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Hook, Sue. "Pride and prejudice in the twenty-first century." Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/14601.
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Includes bibliographical references (leaves 94-95).In this thesis, I have examined the novel, Pride and Prejudice in the twenty-first century. As a lecturer of English literature I have found that many students are reluctant to engage with this novel because of their pre-conceived idea s of the novel' s trivial storyline and their assumptions about the writer. In light of this reluctance this thesis explores many of the issues related to Pride and Prejudice which both correspond to and reject student's conceptions of the novel. My methodology was to use various sources in order to find perceptions of it throughout its nearly two hundred years of existence. For this I used sources such as Todd's, Jane Austen in Context, Copeland and McMaster's, The Cambridge Companion to Jane Austen also two volumes of Littlewood' s, Jane Austen Critical Assessments among others. In the process of this investigation I became aware that from historical responses to this novel we ca n see a parallel with many readers in the twenty-first century. In this regard, I consider certain literary theories to define the difference between the story and the plot of novels which also helps to identify the different types of readers . Following this I explore how Jane Austen uses both story and plot in the novel to entertain her readers while also fulfilling her own literary needs. I then explore many of the literary devices which form a large part of most lectures on this novel. Because there is a discrepancy between the different readers of Pride and Prejudice it becomes important for students to understand why this novel is included in their curriculum. This then falls to the literary devices which Austen uses to comment on her own social world. As an aid to this, I would suggest that one can use the films to highlight the literary devices . Lecturers and students can use visual media as an addition to their engagement with this novel. Viewing the films can reveal why they can never replace the reading of the novels and for this reason students are encouraged to evaluate the films in relation to their reactions to the novel and its felicitous storyline.
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Sandy, Silav. "Thematic Oppositions in Jane Austen’s Pride and Prejudice." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-55341.
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This essay examines anticipation and real outcome structured as two oppositions in Jane Austen’s Pride and Prejudice. These opposites will be analyzed through Austen’s use of literary devices such as “free indirect speech” and irony. Pride and Prejudice is written in third-person, but the focus is often limited to Elizabeth’s perspective, creating what is termed free indirect speech, a narrative technique that Austen is considered to be one of the first novelists to use. While the omniscient narrator seems all-knowing and gives the illusion of being objective, she is deliberately selective in her choice of what aspects of the story that she wants to emphasize, which makes her subjective. That the narrator is both objective/omniscient and subjective/limited brings out an opposition between the anticipated and real outcome. Austen also uses irony as a literary device, which too can be interpreted as a kind of opposition used to bring out anticipated and real outcome.
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Silva, Ricelly JÃder Bezerra da. "A traduÃÃo da personagem Elizabeth Bennet, de Pride & Prejudice, para o cinema." Universidade Federal do CearÃ, 2014. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=12140.
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CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel SuperiorO objetivo deste trabalho à analisar o processo de traduÃÃo da personagem Elizabeth Bennet, protagonista do romance Pride & Prejudice, publicado em 1813, de autoria da escritora inglesa Jane Austen, para o filme Pride and Prejudice (1940), de Robert Z. Leonard. Em sua obra, Austen constrÃi uma crÃtica a padrÃes socioculturais que relegam posiÃÃo inferior à mulher do sÃculo XIX em relaÃÃo ao sexo masculino. Tal crÃtica està presente de maneira sutil em sua narrativa, principalmente, centrada na personagem Elizabeth Bennet, pois Austen a apresenta como uma mulher inteligente, irÃnica, decidida e ousada; qualidades que nÃo eram associadas ao comportamento feminino durante o sÃculo XIX. Por apresentar personagens femininas de carÃter decidido, suas criaÃÃes ganham qualidade atemporal, sendo projetadas à posteridade por meio de traduÃÃes. Pride & Prejudice foi adaptado pela primeira vez para o cinema hollywoodiano em 1940, na versÃo supracitada de Leonard. E, sendo o cinema um meio que atinge grande pÃblico formado por leitores e nÃo leitores de obras literÃrias, indagamo-nos quais estratÃgias foram empregadas no processo tradutÃrio da referida personagem para a narrativa fÃlmica. Portanto, partimos da hipÃtese de que, ao ser traduzida para as telas, a personagem à reestruturada e a crÃtica à apagada para ceder lugar a uma narrativa cÃmica e romÃntica. Como base teÃrica, utilizamos princÃpios de Estudos da TraduÃÃo: Lefevere (2007), com o conceito de traduÃÃo como Reescritura e Cattrysse (1995), que concebe a adaptaÃÃo fÃlmica como traduÃÃo. Quanto aos estudos de cinema e literatura, utilizamos Martin (2005), Eisenstein (2002) e McFarlane (2010); e no que diz respeito a questÃes literÃrias, utilizamos Candido (2011), Rosenfeld (2011), Bakhtin (2011), Gomes (2011) e Forster (2004). Os resultados mostraram que ocorreram mudanÃas na configuraÃÃo da personagem cinematogrÃfica, obedecendo aos critÃrios do sistema receptor e apagando o teor crÃtico encontrado no romance de Austen. Mostraram ainda que a obra fÃlmica projetou o universo literÃrio do romance para um pÃblico mais amplo, dada as reediÃÃes do romance durante aquela dÃcada, em decorrÃncia da exibiÃÃo do filme.
This dissertation aims at analyzing the process of translating the character of Elizabeth Bennet, protagonist of the novel Pride & Prejudice, first published in 1813 by the English author, Jane Austen, into the film version Pride & Prejudice (1940), by Robert Z. Leonard. In her novel, Austen criticizes sociocultural patters which relegate women to an inferior position in relation to the male sex. Such criticism is subtlety present in the narrative and, especially, in the character of Elizabeth Bennet, who is seen as an intelligent, ironic and decisive woman. These qualities differ from the moral idea of women in nineteenth-century England. The presentation of this type of female character assures her of a timeless quality which is transmitted to posterity by means of translations. Pride & Prejudice was first translated for the Hollywood film in 1940, in the above mentioned Leonardâs version. Since the cinema is a medium that reaches a large audience of both readers and non-readers of literary works, one may question the strategies that are implied in the translation process of such character to the silver screen. It may be correctly assumed that when thus translated, any social criticism presented by the principal literary character tends to give way to a narrative which proposes entertainment, focusing on the love and comical relationship between the protagonists of the novel. The theoretic basis for the present analysis is based on the following concepts of translation: Lefevereâs translation rewriting (2007) and Cattrysseâs postulate (1995) which conceives film adaptation as a type of translation. Concerning film adaptation, Martin (2005), Eisenstein (2002) and McFarlaneâs (2010) studies, which regard cinema as a linguistic art in its own right, were incorporated into our analysis as were those of Candido (2011), Rosenfeld (2011), Bakhtin (2011), Gomes (2011) and Forster (2004), all of whom discuss the structure of the fictional character. Such studies have resulted in a new configuration of the cinematographic character. Based on the criteria on the target system, this configuration permits the deleting of the critical level found in the universe of the novel and introduces the original work to a wider audience, as can be proved by the republishing of the novel in various editions after the release of the film version in 1940.
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Nygren, Matilda. "The Importance of Gender Structures for Characters in Pride and Prejudice." Thesis, Umeå universitet, Institutionen för språkstudier, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-150996.
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Abstract My research questions are: why are there differences in how the four characters (Mr Collins, Charlotte, Lady Catherine de Bourgh and Mary) react to and adapt themselves to the social definitions of male and female roles? What were the social ideas about gender roles in the 18th century and how are these connected to the expressions and actions of my characters? How are the differences significant to the plot and the story of the four characters mentioned above; in other words, what are the consequences of the differences in their social life? As method in writing this essay I have used the primary source Pride and Prejudice, Judith Butler’s theory of gender performativity and secondary sources such as different kinds of books and articles. These sources helped me to understand what it was like to live in the 18th century. Writing this essay has provided me with the insight that the gender performances of the characters reveal a complexity which might not be expected.
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Spurr, Tanja. "Fallible Fathers in Jane Austen's Mansfield Park and Pride and Prejudice." Thesis, Umeå universitet, Institutionen för språkstudier, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-160160.
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Using Mansfield Park and Pride and Prejudice by Jane Austen, this essay will show how Sir Thomas and Mr Bennet fail in their role as fathers, related to expectations in the social context, and how their failure is necessary for the eventual marriages of the heroines, Fanny Price and Elizabeth Bennet. The fathers’ failure also leads to the elopement of Maria Bertram and Lydia Bennet. Sir Thomas and Mr Bennet’s failure is the result that comes from their need to counteract the overindulgence of Mrs Norris and Mrs Bennet. Judith Butler’s theory of gender performance will be used in this essay to show how Sir Thomas and Mr Bennet do not conform to their gender, as is shown through their repeated actions in the novels. The gender performance of these characters reveals the need for fluid gender roles for the happy ending.
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Jasper, Grace M. "Appropriating Austen: Pride and Prejudice and the Feminist Possibilities of Adaptation." Scholarship @ Claremont, 2016. https://scholarship.claremont.edu/scripps_theses/869.
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In this thesis, I maintain that a focus on a narrowly defined sense of ‘fidelity’ is used to discourage and devalue adaptations that work to comment on class, racial, and gender dynamics that the original author did not. An emphasis on strict fidelity can also be a misogynistic response to Austen adaptations’ popularity among young women. While certainly one may have legitimate aesthetic concerns in regards to adaptations of any form—novel, film, YouTube, or otherwise—it is important to scrutinize the claim that such artistic differences are not, in fact, rooted in general disdain for narratives and media embraced by, or seemingly embraced by, women (particularly young women). Just as importantly, the motivations of those claiming to produce feminist narratives must be equally scrutinized, as I have found that these content producers at times use the very real misogyny directed at young women and their interests in order to shield themselves from criticism of their own portrayals of women and feminism. I discuss the discourse around contemporary film and book adaptations of Pride and Prejudice, as well as evaluate two recent adaptations that have made waves in popular culture: Pride and Prejudice and Zombies and The Lizzie Bennet Diaries.
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Hamilton, Sylvia N. "Constructing Mr. Darcy : tradition, gender, and silent spaces in Jane Austen's Pride and prejudice /." Read online, 2008. http://library.uco.edu/UCOthesis/HamiltonSN2008.pdf.
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Ivarsson, Emma. "Thorny reading : A didactic and literary approach to Jane Austen’s Pride and Prejudice." Thesis, Växjö University, School of Humanities, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-785.
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Abstract
This essay has a gender perspective on didactics and literature with the aim to highlight the circumstances surrounding reading and understanding the novel Pride and Prejudice in a classroom context.
Since Pride and Prejudice is written with a somewhat complicated language the pupils are likely to encounter some difficulties when reading the novel. This is something that I have chosen to focus my essay on. What is more, they are likely to also have difficulties to understand different episodes in the novel since they have little knowledge about the society depicted in Pride and Prejudice. This is referred to as a cultural and historical hindrance and they are present due to the fact that the story is set at the end of the 18th and beginning of 19th century England. However, there are various approaches which might diminish obstacles like those I have mentioned, for instance, by offering background information about the novel and recurring issues, such as marriage and financial heritance.
The areas of importance in the novel that I have chosen to highlight, because of the limited background knowledge that the students have, are marriage and financial independence for women. Marriage is depicted to be very important for a woman, especially
if they do not have a large fortune of their own. Due to lack of financial resources they needed to marry, since if they did not they could end up as old maids or even worse; having to support themselves by working as prostitutes. The chance of inheriting a lot of money was small, since the money from their father or mother was generally entitled to their closest male heir.
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Silva, Ricelly Jáder Bezerra da. "A tradução da personagem Elizabeth Bennet, de Pride & Prejudice, para o cinema." www.teses.ufc.br, 2014. http://www.repositorio.ufc.br/handle/riufc/8661.
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SILVA, Ricelly Jáder Bezerra da. A tradução da personagem Elizabeth Bennet, de Pride & Prejudice, para o cinema. 2014. 123f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Letras, Fortaleza (CE), 2014.Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2014-08-08T17:31:13Z No. of bitstreams: 1 2014_dis_rjbsilva.pdf: 1467738 bytes, checksum: 9759e052fab69a1d5a79e9bba2afcf35 (MD5)
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This dissertation aims at analyzing the process of translating the character of Elizabeth Bennet, protagonist of the novel Pride & Prejudice, first published in 1813 by the English author, Jane Austen, into the film version Pride & Prejudice (1940), by Robert Z. Leonard. In her novel, Austen criticizes sociocultural patters which relegate women to an inferior position in relation to the male sex. Such criticism is subtlety present in the narrative and, especially, in the character of Elizabeth Bennet, who is seen as an intelligent, ironic and decisive woman. These qualities differ from the moral idea of women in nineteenth-century England. The presentation of this type of female character assures her of a timeless quality which is transmitted to posterity by means of translations. Pride & Prejudice was first translated for the Hollywood film in 1940, in the above mentioned Leonard’s version. Since the cinema is a medium that reaches a large audience of both readers and non-readers of literary works, one may question the strategies that are implied in the translation process of such character to the silver screen. It may be correctly assumed that when thus translated, any social criticism presented by the principal literary character tends to give way to a narrative which proposes entertainment, focusing on the love and comical relationship between the protagonists of the novel. The theoretic basis for the present analysis is based on the following concepts of translation: Lefevere’s translation rewriting (2007) and Cattrysse’s postulate (1995) which conceives film adaptation as a type of translation. Concerning film adaptation, Martin (2005), Eisenstein (2002) and McFarlane’s (2010) studies, which regard cinema as a linguistic art in its own right, were incorporated into our analysis as were those of Candido (2011), Rosenfeld (2011), Bakhtin (2011), Gomes (2011) and Forster (2004), all of whom discuss the structure of the fictional character. Such studies have resulted in a new configuration of the cinematographic character. Based on the criteria on the target system, this configuration permits the deleting of the critical level found in the universe of the novel and introduces the original work to a wider audience, as can be proved by the republishing of the novel in various editions after the release of the film version in 1940.
O objetivo deste trabalho é analisar o processo de tradução da personagem Elizabeth Bennet, protagonista do romance Pride & Prejudice, publicado em 1813, de autoria da escritora inglesa Jane Austen, para o filme Pride and Prejudice (1940), de Robert Z. Leonard. Em sua obra, Austen constrói uma crítica a padrões socioculturais que relegam posição inferior à mulher do século XIX em relação ao sexo masculino. Tal crítica está presente de maneira sutil em sua narrativa, principalmente, centrada na personagem Elizabeth Bennet, pois Austen a apresenta como uma mulher inteligente, irônica, decidida e ousada; qualidades que não eram associadas ao comportamento feminino durante o século XIX. Por apresentar personagens femininas de caráter decidido, suas criações ganham qualidade atemporal, sendo projetadas à posteridade por meio de traduções. Pride & Prejudice foi adaptado pela primeira vez para o cinema hollywoodiano em 1940, na versão supracitada de Leonard. E, sendo o cinema um meio que atinge grande público formado por leitores e não leitores de obras literárias, indagamo-nos quais estratégias foram empregadas no processo tradutório da referida personagem para a narrativa fílmica. Portanto, partimos da hipótese de que, ao ser traduzida para as telas, a personagem é reestruturada e a crítica é apagada para ceder lugar a uma narrativa cômica e romântica. Como base teórica, utilizamos princípios de Estudos da Tradução: Lefevere (2007), com o conceito de tradução como Reescritura e Cattrysse (1995), que concebe a adaptação fílmica como tradução. Quanto aos estudos de cinema e literatura, utilizamos Martin (2005), Eisenstein (2002) e McFarlane (2010); e no que diz respeito a questões literárias, utilizamos Candido (2011), Rosenfeld (2011), Bakhtin (2011), Gomes (2011) e Forster (2004). Os resultados mostraram que ocorreram mudanças na configuração da personagem cinematográfica, obedecendo aos critérios do sistema receptor e apagando o teor crítico encontrado no romance de Austen. Mostraram ainda que a obra fílmica projetou o universo literário do romance para um público mais amplo, dada as reedições do romance durante aquela década, em decorrência da exibição do filme.
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Abdulhaq, Hala M. "Representations of women's oppress ions in Jane Austen 's sense and sensibility pride and prejudice, and Emma." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2016. http://digitalcommons.auctr.edu/dissertations/3328.
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This study examines Jane Austen's realistic interpretations of eighteenth-century English society with a particular focus on representing women's oppress ions in Sense and Sensibility, Pride and Prejudice, and Emma. Austen, in these three novels, criticizes several issues related to women's status in English society and focuses on how men and women should be treated equally. In the novels, she argues that English society creates social order, women's oppressiveness, and gender inequality through arbitrary social norms and traditions.
This paper mainly focuses on two areas that restrict women's roles in their society: the marriage plot and the educational system. Austen's purpose of presenting these issues is to voice women's rights and improve their conditions. She also offers her readers unusual descriptions of female characters in order to correct the stereotypical images of women during the period. Finally, this paper aims to show Austen's success in redefining women's status and change the misconceptions of women in British society.
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Abdulhaq, Hala M. "Representations of Women’s Oppressions in Jane Austen's Sense and Sensibility, Pride and Prejudice, and Emma." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2016. http://digitalcommons.auctr.edu/cauetds/55.
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This study examines Jane Austen’s realistic interpretations of eighteenth-century English society with a particular focus on representing women’s oppressions in Sense and Sensibility, Pride and Prejudice, and Emma. Austen, in these three novels, criticizes several issues related to women’s status in English society and focuses on how men and women should be treated equally. In the novels, she argues that English society creates social order, women’s oppressiveness, and gender inequality through arbitrary social norms and traditions.
This paper mainly focuses on two areas that restrict women’s roles in their society: the marriage plot and the educational system. Austen’s purpose of presenting these issues is to voice women’s rights and improve their conditions. She also offers her readers unusual descriptions of female characters in order to correct the stereotypical images of women during the period. Finally, this paper aims to show Austen’s success in redefining women’s status and change the misconceptions of women in British society.
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Oliveira, Dudlei Floriano de. "Cinema, religion and literature : revisiting, recreating and reshaping Jane Austen's Pride and Prejudice as a 21st century comedy." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/61715.
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As obras de Jane Austen são extremamente populares tanto entre leitores comuns e estudiosos de literatura desde a época em que foram publicados, no início do século XIX até os dias de hoje. Tamanha popularidade foi responsável por inúmeras obras de arte, especialmente na literatura e no cinema, que foram ou implicitamente ou explicitamente influenciados pela obra de Austen. Um de seus romances mais adaptados é Orgulho e Preconceito, talvez seu romance mais lido, estudado e adaptado. Um dos motivos para tal apreciação é provavelmente resultado dos valores morais que Jane Austen expõe em seus romances. Estes valores, mesmo duzentos anos mais tarde, permanecem importantes e de grande valor, especialmente na era pós-moderna, quando o excesso de liberdade e alternativas parecem deixar a humanidade mais desprovida de um suporte seguro na vida. Esta é a razão que permite um fã de Austen encontrar na religião um possível diálogo, onde, em um mundo cheio de incertezas, certos códigos morais são as certezas a que alguém pode se segurar. Em 2003, Andrew Black dirigiu o filme Pride and Prejudice: a latter-day comedy1, uma transposição moderna do romance de Austen, no qual os personagens vão à igreja e estudam em uma universidade religiosa. Meu trabalho busca estabelecer uma relação entre o livro de Jane Austen, o filme de Andrew Black e as questões sobre moralidade e religião, e como o romance e o filme estabelecem uma conexão não apenas em seus elementos de ficção como personagens e enredo, mas principalmente no que diz respeito a uma das possíveis mensagens finais em ambas obras.The works of Jane Austen are extremely popular both among average readers and literature scholars from the time they were published, in the early 19th century until today. Such popularity has been responsible for innumerous works of art, especially in literature and cinema, that were either implicitly or explicitly influenced by Austen’s work. One of her most adapted novels is the 1812 novel Pride and Prejudice, which is perhaps her most read, studied and adapted novel. One of the reasons for such appraisal has probably to do with the moral values Jane Austen exposes in her novels. Those values, even two hundred years later, remain important and of great worth, especially in the postmodern era, when the excess of freedom and alternatives seems to make humanity more deprived of a secure ground in life. This is the reason that allows an Austen fan to find in religion a possible dialogue, where, in a world full of uncertainties, some moral codes are the certainties one can hold onto. In 2003, Andrew Black directed a movie entitled Pride and Prejudice: a latter-day comedy, a transposition of Austen’s novel to a modern setting, where the characters are themselves churchgoers and students at a religious university. My work is aimed at establishing a connection between Jane Austen’s novel, Andrew Black’s movie and the issue of morality and religion, and how the novel and movie establish a connection not only in terms of fictional elements such as characters and plot, but mainly in regards to one of the possible final messages in both works.
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Mares, Renate. "Stereotypes of men and women, and inequality between the sexes in Jane Austen's Pride and Prejudice : A didactic essay attempting to show that a gender focused reading of Pride and Prejudice has much to offer both male and female students." Thesis, Växjö University, School of Humanities, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-741.
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This essay will discuss why one would use a literary text such as Jane Austen’s Pride and Prejudice (1813) in a classroom. There is a certain focus on what Pride and Prejudice might have to offer both male and female students, since research has shown that boys tend to resist reading romantic novels and stories about girls. This essay attempts to show that a gender focused reading of Pride and Prejudice might make it interesting to male students as well, since the way that the unequal relationship between men and women is portrayed concerns them as well as the female students.
Regarding the reasons for using literature in the classroom, I will investigate what it is that literary texts can offer to its readers. This essay will argue that reading literature is an aesthetic experience, which is what separates literary texts from other non-literary texts. Aesthetic experiences have to do with the way student’s feel about and experience certain texts, and also with the artistic values of a text. To have an aesthetic experience is very important since the English classroom is a place where the students´ feelings and experiences normally are not given enough neither time nor space.
This essay attempts to show that by looking at stereotypical characters in Pride and Prejudice, as well as looking at what qualities in men and women were considered desirable, a very interesting discussion might arise in the classroom, concerning gender roles, and inequality between men and women. A discussion of this sort gives the students an opportunity to question the gender roles we have in today’s society, as well as the relationship between men and women.
Keywords: Literature, reading, aesthetic experience, gender, stereotypes.
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Smedbakken, Christina. "Raising Ladies at Longbourn : What Impact Does the Bennet Couple's Treatment of Their Daughters Have in Jane Austen's Pride and Prejudice?" Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-12111.
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This study investigates the childrearing skills of the fictional characters Mr. And Mrs. Bennet in Jane Austen's novel Pride and Prejudice, as well as their impact on the storyin general and on their children in particular. The spouses are first presented anddescribed individually, then as a married couple and finally as parents. This final andmajor part of the discussion conentrates on the oldest and the youngest of the Bennetdaughters especially, but touches briefly upon the other three as well. In performing thisanalysis, behaviouristic and psychoanalytical theories have been employed, in additionto biographic material on the author and historical accounts on childrearing, in order todetermine what aspects of the Bennet children's personalities and conduct should beascribed to their parents' handling of them. The results show that the Bennet parets failalmost completely in raising their daughters into healthy individuals, which should betheir aim according to the psychoanalytical model, and also in training them to becomethe functional, marriable ladies that they would have to be for their parents to beconsidered successful from a behaviouristic perspective. Their failure to secure a stableeconomy for their daughters adds to this. Not all the Bennet couple's efforts result infailure, however, and they both have traits to recommend them. Still, their treatment oftheir daughters affect both them and the course of events in the novel negativelly.
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Blom, Elin. "Contrasting Attitudes Toward Marriage in Pride and Prejudice: Elizabeth Bennet's Disregard for the Contemporary Marital Conventions." Thesis, Högskolan Kristianstad, Sektionen för lärande och miljö, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-15275.
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Through a liberal feminist perspective, this essay investigates the unconventional marital views of the fictional character Elizabeth Bennet. These are analyzed and compared to the traditional marital opinions of the novel's social environment. Moreover, the historical context is important in understanding the marital views in Pride and Prejudice, because the novel was written at a time when the views toward marriage changed significantly. This paper argues that Elizabeth's behavior, expressed opinions and rejections of Mr. Collins's and Mr. Darcy's proposals depict liberal feminist ideas of marriage. The literary review supports the notion that there are two contrasting attitudes toward marriage in Pride and Prejudice: the traditional view and the liberal feminist view. The thorough examination of Elizabeth Bennet's character strongly suggests that she represents the unconventional view of marriage, while characters such as Mr. Collins, Mrs. Bennet, and Charlotte Lucas voice the traditional view of marriage. Furthermore, an analysis of Mr. Darcy's attraction toward Elizabeth indicates that it was Elizabeth's very unconventionality that made Mr. Darcy fall in love with her.
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Liao, Pei-Jung. "Barriers to literature study : a pedagogical analysis of the problems in the teaching of English literature to Taiwanese students, based on Jane Austen's Pride and prejudice." Thesis, University of Nottingham, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410463.
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Nelson, Heather. ""Till this moment, I never knew myself" : developing self, love, and art in Jane Austen's Sense and sensibility, Pride and prejudice, and Emma /." Electronic thesis, 2005. http://etd.wfu.edu/theses/available/etd-06022005-194043/.
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Pahlau, Randi. "Hospitality and the Natural World within an Ecotheological Contextin William Shakespeare’s Much Ado about Nothing and Jane Austen’s Pride and Prejudice." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1448050811.
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Lajqi, Jehona. "Mary Bennet : The most contradictory girl in the neighbourhood." Thesis, Växjö University, School of Humanities, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-5589.
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Critics of Jane Austen’s Pride and Prejudice often tend to focus on the central characters but focus in this essay will be on the middle sister Mary Bennet. Author Alex Woloch claims in his book The One vs. the Many that Mary’s main function in the novel is to be a contrast to Elizabeth in order to fulfill her as a character. The purpose of this essay is then to show that Mary is an important character and what it is that makes Mary’s character different from her sisters’. A close reading of the novel has been applied in order to analyze Mary’s character and her function in the novel. The essay will show that Mary could be read as a representation of the women of her time who had more faith in themselves than to rely on men in order to have a secure future.
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Engstrand, Cecilia. "Can chick-lit be canonical? : a feminist reading och Jane Austen's Pride and Prejudice and Candace Bushnell's Sex and the city." Thesis, Södertörns högskola, Institutionen för genus, kultur och historia, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-6197.
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By using Austen’s and Bushnell’s two novels as my primary sources I hope to find out whether what has been seen as typically female themes, plots and settings are perceived as less important from a canonical viewpoint. Do the terms “chick-lit” and “women’s literature” determine the status of a novel? I hope to find out what made Austen an esteemed writer and if the same criteria of evaluation can be applied to Bushnell. Are there any similarities between today’ most famous “chick-lit” author who gained her fame by writing about women and their sex lives in an unromantic and shocking fashion, and a pre-Victorian author whose works are part of the literary canon?
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Rehm, Andrea de Cassia Jardim. "Jane Eyre de Charlotte Brontë e Pride and Prejudice de Jane Austen : como os filmes e as minisséries recriaram as heroínas na cultura ocidental." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/131710.
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O presente trabalho explora a interdisciplinaridade ao analisar as heroínas de Jane Eyre de Charlotte Brontë e Pride and Prejudice de Jane Austen, bem como suas respectivas recriações em adaptações para o cinema e para a televisão. Evidenciando as retomadas dos romances para as mídias cinematográfica e televisiva, a pesquisa perpassou o olhar por filmes e seriados de 1934 a 2011, porém o estudo faz um recorte e analisa dois filmes e duas minisséries, entre outras, que recriam as personagens principais, tendo em vista a proximidade temporal das produções e o gosto pessoal da investigadora desta pesquisa. As protagonistas Jane Eyre e Elizabeth Bennet constituem-se em figuras femininas e literárias marcantes que continuam a viver no imaginário tanto do público leitor quanto do espectador, bem como são fontes de estudos da academia e de fruição em geral, reunindo interessados e admiradores sem restrições. Desta forma, o foco repousa nos romances, na minissérie Jane Eyre, de 2006, da diretora Susanna White; no filme homônimo, de 2011, do diretor Cary Fukunaga; na minissérie Pride and Prejudice, de 1995, de Simon Lang; e no filme de 2005, sob a direção de Joe Wright. Esta investigação lança um olhar, em um primeiro momento, ao interesse dirigido à busca dos textos das autoras como material para adaptações, focando as protagonistas como o cerne de tais retomadas. Além disso, neste trabalho investigativo, se realiza uma leitura crítica particular dos romances, dos filmes e dos seriados. Não se buscam tanto os pontos de contato e de afastamento entre as heroínas e suas respectivas recriações ou entre as mídias envolvidas quanto se procuram os elementos denotadores dos efeitos na leitora e na espectadora personificadas na autora da pesquisa em relação às construções das personagens principais, bem como no que concerne às suas recriações em imagens na cultura ocidental do século XX e XXI. Na tentativa de iluminar com maior profundidade a permanência das heroínas por meio das narrativas tanto literárias quanto fílmicas e televisivas ao longo do tempo, o presente exame se debruça sobre a relação entre leitor e romance, bem como entre espectador, filme e seriado. A abordagem focaliza, desta forma, na esteira do pensamento de Iser, que se baseou nos postulados de Ingarden; a questão dos espaços vazios. A projeção do preenchimento dos vazios do texto dialoga, diretamente, com a mídia fílmica, visto que o espectador, entendido como ser ativo, necessita, também, contrabalançar possíveis lacunas. Num segundo momento, o estudo se dirige propriamente à caracterização e à apreensão do que compõe Jane Eyre e Elizabeth Bennet, tanto as personagens dos romances quanto as recriações nos filmes e nas minisséries componentes do corpus desta pesquisa. Ao almejar a compreensão das nuances que formam as personalidades das heroínas, o que é determinante em suas ações, a análise contempla elementos que representam papéis marcantes para se conhecer as particularidades componentes das protagonistas. Em terceiro lugar, o enfoque passa a ser o contexto, em suas variadas acepções, tais como social, comportamental e, mesmo, geográfico, a serviço do entendimento de quem são essas heroínas, tendo em vista que o espaço que as envolve é crucial na revelação do que as torna ímpares. Contando com excertos e fragmentos retirados das seis narrativas, examina-se as facetas de comportamento que as autoras imprimem em seus textos para se possam distinguir os recursos que os diretores utilizam, juntamente com suas equipes, nas recriações, na cultura ocidental, das protagonistas dentro de cenários que as marcam em cada uma das narrativas. Assim, busca-se a essência do que as tornam referenciais para leitores e espectadores.The present study explores interdisciplinarity by analyzing the heroines of Jane Eyre by Charlotte Brontë and Pride and Prejudice by Jane Austen, as well as their respective recreations in cinema and television adaptations. Evincing the transit of novels to cinema and television media, the study looked at films and series from 1934 to 2011, focusing, however, on two films and two miniseries, among others, that recreate the main characters, in view of the temporal proximity of the productions and the personal taste of the researcher of this study. The protagonists Jane Eyre and Elizabeth Bennet are remarkable literary female figures who continue to live in the minds of both the reader and the spectator, and are sources for academic studies and general enjoyment. Thus, the focus lies on the novels; on the 2006 miniseries Jane Eyre, directed by Susanna White; on the 2011 film with the same title, directed by Cary Fukunaga; on the 1995 miniseries Pride and Prejudice, by Simon Lang; and on the 2005 film, directed by Joe Wright. Firstly, this study focuses on the interest for the works of the authors as materials for adaptations, focusing on the protagonists as the center of such adaptations. Furthermore, a particular critical reading of the novels, the films and the series is carried out, seeking not so much the contact and distance points between the heroines and their respective recreations, or between the media involved, but seeking the elements that show the effects on the reader and spectator, personified here in the author of this research, concerning the constructions of the main characters, as well as with regard to their recreations in images to the western culture of the twentieth and twenty-first centuries. In an attempt to shed light on the permanence of the heroines through both literary and filmic narratives over time, the research looks at the relationship between reader and novel, as well as between spectator and film and series. The approach focuses, therefore, in the light of Iser’s thought, which was based on the postulates of Ingarden, on the issue of blank spaces. The projection of filling in the empty spaces of the text are directly convergent to reading/interpreting filmic media, since the viewer, seen as an active being, also needs to counterbalance possible gaps. Secondly, the study addresses the characterization and the understanding of what comprises Jane Eyre and Elizabeth Bennet in the novels and in the films and miniseries adaptations which are part of the corpus of this research. By trying to understand the nuances that form and individualize the personalities of the heroines, which is decisive in their actions, the analysis includes elements that represent roles that are significant to know the particularities of the protagonists. Thirdly, the focus shifts to the context in its many traits, such as social, behavioral, and even geographical, in order to understand who these heroines are, considering that the space that surrounds them is crucial in the revelation of what makes them unique. Relying on excerpts and fragments taken from the six narratives, the facets of behavior that the authors impress in their texts are examined to distinguish the resources that the directors and their teams use in the recreations, for the contemporary western culture, of the protagonists in the scenarios that mark them in each of the narratives. Thus, the aim is the search for the essence of what makes them an updated reference for readers and spectators.
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Rossato, Bianca Deon. "The portrayal of women in Pride and prejudice (1813) and the Lizzie Bennet diaries (2012/2013)." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2018. http://hdl.handle.net/10183/186009.
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Duzentos anos após seu falecimento, as obras de Jane Austen ainda ecoam nas pessoas. Elas têm sido adaptadas das formas mais variadas, nas mais diferente mídias. Os Diários de Lizzie Bennet é um projeto transmidiático que transpõe o romance Orgulho e Preconceito (1813) para uma vídeo-série veiculada no YouTube de 2012 a 2013 de forma serializada. Esta pesquisa analisa de que forma temas que influenciam a vida das mulheres, como casamento, classe social e dinheiro, foram transpostos do período regencial inglês para a Califórnia-EUA do século vinte-um. Esta análise considera que ambas as obras são compostas por duas camadas de significado: a primeira é constituída pela comédia romântica que dialoga com a cultura popular; a segunda é mais profunda, através da qual a crítica social é revelada. No que tange ao referencial teórico, a relação entre a noção de subjetividade na virada do século dezenove e a expansão da vida privada na esfera pública no século vinte-um, conforme Jon Dovey (2000), é base para compreender como a estrutura de ambas as narrativas contribui na produção de significado. As discussões sobre feminismo e pós-feminismo na cultura popular de Angela McRobbie (2009) e Imelda Whelean (2010) tornam possível a observação da construção dos temas. Em Orgulho e Preconceito, as instituições sociais estabelecidas não são amplamente questionadas. Em vez disso, a composição da subjetividade dos personagens, especialmente das mulheres, revela a crítica a elementos sociais da época. Os Diários de Lizzie Bennet, a seu turno, desafiam as representações da mulher provenientes da cultura popular pós-feminista. A análise da adaptação revela que as mulheres ainda estão restritas a determinados papéis sociais assim como aquelas situadas no romance. Ainda há a necessidade de se encontrar equilíbrio.Two hundred years after her demise, Jane Austen’s works still resonate with people. They have been adapted in numerous ways through different media. The Lizzie Bennet Diaries is a transmedia project, which transposes the novel Pride and Prejudice (1813) to a videoblog series aired on YouTube from 2012 to 2013 in a serialised mode. This investigation analyses the ways issues concerning the lives of women, such as marriage, money and social class, were adapted from Regency England to twenty-first century California-USA. The analysis understands both works as consisting of two layers of meaning: a romantic comedy layer which converses with popular culture, and a deeper one through which social criticism is revealed. In theoretical terms, the relationship between the notion of subjectivity in the turn of nineteenth century and the spread of private life into the public sphere in the twenty-first century, as proposed by Jon Dovey (2000), informs the analysis of the structural elements of both narratives which contribute to the production of meaning. The discussions on feminism and post-feminism in popular culture by Angela McRobbie (2009) and Imelda Whelehan (2010) make it possible to observe the construction of the themes. In Pride and Prejudice, the established social institutions are not overtly questioned. Instead, it is the composition of the characters’ subjectivities, especially those of women, which reveals criticism on the social context of the time. The Lizzie Bennet Diaries, for its part, challenges the established representations of women as informed by postfeminist popular culture. In the end, it seems to propose that women are, in fact, still restrained by social roles, just as the ones in the novel are. There is yet a need to find balance.
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Veras, Adriane Ferreira. "Pride and proliferation : Jane Austen meets zombies in a mash-up." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/131633.
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O presente trabalho é uma tentativa de elucidar o que eu considero um fenômeno na literatura, os mash-ups. Em 2009 a lista dos livros mais vendidos da New York Times trouxe um novo romance intitulado Orgulho e Preconceito e Zombies. A editora Quirk Books apresentou como autor Seth Grahame-Smith e a romancista inglesa há muito falecida Jane Austen como co-autora. O livro combina o texto clássico de Austen de 1813 com elementos da moderna ficção de zumbis. O objetivo desta pesquisa é estudar a (desconcertante) possibilidade de alguém modificar uma obra-prima. A autora ainda está presente em seu texto, ou aquele que insere, remixa e acrescenta ao trabalho é o real autor? Esta e outras perguntas são investigadas. Com o aporte teórico de Sanders (2006), Shields (2010), Lessig (2004), faz-se a investigação sobre adaptações, colagens, apropriações e direitos autorais. O romance aqui analisado pertence à literatura não mais protegida por direitos autorais e, portanto, é considerado apto para modificações, permitindo, assim, a justaposição que está no centro do gênero literário sob escrutínio. O tremendo sucesso comercial deste mash-up serve para mostrar que não só Jane Austen, mas também os mortos-vivos são transformados em mercadorias, o que conduz às possíveis conclusões de que Austen vende, os zumbis vendem, e ambos dão aos leitores algo que estes anseiam, talvez maneiras mais suaves, romance, costumes e valores de outrora; no caso dos mortos-vivos, eles exploram temas que transgredem e ameaçam nosso senso de asseio e decoro, particularmente no tocante ao corpo, às nossas identidades, e a nossa mortalidade. Através de olhares como o de Žižek (2008), pode-se inferir que o sucesso do livro pode ser visto como um tributo ao poder do marketing viral, ao interesse duradouro e contínuo em Jane Austen, e ao atual zeitgeist zumbi.The present research brings an attempt to elucidate what I consider a phenomenon in literature, the mash-ups. In 2009 the New York Times Bestseller List featured a new novel entitled Pride and Prejudice and Zombies. Publisher Quirk Books presented as author Seth Grahame-Smith and long dead and beloved English novelist Jane Austen as co-author. The book combines Austen‘s 1813 classic text with elements of modern zombie fiction. The aim of this research is to study the (disconcerting) possibility of someone tweaking with a masterpiece. Is the author still present in her text or the one who inserts, remixes and adds to the work is the actual author? This and other questions are investigated. With the theoretical approach of Sanders (2006), Shields (2010), Lessig (2004), and others, there is an investigation on adaptations, collage, appropriations and authorial rights. The novel analyzed here is literature no longer protected by copyright and therefore considered apt for tweaking, thus allowing for the juxtaposition which is at the core of the literary genre under scrutiny. This mash-up‘s tremendous commercial success goes to show that not only Jane Austen, but also the undead have become commodities, which leads the possible conclusions that Austen sells, and zombies sell, and they all give readers something they crave for, perhaps gentle manners, romance, mores and values long gone; and in the case of the living-dead, they explore themes that transgress and threaten our sense of cleanliness and propriety, particularly referencing the body, our identities, and our mortality. Through the point of view of Žižek (2008), and other thinkers, it is possible to infer that the book's success may be regarded as a tribute to the power of viral marketing, to the long lasting and continuous interest in Jane Austen, and to the current zombie zeitgeist.
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Van, Valkenburg Ingrid C. "The Factors for Choosing a Partner: Using Economic Theory to Enhance Readings of Jane Austen's Sense and Sensibility and Pride and Prejudice." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/460.
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Money factors into the lives of all of Jane Austen’s heroines and, in many of her novels, the heroines struggle on the marriage market. Austen concludes every one of her novels with the marriage of the heroine and, while Austen made the choice to become a writer instead of marrying, she is consequently very mindful of what marriage means for each of her heroines and who they ultimately choose for a husband. Given that economics is the social science concerned with how individuals and institutions make optimal choices under conditions of scarcity, knowledge of some of the basic concepts in economics and an understanding of the economic theory behind how people make choices can enhance readings of Sense and Sensibility and Pride and Prejudice. Through a survey of some of the existing economic literature on marriage, I demonstrate how one might apply economic theory to these two novels. Subsequently, I explore how there are limits on how far the economics of marriage can be extended to analyze Austen’s novels, but ultimately conclude that the theory presented nevertheless helps explain how many of the characters choose their future partner.
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Pedersen, Jessica. "Gender in Pride and Prejudice : A look at gender roles relating to the characters Elizabeth and Lydia Bennet." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-101421.
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This essay will discuss gender in Pride and Prejudice, the timeless work by Jane Austen. It also discusses how a teacher might approach the subject of gender roles in a classroom environment based on a reading project featuring Pride and Prejudice. The different theories will include theories regarding gender as a social concept, gender roles and pedagogical implications. This essay argues that the gender roles in Pride and Prejudice can be used in an EFL classroom to increase students' awareness of gender and gender roles.
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Morse, Samantha E. "Dreading He Knew Not What: Masculinities, Structural Spaces, Law and the Gothic in The Castle of Otranto, Pride and Prejudice, and Wuthering Heights." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/pitzer_theses/58.
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This essay investigates the integral linkages between Gothic spaces and Gothic masculinities in three texts: Horace Walpole’s The Castle of Otranto (1764), Jane Austen’s Pride and Prejudice (1813), and Emily Brontë’s Wuthering Heights (1847). At the core of this examination is architecture, or more specifically, the physical constructions and built environments that comprise a man’s property. I explore how a man uses his property to construct, legitimize, and perform his identity. In the Female Gothic, the home is a place of anxiety for women, where patriarchal dominance and violence reign to constrain female agency. I argue that the home is also an anxiety-ridden space for men, who are similarly tyrannized by a force they have limited power to fight against: legality. The issue of legally legitimized property ownership as a means of defining masculine selfhood in these texts lead men to extreme, and arguably unnatural, resorts to cling to their coveted status as autonomous property holders and virile men. In short, I aim to define a specifically Gothic masculinity. Yet, by using Pride and Prejudice, I will argue that this Gothic masculinity is not limited to Gothic texts.
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Stufflebeem, Barbara. "Visionary Excitability and George Eliot: Judeo-Mythic Narrative Technique in Daniel Deronda." Oberlin College Honors Theses / OhioLINK, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1396955096.
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Moberg, Emilia. "The Shameless Little Sister : A Psychoanalytic Approach to the Conduct of Lydia Bennet in Jane Austen’s Pride and Prejudice." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-34835.
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In Jane Austen’s renowned Pride and Prejudice, published in 1813, the reader encounters love and marriage in the British middle-class during the nineteenth century. While the main focus of the novel is the love story between Elizabeth Bennet and Mr. Darcy, the reader also encounters the youngest Bennet sister, Lydia. Lydia is depicted as loud, vain, rude and ignorant and even though this is a correct description of Lydia’s behavior, there are underlying reasons for that foolish and naïve behavior. Thus, the aim of this essay is to examine and explain the underlying reasons as to why Lydia behaves as recklessly and selfishly as she does. By close reading of the novel and by using psychoanalysis and relevant Freudian concepts, mainly the id, the ego and the super-ego, the analysis concludes that there is an evident connection between Lydia’s unruly behavior and her dysfunctional relationship to her parents. Due to the lack of parental guidance, Lydia has been left uncontrolled and heavily ruled by her id. Moreover, this essay will demonstrate that there is a shift in Lydia’s behavior as the novel progresses. As a result of certain events in the novel, Lydia’s behavior shifts even further towards her being driven by the pleasure principle and her id.
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邵毅. "重寫與節約 : 從女性主義角度論《傲慢與偏見》的中譯本 = Rewriting and constraints : a study of the Chinese translations of Pride and prejudice from a feminist perspective." HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/855.
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Nilsson, Kristina. "The Accomplished Woman – No Changes Accomplished? : A Comparison of the Portrayal of Women in Jane Austen’s Pride & Prejudice and Helen Fielding’s Bridget Jones." Thesis, Växjö University, School of Humanities, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-2567.
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In this essay I compare the notion of the accomplished woman in Jane Austen’s Pride & Prejudice and Helen Fielding’s novels about Bridget Jones. My claim is that the notion of the accomplished woman that Austen described 200 years ago is still very relevant and not much different today as reflected in Helen Fielding’s narrative in Bridget Jones, but also that both authors satirically describe the pressure that is put on women to reach the ideal of the accomplished woman. I initially discuss feminist literary theory, and then I analyze the following characteristics and ideas which make up the accomplished woman: Physical appearance, Education & Knowledge, Marriage & Having Children, Career and Skills, Status & Class and Manners & Behaviour. This essay shows that the notion of the accomplished woman is still very much present and in some cases, like physical appearance, the pressure on women to reach this ideal has actually gotten worse. Both Jane Austen and Helen Fielding use irony and satirically describe the pressure on young women as a way of actually criticizing their contemporary societies.
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Barakat, Kareen. "Unsmiling Lips and Dull Eyes: A Study of Why We Continue to Read Jane Austen." FIU Digital Commons, 2017. https://digitalcommons.fiu.edu/etd/3559.
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The purpose of this thesis is to take a closer look at Jane Austen’s work and understand the importance of it in both the academic and cultural sphere. With a specific focus on Pride and Prejudice, this research starts with a focus on feminist readings of the novel. Primarily, this research looks at the novel with a feminist lens in order to better understand the female characters and their involvement in the marriage plot. Secondarily, the research goes on to look at the cultural impact of Pride and Prejudice and attempts to understand the ways in which this novel re-appears in different adaptations. Finally, the research suggests that there should be a new way of reading Austen that better fits contemporary society. Despite how far removed Jane Austen’s world may seem, her work remains important and worth studying. This thesis argues in favor of the appreciation of Jane Austen’s work both academically and culturally.
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LaRue, Michelle A. "Resurrecting Jane Austen: An Exploration in Writing as a Reader (and Vice Versa)." Marietta College Honors Theses / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors1398432278.
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Caporale, Camila Cano. "Um olhar político para as personagens leitoras de Razão e Sensibilidade (1811) e Orgulho e Preconceito (1813) de Jane Austen." Universidade Federal de São Carlos, 2016. https://repositorio.ufscar.br/handle/ufscar/8066.
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Jane Austen is one of the authors who owns a great prestige in the literary scenario, most notably for putting into the light aspects of the English society in which she was linked. Among many subjects described by the scholars, there is one that will be in this dissertation called into question, namely, the representative role of reading for fictional readers in two works written by her, Firstly the novel Sense and Sensibility (1811) whose selected aspect, is triggered by the disastrous reading that the heroin, Marianne Dashwood does; and, on the other hand we will point out a differentiated reading posture, in this case, in Pride and Prejudice (1813), whose tracking seems to indicate an ideal model of character as a reader, with the figure of the protagonist, Elizabeth Bennet. In both texts, we will intend to develop a literary analysis, which considers the political and social aspects, subordinating our work, to Jameson’s levels of interpretation.
Jane Austen é uma das autoras possuidoras de grande prestígio no cenário literário, principalmente por colocar em evidência aspectos da sociedade inglesa à qual estava ligada. Entre muitas questões descritas pelos acadêmicos, existe uma que estará nesta dissertação de mestrado sendo posta em discussão, a saber, o papel representativo da leitura para os leitores ficcionais de duas das obras por ela escrita. Primeiramente, o romance Razão e Sensibilidade (1811), cujo aspecto selecionado é deflagrado por meio da leitura nefasta da heroína, Marianne Dashwood; e, por outro lado, apontaremos uma postura de leitura diferenciada, nesse caso, em Orgulho e Preconceito (1813), cujo caminhar parece indicar um modelo ideal de personagem leitora, com a figura da protagonista, Elizabeth Bennet. Em ambos os textos, buscaremos desenvolver uma análise literária na qual se considera os aspectos políticos e sociais, subordinando nosso trabalho aos níveis jamesonianos de interpretação.
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Lindsmyr, Christina. "Jane Austen - Pride and Prejudice." Thesis, Halmstad University, School of Humanities (HUM), 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-827.
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Vincent, Tonja S. "From Epistolary Form to Embedded Narratological Device: Embedded Epistles in Austen and Scott." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/6444.
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The perception that the epistolary form was rejected by novelists during the Romantic Era has largely been accepted by scholars. However, in looking at the period's two most prominent authors, Walter Scott and Jane Austen, we see that the epistolary form remained vibrant long after its supposed demise. Throughout their careers, both Austen and Scott employed embedded letters as a tool to create authenticity. Both Austen and Scott use what I call "literary letters" to create a sense of realism in their novels that contributed to the rise of the novel. Scholars often claim that Austen eschewed the epistolary form with Lady Susan and solidified her rejection by revising both Sense and Sensibility and Pride and Prejudice from epistolary novels to third person narration. But a careful examination shows that Austen followed Richardson's tradition with Lady Susan, that Sense and Sensibility was not originally written in epistolary form, and that Austen retained sixteen critical letters in Pride and Prejudice. In fact, Darcy's five-page letter to Elizabeth signals Austen's continued reliance on the form as it completely changes the dynamics of the novel and transforms Elizabeth from a static protagonist to a dynamic heroine. Further indication that Austen found value in the form is seen in her later and often considered more mature novels, Emma and Persuasion, where she found innovate ways to turn the epistolary form into an embedded narratological device. The value of letters in Scott's novels is often overlooked. For instance in Heart of Midlothian, Jeanie Down's claim that letters cannot feel is often cited as an argument that oral testimony is more valuable than written, yet it is a letter that ultimately gets her an audience with the queen. In fact, in both Heart of Midlothian and Redgauntlet, Scott explains the legal implications of the written testimony, its preference over oral testimony, and its power in persuading both in and out of court. And in Guy Mannering, Scott relies on embedded letters to develop important plot points including the identity of the lost heir, create believable characters, and explore the conflict between Scottish traditions and law. And although Redgauntlet is often considered the moment Scott eschewed the epistolary form, the way he employs letters to create the illusion that his characters are authentic historical figures helps him explore notions of national identity.
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Moring, Meg Montgomery 1961. "Death and the Concept of Woman's Value in the Novels of Jane Austen." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278475/.
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Jane Austen sprinkles deaths throughout her novels as plot devices and character indicators, but she does not tackle death directly. Yet death pervades her novels, in a subtle yet brutal way, in the lives of her female characters. Austen reveals that death was the definition and the destiny of women; it was the driving force behind the social and economic constructs that ruled the eighteenth-century woman's life, manifested in language, literature, religion, art, and even in a woman's doubts about herself.
In Northanger Abbey Catherine Morland discovers that women, like female characters in gothic texts, are written and rewritten by the men whose language dominates them. Catherine herself becomes an example of real gothic when she is silenced and her spirit murdered by Henry Tilney. Marianne Dashwood barely escapes the powerful male constructs of language and literature in Sense and Sensibility. Marianne finds that the literal, maternal, wordless language of women counts for nothing in the social world, where patriarchal,figurative language rules, and in her attempt to channel her literal language into the social language of sensibility, she is placed in a position of more deadly nothingness, cast by society as a scorned woman and expected to die. Fanny Price in Mansfield Park is sacrificed as Eve, but in her death-like existence and in her rise to success she echoes Christ, who is ultimately a maternal figure that encapsulates the knowledge of the goddess, the knowledge that from death will come life. Emma Woodhouse in Emma discovers that her perfection, sanctioned by artistic standards, is really a means by which society eases its fears about death by projecting death onto women as a beautiful ideal. In Persuasion, Anne Elliotfindsthat women endure death while men struggle against it, and this endurance requires more courage than most men possess or understand. Austen's novels expose the undercurrent of death in women's lives, yet hidden in her heroines is the maternal power of women—the power to bear children, to bear language and culture, to bear both life and death.
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Larsson, Johanna. "Stolthet och skvaller : En komparativ analys mellan Jane Austens Stolthet och fördom och Curtis Sittenfelds Sanning och skvaller." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-156132.
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This essay analyses Curtis Sittenfeld’s novel Sanning och Skvaller as an adaption of Jane Austen’s Stolthet och fördom. The purpose of this essay is to take a closer look at how the characters and the plot changes in Sittenfeld’s version compared to the original. The character analysis mainly focuses on Mr. Wickham, lady Catherine de Bourgh and Caroline Bingley as characters, as well as Mary Bennet and how her sexuality is portrayed. Elizabeth Bennet’s relationship with Mr. Darcy and the importance of a proposal and a marriage is also something that this essay analyses. The reception of the novel is something that will be addressed by highlighting some of the negative, and positive, reviews that the novel received upon publication. The discussion at the end brings up whether or not Sittenfelds novel can be classified as an adaption after changing so much of the story, how the elements in the new version changes its believability and how the problematic aspects may ruin the story.
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Williams, Julie. "Pride and prejudice : the socialisation of nurse educators." Thesis, Lancaster University, 2010. http://eprints.lancs.ac.uk/54647/.
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This thesis explores the concept of socialisation through the experiences of nurse educators within a United Kingdom context in one higher education institution in the Northwest of England. Built upon the assumption that nurse educators‘ practices and dispositions are shaped and affected by the sociocultural field in which they occur, attention is paid to identifying these influences reflected through an understanding of their curriculum practices. A micro-ethnographic philosophy is adopted where semi-structured interviews are the key data source from a volunteer group of twenty nurse educators‘ informant accounts, inter-woven with observations and my reflections as a nurse educator, and therefore written in the first person. As I also claim a pertinent professional cultural heritage all data are collected and analysed from an insider-researcher position. Pierre Bourdieu‘s relational concepts of field, capital and habitus are applied as a template through which the accounts of nurse educators are filtered and interpreted. In this thesis I will argue that nurse educators experience difficult transitions in and between the fields in which they practise and that their dominant, but hidden, values contribute to their perceived marginalisation within the academic community and field of higher education. Nurse educators appear to adopt practices that reflect their practitioner habitus which contradicts the popular perspectives of academic roles and identity, referred to as an academic habitus. This negatively affects the development of academic identity and contributes to difficulties experienced in accruing academic capital. Specifically, curriculum practices are affected by the hegemonic values of nurse educators where practice-bred values conflict with academic world values.
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Malmquist, Anna. "Pride and Prejudice : Lesbian Families in Contemporary Sweden." Doctoral thesis, Linköpings universitet, Psykologi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-117933.
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Options and possibilities for lesbian parents have changed fundamentally since the turn of the millennium. A legal change in 2003 enabled a same-sex couple to share legal parenthood of the same child. An additional legal change, in 2005, gave lesbian couples access to fertility treatment within public healthcare in Sweden. The present thesis focuses on families where two women share legal parenthood of their children. It aims to provide knowledge about lesbian parenting couples and their children, and to focus on the interplay between family members within lesbian families, and between family members and their surroundings. Furthermore, the thesis aims to visualize and analyse notions of heteronormativity and homonormativity in contemporary Sweden. The thesis draws on interviews with 118 parents in 61 families, and 12 children in 11 families. The participants’ stories, descriptions, reflections and discourses have been analysed using discursive psychology and thematic analysis. The thesis includes five empirical papers. Paper I focuses on encounters with healthcare professionals prior to and during pregnancy, at childbirth and during the early stages of parenthood. Paper II deals with the participants’ experiences of second-parent adoption processes. Paper III focuses on equality in parenting relations. Paper IV focuses on encounters with fertility clinics within public healthcare. Paper V highlights the children’s reflections and shows how the children talk about fathers and donors.För lesbiska par har förutsättningarna för föräldraskap förändrats i grunden sedan millennieskiftet. År 2003 möjliggjorde en lagändring att ett barn kan ha två rättsliga föräldrar av samma kön. Ytterligare en lagändring öppnade år 2005 möjligheten för lesbiska par att få barn genom assisterad befruktning inom svensk sjukvård. I avhandlingen fokuseras familjer där två kvinnor delar det rättsliga föräldraskapet om sina gemensamma barn. Studien syftar till att bredda kunskaper om lesbiska familjeliv och fokuserar samspelet mellan familjemedlemmar såväl som samspelet mellan familjen och dess omgivning. Vidare syftar studien till att synliggöra och analysera uttryck för heteronormativitet och homonormativitet i dagens Sverige. Studien bygger på intervjuer med 118 föräldrar i 61 familjer och 12 barn i 11 familjer. Deltagarnas berättelser, beskrivningar, reflektioner och diskurser analyseras med diskursiv psykologi och tematisk analys. Avhandlingen består av fem empiriska artiklar och en kappa. I Artikel I analyseras föräldrarnas berättelser om att möta sjukvården i samband med graviditet och förlossning. Artikel II belyser deltagarnas berättelser om att genomgå en närståendeadoption. I Artikel III fokuseras hur föräldrarna pratar om jämställdhet i sina föräldraroller. Artikel IV analyserar intervjuer med föräldrar som vänt sig till svensk sjukvård för fertilitetsbehandling. I Artikel V, är det barnen som står i fokus. Studien bygger på intervjuer med tolv barn som var mellan 5 och 8 år gamla och växte upp i familjer med två mammor. I artikeln analyseras barnens beskrivningar av pappor och spermadonatorer.
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SI, ENZHE. "PRIDE AND PREJUDICE : A NEW VERSION OF ENTREPRENEURIAL INTENTION." Thesis, KTH, Entreprenörskap och Innovation, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-148951.
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The purpose of this thesis is to present an empirical finding in the area of culture and entrepreneurial intention. The author developed an entrepreneurial culture measure regard to values of proudness and prejudice based on the data from the World Values Survey. Entrepreneurial intention as the dependent variable was draw from Global Entrepreneurship Monitor Consortium (GEM) ’s 2006 dataset. The data sample contains 27 countries. The result shows the newly developed culture measure is negatively correlated with entrepreneurial intention, which means countries have high level of prejudice towards certain social groups such as women or immigrants could lead to lower level of entrepreneurial intention. A series of robustness tests were conducted to test the fitness of the model. In general these tests do support the robustness of the finding. However as for the shortage of the small sample size, future research is still needed to confirm this finding.
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Asker, Rebecca. "Money and Love in Jane Austen’s Pride and Prejudice." Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-13040.
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In the late 18th century, it was not uncommon that a middle class woman had to choose if her marriage should be based on love or money. Since women often depended on either a husband or male relatives to support them, marriage was a way to avoid economic hardship. Pride and Prejudice gives many examples of women in this situation, and it is evident that both men and women are affected by economy and social class in their choice of a partner. The purpose of this essay is therefore to look closer on how the courtships in the novel are influenced by economy and class. Some characters are greedy and believe that wealth and an upper class life equals happiness. The wealthy man Mr. Darcy becomes suspicious of women and believes that they are only after his money. Women are also seen as commodities; wealthy men expect to be able to marry whomever they like regardless of the woman’s feelings. I will show that there are three main types of marriages in the novel: marriages based on financial considerations, marriages based on infatuation, and marriages combining love and money. Marriages based on financial considerations are not ideal since emotional needs are not often fulfilled. However, in some cases it might be a solution for women who do not have the time to wait for a romantically and economically fulfilling marriage. Marriages that include no financial considerations at all are not ideal since a stable economy is important to live happily. In the essay, I will show that the most ideal marriages are those who combine both love and money, as they ignore neither emotional needs nor economy.
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Mollo, Vittoria. "Pour L'Orgueil et contre les Préjugés: Mémoires de George Sand et Valérie Trierweiler, femmes répudiées." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/674.
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This thesis explores the themes of Pride and Prejudice in two texts written roughly two hundred years apart. The first work that is analyzed is Elle et Lui by George Sand, published in the year 1859 . The second book that is explored throughout this dissertation is Merci pour ce moment: a best seller penned in 2014 by the ex french Première Dame Valérie Trierweiler. In particular, this thesis takes a closer look at these womens' use of a biography as a means to redeem their image as perceived by the public.
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Tanrivermis, Mihriban. "Female Voice In Jane Austen: Pride And Prejudice And Emma." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606716/index.pdf.
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This thesis analyses the devices manipulated by Jane Austen in Pride and Prejudice and Emma to foreground the &lsquofemale voice&rsquo
. The thesis argues that in these novels satire including irony and parody is used as a tool for revealing the place of women in eighteenth century England. In addition, themes and characters by which feminist conversations are constructed are also dealt with.
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Barcsay, Katherine Eva. "Profit and production : Jane Austen's Pride and Prejudice on film." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/5152.
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Adaptation from literature to film has always been a much criticized enterprise, with fidelity
criticism, or an attempt to discredit fidelity criticism, often driving the critical discussion.
However, this type of thinking is somewhat limited, becoming circular and going nowhere
productive. Instead, taking into account what has come before, this thesis attempts to settle
on a method of examination that moves away from fidelity criticism and towards an approach
that aligns itself with cultural studies. Adaptations, then, can be seen as products of the
historical, cultural, political and general socio-economic framework out of which they
emerge, owing perhaps more to their context of production than to their source material. In
order to provide a case study that reflects this idea, this paper looks to an author who has
been adapted on multiple occasions, Jane Austen, and examines her as a cultural construct.
Looking at Austen’s most popular novel, Pride and Prejudice, and using Robert Z. Leonard’s
Pride and Prejudice (1940), Cyril Coke’s Jane Austen ‘s Pride and Prejudice (1980), Simon
Langton’s Pride and Prejudice (1995), Andrew Black’s Pride and Prejudice: A Latter Day
Comedy (2003), Gurinder Chadha’s Bride and Prejudice (2004) and Joe Wright’s Pride &
Prejudice (2005), the thesis argues that the appeal of Austen is a result of her cult status and
economic viability, and also the malleability of her text, which allows filmmakers to use it in
a number of different contexts, while still embodying the source material.
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Ybarra, Veronica Consuelo. "Mexican American adolescents' understanding of ethnic prejudice and ethnic pride /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.
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Hughes, Erica. "Lost in Austen: An Immersive Approach to Pride & Prejudice." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3707.
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This paper is an account of the Theatre VCU mainstage production of Pride & Prejudice, in which I played the roles of Mrs. Bennet and of the vocal coach. In order to address the various skill levels of the cast, I planned to coach the production in a manner inspired by immersion language learning programs, with the cast speaking in dialect throughout the rehearsal process so as to learn the necessary vocal skills and to grow together as a theatrical ensemble. When the director of Pride & Prejudice was not receptive to this plan, I had to compromise and adapt while fulfilling my duties as actor and coach. The paper includes my initial ideas, a detailed account of pre-production, rehearsals, and performances, and an analysis of the many lessons I learned about artistic collaboration and the art of dialect coaching for the stage.
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Bélanger, Damien-Claude 1976. "Pride and prejudice : Canadian intellectuals confront the United States, 1891-1945." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100320.
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This study compares how English and French Canadian intellectuals viewed American society from 1891 to 1945. During the period under study, the Dominion experienced accelerated industrialization and urbanization, massive immigration, technological change, and the rise of mass culture. To the nation's intellectuals, many of these changes found their source and their very embodiment in the United States. America, it was argued, was the quintessence of modernity, having embraced, among other things, secularism, democracy, mass culture, and industrial capitalism.In the late nineteenth and early twentieth centuries, Canadian hostility to the United States and continental integration was expressed in two conservative discourses: that of English Canadian imperialism and French Canadian nationalism. Despite their fundamental divergence on the national question; both imperialists and nationalistes shared an essentially antimodern outlook, and anti-Americanism was their logical point of convergence.
By contrast, the most passionate Canadian defenders of American society could be found among liberal and socialist intellectuals like F. R. Scott and Jean-Charles Harvey. They saw continental integration and Canadian-American convergence as both inevitable and desirable. Intellectual continentalism reached its summit of influence during the 1930s and 1940s.
The present study is based on the analysis of some 520 texts found essentially in the era's periodical literature. Each, at least in part, explores some aspect of American life or of the relationship between Canada and the United States. Unlike most previous scholarship, which has tended to view anti-American sentiment merely as an expression of Canadian nationalism, this study is more concerned with Canadian intellectuals as thinkers on the left, the right, and the centre.
The comparative, pan-Canadian nature of this study reveals that English and French Canadian intellectuals shared common preoccupations with respect to the United States. However, the tone and emphasis of their commentary often differed. In English Canada, where political institutions and the imperial bond were viewed as the mainstays of Canadian distinctiveness, writing on the United States tended to deal primarily with political and diplomatic issues, in Quebec, where political institutions were not generally viewed as vital elements of national distinctiveness, social and cultural affairs dominated writing on the United States.
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Van, Rensburg Lindsay Juanita. "The idea of the hero in Jane Austen’s Pride And Prejudice." University of the Western Cape, 2015. http://hdl.handle.net/11394/4857.
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Magister Artium - MAIn this thesis I focus on the ways I believe Jane Austen re-imagines the idea of the hero. In popular fiction of her time, such as Samuel Richardson’s Sir Charles Grandison (1753), what we had as a hero figure served as a male monitor, to guide and instruct the female heroine. The hero begins the novel fully formed, and therefore does not go through significant development through the course of the novel. In addition to Sir Charles Grandison, I read two popular novels of Austen’s time, Fanny Burney’s Cecilia and Maria Edgeworth’s Belinda. An examination of Burney’s construction of Delvile and Edgeworth’s construction of Clarence Hervey allows me to engage with popular conceptions of the ideal hero of the late eighteenth and early nineteenth centuries. Burney and Edgeworth deviate from these ideals in order to accommodate conventions of the new Realist novel. I argue that Austen reimagines her male protagonist so that hero and heroine are well-matched and discuss, similarly, how Burney and Edgeworth create heroes as a complement to their heroines. Austen’s re-imagining of her male protagonist forms part of her contribution to the genre of the Realist novel. Austen suggests the complexity of her hero through metaphors of setting. I discuss the ways in which the descriptions of Pemberley act as a metaphor for Darcy’s character, and explore Austen’s adaptations of the picturesque as metaphors to further plot and character development. I offer a comparative reading of Darcy and Pemberley with Mr Bennet and Longbourn as suggestive in understanding the significance of setting for the heroine’s changing perceptions of the character of the hero. I explore Austen’s use of free indirect discourse and the epistolary mode in conveying “psychological or moral conflict” in relation to Captain Wentworth in Persuasion and Mr Knightley in Emma, offering some comparison to Darcy. This lends itself to a discussion on the ways in which Austen’s heroes may be read as a critique of the teachings of Lord Chesterfield’s Letters to His Son (1774). I conclude the thesis with a discussion of the ways in which Darcy has influenced the stereotype of the modern romance hero. Using two South African romance novels I suggest the ways in which the writers adapt conventions of writing heroes to cater for the new black South African middle class at which the novels are aimed. My reading of Jane Austen’s novels will highlight the significance of Austen’s work in contemporary writing, and will question present-day views that the writing of the eighteenth- and nineteenth-centuries is not relevant to African literature.
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Carvalho, Patrick Aguiar. "Pride & Prejudice: contribuição de variáveis políticas na determinação dos ratings soberanos." reponame:Repositório Institucional do FGV, 2007. http://hdl.handle.net/10438/33.
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Previous issue date: 2007-06-25Esta dissertação analisa a influência de um conjunto de variáveis políticas na determinação dos ratings soberanos. Com efeito, contrário a estudo anterior publicado pelo IMF Working Paper Series, os resultados apontam para a significância estatística conjunta das variáveis políticas empregadas, ainda que controladas por indicadores econômicos largamente utilizados na literatura correspondente. O sucesso dos resultados baseia-se na utilização de novas variáveis visando captar o nível de desenvolvimento das instituições políticas, somada à ampla base de dados anualizados em painel envolvendo 79 países no período entre 1997 e 2003. Ademais, além da evidência do uso conjunto de variáveis políticas na determinação dos ratings soberanos, o tratamento econométrico dos dados em painel detectou a existência de heterogeneidade não-observada dos países da amostra, sendo esta correlacionada com as variáveis explicativas do modelo.
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Gross, Ursula Marie. "What happens next Jane Austen's fans and their sequels to Pride and Prejudice /." Connect to Electronic Thesis (CONTENTdm), 2008. http://worldcat.org/oclc/441821270/viewonline.
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