Relevant bibliographies by topics / Print studies

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Print studies'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Print studies.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Print studies"

1

Laing, Ellen Johnston. "Picturing Men and Women in the Chinese 1911 Revolution." Nan Nü 15, no. 2 (2013): 265–316. http://dx.doi.org/10.1163/15685268-0152p0003.

Full text
Abstract:
In the late nineteenth and early twentieth century many Han Chinese, under the leadership of Sun Yatsen (1866-1925) and others sought to overthrow the Manchu Qing dynasty. This movement culminated in the Revolution which began in October 1911 and ultimately deposed the Qing imperial household, permitting the establishment of a republican government. As the Revolution progressed, the commercial popular print business, through inexpensive lithographs and woodblock prints, provided citizens with illustrations of important events in the Revolution, as well as portraits of male and female participants. Modern commentary on these prints identifies the subjects depicted, but neglects the artistic elements. To fill this gap, this study examines the artistic aspects of these prints and reveals that the source of the compositional formats lies in well-established formulae, some of which go back to the eighteenth century. For specific portraits of male participants in particular, print designers often relied on current photographs, thus melding old and new. For representations of female military participants, print designers, mostly eschewing photographs of them, provided imaginary portraits, some of which are based on depictions of anonymous women, again, already a part of the print legacy. The prints frequently feature two military women famous at the time, one real (Cao Daoxin) and one fictional (Xu Wuying); this essay explains how and why images of them were so widespread in the popular print media.
APA, Harvard, Vancouver, ISO, and other styles
2

Box, Louise Voll. "Enlightened “Museums of Images” or Decorative Displays? Elizabeth Seymour Percy and the Eighteenth-Century Print Room." Eighteenth-Century Life 45, no. 3 (September 1, 2021): 135–57. http://dx.doi.org/10.1215/00982601-9273027.

Full text
Abstract:
In the second half of the eighteenth century, “print rooms”—created by pasting prints and paper ornaments directly onto walls—were a short-lived mode of fashionable English interior decoration. Concurrently, collections of prints continued to be bound into albums or stored in portfolios in private libraries. Although they took different forms, print rooms and print albums shared characteristics that marked them as “enlightened” cultural practices: both featured prints arranged in preconceived aesthetic or intellectual schemes that presented elite, pan-European cultural subjects, imagery, and ideas. Prints in albums or prints on walls could therefore operate as “museums of images”—each format ostensibly encouraged viewers to respond emotionally or intellectually to prints. Yet there is strong evidence to suggest that prints in print rooms and in print collections were perceived differently. This essay draws on the predominantly unpublished journals and correspondence of English collector Elizabeth Seymour Percy, first Duchess of Northumberland (1716–76), to reveal the very different ways in which she described prints in each setting. For her, albums or portfolios of prints were edifying “spaces of enlightenment,” while prints in print rooms performed merely a decorative function.
APA, Harvard, Vancouver, ISO, and other styles
3

Veselinovic, Igor, Sonja Zigic, Tanja Veljovic, Aleksandra Maletin, and Sinisa Babovic. "Lip print pattern variations in the population of Vojvodina Province, Serbia - a pilot study." Medical review 71, no. 5-6 (2018): 162–66. http://dx.doi.org/10.2298/mpns1806162v.

Full text
Abstract:
Introduction. Lip prints are considered to be an important form of transfer evidence, analogous to fingerprints, and can be very useful in forensic investigations and personal identification. Although previous studies have confirmed that lip print patterns are individual and unique for each person, they show similarities between family members, strongly indicating the possibility of inheritance pattern of lip prints. Since heredity may play an important role in lip print development, ethnic groups geographically closely located tend to share similar patterns of lip prints in comparison to more distant populations, so a characteristic lip pattern may indicate a person?s geographical and racial origin. Material and Methods. Lip prints of 211 healthy individuals (107 females and 104 males), residents of Vojvodina Province, Serbia, were analyzed and classified using the Suzuki and Tsuchihashi classification. Results. In the studied sample, type II pattern was the most common in both the upper and lower lip, being predominant in 45.85% of the studied samples. It was followed by types III, I, and IV accounting for 31.28%, 15.28% and 4.62%, respectively. The results of the current study are in accordance with the results of previous studies of European populations. The Pearson chisquare test showed a statistically significant difference between the lip print patterns in males and females. Conclusion. A comparison of lip print patterns between males and females showed a statistically significant difference, supporting the hypothesis that lip prints may be useful in sex determination.
APA, Harvard, Vancouver, ISO, and other styles
4

Vyas, Anju. "Print." Indian Journal of Gender Studies 10, no. 2 (June 2003): 373–77. http://dx.doi.org/10.1177/097152150301000215.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Vyas, Anju. "Print." Indian Journal of Gender Studies 10, no. 3 (October 2003): 517–24. http://dx.doi.org/10.1177/097152150301000314.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Timsinha, Sidarth, and Suvarna Manjari Kar. "A study on distribution and gender wise predilection of lip print pattern." Asian Journal of Medical Sciences 10, no. 4 (June 20, 2019): 61–65. http://dx.doi.org/10.3126/ajms.v10i4.23881.

Full text
Abstract:
Background: Lip prints are considered as very useful and are to be important forms of transfer evidence like finger prints. Studies have shown that even lip prints are unique for an individual and hence have the potential for personal identification. Aims and Objectives: To correlate the distribution of lip print pattern and its gender wise predominance. Material and Methods: The study comprised of 100 Nepalese medical students (50 males; 50 females). A photographic method was adopted rather than the old traditional lipstick method. The photographed lip prints were transferred into a computer to identify the character/lip print pattern. Statistical analysis was done using the SPSS (version 23.0) software package and Chi-square test was applied to evaluate the existence of correlation of lip print pattern with gender. Results: Type- II lip print pattern was frequently observed in all the four quadrants of both the sexes. This was followed by in order Type-I’>Type-I> Type-IV and Type-III lip patterns. There was a difference in gender wise distribution of lip prints. Conclusion: Further specific population based and gender specific studies on lip prints with larger sample size are required for comparison of lip prints with gender, so that a database could be created and used for representing sex differentiation.
APA, Harvard, Vancouver, ISO, and other styles
7

Colombo Timelli, Maria. "Manuscript to Print, Print to Digital." Studi Francesi, no. 190 (LXIV | I) (April 1, 2020): 150–51. http://dx.doi.org/10.4000/studifrancesi.22307.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Anju Vyas Librarian. "Print Resources." Indian Journal of Gender Studies 10, no. 1 (March 2003): 143–50. http://dx.doi.org/10.1177/097152150301000107.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Rodney Mader. "Print Culture Studies and Technological Determinism." College Literature 36, no. 2 (2009): 131–40. http://dx.doi.org/10.1353/lit.0.0047.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Levy, Evonne. "Eyewitnessed Historia and the Renaissance Media Revolution: Visual Histories of the Council of Trent." Representations 145, no. 1 (2019): 55–79. http://dx.doi.org/10.1525/rep.2019.145.1.55.

Full text
Abstract:
This essay examines the collision of Renaissance narrative or historia in the visual arts and the eyewitnessed event and the pressure put on that convergence by the dissemination of the latter in the new print media. The example discussed here is the Council of Trent, a storyless but signal event that conformed with difficulty to an ideal “historia,” and one that was often depicted after eyewitnessed scenes of the event had already been disseminated in engravings. The veracity of the scene captured in a print created new chains of media: prints led to paintings, and to more prints, and images led to written history, rather than vice versa.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Print studies"

1

Cameron, Erin Marie. "The Body in Print." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343775047.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Vandevort, Jeanine M. "Graphic print in selected elementary social studies textbooks /." abstract and full text PDF (free order & download UNR users only), 2007. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3276954.

Full text
Abstract:
Thesis (Ph. D.)--University of Nevada, Reno, 2007.
"May, 2007." Includes bibliographical references (leaves 219-254). Online version available on the World Wide Web. Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2007]. 1 microfilm reel ; 35 mm.
APA, Harvard, Vancouver, ISO, and other styles
3

Green, Charles B. "Passing into print: Walt Whitman and his publishers." W&M ScholarWorks, 2004. https://scholarworks.wm.edu/etd/1539623452.

Full text
Abstract:
Few scholars have attempted to conduct a close examination of Whitman's relationship to his publishers in the context of Leaves of Grass. In their "Typographic Yawp: Leaves of Grass , 1855--1992," Megan and Paul Benton present a minimal, but interesting examination of the typographic story of Leaves, but they ignore three of the editions and deal with author-publisher relations only superficially. Other articles examine individual editions of Leaves of Grass, but none really explore what Whitman's complicated relationships with the publishers of his time tell us about the conditions for his work and for authorship in mid-nineteenth-century America. Most studies tend to focus on Whitman's poetry, rather than on issues associated with his publication history. In his Disseminating Whitman: Revision and Corporeality in Leaves of Grass, for example, Michael Moon carefully examines various editions, but chooses to concentrate on Whitman's poetic revisions and program, rather than discussing aspects related to the publication story behind Leaves of Grass. This study will try to address this gap in Whitman scholarship and, in so doing, try to answer the following questions: Were Whitman's ambitions for his Leaves of Grass fulfilled? Did he ever reach his intended audience?
APA, Harvard, Vancouver, ISO, and other styles
4

Grunder, Sarah Lucinda. "The spectacle of citizenship: Halftones, print media, and constructing Americanness, 1880--1940." W&M ScholarWorks, 2010. https://scholarworks.wm.edu/etd/1539623342.

Full text
Abstract:
Advances in photography and conceptions of national identity proceeded side by side during the nineteenth century. The introduction of halftone reproductions marks the beginning of an information revolution and is an important moment not only in media history, but in studies of nineteenth and twentieth century cultural history and studies of national identity. Visual representation of differences between people and places was one means by which people identified and validated Americans' belonging because photographs were infused with authority: they seemed to be truthful, to provide infallible evidence of events and of people. as the nineteenth century gave way to the twentieth, and technological advances made the halftone process quick and inexpensive, men and women of the Gilded Age, Progressive Era, Jazz Age, and the Great Depression used photographs for visual storytelling in the pages of newspapers, books, journals, and magazines. Editors embraced the seeming realism of photography in their publications; halftones in print helped Americans see each other in new ways and themselves for the first time on a regular, mass-circulating basis.;"The Spectacle of Citizenship" examines how three publications and their strong-willed editors used halftones to display and distribute their views of nationhood and belonging in a period when the United States was undergoing significant changes as a consequence of industrialization, immigration, urbanization, and international military and economic crisis. Paul Kellogg, editor of "Charities and the Commons," and his brood of social justice progressives used halftones to display and include/exclude immigrants, racial minorities, and workers belying reform-minded middle class Americans claims of sympathy, understanding, and acceptance and instead riddling the journal with images that construct a sense of belonging for white, middle class Americans by explicitly identifying who did and did not belong. Joseph Medill Patterson, blue-blooded founder the "Daily News," took a British idea for photograph-based newspapers aimed at the working class and reinvented it as the nation's first tabloid. The newspaper captured Jazz Age New York City with splashy photographs emphasizing crime, scandal, celebrity, politics, and world events and invented a vision of America rooted in popular culture, patriotism, and American "values". Patterson's newspaper reinforced the hegemony of white, upper and middle class Americans, but it did so with an acceptance of rapidly changing social and cultural values in the country and the recognition of the importance of the urban working class population. C.K. McClatchy, long-time editor and publisher of the "Sacramento Bee," used photographs to reinforce the suffering and make morally-loaded pleas for federal help during the Great Depression, to demonstrate the success of New Deal Programs, and to recast almost all Californians, regardless of their origin, as representative of America and Americans. Yet McClatchy s inclusive vision was problematic: he remained fervently anticommunist; he continued to believe Asian Americans, particularly Japanese Americas, could not be assimilated; and he virtually ignored the plight of Mexican Americans in the pages of the "Sacramento Bee" during the Great Depression, despite the fact that they were a significant part of the state's population.;"The Spectacle of Citizenship" is a study of the interplay of technology, society, and culture that offers a new understanding of how notions of national identity were understood, produced, and disseminated and consumed in the late nineteenth and early twentieth centuries. This study analyzes the importance innovative editors placed on visual representations while at the same time demonstrating the necessity of contemporary scholars' understanding those images.
APA, Harvard, Vancouver, ISO, and other styles
5

Smith, Jessica E. "Content differences between print and online newspapers." [Tampa, Fla] : University of South Florida, 2005. http://purl.fcla.edu/usf/dc/et/SFE0001332.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Robertson, Kylie. "Climate change discourse in Canadian print media : A quantitative and qualitative analysis of print media from two Canadian regions." Thesis, Högskolan för lärande och kommunikation, Högskolan i Jönköping, HLK, Medie- och kommunikationsvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-42753.

Full text
Abstract:
Over the last 30 years, awareness of anthropogenic climate change has increased and quickly become the one of the most pressing issues facing our planet. Canada is both a nation that has contributed to the acceleration of the climate problem and one that aims to help address the issues through commitments to global climate accords and other accountability actions. Global journalism is both a theory and practice born of the evolution of our world into a more global collective. Climate change, as a problem that is faced by every nation in the world, is one subject matter area that has been difficult to report on in the past but more necessary than ever to discuss. It is crucial work for journalists to normalize the connections between people, places, problems, and how they are interrelated throughout the world. This thesis aims to explore the presence or absence of global journalism in two different regions of Canada: Alberta and Ontario, represented by the cities of Calgary and Ottawa. Through quantitative and qualitative analysis, articles that mention“climate change” or “global warming” over a six-month period in 2015 are collected and catalogued. The quantitative data provides a macro view of the amount and kinds of discourse taking place in each city around the topics of climate change and global warming, giving a sense of the scale and framing of the issue. Four of these articles and two headlines are then reviewed through the lens of critical discourse analysis for their choice of words, quotations, the voices that are present and absent, and the local coherence of the article. Collectively, this information is collated and reviewed to argue for the presence or absence of global journalism in the reporting. The final results should a stark difference in the representation of climate change in Calgary and Ottawa. There are promising signs of global journalism in action throughout the Calgary Herald, while the Ottawa Citizen has missed opportunities to reflect the same global perspective.
APA, Harvard, Vancouver, ISO, and other styles
7

Rafsky, Sara. "The print that binds : local journalism, civic life and the public sphere." Thesis, Massachusetts Institute of Technology, 2018. http://hdl.handle.net/1721.1/117901.

Full text
Abstract:
Thesis: S.M. in Comparative Media Studies, Massachusetts Institute of Technology, Department of Comparative Media Studies/Writing, 2018.
Cataloged from PDF version of thesis.
Includes bibliographical references (pages 149-168).
In the current political climate in the United States, much attention has been paid to the role of the press in our increasingly polarized society and to what extent it exacerbates or mends divisions. While the majority of that analysis is focused on national politics and news outlets, the role of local media and the crucial role it plays in civic life has been often neglected in the wider debate. In this thesis, I argue that local journalism is critical as a tool for informing citizens so they can be civically engaged and hold the powerful accountable, as well as keeping communities together. Methodologically, this thesis seeks to incorporate the worlds of both media theory and journalism practice. To understand the role local news plays in society, I utilize various theoretical frameworks, but particularly that of James Carey and his explanation of the "transmission" and "ritual" functions of communication. In my more expansive understanding of these theories, I suggest the transmission role encompasses the ways in which local journalism informs citizens on matters of public interest so that they can participate in democracy and keeps the powerful in check. The ritual model highlights the often-ignored but significant manner in which local media serves a vehicle for community identification and maintaining societal bonds. After explaining the decades-long economic decline of the local media industry, I survey the various projects and experiments in the fields of journalism and philanthropy that are seeking to revive or at least prevent local news outlets from disappearing. In the final chapter, which is based on my field research and uses a style of journalistic reportage rather than academic writing, I profile several new local news initiatives in West Virginia and Kentucky. While these projects are too recent to yet offer any definitive results, I conclude with some initial takeaways and a discussion of possible metrics to measure their success in the future. As a final note, I argue that the various sectors working to save the news industry from economic collapse, restore trust in the media and combat political polarization and strengthen democracy should consider focusing their efforts on sustaining local journalism as a means to address all three.
by Sara Rafsky.
S.M. in Comparative Media Studies
APA, Harvard, Vancouver, ISO, and other styles
8

Rattner, Ashley. "Embodied Abolitionism: Benjamin Lundy and the Antislavery Print Sphere." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5478.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

McGovern, Jennifer Anne. "The Captive press: captivity narratives, print networks, and regional prospects, 1838-1895." Diss., University of Iowa, 2014. https://ir.uiowa.edu/etd/6612.

Full text
Abstract:
The Captive Press argues that nineteenth-century Indian captivity narratives escaped from the expectations of the American literary marketplace through manipulations of the material text. With modern methods of production, promotion, and dissemination, captivity narratives dominated the reading public even as Native peoples were forced to submit to governmental encroachments. This study focuses on narratives produced by and about Anglo-American women whose impoverished return from captivity motivated them to write for their livelihood. The narratives of Rachel Parker Plummer, Sarah Larimer, Fanny Kelly, and Abbie Gardner-Sharp were designed to appeal to local readers who were likely to become financial sponsors through direct marketing. Later editions added para-textual material, developed textual content, and introduced illustrations such as wood engravings or photographs to increase marketability for broader audiences. By publishing captivity narratives on state presses and distributing them through regional print networks, nineteenth-century producers maintained the homegrown flavor of the genre while expanding readership beyond local boundaries. This dissertation demonstrates how, with the assistance of editors, illustrators, and publishers, these entrepreneurial women reversed their subject position to hold the popular press captive.
APA, Harvard, Vancouver, ISO, and other styles
10

Gowlett, Gerald Darren. "Perceptions of Islam in Canadian English Print Media, 1983-85, with Reference to Islamic Resurgence." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=108792.

Full text
Abstract:
This thesis will endeavour to analyse and evaluate the perceptions of Islam found in Canadian English media through a study of four daily newspapers and one national magazine during the years 1983 to 1985. It will set Canadian English media images of Islam within the context of the history of the perceptions of Islam in the West and in the context of various forms of hegemony exercised by the West over the Middle East in recent history. The thesis will review the critical literature on contemporary perceptions of Islam in Western media before undertaking a specifie study.
Cette thèse tentera d'analyser et d'évaluer les perceptions de l'Islam trouvées dans les média canadiens à travers une étude de quatre journaux quotidiens et un magazine national au cours des années 1983 à 1985. Elle tentera de placer les images de l'Islam présenteés dans les média canadiens dans le contexte de l'histoire des perceptions occidentales de l'Islam ainsi que dans le contexte des formes variées de l'hégémonie, exercées par les pays occidentaux sur le moyen oreint. Cette thèse examinera la littérature critiquant les perceptions contemporaines d'Islam présenteés dans les média occidentaux avant d'entreprendre une étude plus approfondie.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Print studies"

1

The meditative art: Studies in the northern devotional print, 1550-1625. Philadelphia, Pa: Saint Joseph's University Press, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Print in transition, 1850-1910: Studies in media and book history. Houndmills, Basingstoke, Hampshire: Palgrave, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Early African American print culture. Philadelphia: University of Pennsylvania Press, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Tubaro, Antonio. Lettering: Studies and research on the evolution of writing and print typefaces. Milan, Italy: Istituto Europeo di Design, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Small print, big risk: What no one told you about health insurance. Chennai: Oxygen Books, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

1952-, Vassilian Hamo B., ed. Armenian American almanac: An encyclopedic guide to Armenian organizations, churches, print and non-print media, libraries, Armenian studies, bookstores, Armenian schools, etc. ... 3rd ed. Glendale, CA: Armenian Reference Books, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

People get screwed all the time: Protecting yourself from scams, fraud, identity theft, fine print, and more. New York: Collins, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

D, Hall David, ed. Bibliography and the book trades: Studies in the print culture of early New England. Philadelphia: University of Pennsylvania Press, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Gomez, Jeff. Print is dead: Books in our digital age. London: Macmillan, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Balzac, Honoré de. Analytical Studies (Large Print Edition). BiblioBazaar, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Print studies"

1

Brake, Laurel. "Studies and the Magazines." In Print in Transition, 183–96. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230005709_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Brake, Laurel. "After Studies: the Cancelled Book." In Print in Transition, 213–24. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230005709_11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Csiszar, Alex. "Objectivities in Print." In Boston Studies in the Philosophy and History of Science, 145–69. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-14349-1_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Etta, Roxanne A. "Parent Preferences: e-Books Versus Print Books." In Literacy Studies, 89–101. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-20077-0_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Brake, Laurel. "The Profession of Letters: Pater’s Greek Studies and their Markets." In Print in Transition, 248–67. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230005709_13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Aliakbari, Rasoul. "Comparative Print Culture and Alternative Literary Modernities: A Critical Introduction to Frameworks and Case Studies." In Comparative Print Culture, 1–22. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36891-3_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Courage, Mary L. "From Print to Digital: The Medium Is Only Part of the Message." In Literacy Studies, 23–43. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-20077-0_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ermantraut, Eugen, Sefan Wölfl, and Hans Peter Saluz. "Generation of libraries by print technologies." In Microsystem Technology: A Powerful Tool for Biomolecular Studies, 255–64. Basel: Birkhäuser Basel, 1999. http://dx.doi.org/10.1007/978-3-0348-8817-2_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Pae, Hye K. "The Impact of Digital Text." In Literacy Studies, 209–17. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55152-0_11.

Full text
Abstract:
Abstract This chapter discusses reading on screen and in print, as the emergence of digital age has transformed our reading and attention. Digital reading reshapes the concept of reading with the use of various forms of social media that are full of acronyms and emoticons or emoji. Advantages and disadvantages of reading on screen and in print are reviewed. The effects of digitally-mediated text on information processing and reading comprehension are also discussed. Although reading online has merits, such as convenience, low cost, and easy accessibility, readers are likely to scan through an F-shaped gaze pattern. The use of digital media may have a significant influence on brain networks due to the brain’s adaptability and accommodating abilities. Digital text that includes more images and visual aids than hardcopy text may lead to more balanced brain functions. This may have implications for reduced script relativity in the future.
APA, Harvard, Vancouver, ISO, and other styles
10

Powell, Susan. "After Arundel but before Luther: The First Half-Century of Print." In Medieval Church Studies, 523–42. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.mcs-eb.4.2028.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Print studies"

1

Parker, James D. "Psychometrics for quantitative print quality studies." In Rochester, CAN-AM, edited by Ronald L. Antos and Allen J. Krisiloff. SPIE, 1991. http://dx.doi.org/10.1117/12.47776.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Lozhkin, N. A. "VISUALIZATION OF CONCEPTUAL METAPHOR AND CONCEPTUAL METONYMY IN PRINT HEADPHONE ADS." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-27.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

CHAN, Hung Tat, Yuk Nam HUNG, Kin Cheung LO, Kit Ho TONG, Ping Ling LI, and Chit Yiu CHAN. "Studies of Silver Catalyst System in Print-Circuit Board Application." In 2018 13th International Microsystems, Packaging, Assembly and Circuits Technology Conference (IMPACT). IEEE, 2018. http://dx.doi.org/10.1109/impact.2018.8625818.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Iermachkova, Olga, and Marianna Figedyová. "Сленг на газетной полосе." In Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.2.

Full text
Abstract:
The article is devoted to slangization, which is one of the most dynamic processes of the modern Russian language. Based on material of Russian print media, the reasons for introducing slang words into a journalistic style are examined, and the functions of such vocabulary in a newspaper are analyzed.
APA, Harvard, Vancouver, ISO, and other styles
5

FARIAS, Priscila Lena, Daniela Kutschat HANNS, and Catherine DIXON. "Spatializing design history: Considerations on the use of maps for studies on print culture." In 10th International Conference on Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2016. http://dx.doi.org/10.5151/despro-icdhs2016-04_009.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Iermachkova, Olga. "Языковая игра с именами собственными в газетном заголовке." In Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.1.

Full text
Abstract:
The article is devoted to the phenomenon of language game in journalistic title. Particular attention is paid to proper names (anthroponyms, toponyms, etc.), which have become the material for the formation of game titles in the print media. The purpose of the article is to determine the most productive class of proper nouns, as well as the most popular method for creating a game headline in the Russian printed edition “Kommersant” for 2019-2020.
APA, Harvard, Vancouver, ISO, and other styles
7

Qi, Jingkun. "The Phenomenon of Chinese Female Print Artists’ Creative Activities in the 13th National Exhibition of Fine Arts." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.076.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Kennedy-Karpat, Colleen. "Adaptation studies in Europe." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.02015k.

Full text
Abstract:
Adaptation is a creative process that crosses and blurs boundaries: from page to stage, from small screen to big screen – and then, sometimes, back again. Beyond questions of form and medium, many adaptations also cross national borders and language barriers, making them important tools for intercultural communication and identity formation. This paper calls for a more intensive, transnational study of adaptation across print, stage, and screens in EU member and affiliate countries. For the highest possible effectiveness, interdisciplinarity is key; as a cultural phenomenon, adaptation benefits from perspectives rooted in a variety of fields and research methods. Its influence over transnational media flows, with patterns in production and reception across European culture industries, offers scholars a better understanding of how narratives are transformed into cultural exports and how these exchanges affect transnational relationships. The following questions are proposed to shape this avenue for research: (1) How do adaptations track narrative and media flows within and across national, linguistic, and regional boundaries? (2) To what extent do adapted narratives reflect transnational relationships, and how might they help construct Europeanness? (3) How do audiences in the EU respond to transnational adaptation, and how are European adaptations circulated and received outside Europe? (4) What impact does adaptation have in the culture industries, and what industrial practices might facilitate adaptation across media platforms and/or national boundaries? The future of adaptation studies and of adaptation as a cultural practice in Europe depends on the development of innovative, comparative, and interdisciplinary approaches to adaptation. The outcomes of future research can hold significant value for European media industries seeking to expand their market reach, as well as for scholars of adaptation, theater, literature, translation, and screen media.
APA, Harvard, Vancouver, ISO, and other styles
9

Kennedy-Karpat, Colleen. "Adaptation studies in Europe." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.02015k.

Full text
Abstract:
Adaptation is a creative process that crosses and blurs boundaries: from page to stage, from small screen to big screen – and then, sometimes, back again. Beyond questions of form and medium, many adaptations also cross national borders and language barriers, making them important tools for intercultural communication and identity formation. This paper calls for a more intensive, transnational study of adaptation across print, stage, and screens in EU member and affiliate countries. For the highest possible effectiveness, interdisciplinarity is key; as a cultural phenomenon, adaptation benefits from perspectives rooted in a variety of fields and research methods. Its influence over transnational media flows, with patterns in production and reception across European culture industries, offers scholars a better understanding of how narratives are transformed into cultural exports and how these exchanges affect transnational relationships. The following questions are proposed to shape this avenue for research: (1) How do adaptations track narrative and media flows within and across national, linguistic, and regional boundaries? (2) To what extent do adapted narratives reflect transnational relationships, and how might they help construct Europeanness? (3) How do audiences in the EU respond to transnational adaptation, and how are European adaptations circulated and received outside Europe? (4) What impact does adaptation have in the culture industries, and what industrial practices might facilitate adaptation across media platforms and/or national boundaries? The future of adaptation studies and of adaptation as a cultural practice in Europe depends on the development of innovative, comparative, and interdisciplinary approaches to adaptation. The outcomes of future research can hold significant value for European media industries seeking to expand their market reach, as well as for scholars of adaptation, theater, literature, translation, and screen media.
APA, Harvard, Vancouver, ISO, and other styles
10

Wiersma, Gabrielle, and Leigh Beauchamp. "The Time has Come for eBooks, or has it?" In Charleston Library Conference. Purdue Univeristy, 2020. http://dx.doi.org/10.5703/1288284317146.

Full text
Abstract:
For many years, librarians and industry experts predicted that electronic books would surpass print books as the format of preference. The advantages that digital books provide seemed to all but guarantee the demise of print. But something happened along the way. Numerous studies during the last decade have demonstrated that print still has a place for libraries, vendors and most importantly, end users. So what’s happened – why hasn’t that time come like it has for journals? And will the “tipping point” for books ever arrive? One explanation is that eBooks have not met user expectations, but optimizing user experience when users range from students, to faculty, to librarians is a big challenge! This session included a lively discussion about the user experience for eBooks from multiple perspectives. Gabrielle Wiersma from the University of Colorado Boulder shared findings from an eBook usability study with students and asked the audience to consider the reasons why people prefer one format over another. Two graduate students shared their perceptions and format preferences and answered questions from the audience. Finally, Leigh Beauchamp, Vice President of Product Development discussed how ProQuest is making patrons the center of Ebook Central platform development and how eBooks are evolving to bring the most important elements of the print experience to digital book research.
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Print studies"

1

Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

Full text
Abstract:
The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. The most popular platform for mass information and social interaction is, first of all, network journalism, which is characterized by mobility and unlimited time and space. Authors have complete freedom to express their views in direct language, including their own word formation. Phonetic, lexical, phraseological and stylistic means of speech create expression of the text. A figurative word, a good aphorism or proverb, a paraphrased expression, etc. enhance the effectiveness of a multimedia text. This is especially important for headlines that simultaneously inform and influence the views of millions of readers. Given the wide range of issues raised by the Internet as a medium, research in this area is interdisciplinary. The science of information, combining language and social communication, is at the forefront of global interactions. The Internet is an effective source of knowledge and a forum for free thought. Nonlinear texts (hypertexts) – «branching texts or texts that perform actions on request», multimedia texts change the principles of information collection, storage and dissemination, involving billions of readers in the discussion of global issues. Mastering the word is not an easy task if the author of the publication is not well-read, is not deep in the topic, does not know the psychology of the audience for which he writes. Therefore, the study of media broadcasting is an important component of the professional training of future journalists. The functions of the language of the media require the authors to make the right statements and convincing arguments in the text. Journalism education is not only knowledge of imperative and dispositive norms, but also apodictic ones. In practice, this means that there are rules in media creativity that are based on logical necessity. Apodicticity is the first sign of impressive language on the platform of print or electronic media. Social expression is a combination of creative abilities and linguistic competencies that a journalist realizes in his activity. Creative self-expression is realized in a set of many important factors in the media: the choice of topic, convincing arguments, logical presentation of ideas and deep philological education. Linguistic art, in contrast to painting, music, sculpture, accumulates all visual, auditory, tactile and empathic sensations in a universal sign – the word. The choice of the word for the reproduction of sensory and semantic meanings, its competent use in the appropriate context distinguishes the journalist-intellectual from other participants in forums, round tables, analytical or entertainment programs. Expressive speech in the media is a product of the intellect (ability to think) of all those who write on socio-political or economic topics. In the same plane with him – intelligence (awareness, prudence), the first sign of which (according to Ivan Ogienko) is a good knowledge of the language. Intellectual language is an important means of organizing a journalistic text. It, on the one hand, logically conveys the author’s thoughts, and on the other – encourages the reader to reflect and comprehend what is read. The richness of language is accumulated through continuous self-education and interesting communication. Studies of social expression as an important factor influencing the formation of public consciousness should open up new facets of rational and emotional media broadcasting; to trace physical and psychological reactions to communicative mimicry in the media. Speech mimicry as one of the methods of disguise is increasingly becoming a dangerous factor in manipulating the media. Mimicry is an unprincipled adaptation to the surrounding social conditions; one of the most famous examples of an animal characterized by mimicry (change of protective color and shape) is a chameleon. In a figurative sense, chameleons are called adaptive journalists. Observations show that mimicry in politics is to some extent a kind of game that, like every game, is always conditional and artificial.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Print studies' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography