Edige Nabiyev - a traditional performer, master." Pedagogy and Psychology 43, no. 2 (2020): 223–29. http://dx.doi.org/10.51889/2020-2.2077-6861.30.

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This article discusses the main reasons for the development, preservation and continuity of Kazakh art in the new era in the framework of the project «Performing Art of Kazakhstan: National Style, Traditions and Role in the Transformation of Society» AP №05135997 according to the program of the First President of the Republic of Kazakhstan N. Nazarbayev «Rukhani Zhangyru: a look into future» and Seven faces of the Great Steppe. It also analyzes the continuity of those few qualities that are transmitted to one of our great ancestors. The prerequisites for the continuation of such values are cha
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Pratama, Nandho Pur, Irwan Irwan, and Wilman Wilman. "Pelestarian Kesenian Gondang Brogong Sebagai Upaya Menumbuhkan Kecintaan Budaya Lokal di Pasir Pengaraian." Bercadik: Jurnal Pengkajian dan Penciptaan Seni 5, no. 1 (2022): 31. http://dx.doi.org/10.26887/bcdk.v5i1.2486.

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This study discusses the form and spirit of preserving the art of Gondang Brogong in Lenggopan Village, Pasir Pangaraian. The aim is to find out the views of the people of Lenggopan Village on the preservation of Gondang Brogong art and the contribution of this perspective to the preservation of Gondang Brogong. Through qualitative research, with the basis of tracing the oral history of Gondang Brogong art and several concepts regarding the preservation of local culture, the research is directed to find out how to preserve Gondang Brogong art. The results of the study prove that Gondang Brogon
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Ibrayeva, K., Zh Ibrayeva, and M. Tulin. "Development of students’ creative thinking skills by means of traditional art." Pedagogy and Psychology 46, no. 1 (2021): 101–8. http://dx.doi.org/10.51889/2021-1.2077-6861.13.

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Traditional art as a guarantee for the preservation of national foundations of the society, opposing its teaching potential to the crises of contemporary society and popular culture which contributes to the targeted person through the "language" of human emotions, the complexity and subtlety of expression, which is directly connected with the development of students’ creative thinking skills. Until now, there has been no holistic view of traditional art as a factor in the development of students’ creative thinking skills. The identification of potential of traditional art in the students’ crea
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Hidayani, Nieta. "CULTURAL HERITAGE PRESERVATION: THE ART OF TRADITIONAL WEAVING IS APPLIED NOT ONLY IN CLOTHING." Jurnal Impresi Indonesia 3, no. 2 (2024): 128–38. http://dx.doi.org/10.58344/jii.v3i2.4636.

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Traditional weaving has long been an integral part of Indonesia's cultural heritage. However, over the years, this art form has not only been used to make traditional clothing. However, it has also been applied in various other fields. This research aims to understand the history and cultural context of the art of weaving, examine the techniques and materials used, encourage sustainable use, bridge between generations, and identify threats and challenges facing the preservation of traditional weaving arts. The method used in this research is qualitative research, where the author observes loca
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Febi Faisal, Muhammad Agi, Hibatillah Hasanin, Marlina Marlina, Alya Naura Athayasani, and Ranjani Ranjani. "The Role of Youth in The Digitalization of Arts and Culture: A Case Study of Gondolio Arts in Banyumas Regency." Public Policy and Management Inquiry 9, no. 1 (2025): 36. https://doi.org/10.20884/1.ppmi.2025.9.1.15642.

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Preserving traditional culture is a major challenge in the era of globalization and digitalization. One of the cultural heritages whose sustainability is threatened is Gondolio art, a traditional musical art from Tambaknegara Village, Banyumas Regency. This art has significant historical value and social function, but faces various obstacles such as minimal youth regeneration, lack of infrastructure support, and the dominance of modern culture. This study aims to analyze the role of youth in the digitalization of Gondolio art as an effort to preserve traditional culture. The results of the stu
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Semeritskaya, Ol'ga Vladimirovna. "The intangible heritage of folk art crafts." Культура и искусство, no. 3 (March 2024): 89–102. http://dx.doi.org/10.7256/2454-0625.2024.3.70042.

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The object of the study is the intangible heritage of Russian folk arts and crafts as a phenomenon of traditional culture. Special attention is paid to the object content of the intangible heritage of crafts, as well as the forms of their preservation and actualization. The research originates from the definition of the concept of the intangible heritage of folk arts and crafts. The concept of the bearer of the intangible heritage of crafts is formulated. The definition of the morphology of the intangible heritage of crafts is based on the analysis of the intangible part of the artistic, indus
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Yihan Zhao. "Analysis on the Integration of Henan Traditional Art Intangible Cultural Heritage into Public Art Education in Local Colleges and Universities." Journal of Information Systems Engineering and Management 10, no. 11s (2025): 73–81. https://doi.org/10.52783/jisem.v10i11s.1497.

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Public art education in local colleges and universities provides fertile ground for integrating Intangible Cultural Heritage (ICH) into contemporary educational practices. By incorporating traditional art into the curriculum, educators enhance students' understanding of cultural heritage, inspire creativity, and cultivate a sense of belonging to their cultural roots. However, despite the potential benefits, the integration process faces significant challenges, such as limited awareness among students, insufficient resources, and a lack of collaboration between educational institutions and loca
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Indra Wirawan, Komang. "Sesetan Traditional Village as Social and Art Aspect." Devotion : Journal of Community Service 3, no. 5 (2022): 470–79. http://dx.doi.org/10.36418/dev.v3i5.139.

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Sesetan Traditional Village is a village that is used as the basis for the preservation of traditions, customs, and Balinese culture. Sesetan PakramanVillage exists with various social, artistic and local culture approaches which include the social structure of Sesetan community, the arts and culture of Sesetan Village and the sekaa (traditional group) that bond as a local tradition, becoming an icon of Denpasar City. Sesetan Traditional Village has a wider area than the other area of South Denpasar Districts. Definitely, some clans or soroh of the Krama residents who live in Sesetan PakramanV
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Kamilzhankyzy, K., M. Arziev, and N. Abdykalykova. "The Art of Patchwork Kurak." Bulletin of Science and Practice 10, no. 6 (2024): 588–97. http://dx.doi.org/10.33619/2414-2948/103/68.

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The subject of the research is the study of the traditional art of ‘kurak’ by folk craftsmen and its dissemination among the people and in light industry. The purpose of the study is to study the art of craftswomen who create products using kurak. Creating favorable conditions for the production of traditional products using kurak, thus contributing to the production and dissemination of traditional kurak among the population. Ensuring conditions for the preservation in each epoch and the transfer of the art of kurak to future generation ns by using patchwork in clothing and costumes in accord
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Skaskiv, Olesia, and Nataliia Chuprina. "Implementation of elements of traditional art in the creation of a contemporary fashion collection." Art and Design, no. 1 (May 20, 2025): 57–68. https://doi.org/10.30857/2617-0272.2025.1.4.

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The relevance of the study was driven by the growing interest in combining traditional Ukrainian art with modern fashion, which contributes to the preservation of cultural heritage and the development of creative industries. The purpose of this study was to explore the creative potential of the synthesis of Ukrainian art and fashion, to investigate the artistic and compositional features of the major works of the Ukrainian artist Paraska Plytka-Horytsvit for the purposes of designing a modern collection of women‘s clothing. The study employed the following methods: literary and analytical appr
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Ariningsih, Kadek Ayu, Lasiyo Lasiyo, Iva Ariani, and Putu Putu Sugiartawan. "Utilizing Machine Learning for Pattern Recognition of Wayang Kamasan in Efforts to Digitize Traditional Balinese Art." IJCCS (Indonesian Journal of Computing and Cybernetics Systems) 19, no. 1 (2025): 37. https://doi.org/10.22146/ijccs.102313.

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The extinction of local cultural identities gives rise to profound inquiries concerning the conservative approach that may be adopted by a range of stakeholders. The ongoing process of globalization continues to drive technological innovation, while local cultural knowledge is increasingly marginalized. Conversely, an affirmative attitude towards the preservation of local culture is positively correlated with knowledge of local culture. This study focuses on Wayang Kamasan culture and employs a machine learning-based approach to reintroduce Wayang Kamasan in the context of a global community.
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Mikaere, Anahera, Tamati Nikora, Hemi Nīkau, and Roimata Paora. "The Impact of Globalization on Indigenous Art and Craft Industries: A Case Study of Maori Art in New Zealand." Studies in Art and Architecture 2, no. 4 (2023): 26–33. http://dx.doi.org/10.56397/saa.2023.12.04.

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This comprehensive review explores the intricate relationship between Maori art, globalization, and cultural preservation. Tracing the historical evolution of Maori artistic expressions against the backdrop of globalization, the study delves into the contemporary significance of Maori art in preserving cultural identity. Global currents and their impact on Maori art are analyzed, covering economic dynamics, challenges, and opportunities presented by international demand. Strategies employed to safeguard and transmit traditional Maori artistic heritage are scrutinized, alongside governmental in
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Intan Rizki Junita Tri Utami. "Eksistensi Rapai Bubee Dalam Nilai-Nilai Budaya Lokal Di Aceh." EduCompassion: Jurnal Integrasi Pendidikan Islam dan Global 2, no. 1 (2025): 126–32. https://doi.org/10.63142/educompassion.v2i1.141.

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Rapai Bubee is one of Aceh's traditional arts with high cultural and social values. However, its existence is increasingly threatened due to the lack of interest of the younger generation and the influence of globalization which shifts their attention to popular culture. This research aims to analyze the existence of Rapai Bubee in Pidie Jaya, especially in Gampong Mee Panglima Trienggadeng, and identify factors that support and hinder its preservation. The research method used is descriptive qualitative with data collection techniques through observation, in-depth interviews, and documentatio
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Han, JinYang. "The Inheritance and Innovation of The Knowledge System in Ancient Chinese Art History." Journal of Education, Humanities and Social Sciences 28 (April 1, 2024): 849–53. http://dx.doi.org/10.54097/mpfhmv48.

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The knowledge system of ancient Chinese art history is a crucial heritage of Chinese culture, with its inheritance and innovation profoundly influencing the prosperity and development of Chinese culture. Over the course of history, ancient artists accumulated rich practical experience, forming distinctive artistic styles and expressive techniques. This valuable artistic heritage was transmitted through oral traditions, written records, and other means, providing valuable references and inspiration for later artistic creations. However, as times change and society develops, the knowledge system
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Nechvoloda, E. E. "THE ISLAMIC INFLUENCE ON THE TRADITIONAL BASHKIR ART." Islam in the modern world 14, no. 3 (2018): 235–46. http://dx.doi.org/10.22311/2074-1529-2018-14-3-235-246.

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It is the geometric and vegetal ornamental motifs that dominate in the works of traditional arts and crafts of the Bashkir people. The Bashkirs are Muslims. Therefore, the popularity of abstract ornamental forms in their artistic creativity is often associated with the religious prohibition against images of human beings, animals and birds. However, a comparative historical study of the Bashkir ornaments shows that basic types of geometric and vegetal motifs and also their compositions were formed long before the adoption of Islam by the ancestors of the Bashkirs. Anthropomorphic, ornitomorphi
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Afatara, Narsen, Sigit Purnomo Adi, Sayid Mataram, and Nadia Sigi Prameswari. "PERSEPSI MAHASISWA TERHADAP SENI RUPA TRADISI DAN KONTEMPORER SERTA RELASI PROSES PENJELAJAHAN IDE KREATIF DALAM BERKARYA." Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa 10, no. 2 (2019): 101. http://dx.doi.org/10.33153/bri.v10i2.2325.

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<p align="center"><strong><em>ABSTRACT</em></strong></p><p><em>The essence of art is creating beauty. Since ancient times beauty is something that is always sought after by humans. The beauty is getting worse due to traditional art increasingly abandoned. Traditional art is all things related to values in a particular community which are maintained purely from generation to generation. In contrast to contemporary art, one of the most prominent and prominent characteristics in contemporary art is the disappearance of boundaries between art. Both f
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Liu, Yi, Qian Luo, Zeyu Zhou, and Qing Tian. "Empathy in Motion: A Case Study of 'Dance of Youth' in Visual Art." Advances in Education, Humanities and Social Science Research 12, no. 1 (2024): 305. https://doi.org/10.56028/aehssr.12.1.305.2024.

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This study explored the transformative role of digital technology in visual art, particularly how new media enables immersive, emotionally resonant experiences. As digital tools reshape traditional forms like dance and theater, they foster enriched audience engagement and sustainable preservation. Using Dance of Youth as a case study, this research applies Empathy Theory to explore how digital storytelling deepens emotional connections. It addresses questions about empathy's role in enhancing thematic resonance and how shifts toward digital consumption in the post-pandemic era shape these dyna
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Xiao, Anji, and Sipeng Li. "The Identified Legacy." Academic Journal of Management and Social Sciences 3, no. 2 (2023): 164–68. http://dx.doi.org/10.54097/ajmss.v3i2.10397.

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This paper delves into the heritage preservation of the folk-art culture of the Tianqiao area in Beijing, known for its vibrant traditional drama. It argues that stamping a culture as ‘heritage’ suggests that it’s extinct, since it overlooks the continuous evolution of this culture. The concept of ‘heritagization’ is explored to illustrate the challenges and rewards of cultural preservation, suggesting that while it is crucial to preserve key aspects of culture, simplified representation or distortion must be avoided. As society modernizes, traditional art forms like the Tianqiao folk culture
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