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Journal articles on the topic 'Presse – Audience'

Author: Grafiati

Published: 8 June 2024

Last updated: 31 July 2025

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1

Malcorps, Sylvain. "L’entreprise de presse et son audience en ligne." Réseaux 205, no. 5 (2017): 145. http://dx.doi.org/10.3917/res.205.0145.

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2

Dupont, Françoise. "Les lecteurs de la presse : une audience difficile à mesurer." Le Temps des médias 3, no. 2 (2004): 142. http://dx.doi.org/10.3917/tdm.003.0142.

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3

N’DOUA, Kouassi Clément. "Les médias dits « traditionnels » à l’épreuve du déploiement du numérique : quel enjeu ?" REVUE BARTIMEE.NET 1, no. 3 (2024): 87–106. https://doi.org/10.71003/inzb4301.

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On assiste au déclin progressif des médias traditionnels, notamment la presse papier payante qui a perdu depuis plusieurs décennies le monopole de l’information collective au profit du numérique. La présence du numérique a bouleversé notre manière de consommer l’information dans notre époque contemporaine. Avec le numérique, l’information est à la portée de tous et n’est plus la chasse gardée d’aucun média. Pour une plus grande visibilité et une meilleure audience, les médias traditionnels doivent exploiter l’opportunité qu’offre le numérique afin de gagner en notoriété et en profit. Les média

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4

Bentounsi, Ikram Aya, and Mohamed Ramzi Hechiche. "The North African print media: from reported discourse to subjective discourse." XLinguae 15, no. 4 (2022): 91–103. http://dx.doi.org/10.18355/xl.2022.15.04.09.

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Recourse to the discourse of the other is inevitable in the written press. Our objective in this article is to study the subjective use of the reported speech and examine how it is employed by the journalist to better address the targeted audience. In essence, it seeks to detect the traces of the enunciator and to deduce whether he commits himself to the message(s) he tends to convey vis-à-vis the words he reports. That said, we will try to investigate the idea that he reports in his speech, explaining the different discursive strategies that allow him to intervene in the words of others while

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5

Amiel, Pauline. "Vers une polyphonie énonciative de proximité ? Pages Facebook de communautés, crowdfunding et presse locale en ligne." Sur le journalisme, About journalism, Sobre jornalismo 7, no. 2 (2018): 80–91. http://dx.doi.org/10.25200/slj.v7.n2.2018.360.

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   FR. Les journalistes de presse locale, ayant perdu en ligne le monopole de l’information territorialisée, font le constat de la diminution de leur lectorat. Face à un sentiment d’éloignement et de méconnaissance de leur audience en ligne, ils tentent de reconstruire une forme de proximité. Alors qu’ils favorisaient auparavant le ré- seau social Twitter, ils s’intéressent désormais à Facebook pour se rapprocher de leurs lecteurs et créer des interactions. À La Dépêche du Midi, à Nice-Matin, au Journal du Centre, au Parisien et à Mars-Actu, les journalistes in

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6

Mrozowicki, Michał Piotr. "Tannhäuser réhabilité (VI) – « La Quatrième » devant la presse parisienne – le snobisme et l’enthousiasme." Cahiers ERTA, no. 28 (December 30, 2021): 196–220. http://dx.doi.org/10.4467/23538953ce.21.041.15191.

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« La quatrième »’s image in the parisian press – the snobbery and the enthusiasm The greatest star of the Parisian Tannhäuser’s performances in 1895 was Ernest Van Dyck in the title role. According to the Parisian press this production of Wagner’s work owed its success mainly to this Belgian tenor. However after his departure from Paris, and after some other changes of the cast that took place rather rapidly (still in the summer 1895), the performances’ artistic level hasn’t decreased in a significant way, and the work, played continuously until December 15th, 1913, was always highly appreciat

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7

Mrozowicki, Michał Piotr. "Tannhäuser réhabilité (IV) – « La quatrième » devant la presse parisienne – les décors et la mise en scene." Cahiers ERTA, no. 26 (2021): 111–26. http://dx.doi.org/10.4467/23538953ce.21.029.14001.

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Tannhäuser rehabilitted (IV) – « La quatrième »’s image in the parisian press – the decor and the staging The article is devoted to the presentation of various aspects of the Tannhäuser’s fourth performance on the Parisian stage on May 13th, 1895, conducted by Paul Taffanel and directed by Alexander Lapissida. The author, following the reviews that appeared in many Parisian journals after this performance, describes the most characteristic elements of the scenery made by Dauphin Amable Petit, known as Amable (the first tableau of the first act), Marcel Jambon (the second tableau of the first a

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8

Attencourt, Boris. "L’emprise des médias sur le champ intellectuel." Politiques de communication N° 20-21, no. 1 (2024): 259–97. http://dx.doi.org/10.3917/pdc.020.0259.

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Cet article analyse l’emprise des médias de grande diffusion sur la circulation des idées à travers le rôle de groupes sociaux et d’institutions « intermédiaires » au sens où ils assurent le passage entre des régions distinctes de l’espace social. À cette fin, nous mobilisons une enquête sur les nouveaux circuits de visibilité des idées qui se sont développés au sortir des années 1970 en associant légitimité savante et audience élargie : presse de qualité, émissions de radio et de télévision, revues intellectuelles à grand tirage, laboratoires d’idées, établissements culturels, agences de conf

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9

Lipani, Marie-Christine. "L’éditorial en presse régionale en France L’exemple du quotidien Sud Ouest en Aquitaine." Sur le journalisme, About journalism, Sobre jornalismo 5, no. 2 (2017): 152–65. https://doi.org/10.25200/slj.v5.n2.2016.167.

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Comment l’éditorial en presse quotidienne régionale participe-t-il au débat public et comment parvient-il à faire émerger sur le devant de la scène des questions qui ont un intérêt national, alors que par essence la vocation de cette famille de presse est avant tout locale ? La question semble d’autant plus pertinente qu’il pèse sur ce secteur, contraint pour des raisons économiques à certains mouvements de concentration et de rapprochement, une injonction de consensus rédactionnel afin de ne pas perdre davantage de lecteurs. Dans ce contexte, l’engagement éditorial constitue-t-il une prise de

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10

Hopkins-Loféron, Fleur. "Adèle en Égypte ou l’adaptation-trahison Les Aventures extraordinaires d’Adèle Blanc-Sec (2010) de Luc Besson." Transcr(é)ation 2, no. 1 (2023): 1–25. http://dx.doi.org/10.5206/tc.v2i1.16314.

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En 2010, le réalisateur Luc Besson adapte au cinéma la saga Les Aventures extraordinaires d’Adèle Blanc-Sec (1976-2022) de Jacques Tardi, composée à cette date de 9 albums. L’œuvre du bédéaste, considérée par beaucoup comme féministe, antimilitariste et anarchiste, est métamorphosée à plus d’un titre. D’abord, le film rompt la continuité entre les albums en adaptant dans le désordre les premier (Adèle et la Bête, 1976) et quatrième (Momies en Folie, 1978) tomes de la série, dont il retranche ou invente certains personnages et intrigues. À présent, Adèle n’est plus le personnage glacial que l’o

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11

Mithun, Marianne. "Grammars and the community." Perspectives on Grammar Writing 30, no. 2 (2006): 281–306. http://dx.doi.org/10.1075/sl.30.2.06mit.

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The audience for a grammatical description is an important consideration for anyone involved in descriptive linguistics. Potential grammar users include linguists, the interested public, and members of the communities in which the language is spoken. An awareness of the target audiences is necessary in shaping the grammar to meet varying needs. It might, for example, affect the choice of topics to be discussed, the organization and style of the presentation, the depth of detail to include, the use of technical terminology, and the nature of exemplification. It is not yet clear whether one gram

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12

Kuznetsov, Egor S. "The evolution of clickbait: from a yellow press tool to the key Internet media technology." Verhnevolzhski Philological Bulletin 2, no. 25 (2021): 48–54. http://dx.doi.org/10.20323/2499-9679-2021-2-25-48-54.

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The article examines the technology of click-bait headlines, which have become one of the main tools to attract the attention of the media audience, but the public opinion continues to regard them as an unacceptable tabloid technique. Most of the definitions of clickbait contain negative connotations and are not exactly what modern clickbait is. It has evolved significantly: it has become less formulaic, primitive and annoying to the audience, but it has retained its unique advantage of attracting clicks. It is a necessary technology for the media in today's unprecedentedly competitive informa

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Anvardinova, Ozoda Zokirjon qizi. "Comparative analysis of articles written in the analytical genre in the press of Uzbekistan and abroad." Multidisciplinary Journal of Science and Technology 3, no. 3 (2023): 107–8. https://doi.org/10.5281/zenodo.8434705.

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The style of writing an article in the analytical genre differs depending on which country and for which people it is being written. For example, Western and American audiences are receptive to material consisting of only facts, and consider it biased to refer to the journalist's additional opinion and conclusion. The Russian audience cannot accept the material without emotion and evaluation, and considers it imperfect. Not only the audience, but also Russian theorists argue that journalistic investigation of a dry investigative article should be different from law enforcement investigatio

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14

GOERG, ODILE. "VISIBILIDADE E INVISIBILIDADE DOS CINEMAS NA áFRICA COLONIAL: revivendo as primeiras cenas." Outros Tempos: Pesquisa em Foco - História 13, no. 22 (2016): 89–102. http://dx.doi.org/10.18817/ot.v13i22.548.

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O cinema tem o seu apogeu nos anos 1950-1970, mas o que nós sabemos sobre as modalidades de sua difusão a partir do inácio do século XX? Este artigo discute o sucesso precoce do cinema, vindo na bagagem de conquista colonial, por meio dos vestágios deixados pelos relatos de viajantes, pela imprensa ou pelas memórias de espectadores. Empresários, africanos ou europeus, desempenharam um importante papel de intermediários da modernidade para garantir o fluxo de imagens em movimento. Eles são fotógrafos, engenheiros, comerciantes. Inicialmente, eventos efêmeros que ocorrem no interior de concess

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15

Baranova, Ekaterina Andreevna, and Galina Germanovna Novoselova. "Transition Features of the Russian Regional Press to Digital Technology." Litera, no. 1 (January 2024): 166–81. http://dx.doi.org/10.25136/2409-8698.2024.1.69280.

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The regional press plays an important role in the formation of the urban media space. The article examines the adaptation features of the Russian regional press to the changing the digital environment conditions. Despite the slight increase in circulation and audience of print media, the Russian regional press continues to experience a number of difficulties associated with a lack of funding, influence from government agencies, the implementation of government tasks, an aging audience, and publication of news in printed editions with a long delay. Publications are trying to adapt to changing c

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16

Getz, Christine. "Simon Boyleau and the Church of the ‘Madonna of Miracles’: Educating and Cultivating the Aristocratic Audience in Post-Tridentine Milan." Journal of the Royal Musical Association 126, no. 2 (2001): 145–68. http://dx.doi.org/10.1093/jrma/126.2.145.

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The cappella musicale at Santa Maria presso San Celso in Milan, also known as the church of the ‘Madonna of Miracles’, was originally charged with the performance of individual plainchant Masses on specified feasts, Vespers as a choir daily in the summer and on those specified feasts, and Compline as a choir during Lent. In 1535, however, its duties were expanded to include a High Mass and a Vespers service on the first Sunday of each month. With Carlo Borromeo's ascension to the seat of archbishop of Milan in 1560, the cappella's Vespers service became central to public worship, and attracted

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17

Moore, Martin, and Colm Murphy. "Press officers find a new audience." British Journalism Review 34, no. 2 (2023): 41–45. http://dx.doi.org/10.1177/09564748231179355.

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18

Crantor, Jean-Marc, Françoise Laugée, and Jean-Pierre Bacot. "Les audiences de la presse écrite." Réseaux 9, no. 48 (1991): 97–102. http://dx.doi.org/10.3406/reso.1991.1856.

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19

Bennett, W. Lance. "Television, Power, and the Public in Russia. By Ellen Mickiewicz. New York: Cambridge University Press, 2008. 220p. $81.00 cloth, $29.99 paper." Perspectives on Politics 7, no. 4 (2009): 931–33. http://dx.doi.org/10.1017/s1537592709991708.

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This book opens and closes with the puzzle of how Russian rulers can control, distort, and bend the news to their own ends without worrying about how the audience receives it. On its first page, Ellen Mickiewicz asks: “[W]ouldn't these political leaders want anxiously to know what viewers make of the news?” And on its last page (p. 206) we are told that “political leaders and broadcasters persist in imagining an undifferentiated, unsophisticated mass on the other side of the screen.” While there is no direct evidence in the rest of the book to indicate that leaders do not know what to make of

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20

Atkin, Tamara. "Shakespeare’s Reading Audiences: Early Modern Books and Audience Interpretation. By Cyndia Susan Clegg. Cambridge: Cambridge University Press, 2017. Pp. vi + 222." Shakespeare Quarterly 70, no. 2 (2019): 166–68. http://dx.doi.org/10.1093/sq/quz012.

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21

Kaethler, Mark. "Shakespeare’s Reading Audiences: Early Modern Books and Audience Interpretation. Cyndia Susan Clegg. Cambridge: Cambridge University Press, 2017. vi + 222 pp. $99.99." Renaissance Quarterly 71, no. 4 (2018): 1602–3. http://dx.doi.org/10.1086/702151.

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22

Guiot, Denis. "Comment la presse magazine peut-elle cibler les 15-24 ans qui se perçoivent plus jeunes ou plus âgés ?" Décisions Marketing N° 45, no. 1 (2007): 21–33. http://dx.doi.org/10.3917/dm.045.0021.

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Jusqu’à présent, l’âge subjectif demeure un critère peu utilisé pour segmenter les marchés en raison de la difficulté apparente à atteindre des cibles définies par ce critère . Cet article montre que l’âge subjectif a une vocation opérationnelle par sa capacité à caractériser les audiences des supports de presse magazine destinés aux jeunes filles de 15 à 24 ans .

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23

Ibragimova, Karina R. "The Voice of the March Hare. A Review. (Stayer, Jayme. Becoming T.S. Eliot: The Rhetoric of Voice and Audience in “Inventions of the March Hare”. Baltimore: Johns Hopkins University Press, 2021. 343 p.)." Literature of the Americas, no. 13 (2022): 400–408. http://dx.doi.org/10.22455/2541-7894-2022-13-400-408.

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The review focuses on the book Becoming T.S. Eliot: The Rhetoric of Voice and Audience in “Inventions of the March Hare”, 2021, written by Jayme Stayer, the American researcher of modernist poetry and T.S. Eliot’s work. Stayer uses rhetorical approach for studying poems from Eliot's notebook, refers to the concepts of ethos, logos and pathos, and analyzes the forms of existence of Eliot's lyrical voice, the development of his own poetic language, his interaction with real and imaginary audiences. The review briefly outlines the milestones of Eliot’s way as a poet from 1899 to 1915. Special att

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24

Chari, Sharad, and Katherine Verdery. "Thinking between the Posts: Postcolonialism, Postsocialism, and Ethnography after the Cold War." Comparative Studies in Society and History 51, no. 1 (2008): 6–34. http://dx.doi.org/10.1017/s0010417509000024.

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Lenin spoke at the Second Congress of 1920 to multiple audiences. In continuity with the First International, he spoke in the utopian language of Bolshevism, of the successful revolutionary proletariat that had taken the state and was making its place in history without the intercession of bourgeois class rule. Recognizing the limits of socialism in one country surrounded by the military and economic might of “World imperialism,” however, Lenin also pressed for a broader, ongoing world-historic anti-imperialism in alliance with the oppressed of the East, who, it seemed, were neither sufficient

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25

Crespo-Fernández, Eliecer. "Euphemisms and political discourse in the British regional press." Brno Studies in English 40, no. 1 (2014): 5–26. https://doi.org/10.5817/BSE2014-1-1.

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Politicians resort to euphemism as a "safe" way to deal with unpleasant subjects and criticize their opponents without giving a negative impression to their audiences. In this regard, it is my purpose to gain an insight into the way euphemism is used by politicians from Norfolk and Suffolk both at word and sentence level using a sample of the regional newspaper Eastern Daily Press, published in Norwich (UK). To this end, I will rely on the frameworks of critical-political discourse analysis (Van Dijk 1993, 1997; Wilson 2001), pragmatic theory, particularly politeness and facework (Brown and Le

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26

Dikizeko, Élisabeth. "Lumumba et le Congo dans les journaux ghanéens, 1958-1961." Revue d'histoire contemporaine de l'Afrique, no. 5 (December 15, 2023): 55–75. http://dx.doi.org/10.51185/journals/rhca.2023.0504.

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Cet article met la lumière sur les femmes (journalistes, militantes, poétesse) dans la presse ghanéenne qui se sont intéressées au Congo et à Patrice Lumumba, participant ainsi à la panafricanisation du débat sur la décolonisation du Congo. Ces actrices, insuffisamment reconnues, ont pourtant marqué l’histoire des médias des années 1950-1960, dévoilant les connexions intellectuelles et les solidarités interafricaines qui ont jalonné l’histoire des indépendances. Accra fut un lieu important de l’indignation généralisée après l'assassinat de Maurice M’Polo, Joseph Okito et Patrice Lumumba, le 17

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27

Pearson, Elizabeth. "Selling a Story: How to Write a Successful Press Release." Communicating Astronomy with the Public Journal 10, no. 3 (2016): 10–12. https://doi.org/10.5281/zenodo.14974188.

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Press releases are an important part of communicating new discoveries with the general public. However, if they are confusing or difficult to read then they are unlikely to be picked up by media outlets. This article details how to create a successful press release by addressing a series of points: learning how to identify the audience; writing text that is both eye catching and clear; including multimedia and contact details; getting your press release to the media; and timing.

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28

Ozieblo, Barbara. "Composing Ourselves: The Little Theatre Movement and the American Audience. By Dorothy Chansky. Carbondale: Southern Illinois University Press, 2004; pp. 256; 15 illus. $55 cloth; Summer Stock! An American Phenomenon. By Martha Schmoyer LoMonaco. New York: Palgrave Macmillan. 2004; pp. 320; 25 illus. $27.95 cloth." Theatre Survey 46, no. 2 (2005): 343–46. http://dx.doi.org/10.1017/s0040557405370207.

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The theatre has long been recognized as a site from which national and social values can be promoted, and this was particularly the case with the Little Theatre and summer stock phenomena. Even when performing non-American plays, these movements addressed the education of the audience, as Dorothy Chansky and Martha Schmoyer LoMonaco make apparent in two rigorously researched studies. Both have chosen to focus on the audience as an integral component of the theatrical event and, eschewing postmodern theories of the spectator's gaze, they bring a sociohistorical perspective to their findings, wh

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Haladzhun, Zoryana. "THE AUDIENCE OF THE LEGAL PRESS FOR NON-LAWYERS." Bulletin of Lviv Polytechnic National University: journalism 2, no. 10 (2025): 7–17. https://doi.org/10.23939/sjs2025.02.007.

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Legal awareness, which is a set of reliable knowledge about the current law and the ways of its implementation in specific relations, is intended to form and enhance the competence of specialists who, by virtue of their professional duties, are constantly guided by it. The purpose of the study is to highlight the audience features of legal press publications in Ukraine which contribute to the development of legal literacy of specialists of non-legal professions. In order to solve the research tasks and achieve the goal, the author used general scientific and special methods, in particular: com

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30

Muñoz-Muñoz, Ana M., and Juana Salido-Fernández. "Representación fotográfica de las atletas en la prensa deportiva digital española durante los Juegos Olímpicos de Río." Cuadernos.info, no. 51 (June 5, 2021): 49–71. https://doi.org/10.7764/cdi.51.27685.

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Este artículo estudia la representación de las imágenes femenina y masculina en la prensa deportiva digital española durante los Juegos Olímpicos de Río 2016 para desvelar si existe un encuadre visual diferenciado de género. Se analiza el contenido de 3738 noticias a través de ocho variables: género del protagonista,cantidad y tamaño de las fotografías, tipo de deporte, contenido de las imágenes, acción del protagonista, presencia de sesgos o estereotipos de género y sus tipolo

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31

Cyr, Mary. "‘The Most Galant and Superb Celebrations’: Musical Performances at Chantilly for the Coronation of Louis XV." Fontes Artis Musicae 72, no. 1 (2025): 38–63. https://doi.org/10.1353/fam.2025.a957870.

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English Abstract: The coronation of Louis XV on 25 October 1722 in Reims Cathedral inspired viewers with joy and hope for the future. Press coverage was extensive, and word of the event spread far beyond the borders of France. The sacred ceremony and its music have been studied extensively by historians and musicologists, but the secular musical events that took place during the royal trip from Reims to Versailles have received little attention. The principal reason for this neglect probably arises from the lack of musical sources, especially for performances mounted at the Regent’s chateau at

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32

Al-Emadi, Talal, Hassan Rashid Al-Derham, and Abdelwahab El Afandi. "QU Press Dialogue with 2021 Literature Nobel Laureate Prof. Abdulrazak Gurnah." Research in African Literatures 54, no. 1 (2023): 179–91. http://dx.doi.org/10.2979/ral.2023.a915646.

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ABSTRACT: Nobel laureate Prof. Abdulrazak Gourna was invited by Qatar University Press and warmly welcomed by the audience of the Doha International Book Fair. The long interview focused on the relationship between the author and publisher and responsibilities of the author to represent the concerns of his local culture on a world stage. Here, the significance of translation was apparent as well as direct communication between author and audiences worldwide. His African, Arabic, and Islamic roots contributed to the rich heritage of Prof. Gurnah, whose novels unravel this complexity of identiti

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Mckee, Gabriel. "Office Copying Technology in the Flying Saucer Subculture: Gray Barker’s Saucerian Books." Book History 27, no. 2 (2024): 375–404. https://doi.org/10.1353/bh.2024.a947332.

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Abstract: Gray Barker founded one of the first flying saucer fanzines, The Saucerian , in 1953. Over the following three decades, Barker operated one of the only publishers specializing in UFO books, often issuing works too unusual or eccentric for more mainstream presses. The path of Barker’s career as a publisher can be traced through a succession of printing techniques, varying with the expansion and contraction of his audience network. Throughout his career, Barker used office copying technology to produce his publications on a small scale for distribution to his core audience. This paper

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34

Seeger, Christof, Thomas Horky, Jörg-Uwe Nieland, and Peter English. "Social Media Publishing Strategies of German Newspapers: Content Analysis of Sports Reporting on Social Networks by German Newspapers—Results of the 2021 Social Media International Sports Press Survey." Journalism and Media 4, no. 2 (2023): 599–611. http://dx.doi.org/10.3390/journalmedia4020038.

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Newspaper sports departments in Germany are reacting to changes in social media by expanding their offerings and employing a variety of publishing and engagement strategies. In this constantly evolving media environment, it is important to understand how newsrooms utilize social media to inform their audiences. This study examines the approaches German newspapers apply to publishing sports content on social media, and outlines how users interact with these posts. In analyzing these aspects, this paper applies theoretical elements of agenda setting and audience engagement, gender in media, and

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35

Philipsen, Lotte. "Who’s Afraid of the Audience? Digital and Post-Digital Perspectives on Aesthetics." A Peer-Reviewed Journal About 3, no. 1 (2014): 120–30. http://dx.doi.org/10.7146/aprja.v3i1.116092.

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This article analyses how works of art that make use of or refer to digital technology can be approached, analysed, and understood aesthetically from two different perspectives. One perspective, which I shall term a ‘digital’ perspective, mainly focuses on poetics (or production) and technology when approach- ing the works, whereas the other, which I shall term a ‘post-digital’ perspective, focuses on aesthetic experience (or reception) when approaching the works. What I tentatively and for the purpose of practical analysis term the ‘digital’ and the ‘post-digital’ perspectives do not designat

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Empey, Mark. "Select documents: Sir James Ware's bibliographic lists." Irish Historical Studies 39, no. 153 (2014): 112–25. http://dx.doi.org/10.1017/s0021121400003655.

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At first glance the low yield of books produced by the Dublin printing presses for circulation in early Stuart Ireland could lead to two hasty conclusions: first, that Irish society was unreceptive towards reading; and second, that the printing presses had to contend with a very small (literate) target audience. Yet nothing could be further from the truth. In recent years Raymond Gillespie has done much to dispel these suppositions. His appraisal of English port books, printing press accounts from the continent and library borrowing lists plainly demonstrates the appetite of an interested read

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Varenyk, Valentyna M., and Olga V. Trishchuk. "Audience loyalty as the main prerequisite for trade press thriving." Linguistics and Culture Review 5, S4 (2021): 128–38. http://dx.doi.org/10.21744/lingcure.v5ns4.1572.

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Modern publishing businesses need a complex roadmap for developing print and digital directions, and lack of the strategy for media means overload with unnecessary current activities for employees, lack of attention to readers and advertisers and dissatisfaction with the financial achievements by head office. The proposed paper attempts to understand the usage patterns and preferences of audience for print trade magazine. The questionnaire is based on the theory of the functions of the trade press to make sure that the magazine performs the established functions for its audience. The data also

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DIBIA, Peter Nnadozie OKEREAFOR Jennifer Chioma &. EJIOGU Onyekwere Charles. "BALANCING PRESS FREEDOM AND PRIVACY RIGHTS: "A SEARCHLIGHT ON ETHICAL MEDIA REPORTING"." IMSU Journal of Communication Studies 9, no. 1 (2025): 437–47. https://doi.org/10.5281/zenodo.15243612.

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This study examined the ethical challenges faced by Hot FM 99.5 in balancing press freedom with individual privacy rights, particularly in sensitive and high-profile cases. Employing a mixed-methods approach, the research integrates survey data from 200 audience members and insights from in-depth interviews with eight station staff and listeners. The findings reveal significant ethical dilemmas arising from the dual obligation to provide timely, accurate news while safeguarding individual privacy. Results show that legal frameworks such as Nigeria’s Broadcasting Code and constitutional p

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Mendelson, Eric F., Alexander Hurley, and Tegwyn Williams. "Trainees' attitudes to forensic psychiatry, the courts, and attending conferences." Psychiatric Bulletin 14, no. 2 (1990): 77–79. http://dx.doi.org/10.1192/pb.14.2.77.

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Having gone to the trouble of organising a day conference on ‘The Psychiatrist in Court’, primarily directed at trainees, we were disappointed to find that on the day the considerable audience was composed mostly of consultants. This seemed a pity, particularly as we knew that this was an area of concern to many young psychiatrists. Kindly colleagues assured us that it is always difficult to get juniors to attend conferences. Nonetheless we were curious to know why trainees seemed more reluctant to take time away from their normal duties than perhaps their ‘more pressed’ consultants.

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Alba Lobeira, Sonia García de. "Medieval Modes of Reading: The Circulation Culture of Late Middle English Romances from William Caxton’s Press." Anglia 143, no. 1 (2025): 37–55. https://doi.org/10.1515/ang-2025-0003.

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Abstract In the late fifteenth century, the arrival of the printing press in England transformed the late medieval literary scene. In this period, William Caxton, England’s first printer, cultivated a particular taste for the genre of romance amongst his audiences and attempted to establish an interconnected body of work. A close analysis of the prologues and epilogues to his prose romances reveals not only his efforts to draw explicit connections between several of these narratives but also provides glimpses into how his audience engaged with these highly popular texts. In this article, I w

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Willig, Ida. "Constructing the audience: a study of segmentation in the Danish press." Northern Lights: Film and Media Studies Yearbook 8, no. 1 (2010): 93–114. http://dx.doi.org/10.1386/nl.8.93_1.

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Vidor, Gian Marco. "The Press, the Audience, and Emotions in Italian Courtrooms (1860s–1910s)." Journal of Social History 51, no. 2 (2017): 231–54. http://dx.doi.org/10.1093/jsh/shx018.

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Yung, Bell. "A Humble Blind Singer's Autobiographical Song: Oral Creation Facing a Hong Kong Teahouse Audience." Ethnomusicology 67, no. 2 (2023): 153–90. http://dx.doi.org/10.5406/21567417.67.2.04.

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Abstract In 1975, I arranged for the blind professional singer Dou Wun (1910–1979) to sing a traditional narrative genre called naamyam in an old Hong Kong teahouse, three times weekly for three and a half months, facing the teahouse diners. Of the forty-five hours he sang there, he sang an original song composed by himself on his own life for six hours, which he reluctantly did after I pressed him on the idea. It totaled about 1,800 lines of verse, interspersed with spoken prose. In this essay, I shall first report on my concept, construction, and implementation of the fieldwork. Second, I us

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Guillen, Alberto, and Raquel Rodríguez-Diaz. "Frames y agendas durante el proceso soberanista catalán (2013-2015)." Sur le journalisme, About journalism, Sobre jornalismo 6, no. 2 (2017): 140–57. http://dx.doi.org/10.25200/slj.v6.n2.2017.321.

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   Les moyens de communication sociale et politique sont des acteurs déterminants dans les processus de construction de l’opinion des citoyens. Quand une thématique occupe une position importante, voire dominante, dans le débat parlementaire et que les médias la couvrent amplement, c’est parfois la presse elle-même qui alimente la permanence de ce sujet dans l’ordre du jour, parvenant même à offrir aux audiences une opinion articulée et encadrée. Bien que le processus d’indépendance catalane occupe clairement les débats dans les sphères politiques nationales, bén

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José, Salvador Blasco Magraner, and Carlos Bueno Camejo Francisco. "La prensa y la crítica ante el teatro lírico de Vicente Peydró The press and the critics confronted with the lyricial theatre of Vicente Peydró." Música Oral del Sur, no. 10 (December 4, 2013): 121–46. https://doi.org/10.5281/zenodo.4636117.

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Resumen: Vicente Peydró Díez fue el creador y principal mantenedor del teatro lírico valenciano inmerso en el movimiento cultural que denominamos Renaixença. Las zarzuelas de Peydró atrajeron a los principales medios de prensa valencianos, donde escribían algunos de los más importantes críticos del momento. En el presente artículo se analizan las críticas de sus obras más significativas a fin de abordar los juicios estético-críticos emitidos por los musicógrafos y sus análisis para comprend

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Haladzhun, Zoriana. "Audience characteristics of the specialized press (on the example of the newspaper «Yurydychna Praktyka», Kyiv, 1995-)." Obraz 46, no. 3 (2024): 61–74. http://dx.doi.org/10.21272/obraz.2024.3(46)-61-74.

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Introduction. The specialized press operating in the media market of Ukraine is represented by many publications in which the target audience is interested. In addition to business, medical, literary and artistic, and other magazines, the system of specialized press in Ukraine also includes legal publications. Researching the audience of the legal press is useful for many reasons, in particular, to know whom to direct communication to (who is the consumer of information), whose interests to take into account, what topics to choose, how to design the publication, etc. The purpose of the study i

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Palmer, Glenn. "The Political Economy of NATO: Past, Present, and into the 21st Century. By Todd Sandler and Keith Hartley. Cambridge: Cambridge University Press, 1999. 240p. $29.95, cloth." American Political Science Review 95, no. 2 (2001): 521–22. http://dx.doi.org/10.1017/s0003055401832020.

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This book has an admirable goal: to present policy-relevant results of past academic research to "a wide audience of students, practitioners, policy makers and researchers who want a modern treatment of NATO" (p. xii). To direct fruitfully the results of scholarly work to less academic audiences is a difficult task, because many theoretical as- sumptions and methodological issues must be skimmed over and criticisms of the work summarized or ignored. Nonethe- less, the goal is a good one, and the authors are well positioned to accomplish their purpose, which they do to a large extent. For more

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KODANINA, A. L. "REGIONAL PRESS IN A MULTI-PLATFORM CONDITION:THE EXAMPLE OF THE NEWSPAPER «NIZHEGORODSKAYA PRAVDA»." Sign problematic field in mediaeducation 53, no. 3 (2024): 122–28. https://doi.org/10.47475/2070-0695-2024-53-3-122-128.

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The digital transformation of the printed press, being an important condition for a successful media strategy of modern media, poses the task of attracting and retaining a readership, its qualitative and quantitative expansion. Multi-format and multi-platform are becoming important trends in the development of mass media, making it possible to optimize interaction with target audience groups. The author of the article focuses on an analysis of practical experience in the development of the regional printed press in a multi- platform environment, which entails both a quantitative increase in co

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Macleod, Allison. "Embodying Counter-Public Space and Performing Queer Culture: The Inaugural Scottish Queer International Film Festival 2015." Screen Bodies 1, no. 2 (2016): 92–98. http://dx.doi.org/10.3167/screen.2016.010207.

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As I enter the Centre for Contemporary Arts (CCA) in Glasgow for the opening night of the Scottish Queer International Film Festival (SQIFF), two giant pink poodles (actually festival volunteers dressed as characters from the festival’s opening film, Dyke Hard [Bitte Andersson, 2014]), greet me enthusiastically. They gesture me toward the CCA Theatre where a sold-out crowd has assembled for the festival’s opening screening of the Swedish lesbian fiction film Dyke Hard. The plastic chairs we sit on are closely packed together to maximize audience space, and yet even as I bang elbows with those

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Easley, Alexis. "Frederick Douglass, Copyright, and the British Press, 1845-47." Victorian Popular Fictions Journal 3, no. 2 (2021): 45–62. http://dx.doi.org/10.46911/vrzz5968.

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In 1845, Frederick Douglass established his copyright to the Narrative of the Life in the United States in order to receive just remuneration for his work. Yet Douglass also relied on a lack of international copyright law to disseminate his abolitionist message to a transatlantic audience. While Douglass made use of both copyright-protected and free-circulating forms of publication to reach a broad audience, he could not always control how his work and image would be reprinted and adapted in the transatlantic press. During his 1845-7 lecture tour, British periodicals and newspapers creatively

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