Relevant bibliographies by topics / Primal fantasy

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Primal fantasy'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Primal fantasy"

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Turco, Ronald N. "Primal Scene Derivatives in the Work of Yukio Mishima: The Primal Scene Fantasy." Journal of the American Academy of Psychoanalysis 30, no. 2 (2002): 241–48. http://dx.doi.org/10.1521/jaap.30.2.241.21952.

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Sorbille. "Phallus, Beatings, and verga: Freud, Wolf Man, and the Primal Scene in Echeverría's Dream-Fantasy “El matadero”." Comparative Literature Studies 55, no. 3 (2018): 656. http://dx.doi.org/10.5325/complitstudies.55.3.0656.

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Auerhahn, Nanette C., and Dori Laub. "The primal scene of atrocity: The dynamic interplay between knowledge and fantasy of the Holocaust in children of survivors." Psychoanalytic Psychology 15, no. 3 (1998): 360–77. http://dx.doi.org/10.1037/0736-9735.15.3.360.

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Nwakanma, Obi. "Okigbo Agonistes: Postcolonial Subjectivity in "Limits" and "Distances"." Matatu 33, no. 1 (2006): 327–38. http://dx.doi.org/10.1163/18757421-033001037.

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Among Africa's leading twentieth-century poets, Christopher Okigbo occupies a most interesting space. Born to Igbo Roman Catholic parents in Eastern Nigeria, Okigbo studied the Classics and began to write poetry as a means of re-identification with his primal world. Yet both his life and his poetry staked a claim to a universalist impulse, and, as a colonial subject interpreting the postcolonial moment, Okigbo rejected a narrow, essentialist categorization of either himself or his poetry. He rejected the Africa Prize in 1966, claiming that "there is no such thing as African poetry, there is on
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Landwehr, Margarete Johanna. "Aronofsky’s Black Swan as a Postmodern Fairy Tale: Mirroring a Narcissistic Society." Humanities 10, no. 3 (2021): 86. http://dx.doi.org/10.3390/h10030086.

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Based on the plot of Swan Lake, Black Swan depicts an ingenue’s metamorphosis into a woman and a prima ballerina that contains a fairy-tale plot in which a naïve heroine overcomes enemies and obstacles in order to achieve success and sexual maturity. Unlike a traditional fairy tale, this cinematic tale concludes with death and the clear distinctions between good and evil, helper and adversary and reality vs. fantasy are fluid. As in many fairy tales, the film criticizes the values of its era, namely, the narcissistic aspects of contemporary society with its excessive worship of youth, beauty a
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Liebst, Lasse Suonperä, and Naja Buono Stamer. "Fallos og finanskrisen, eller, hvorfor Stein Bagger er en senkapitalistisk Urfader." Dansk Sociologi 22, no. 4 (2011): 51–68. http://dx.doi.org/10.22439/dansoc.v22i4.3921.

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Med afsæt i Žižeks dialektiske psykoanalyse diskuterer artiklen, hvordan fyrede fag- og ufaglærte arbejdere ideologisk håndterer finanskrisens traumatiske rystelse af deres livssituation som forbrugere. Der peges på, hvordan arbejderne længes efter to potente Fædre, der begge inkarnerer et håb om, at der er en nydelsesmæssig vej ud af krisen: Således fantaserer arbejderne på overraskende vis dels om, at finansmanden Stein Bagger i kraft af sine finansielle perversioner har en særlig viden om, hvordan nydelsen i forbrugssamfundet igen bliver mulig. På afpolitiseret vis tilskrives Stein Bagger d
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Drusi, Riccardo, and Piermario Vescovo. "Prima e dopo la letteratura. Il veneziano e il fantasma della grammatica." Quaderns d’Italià 8 (November 3, 2002): 67. http://dx.doi.org/10.5565/rev/qdi.136.

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Silva, Vera Maria Tietzmann. "A CRIAÇÃO LITERÁRIA E A PRODUÇÃO EDITORIAL NO BRASIL." REVISTA DE LETRAS - JUÇARA 3, no. 1 (2019): 288–98. http://dx.doi.org/10.18817/rlj.v3i1.2010.

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Este artigo pretende mostrar a variedade da produção editorial brasileira destinada tanto ao público adulto como ao juvenil. A grande quantidade de títulos novos, como de clássicos reeditados, torna difícil ao professor decidir quais escolher para suas aulas. Os temas variam da História à fantasia, dos sentimento íntimos às preocupações sociais. Quanto ao valor estético, as diferenças também são grandes, indo do trivial à obra-prima. Uma visão crítica é imprescindível para que se possam fazer boas escolhas.
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Rothschild, Berthold. "Il "familiarismo". Notizie dall'interno dell'idillio." PSICOTERAPIA E SCIENZE UMANE, no. 1 (March 2010): 53–66. http://dx.doi.org/10.3280/pu2010-001004.

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Il concetto di "familiarismo" riunisce le correnti sotterranee attive, presenti nelle costellazioni parentali del passato e attuali e nelle manifestazioni psichiche e sociali. Piů precisamente, č l'espressione di forme relazionali che sono guidate da una spinta (Reiz) che attraversa l'intera esistenza, volta al ripristino di una rete relazionale in cui "appartenenza", "reimpossessamento" e "accettazione" giocano un ruolo fondamentale. Il familiarismo si collega ai modelli delle relazioni precoci conosciute nella prima infanzia come "fantasma" e "strato interiorizzato". Contiene relazioni di cu
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HAMBERLIN, LARRY. "Visions of Salome: The Femme Fatale in American Popular Songs before 1920." Journal of the American Musicological Society 59, no. 3 (2006): 631–96. http://dx.doi.org/10.1525/jams.2006.59.3.631.

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Abstract This article documents representations of Salome, an archetypal exotic femme fatale, in American popular songs of the early twentieth century. The production of Salome songs began shortly after the sensational 1907 U.S. premiere of Richard Strauss's Salome at New York's Metropolitan Opera. Vaudeville performers, beginning with the Met's own prima ballerina, capitalized on the ensuing fad for Salome dances, which the New York Times called “Salomania.” Relevant songs and dances figured in musical comedies and revues until some time after the return of Strauss's opera to the New York sta
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Dissertations / Theses on the topic "Primal fantasy"

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Couragier, Franck. "Le fraternel : registres et modalités d’émergence dans les groupes de formation et les groupes thérapeutiques." Thesis, Paris 13, 2014. http://www.theses.fr/2014PA131023.

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Ce travail de recherche explore les processus de liaisons conduisant à l’émergence des liens fraternels dans les groupes thérapeutiques et les groupes de formation. A partir d’une approche psychanalytique, nous cherchons à définir le fraternel en tenant compte des trois espaces intra-, inter- et trans- subjectifs. Les études menées au sujet des liens familiaux nous permettent de postuler que la fratrie peut servir de modèle pour décrire les processus groupaux par lesquels des liens fraternels se tissent entre des enfants qui ne sont pas familiers. Dans une première partie, les propositions thé
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Chen, Chih-lie Yammie, and 陳志黎. "Use the "guided fantasy" to enhance students' creativity in writing." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B50176572.

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寫作教學向來都是中國語文教師最重視的一環，在整個語文教育中佔有重要的地位。自小學中年級開始，學生便踏入寫作訓練階段，很多時候老師在教授寫作時都會不自覺地陷入引導的角色，加上重形式、重文句、重語法的訓練而忽略了寫作內容的創新。其實寫作是充滿創造性的，無論在選材和形式上都千變萬化。在寫作訓練中，學生的觀察力、思考力、聯想力、想像力、記憶力等，都能得到有效的鍛煉。 本研究計劃是利用「引導幻想」寫作教學，提升學生在寫作方面的創造力為目的。研究對象為小四學生，研究主要以前後測寫作、問卷和訪談來蒐集資料。通過評估學生的寫作，探討利用「引導幻想」寫作教學的方法對提升學生創造力思維的成效，以及學生寫作態度的改變。 經過教學實踐，結果發現實驗組學生在寫作的流蜴性、變通性和獨創性都比之前進步。學生都表示喜歡進行「引導幻想」的寫作活動，認為對構思寫作內容有幫助，而且比平日寫作更容易下筆、寫作內容更有趣、花的時間更少。學習態度也較主動、積極。另一方面，學生在寫作上有更深入的參與，喜歡與同儕交流分享寫作內容，從而得到較新的刺激和較多的樂趣。課堂的學習氣氛也更輕鬆愉快，更多的互動、更多的笑聲、更多創作的機會。 其實學生在寫作上並非缺乏創意，可能是教學模式的限制，以致學生未能發揮創意，教師如能從教學中加以適當的引導必能提升學生的創造力。 Teaching in writing is always
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Gunnarsson, Theresia. "Eleverna återtar historien med fantasi och berättelser om framtiden." Thesis, Södertörns högskola, Lärarutbildningen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-37304.

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The purpose of this paper is to investigate historical consciousness through how pupils perceive history as a school subject. Jörn Rüsen´s three dimensions, the political, the cognitive and the aesthetic, of history culture has been applied in order to highlight pupils communicated historical consciousness. Historical consciousness can be regarded as the impact our interpretations of our past has on our understanding of the present and expectations of the future. Characteristic of historical consciousness is historical time and story. Historical time is subjective and builds on experiences and
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Örnbielke, Marisa. "”Det är aldrig någon som sitter och läser en poesibok sådär” : En kvalitativ studie om poesins ställning i skolan samt dess möjligheter att utveckla elevers fantasi och kreativitet." Thesis, Högskolan i Jönköping, Högskolan för lärande och kommunikation, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-40646.

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Sorenson, Peter David, and peter sorenson@rmit edu au. "Signs of mid-life: images from the contemporary Australian mid-life male psyche." RMIT University. Applied Communication, 2005. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20060428.113457.

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This research project investigates images from the contemporary Australian mid-life psyche, exploring the contribution to individual transformation made through the creation of, and reflective engagement with, personal imagery. Asking the question: 'What do contemporary Australian mid-life males consider to be a rich and sustaining inner life?' This project documents the visual images, descriptions, and reflections of a group of five participants, discussing the individuals' experiences of aesthetic self-inquiry with reference to divergent theories of psychology, art therapy and ph
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Joubert, Michelle Anne. "Terry Pratchett and the Johnny Maxwell Trilogy : death, war and laughter." Diss., 2013. http://hdl.handle.net/2263/33362.

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The aim of this dissertation was to critically analyse Terry Pratchett’s Johnny Maxwell trilogy in terms of three areas, namely Pratchett’s use of various fantasy techniques; how comedy and satire function as distancing mechanisms; and how fantasy and comedy function in accordance with Erikson’s and Bettelheim’s theories concerning identity formation in adolescent and child readers. The primary aim of this dissertation was therefore to provide a literary reading of Pratchett’s trilogy, Only You Can Save Mankind (1992), Johnny and the Dead (1993) and Johnny and the Bomb (1996). However, i
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Books on the topic "Primal fantasy"

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Stuart, Giorgio Harold. Italia dei fantasmi: La prima mappa dei fantasmi. Editrice grafica l'Etruria, 1988.

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A, McCracken Robert, ed. Fantasy. Peguis Publishers, 1985.

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Lukasevich, Ann. Favorites, friendships, food, and fantasy: Literature-based thematic units for early primary. Addison-Wesley Pub. Co., 1994.

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Searle, Michael. Epic Mickey: Prima official game guide. Prima Games, 2010.

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Drew, David. El fantasma. Mimosa Publications, 1994.

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Poetry, themes & activities: Exploring the fun and fantasy of language. Heinemann, 1992.

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Parsons, Les. Poetry, themes & activities: Exploring the fun and fantasy of language. Pembroke Publishers, 1992.

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The sims 2: Prima official game guide. Prima Games, 2004.

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Space marine: Prima official game guide. Prima Games, 2011.

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The power of fantasy in early learning. Routledge/Falmer, 2001.

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Book chapters on the topic "Primal fantasy"

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"Phantasmatic Losses: National Traumas, Masculinity, and the Primal Fantasy in Walk on Water." In The Politics of Loss and Trauma in Contemporary Israeli Cinema. Routledge, 2012. http://dx.doi.org/10.4324/9780203825754-15.

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Gornykh, Andrei. "Trava-Travlya-Trata: Tarkovsky’s Psychobiography à la Lettre." In ReFocus: The Films of Andrei Tarkovsky. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474437233.003.0003.

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This chapter offers a close reading of Tarkovsky’s diary from a Lacanian perspective by focusing on the director’s recurrent use of those key words which symbolically epitomize and organize the major thematic layers of his biography and cinema as well: namely, grass (or trava in Russian), persecution from the state authorities (travlia), and expense (trata). Phonetically consonant and etymologically derived from the same root tra- (or proto-Slavic ter), these words make up a coherent cluster of signifiers (trava-trata-travlia) which are centred around the director’s primal fantasy of the house. As the author argues, the signifying constellation “trava-trata-travlia” in Tarkovsky’s diary could be viewed as a psychobiographical code to the internal dynamics of his visual imagery
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"Rethinking the primal wound, trauma and the fantasy of completeness: Adopted women’s experiences of meeting their biological fathers in adulthood." In Psychoanalysis and the Unrepresentable. Routledge, 2016. http://dx.doi.org/10.4324/9781315666655-25.

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"Fantasy and Magic." In Children's Literature in Primary Schools. SAGE Publications, Inc., 2016. http://dx.doi.org/10.4135/9781473984349.n10.

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Gentile, Jill, and Michael Macrone. "Phallic fantasy and vaginal primacy." In Feminine Law. Routledge, 2018. http://dx.doi.org/10.4324/9780429474682-14.

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Roffey, Sue. "The problem: confusing reality and fantasy." In The Primary Behaviour Cookbook. Routledge, 2018. http://dx.doi.org/10.4324/9781351188630-51.

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November, Nancy. "“Like an overly large fantasy”." In Beethoven's String Quartet in C-sharp Minor, Op. 131. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190059200.003.0005.

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Audiences at Iganz Schuppanzigh’s 1820s quartet concerts in Vienna would have expected a string quartet to be a weighty, four-movement work with an emphasis on a sonata form, thematische Arbeit (motivic working) between parts, and an overall tonal plan based on one or two primary key areas. Beethoven no doubt had such connoisseur listeners in mind with this work, but was pushing far beyond that traditional idea of the string quartet. Op. 131 is full of all sorts of different kinds of writing. The chapter explores the quartet in terms of fantasia, a word found frequently in connection with Op. 131, starting with a discussion of the free fantasia as a work exhibiting apparently chaotic musings over a highly logical ground plan. As Carl Philipp Emmanuel Bach pointed out in his influential discussion of the subject, there is method in the seeming madness of the free fantasia, especially as regards harmonic links. The chapter considers the entire work as a fantasia, exploring the clever linkage of seemingly disparate ideas within and between movements. The fantasia form might seem the opposite of the formalized string quartet genre as it was starting to be understood by Beethoven’s time, but in one important respect it was not. The free fantasia was a work for the connoisseur: as Carl Friedrich Michaelis noted in his article on music and humor of 1807, the free fantasia, in particular, reveals to the connoisseur listener the soul (or inventive repository) of the composer.
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"Au-delà du primat mimétique." In Écriture du fantasme chez Jean-Philippe Toussaint et Tanguy Viel. Brill | Rodopi, 2018. http://dx.doi.org/10.1163/9789004382824_004.

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Adams, Bella. "Environment, Justice, Aesthetics." In Karen Tei Yamashita. University of Hawai'i Press, 2018. http://dx.doi.org/10.21313/hawaii/9780824872946.003.0006.

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This essay compares the turns and costs of latter-day consumer appetite whether the Amazon as rainforest or cattle as prime foodway and as expressed in novels by Karen Tei Yamashita and Ruth Ozeki. The one, on the essay’s argument, turns upon Yamashita’s treatment of the Brazil rainforest as ecological fact-fantasy, the other on Ozeki’s pastiche of US media advertising. Both, for Adams, are to be compared as writers who bring a wariest satiric eye to how the earth’s resources risk fatal endangerment.
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Reid, Robin Anne. "The History of Scholarship on Lois McMaster Bujold’s Science Fiction and Fantasy." In Biology and Manners. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621730.003.0002.

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This chapter provides a comprehensive and chronological bibliographic survey of scholarship on Lois McMaster Bujold from 1995 onwards. The chapter is structured chronologically to show changes in the scholarship on Bujold’s work and, in addition, includes selected online articles to demonstrate that Bujold’s readers are engaged with the same issues as the academics: genre, gender politics, and feminisms. The chapter shows the broad areas of scholarly consensus that exist: primarily, the agreement that Bujold’s work subverts, reverses, or complicates the genre conventions of space opera, military sf, and medievalist fantasy. The primary area of disagreement is shown to be the question of feminism in her work. The chapter is explicitly feminist in that the scholar writing the essay is a feminist specializing in feminist and gender theories and speculative fiction who applies those intellectual frameworks in this essay. It therefore pays close attention to citation practices, and puts on record the extent to which the first work on Bujold’s science fiction and fantasy was done by women scholars working in disability, feminist, and gender studies as well as the extent to which their work makes up the majority of the current scholarship.
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Conference papers on the topic "Primal fantasy"

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Male, Alan. "Pictures of new knowledge: a dilemma of fact or fantasy." In 2nd International Conference of Art, Illustration and Visual Culture in Infant and Primary Education. Editora Edgard Blücher, 2012. http://dx.doi.org/10.5151/edupro-aivcipe-36.

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Paulino Cuenca, Jaime. "El problema de la soberanía y la tentación rojiparda." In IV Congreso Internacional Estética y Política: Poéticas del desacuerdo para una democracia plural. Editorial Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/cep4.2019.10515.

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Un fantasma recorre el pensamiento político de la izquierda, el fantasma de la soberanía. Sobre su validez se construye un debate central en torno a la idea de pueblo, patria, democracia y satisfacción de derechos. Y su abordaje refleja una pareja contrapuesta de problemas.El más elemental, y de calado teórico, refleja la crisis de los "grandes relatos" y, por extensión, de legitimación fuerte del modelo político representativo. Está crisis, característicamente postmoderna, supone la erosión de los fundamentos del sujeto político moderno. Y el desafío del mismo desde propuestas pluralistas que
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Yáñez Martínez, Mª Begoña. "Mirar hacia arriba. Investigación artística en torno a la gárgola española." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9064.

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A lo largo de los últimos años, en relación a la temática llevada a cabo en mi tesis doctoral, he ido desarrollado un proyecto de investigación artística en torno a las gárgolas españolas. No solo desde sus posibilidades expresivas como objeto de estudio en mis escritos, dibujos, cuaderno de bocetos y proyectos utópicos, sino especialmente como medio de difusión y presentación de una visión cercana de uno de nuestros tesoros escultóricos escondidos. A nivel tangible este proyecto se ha manifestado en el conjunto de ilustraciones Una Historia de Gárgolas, que ha formado parte de varias exposici
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