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Books on the topic 'Presse – Audience'

Author: Grafiati

Published: 8 June 2024

Last updated: 31 July 2025

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1

Ogunyemi, Ola. Journalism, audiences and diaspora. Palgrave Macmillan, 2015.

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2

Ouellette, François. L' accès des caméras de télévision aux audiences des tribunaux. Éditions Thémis, 1997.

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3

Castellvi, César. Le dernier empire de la presse: Une sociologie du journalisme au Japon. CNRS éditions, 2022.

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4

author, Chŏng Ch'ŏr-un, ed. Nyusŭ ka mal haji annŭn kŏttŭl: Sesang ŭi chinsil ŭl ingnŭn chintcha nyusŭ ŭi him. Inmul kwa Sasangsa, 2016.

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5

A, Cohen Akiba, ed. Global newsrooms, local audiences: A study of the Eurovision News Exchange. Libbey, 1996.

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6

Morales, Víctor Hugo. Audiencia con el Diablo: Retrato de una época de política, periodismo y poder. Aguilar, 2014.

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7

Turnock, Robert. Interpreting Diana: Television audiences and the death of a princess. British Film Institute, 2000.

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8

Ruiz, Carlos. Ética de la audiencia: Reflexión ética sobre el principio jurídico de libertad de infromación. Grafite Ediciones, 2003.

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9

Ohlsson, Anders. Politiska nyheter til nytta och nöje: En studie av varför vi tar del av nyheter om politik i press, radio och TV. Almqvist & Wiksell International, 1989.

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10

Pew Research Center for the People & the Press., ed. Striking the balance: Audience interests, business pressures, and journalists' values : views of the press on their performance and the people. The Pew Research Center for the People & the Press, 1999.

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11

(Journalist), Yi Chŏng-hwan, Kim Yu-ri author, and Chŏng Ch'ŏr-un author, eds. Chŏnŏllijŭm ŭi mirae: Chagi pokche wa p'ot'ŏl chungdok ŏllon e mirae nŭn innŭn'ga = The future of journalism. Inmul kwa Sasangsa, 2015.

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12

L' audience: Presse, radio, télévision, Internet. CNRS, 2003.

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13

DeWerth-Pallmeyer, Dwight. Audience in the News. Taylor & Francis Group, 2013.

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14

DeWerth-Pallmeyer, Dwight. Audience in the News. Taylor & Francis Group, 2013.

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15

DeWerth-Pallmeyer, Dwight. Audience in the News. Taylor & Francis Group, 2013.

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16

DeWerth-Pallmeyer, Dwight. Audience in the News. Taylor & Francis Group, 2013.

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17

The audience in the news. Erlbaum, 1997.

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18

Reader, Bill. Audience Feedback in the News Media. Taylor & Francis Group, 2015.

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19

Reader, Bill. Audience Feedback in the News Media. Taylor & Francis Group, 2018.

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20

Audience Feedback in the News Media. Taylor & Francis Group, 2015.

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21

Economic News and the Inattentive Audience. Taylor & Francis Group, 2018.

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22

Slawinski, Scott. Validating Bachelorhood: Audience, Patriarchy and Charles Brockden Brown's Editorship of the Monthly Magazine and American Review. Taylor & Francis Group, 2005.

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23

Slawinski, Scott. Validating Bachelorhood: Audience, Patriarchy and Charles Brockden Brown's Editorship of the Monthly Magazine and American Review. Taylor & Francis Group, 2005.

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24

Slawinski, Scott. Validating Bachelorhood: Audience, Patriarchy and Charles Brockden Brown's Editorship of the Monthly Magazine and American Review. Taylor & Francis Group, 2005.

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25

Validating Bachelorhood: Audience, Patriarchy and Charles Brockden Brown's Editorship of the Monthly Magazine and American Review. Taylor & Francis Group, 2005.

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26

Validating bachelorhood: Audience, patriarchy, and Charles Brockden Brown's editorship of the Monthly Magazine and American Review. Routledge, 2005.

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27

Reader, Bill. Audience Feedback in the News Media. Taylor & Francis Group, 2015.

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28

(Editor), Mira Friedlander, and Wayne Fairhead (Editor), eds. TYA5: Theatre for Young Audience (Playwrights Canada Press). Playwrights Union of Canada, 2000.

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29

Misunderstanding News Audiences. Routledge, 2018.

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30

Duffy, Brooke Erin. Rethinking Readership. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037962.003.0005.

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This chapter examines how the transformations associated with digitization are reshaping the ways in which publishers of women's magazines think about readership by focusing on their constructions of audiences. Editors and publishers of women's magazines have long targeted narrowly defined segments of the female populace based upon demographic factors (age, household income, marital status, educational level, and sometimes even race) as well as lifestyle traits and behaviors. They draw upon surveys and other measurement techniques to understand these segments and craft detailed profiles of the

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31

Scalmer, Sean, and Bridget;Scalmer Griffen-Foley. Public Opinion, Campaign Politics and Media Audiences: New Australian Perspectives. Melbourne University Publishing, 2017.

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32

Scalmer, Sean, and Bridget;Scalmer Griffen-Foley. Public Opinion, Campaign Politics and Media Audiences: New Australian Perspectives. Melbourne University Publishing, 2017.

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33

(Editor), Carolyn A. Lin, and David J. Atkin (Editor), eds. Communication Technology and Society: Audience Adoption and Uses (The Hampton Press Communication Series). Hampton Pr, 2002.

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34

(Editor), Carolyn A. Lin, and David J. Atkin (Editor), eds. Communication Technology and Society: Audience Adoption and Uses (The Hampton Press Communication Series). Hampton Pr, 2001.

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35

Imagined Audiences: How Journalists Perceive and Pursue the Public. Oxford University Press, Incorporated, 2021.

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36

Nelson, Jacob L. Imagined Audiences: How Journalists Perceive and Pursue the Public. Oxford University Press, Incorporated, 2021.

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37

Agendamelding: News, Social Media, Audiences, and Civic Community. Lang AG International Academic Publishers, Peter, 2019.

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38

Agendamelding: News, Social Media, Audiences, and Civic Community. Lang AG International Academic Publishers, Peter, 2019.

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39

Agendamelding: News, Social Media, Audiences, and Civic Community. Lang AG International Academic Publishers, Peter, 2019.

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40

Agendamelding: News, Social Media, Audiences, and Civic Community. Lang AG International Academic Publishers, Peter, 2019.

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41

Agendamelding: News, Social Media, Audiences, and Civic Community. Lang AG International Academic Publishers, Peter, 2019.

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42

Paletz, David L. Political Communication in Action: States, Institutions, Movements, Audiences (Hampton Press Communication Series). Hampton Press, 1996.

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43

In the Public Eye: The Budapest Opera House, the Audience and the Press, 1884-1918. Bohlau Verlag GmbH u. Co. KG, 2014.

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44

Alte und neue Medien: Zum Wandel der Medienpublika in Deutschland seit den 1950er Jahren. Lit, 2008.

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45

Roscoe, Lucy. The Book Tree Press. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450580.

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The output is a collection of fifteen creative book works which explore how the formal and sculptural properties of the book can be used to communicate narrative. The research is an iterative, cumulative, practice-based approach to making books, where repetition leads to extended insights. Illustrated books currently sit within several fields including fine art, illustration, and design. Roscoe’s research invests the spaces between these fields to interrogate the way the physical book acts as a form of visual communication through materials, binding, shape, and audience interaction. Individual

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46

Smythe, Ted C. The Gilded Age Press, 1865-1900. Praeger, 2003. http://dx.doi.org/10.5040/9798400657139.

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American newspapers redefined journalism after the Civil War by breaking away from the editorial and financial control of the Democratic and Republican parties. Smythe chronicles the rise of the New Journalism, where pegging newspaper sales to market forces was the cost of editorial independence. Successful papers in post-bellum America thrived by catering to a mass audience, which increased their circulations and raised their advertising revenues. Still active politically, independent editors now sought to influence their readers' opinions themselves rather than serve as conduits for the part

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47

Clasen, Mathias. Lost and Hunted in Bad Woods. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190666507.003.0013.

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Eduardo Sánchez and Daniel Myrick’s The Blair Witch Project (1999) launched the horror subgenre of “found footage”—pseudodocumentary horror—into the mainstream. The film was marketed as a true story and features the footage of three student filmmakers who got lost on a trip to document the Blair Witch phenomenon. The film was remarkably effective in using simple cinematic techniques to generate an authenticity aesthetic, and in using a suggestive multiplatform advertising campaign, thus capturing audience interest and generating strong emotional responses. The film tapped into evolved defense

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48

Paletz, David L. Political Communication in Action: States, Institutions, Movements, Audiences (Hampton Press Communication Series Political Communication). Hampton Press, 1996.

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49

Media and voters: The audience, content, and influence of press and television at the 1987 general election. Clarendon Press, 1991.

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50

Phillips, Angela, and Eiri Elvestad. Misunderstanding News Audiences: Seven Myths of the Social Media Era. Taylor & Francis Group, 2018.

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