Relevant bibliographies by topics / Press photographer

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Press photographer'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 April 2022

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Journal articles on the topic "Press photographer"

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Side, Katherine. "Grimaldi’s iconic photograph: Bloody Sunday, Derry 1972." Irish Journal of Sociology 26, no. 1 (2017): 71–93. http://dx.doi.org/10.1177/0791603517741072.

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This article examines the concept of photographic iconicity in relation to Italian press photographer, Fulvio Grimaldi’s photograph of the evacuation of Derry-born marcher, John [Jackie] Francis Duddy, at Bloody Sunday, 1972. This historical photograph continues to instigate remembering and forgetting among nationalists and unionists in the context of Northern Ireland. Its uses, in state-led government inquiries, among nationalist communities and in the form of artistic intersessions, are demonstrated to be consistent with the hallmarks of iconicity, particularly the ability to situate viewers
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Darian-Smith, Kate. "The ‘girls’: women press photographers and the representation of women in Australian newspapers." Media International Australia 161, no. 1 (2016): 48–58. http://dx.doi.org/10.1177/1329878x16665002.

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In 1975, Fairfax News commemorated International Women’s Year by appointing Lorrie Graham as its first female cadet photographer. Women only joined the photographic staff of newspapers in significant numbers from the 1980s and were more likely to be employed on regional newspapers than the metropolitan dailies. This article draws on interviews with male and female press photographers collected for the National Library of Australia’s oral history programme. It provides an overview of the history of women press photographers in Australia, situating their working lives within an overtly masculine
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Jakab, Tibor. "A tények megjelenítése a fotográfia médiuma segítségével – megrendezett és manipulált képek." Symbolon 22, no. 2 (2021): 79–87. http://dx.doi.org/10.46522/s.2021.02.07.

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"In the history of photography, we come across many staged and manipulated photographs. Most of these are press photos that would be intended to show as accurately as possible the recording of an event, for those who could not be there and only learn about everything that happened based on the image. The most important requirement of press ethics forums for press photos is to be as objective as possible in presenting the event. The photographer may not use any intentional image modification or manipulation to take the image. After it became clear that many of the images, we were dealing with a
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Nestayko, Markiyan. "Photos of Levko Yanushevych on the pages of Ukrainian magazines." Proceedings of Research and Scientific Institute for Periodicals, no. 10(28) (January 2020): 362–75. http://dx.doi.org/10.37222/2524-0331-2020-10(28)-26.

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The article studies the activities of one of the famous Ukrainian photographers of the XX century — Levko Yanushevych in the field of photography. We have systematized and characterized the artist’s photographs on the pages of Ukrainian and foreign (for Ukrainian emigrants) periodicals of the XX century, specifically, «Dilo», «Nashi Dni», «Nova Khata» (all titles in Lviv), «Kholms’ka zemlya» (Krakow), «Ukrainskyi visnyk», «Holos» (both in Berlin), «Na slidi» (Augsburg). The process of shaping Yanushevych’s creative personality via a prism of public activity and cooperation with famous figures
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Fox, Paul. "An unprecedented wartime practice: Kodaking the Egyptian Sudan." Media, War & Conflict 11, no. 3 (2017): 309–35. http://dx.doi.org/10.1177/1750635217710676.

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This article examines Kodak photographs made by participant soldiers and photographer–correspondents working in the field for the illustrated press during the concluding phase of the 1883–1898 campaign to defeat an Islamist insurgency in the Egyptian Sudan, whose leaders sought to create a regional caliphate. It explores how the presence of early generation portable cameras impacted on image making practices on British operations, and how aspects of campaign experience were subsequently represented in Kodak-derived photograph albums. With reference to graphic art and commercial photographic pr
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Lins, Alene, Madalena Oliveira, and Luís António Santos. "Figurations of the body in the snapshot of digital photojournalism: the non-pose and disfiguration." Comunicação e Sociedade 32 (December 29, 2017): 419–38. http://dx.doi.org/10.17231/comsoc.32(2017).2770.

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This article analyses the technological changes that have modified the snapshot in photojournalism. Formerly, snapshot was a result of the technique and expertise of the photographer. Today, due to a kind of “agility” of the cameras, it has become a possible practice for any photo-reporter. Sequential photographs turn the portrayed subject’s body into a pliant element of the editorial process. In figurations that privilege unfulfilled gestures and disfigurements, some images published by the press symbolically alter the social representation of the person portrayed. The study described within
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Pristiwanto. "Autoregressive Integrated Moving Average (Arima) Dalam Memprediksi Jumlah Penjualan Frame." Jurnal Multimedia dan Teknologi Informasi (Jatilima) 2, no. 1 (2022): 36–45. http://dx.doi.org/10.54209/jatilima.v2i1.142.

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Ektaco Sumber Foto is a company engaged in photo printing and is one of the largest photo labs in, which serves and facilitates photography needs for photographers. Ektaco Sumber Foto serves every day and facilitates the needs of photographers such as photo printing, frames, exclusive albums and press albums. The world of photographers is experiencing very rapid development from the film era to the digital era, which makes consumers changing modernize photographer prints with certain and sizes and combine them with photo frames. Forecasting is forecasting something that hasn't happened yet. Th
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Cocker, Alan. "Malcolm Ross, journalist and photographer: The perfect war correspondent?" Pacific Journalism Review 22, no. 1 (2016): 152. http://dx.doi.org/10.24135/pjr.v22i1.39.

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Malcolm Ross was New Zealand’s first official war correspondentand from 1915 until the end of the First World War he provided copy to theNew Zealand press. His journalism has been the subject of recent academicinvestigation, but Ross had another string to his bow—he was an enthusiasticphotographer with the skill to develop his own film ‘in the field’. Itmight therefore be expected that Ross was the ideal war correspondent, anindividual who could not only write the stories, but also potentially illustratethem with photography from the battlefields. Yet by the end of the conflicthis body of phot
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Anderson, Fay. "‘Photographing Lindy’: Australian press photography and the Chamberlain case, 1980–2012." Media International Australia 162, no. 1 (2016): 7–18. http://dx.doi.org/10.1177/1329878x16665495.

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This article analyses the news photography surrounding a high-profile case of alleged matricide in Australia: the disappearance of 9-month-old Azaria Chamberlain, and the subsequent murder trial and eventual acquittal of her mother, Lindy. While the scholarship on the media’s conduct during Chamberlain’s ordeal has been exhaustive, the press photographers’ role has not been considered. Drawing on oral history interviews with newspaper photographers, this article explores the ways that the photographers’ workplace culture, gender, relationships and practices informed their approach. It argues t
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Bettel, Carrie. "The success of Adi Nes’s "ctional photographic portraits: "gures of alterity and the utilization of memories in visual self-portraiture." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 25, no. 34 (2019): 45–55. http://dx.doi.org/10.14746/i.2019.34.03.

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Abstract. Bettel Carrie, The success of Adi Nes’s fictional photographic portraits: figures of alterity and the utilization of memories in visual self-portraiture. “Images” vol. XXV, no. 34. Poznań 2019. Adam Mickiewicz University Press. Pp. 45–55. ISSN 1731-450X. DOI 10.14746/i.2019.34.03.
 This paper demonstrates the way an autobiographer shapes his/her identity in the creation of his/her narrative. The autobiographer’s struggle in his/her understanding of the self is sometimes evident in the work. This project focuses specifically on the work of Adi Nes, an Israeli photographer. His ph
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Dissertations / Theses on the topic "Press photographer"

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McDaniel, Kyle Ross. "Reviewing the image of the photojournalist in film how ethical dilemmas shape stereotypes of the on-screen press photographer in motion pictures from 1954 to 2006 /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4997.

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Thesis (M.A.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on January 7, 2007) Includes bibliographical references.
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Sotteau, Stéphanie. "Appert, photographe parisien (1860-1890) : atelier et actualité." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040113.

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E. Appert (1831-1890) est un photographe essentiellement connu pour ses portraits d’insurgés dans les prisons versaillaises après la Commune de Paris et pour ses photomontages des Crimes de la Commune. Cependant, sa carrière débuta à Paris bien avant 1871 et se poursuivit sur une trentaine d’années. Ce photographe se révéla être un véritable « reporter » attentif à illustrer l’actualité. Tissant des liens utiles avec la Justice et la Préfecture de Police, ses portraits et ses photomontages se firent l’écho des événements politiques. Alors réputé pour être un photographe partisan de Thiers ou p
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Belknap, Geoffrey David. "'From a photograph' : photography and the periodical print press 1870-1890." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609850.

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Lavoie, Vincent. "L'image-évènement : étude sur la contribution de la photographie à la représentation de l'actualité." Paris 1, 2001. http://www.theses.fr/2001PA010526.

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La thèse examine la contribution de la photographie à l'essor d'un nouveau genre de représentation évènementielle : l'image-évènement. Proposant l'hypothèse d'un paradigme de l'actualité, comme un fondement aux ambitions historiographiques de la photographie depuis le XIXe siècle, cette étude retrace les étapes de la formation d'un imaginaire proprement photographique de l'évènement, indissociable de l'émergence des medias de masse. Elle établit que le sensationnalisme, le spectacle de la médiatisation, la prédominance de l'actualité-spectacle, l'amenuisement des distinctions statutaires entre
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Rouquet, Camille. "Les icônes du Vietnam et leur pouvoir : mécanismes de consécration des images photojournalistiques et rhétorique de l'influence des médias depuis la guerre du Vietnam." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCC278.

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Cette thèse se penche sur les photographies dites « iconiques » issues des contenus photojournalistiques de la guerre américaine au Vietnam. Au cours de l’histoire moderne, quelques dizaines de photographies documentaires, d’art ou de mode ont été consacrées comme « icônes », un terme qui dénote leurs qualités symboliques ou d’incarnation. Parmi ces images, quatre ont émergé de l’archive visuelle de la guerre du Vietnam. Ces quatre icônes sont des images photojournalistiques au contenu choquant, sensationnel ou violent, qui ont fait l’objet de nombreux rappels dans la presse au cours des décen
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Parry, Katy Jane. "Visually framing the 2003 Iraq invasion in British press photography." Thesis, University of Liverpool, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.526844.

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David, Bruno. "Les parcours de la photographie : la photographie de presse à l'épreuve du collectif." Avignon, 2000. http://www.theses.fr/2000AVIG1025.

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Cette recherche interroge le travail de construction de l'information à l'oeuvre dans les entreprises de presse écrite. La photographie de presse constitue une entrée théorique et méthodologique qui permet d'articuler trois manières d'aborder la question du travail médiatique. Dans un premier temps, nous explorons, à partir de l'analyse comparée de livraisons réelles, les potentialités narratives des photographies mises en scène dans la presse. Dans un second temps, une expérimentation mettant à contribution trois rédactions de la presse magazine, nous permet de développer une approche socio-s
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Ulanovsky, Lucia. "Entre l'appareil et les rotatives : photoreporters, usages des photos et organes de presse (1969-1984)." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0628.

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Entre l’appareil et les rotatives. . . Est une étude qui se propose situer au photoreporter et à la photographie de presse dans un espace où se révèlent des tensions entre les tâches des photoreporters, les opérations éditoriales appliquées aux images publiées et les automatismes et les croyances qui dominaient au sein de la culture de presse d’une époque. La recherche poursuit cette trame dans le cadre de l’histoire sociale et politique de la période 1969-1984 en Argentine ; soit un moment où le métier du photoreporter et la photographie de presse étaient déjà largement présents dans les orga
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Baptista, Maria Emília Moreira Tavares Samora. "João Martins (1898-1972)-imagens de um tempo "descritivo desolador"." Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas, 2000. http://dited.bn.pt:80/29482.

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Rochard, Sophie. "La photographie et la presse illustrée : 1853-1870 /." [Paris] : [S. Rochard], 1990. http://catalogue.bnf.fr/ark:/12148/cb35337877p.

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Books on the topic "Press photographer"

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Zimbabwe International Book Fair (1995 Harare, Zimbabwe). Press cuttings, press releases and photographs. Zimbabwe International Book Fair (UK) Ltd, 1995.

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Zimbabwe, International Book Fair (1993 Harare Zimbabwe). Press cuttings, press releases and photographs. Zimbabwe International Book Fair (UK) Ltd, 1993.

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Walker, Howard. Mirror image: Press photographs. Stockport Leisure Services, 1988.

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(Association), Reporters sans frontières, and Reporters without Borders, eds. Yann Arthus-Bertrand: Pour la liberté de la presse = Yann Arthus-Bertrand : for press freedom. Reporters sans frontières, 2002.

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Tarrant, Jon. Professional press, editorial, and PR photography. Focal Press, 1998.

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Vincent, Alabiso, Tunney Kelly Smith, Zoeller Chuck, and Associated Press, eds. Flash!: The Associated Press covers the world. The Associated Press in association with Harry N. Abrams, 1998.

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War photography: Realism in the British press. Routledge, 1991.

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Photojournalism: 150 years of outstanding press photography. Carlton, 2011.

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The nineteenth-century photographic press: A study guide. Garland Pub., 1987.

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foto, Fondat︠s︡ii︠a︡ BG pres. Bŭlgarska fotozhurnalistika 2008 2007 2006: Bulgarian press photography. BG Pres Photo, 2008.

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Book chapters on the topic "Press photographer"

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Bhandari, Siddhi. "Collective Making of Press Photographs." In Seeing South Asia. Routledge India, 2022. http://dx.doi.org/10.4324/9781003276753-17.

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Belknap, Geoffrey. "Illustrating Nature: Photography and the Scientific Press." In From a Photograph. Routledge, 2020. http://dx.doi.org/10.4324/9781003103530-4.

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Pouso Torres, Esperanza. "Press Photography and Right to Privacy." In Advances in Intelligent Systems and Computing. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-46068-0_12.

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Linkof, Ryan. "Shooting People: The Press Photographer and the Candid Portrait." In Public Images. Routledge, 2020. http://dx.doi.org/10.4324/9781003103868-3.

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"Shooting People: The Press Photographer and The Candid Portrait." In Public Images. Bloomsbury Academic, 2018. http://dx.doi.org/10.5040/9781474243995.ch-002.

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Finnegan, Cara A. "Changing Visual Media from the Mid-Twentieth Century to the Digital Age." In Photographic Presidents. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043796.003.0009.

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The late twentieth and early twenty-first century transition to digital culture and the subsequent rise of social media transformed photography yet again, and in doing so transformed the ways presidents interacted with it. Highlighting moments in the presidencies of Harry Truman, Dwight Eisenhower, John Kennedy, Lyndon Johnson, Richard Nixon, Barack Obama, and more, the chapter explores the impact of television and the internet, examines the push-pull relationship between the visual press and the presidency, and outlines the history of the job of official White House photographer.
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Marcus, Jane. "Race on the Wire." In Nancy Cunard, edited by Jean Mills. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979299.003.0013.

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This chapter addresses Nancy Cunard’s extensive journalism for the Associated Negro Press, and her transparency in claiming that she made “no attempt at all at objective reporting” as she argued against fascism and racism. With the help of gay, white artist and photographer John Banting, Cunard continued to stand up to the barrage of hostility directed at her for her on-going reporting on behalf of black and brown races, Arabs, and Africans. The chapter gives an account of her professional relationship with Charles A. Burnett, director of the Chicago-based Associated Negro Press and her interviews giving voice to black soldiers, war nurses, refugees, and prisoners.
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Linkof, Ryan. "Snapping the Royals: The Press Photographer and the Challenge to the British Monarchy." In Public Images. Routledge, 2020. http://dx.doi.org/10.4324/9781003103868-4.

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"Snapping the Royals: The Press Photographer and the Challenge to the British Monarchy." In Public Images. Bloomsbury Academic, 2018. http://dx.doi.org/10.5040/9781474243995.ch-003.

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Ellenzweig, Allen. "Twice a Debutante." In George Platt Lynes. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190219666.003.0012.

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Returned home, George visits brother Russell at Yale, reestablishing their sibling affection. He prepares the North Egremont house for winter, delighting in the autumn foliage. In New York City, George joins Lloyd and John McAndrew in a flat where he tolerates his roommates’ decor simply to have a place to photograph. He plans two upcoming exhibitions, wary that H. T. Leggett’s gallery in the reopened Waldorf-Astoria may impose a financial cost. He complains that Julien Levy enlists him as a “Surrealist.” George disapproves of Levy’s “Jewish instinct” for “gouging,” and is dubious being paired with Walker Evans, a more established photographer. He dismisses press reviews of the Levy show, although their mention of his new “toning process” encourages Mehemed Agha of Vanity Fair to invite George to submit a portfolio. The Leggett show, with a wittily designed invitation by Monroe, displays George recent portraits of notables like Aaron Copland, Muriel Draper, and Gertrude Stein.
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Conference papers on the topic "Press photographer"

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Gordiienko, T. O. "Visual narrative in press photography under the influence of COVID-19 pandemic." In THE EUROPEAN DEVELOPMENT TRENDS IN JOURNALISM, PR, MEDIA AND COMMUNICATION. Baltija Publishing, 2021. http://dx.doi.org/10.30525/978-9934-26-042-1-35.

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Hu, F. K., Z. J. Zhu, K. Wang, B. Zhu, and Y. S. Zhang. "Identification of Hot Stamping Fully Martenstic Microstructure SEM Photograph with Support Vector Machine." In 4th International Conference on Advanced High Strength Steel and Press Hardening (ICHSU2018). WORLD SCIENTIFIC, 2018. http://dx.doi.org/10.1142/9789813277984_0043.

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Klinova, Marina Aleksandrovna. "THE IMAGE OF THE SOVIET WORKER IN PHOTOGRAPHS ON THE PAGES OF THE PRESS 1946-1956S." In Историческая наука и историческое образование в условиях глобальных трансформаций. [б.и.], 2021. http://dx.doi.org/10.54351/978-5-7186-1774-0_2021_25_34.

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Klinova, Marina Aleksandrovna. "THE IMAGE OF THE SOVIET WORKER IN PHOTOGRAPHS ON THE PAGES OF THE PRESS 1946-1956S." In Историческая наука и историческое образование в условиях глобальных трансформаций. [б.и.], 2021. http://dx.doi.org/10.26170/978-5-7186-1774-0_2021_25_34.

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Marfil-Carmona, Rafael, Pilar Puertas-Molero, Félix Zurita-Ortega, and Gabriel González-Valero. "Photography and sport: Study of the didactic value of reference images in photojournalism, analysis of the winning photos of the World Press Photo in 2017." In Journal of Human Sport and Exercise - 2018 - Spring Conferences of Sports Science. Universidad de Alicante, 2018. http://dx.doi.org/10.14198/jhse.2018.13.proc2.37.

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Alakhal, Almabrok. "Regenerating historic Tripoli: urban form, problems and potential." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5692.

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ISUF 2017 XXIV international conference : City and territory in the globalization age. Regenerating historic Tripoli: urban form, problems and potential Mr. Almabrok Alakhal Almabrok.Alakhal@mail.bcu.ac.uk Keywords: Urban regeneration, Urban form, Changing pattern of urban form, Tripoli. Conference topics and scale : Urban morphological methods and techniques. Abstract This paper examines the impact of change, particularly Modernism, on a traditional Islamic urban core: the historic centre of Tripoli. It begins by discussing the historical background of Tripoli, identifying the key periods of
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Szmitkowska, Agata. "FROM THE LUFTWAFFE HEADQUARTERS TO A SANATORIUM”. THE ARCHITECTURE OF THE HOLIDAY RESORT OF THE WARSAW EXECUTIVE BOARD OF THE TRADE UNION OF THE BOOK, PRESS AND RADIO EMPLOYEES IN GOŁDAP, MASURIA." In GEOLINKS International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/geolinks2020/b2/v2/26.

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This article presents the architecture, origin and the vicissitudes of the holiday resort which was dedicated to employees of the state media institutions of that time and which is representative of Polish holiday centres in Poland in the 1970s. It was developed near a town called Gołdap in northern Poland in the area of the Masurian Lake District which constituted a part of German East Prussia before 1945. The centre was planned in the land which operated as the Main Headquarters of the General Command of Luftwaffe during II World War. One of the key principles assumed by the designer of the
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Reports on the topic "Press photographer"

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Ardévol Abreu, Alberto. Immigration in Canarian Press Photography. Revista Latina de Comunicación Social, 2008. http://dx.doi.org/10.4185/rlcs-63-2008-791-409-417-en.

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