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Journal articles on the topic 'Print studies'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Laing, Ellen Johnston. "Picturing Men and Women in the Chinese 1911 Revolution." Nan Nü 15, no. 2 (2013): 265–316. http://dx.doi.org/10.1163/15685268-0152p0003.

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In the late nineteenth and early twentieth century many Han Chinese, under the leadership of Sun Yatsen (1866-1925) and others sought to overthrow the Manchu Qing dynasty. This movement culminated in the Revolution which began in October 1911 and ultimately deposed the Qing imperial household, permitting the establishment of a republican government. As the Revolution progressed, the commercial popular print business, through inexpensive lithographs and woodblock prints, provided citizens with illustrations of important events in the Revolution, as well as portraits of male and female participants. Modern commentary on these prints identifies the subjects depicted, but neglects the artistic elements. To fill this gap, this study examines the artistic aspects of these prints and reveals that the source of the compositional formats lies in well-established formulae, some of which go back to the eighteenth century. For specific portraits of male participants in particular, print designers often relied on current photographs, thus melding old and new. For representations of female military participants, print designers, mostly eschewing photographs of them, provided imaginary portraits, some of which are based on depictions of anonymous women, again, already a part of the print legacy. The prints frequently feature two military women famous at the time, one real (Cao Daoxin) and one fictional (Xu Wuying); this essay explains how and why images of them were so widespread in the popular print media.

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Box, Louise Voll. "Enlightened “Museums of Images” or Decorative Displays? Elizabeth Seymour Percy and the Eighteenth-Century Print Room." Eighteenth-Century Life 45, no. 3 (September 1, 2021): 135–57. http://dx.doi.org/10.1215/00982601-9273027.

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In the second half of the eighteenth century, “print rooms”—created by pasting prints and paper ornaments directly onto walls—were a short-lived mode of fashionable English interior decoration. Concurrently, collections of prints continued to be bound into albums or stored in portfolios in private libraries. Although they took different forms, print rooms and print albums shared characteristics that marked them as “enlightened” cultural practices: both featured prints arranged in preconceived aesthetic or intellectual schemes that presented elite, pan-European cultural subjects, imagery, and ideas. Prints in albums or prints on walls could therefore operate as “museums of images”—each format ostensibly encouraged viewers to respond emotionally or intellectually to prints. Yet there is strong evidence to suggest that prints in print rooms and in print collections were perceived differently. This essay draws on the predominantly unpublished journals and correspondence of English collector Elizabeth Seymour Percy, first Duchess of Northumberland (1716–76), to reveal the very different ways in which she described prints in each setting. For her, albums or portfolios of prints were edifying “spaces of enlightenment,” while prints in print rooms performed merely a decorative function.

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Veselinovic, Igor, Sonja Zigic, Tanja Veljovic, Aleksandra Maletin, and Sinisa Babovic. "Lip print pattern variations in the population of Vojvodina Province, Serbia - a pilot study." Medical review 71, no. 5-6 (2018): 162–66. http://dx.doi.org/10.2298/mpns1806162v.

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Introduction. Lip prints are considered to be an important form of transfer evidence, analogous to fingerprints, and can be very useful in forensic investigations and personal identification. Although previous studies have confirmed that lip print patterns are individual and unique for each person, they show similarities between family members, strongly indicating the possibility of inheritance pattern of lip prints. Since heredity may play an important role in lip print development, ethnic groups geographically closely located tend to share similar patterns of lip prints in comparison to more distant populations, so a characteristic lip pattern may indicate a person?s geographical and racial origin. Material and Methods. Lip prints of 211 healthy individuals (107 females and 104 males), residents of Vojvodina Province, Serbia, were analyzed and classified using the Suzuki and Tsuchihashi classification. Results. In the studied sample, type II pattern was the most common in both the upper and lower lip, being predominant in 45.85% of the studied samples. It was followed by types III, I, and IV accounting for 31.28%, 15.28% and 4.62%, respectively. The results of the current study are in accordance with the results of previous studies of European populations. The Pearson chisquare test showed a statistically significant difference between the lip print patterns in males and females. Conclusion. A comparison of lip print patterns between males and females showed a statistically significant difference, supporting the hypothesis that lip prints may be useful in sex determination.

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Vyas, Anju. "Print." Indian Journal of Gender Studies 10, no. 2 (June 2003): 373–77. http://dx.doi.org/10.1177/097152150301000215.

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Vyas, Anju. "Print." Indian Journal of Gender Studies 10, no. 3 (October 2003): 517–24. http://dx.doi.org/10.1177/097152150301000314.

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6

Timsinha, Sidarth, and Suvarna Manjari Kar. "A study on distribution and gender wise predilection of lip print pattern." Asian Journal of Medical Sciences 10, no. 4 (June 20, 2019): 61–65. http://dx.doi.org/10.3126/ajms.v10i4.23881.

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Background: Lip prints are considered as very useful and are to be important forms of transfer evidence like finger prints. Studies have shown that even lip prints are unique for an individual and hence have the potential for personal identification. Aims and Objectives: To correlate the distribution of lip print pattern and its gender wise predominance. Material and Methods: The study comprised of 100 Nepalese medical students (50 males; 50 females). A photographic method was adopted rather than the old traditional lipstick method. The photographed lip prints were transferred into a computer to identify the character/lip print pattern. Statistical analysis was done using the SPSS (version 23.0) software package and Chi-square test was applied to evaluate the existence of correlation of lip print pattern with gender. Results: Type- II lip print pattern was frequently observed in all the four quadrants of both the sexes. This was followed by in order Type-I’>Type-I> Type-IV and Type-III lip patterns. There was a difference in gender wise distribution of lip prints. Conclusion: Further specific population based and gender specific studies on lip prints with larger sample size are required for comparison of lip prints with gender, so that a database could be created and used for representing sex differentiation.

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7

Colombo Timelli, Maria. "Manuscript to Print, Print to Digital." Studi Francesi, no. 190 (LXIV | I) (April 1, 2020): 150–51. http://dx.doi.org/10.4000/studifrancesi.22307.

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8

Anju Vyas Librarian. "Print Resources." Indian Journal of Gender Studies 10, no. 1 (March 2003): 143–50. http://dx.doi.org/10.1177/097152150301000107.

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9

Rodney Mader. "Print Culture Studies and Technological Determinism." College Literature 36, no. 2 (2009): 131–40. http://dx.doi.org/10.1353/lit.0.0047.

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10

Levy, Evonne. "Eyewitnessed Historia and the Renaissance Media Revolution: Visual Histories of the Council of Trent." Representations 145, no. 1 (2019): 55–79. http://dx.doi.org/10.1525/rep.2019.145.1.55.

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This essay examines the collision of Renaissance narrative or historia in the visual arts and the eyewitnessed event and the pressure put on that convergence by the dissemination of the latter in the new print media. The example discussed here is the Council of Trent, a storyless but signal event that conformed with difficulty to an ideal “historia,” and one that was often depicted after eyewitnessed scenes of the event had already been disseminated in engravings. The veracity of the scene captured in a print created new chains of media: prints led to paintings, and to more prints, and images led to written history, rather than vice versa.

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11

Silver, Larry, and Jan Van der Stock. "Early Prints: The Print Collection of the Royal Library of Belgium." Sixteenth Century Journal 35, no. 3 (October 1, 2004): 846. http://dx.doi.org/10.2307/20477062.

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12

Potdar, Shrudha, CB Sudeep, Sneha Khanapure, HG Suhas, and MR Arjun. "Association between Cheiloscopic Patterns and ABO Blood Groups among South Indian Population." Journal of Contemporary Dental Practice 18, no. 7 (2017): 596–600. http://dx.doi.org/10.5005/jp-journals-10024-2091.

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ABSTRACT Background Human beings have few characteristics that are unique from others. Lip prints are one of such feature. They are not changed throughout the life and are not influenced by injuries, diseases, or environmental changes. According to the various antigen–antibody reactions in the bloodstream, different individuals have specific blood groups. Aim To study the distribution of lip print patterns among individuals with different ABO and Rh blood groups and also to know the relation between their characters and blood groups. Materials and methods In the present study, lip prints were collected randomly from 85 individuals, and their blood group matching was performed. This is to identify the most common lip print type and to know any association between lip print types and blood groups. Tsuchihashi's classification of lip prints was used to compare with the ABO and Rh blood grouping systems. Results It was observed that in individuals with B+, A+, and O− blood groups, predominant pattern was Type IV and individuals having blood group O+ and AB+ common lip print pattern was Type II. Conclusion This study showed strong association between lip print patterns and ABO blood groups as some blood groups were not included in statistical analysis; further studies including larger sample are essential to substantiate the results. Clinical significance Correlating lip print with blood group helps in identification of the suspects. Along with lip prints, another biological record that remains unchanged throughout the lifetime of a person is the blood group. Determining the blood group of a person from the samples obtained at the site of crime and also recovering lip prints from site can help identify a person. How to cite this article Khanapure S, Suhas HG, Potdar S, Sam G, Sudeep CB, Arjun MR. Association between Cheiloscopic Patterns and ABO Blood Groups among South Indian Population. J Contemp Dent Pract 2017;18(7):596-600.

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Kim, Jahyun. "Utilization of the Iconography of Buddhist Prints during the Joseon Dynasty—Focusing on “the Listener” in Sakyamuni Preaching Paintings." Religions 12, no. 5 (May 2, 2021): 324. http://dx.doi.org/10.3390/rel12050324.

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This paper focuses on the iconography of “the Listener” in Buddhist prints that was adopted in Joseon dynasty Sakyamuni Preaching paintings. Regarding change in the Listener iconography from bodhisattva form to monk form, diverse research has been conducted on the Listener’s identity and origin. However, existing studies are limited as they fail to consider the circumstances of the time this iconography was first adopted and trends in Joseon Buddhism. As the first Joseon print where the Listener in bodhisattva form appeared was based on a print from the Chinese Ming dynasty, and considering trends in publication of Buddhist prints in China where pictures of the Buddha preaching were used repeatedly in sutras regardless of the contents, this paper argues that the Listener should not be identified with any particular figure and examines the current state and characteristics of Joseon Buddhist paintings where the Listener appears. It also explores the possibility that the Listener’s change from bodhisattva form to monk form was driven by monk artists such as Myeongok, who were exposed to diverse iconography as they participated in creating both Buddhist paintings and prints in a situation where monks who had received systematic education gained a new awareness of iconography.

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14

Hudson, N. "Challenging Eisenstein: Recent Studies in Print Culture." Eighteenth-Century Life 26, no. 2 (April 1, 2002): 83–95. http://dx.doi.org/10.1215/00982601-26-2-83.

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15

™∞∞, ™∞∞. "Refuge 34.2 Print Copy." Refuge: Canada's Journal on Refugees 34, no. 2 (December 10, 2018): 1–162. http://dx.doi.org/10.25071/1920-7336.40640.

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Kyriakides, Christopher, Dina Taha, Carlo Handy Charles, and Rodolfo D. Torres. "Refuge 35.1 Print Copy." Refuge: Canada's Journal on Refugees 35, no. 1 (June 3, 2019): 1–91. http://dx.doi.org/10.25071/1920-7336.40675.

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17

Mussell, James. "THE PASSING OF PRINT." Media History 18, no. 1 (February 2012): 77–92. http://dx.doi.org/10.1080/13688804.2011.637666.

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18

Ferrucci, Patrick, and Chad Painter. "Print Versus Digital." Journal of Communication Inquiry 41, no. 2 (January 29, 2017): 124–39. http://dx.doi.org/10.1177/0196859917690533.

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This study utilizes textual analysis to analyze how journalists are depicted on the Netflix drama House of Cards. Through the lens of orientalism and cultivation, researchers examine how depictions of print and digital journalism would lead viewers to see digital journalists as less ethical and driven by self-gain, while also viewing technology as an impediment to quality journalism. These findings are then discussed as a means for understanding how these depictions could affect society.

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19

Vidro, Nadia. "Manuscript to Print and Print to Print: On the Transmission History of Jacob ben Asher’s Tur Orah Hayyim." Zutot 15, no. 1 (August 14, 2018): 73–93. http://dx.doi.org/10.1163/18750214-12151074.

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Abstract This article is a case study in the transition of texts from manuscript to print. It looks at all surviving manuscripts and 15th–16th-centuries printed editions of Jacob ben Asher’s ʾArbaʿah Turim, Tur Orah Hayyim. Based on a close textual investigation of Tur Orah Hayyim, chapter 428, it identifies and dates manuscript clusters, and establishes how different imprints are linked with the manuscript tradition and with each other. The article suggests that the Soncino 1490 imprint by Solomon Soncino exerted a crucial influence on the printed text of Tur Orah Hayyim. Whereas before imprints were independent and closely associated with individual manuscripts, Soncino 1490 became the archetype for all but one subsequent 15th–16th-centuries imprints, and direct dependence on manuscripts subsided.

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20

Chaudhuri, Maitrayee. "'Feminism' in Print Media." Indian Journal of Gender Studies 7, no. 2 (September 2000): 263–88. http://dx.doi.org/10.1177/097152150000700208.

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Locating the issue of feminism in the institutional context of the print media, we discover two popular versions of feminism that the media promote, a feminism of choice' and a 'traditional feminism'. At the same time, they express hostility, both covert and not-so-covert, to organised women's movements. This simultaneous cooptation and backlash is seemingly a sign of a con sensus over some of feminism's demands, such as equality, while it also perverts the agenda of feminism itself—in the interests of a newly liberalised economy and a resurgent majoritarian religious political party movement.

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21

Barber, Kathryn. "Refuge 36 (1): Print copy." Refuge: Canada's Journal on Refugees 36, no. 1 (April 25, 2020): 1–115. http://dx.doi.org/10.25071/1920-7336.40775.

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22

Eric Gardner. "Accessing Early Black Print." Legacy 33, no. 1 (2016): 25. http://dx.doi.org/10.5250/legacy.33.1.0025.

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23

Coneys, Matthew. "Pilgrimage, Print, and Performance." Journal of Medieval and Early Modern Studies 51, no. 1 (January 1, 2021): 79–104. http://dx.doi.org/10.1215/10829636-8796258.

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This article discusses three poems written in the early 1490s by the Florentine Giuliano Dati (1445–1524), a penitentiary priest at the Archbasilica of St. John Lateran in Rome: the Stazione e indulgenze di Roma (1492–93), Tractato di Santo Ioanni Laterano (1492–94), and Aedificatio Romae (1494). Composed in the popular cantare verse form, which was strongly associated with public performance, these works are an unusual example of printed guides to Rome aimed specifically at an Italian audience. Situating Dati’s cantari within the broader culture of the Roman pilgrimage, the article assesses their relationship with established textual and performance traditions and considers the pastoral motivation behind their production. In doing so, it advocates for closer attention to the permeability between ephemeral print and performance in late medieval pilgrimage and devotional culture.

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24

Belknap, Geoffrey. "The print after photography: Talbot and the invention of the “Photographic” print." Nineteenth-Century Contexts 42, no. 2 (March 13, 2020): 221–42. http://dx.doi.org/10.1080/08905495.2020.1733326.

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Williamson, Arthur, and Alastair J. Mann. "The Scottish Book Trade, 1500-1720: Print Commerce and Print Control in Early Modern Scotland." Sixteenth Century Journal 33, no. 4 (2002): 1207. http://dx.doi.org/10.2307/4144210.

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Rezek, Joseph. "The Racialization of Print." American Literary History 32, no. 3 (2020): 417–45. http://dx.doi.org/10.1093/alh/ajaa019.

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Abstract This essay reimagines the centuries-long process through which printed objects in the Anglophone world became powerfully associated with white supremacy and ideologies of racial hierarchy. It argues that the racialization of print was not inevitable but contingent, uneven, and always contested; that it continually shifted, varying widely from place to place; and that it occurred in relation to the medium’s changing associations with such other unstable social and ideological categories as class, gender, religion, and nation. The essay proposes two phases for this historical process: the establishment phase, during which the hyperelite medium of the printed codex acquired an association with white authorship in the early modern period; and the essentializing phase, during which, over the course of the late eighteenth and early nineteenth centuries, a printed book by a single author came to be understood as capable of representing the essential nature of an entire race of people. Samson Occom and Phillis Wheatley wrote during the shift between these two phases of print’s racialization. A comparative case study of Occom’s and Wheatley’s relationships to book publication suggests that early modern social and class hierarchies were more important to their navigation of the medium’s racialized dynamics than is commonly granted.

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™∞∞, ™∞∞. "Refuge 30.2 (General Issue) Print Copy." Refuge: Canada's Journal on Refugees 30, no. 2 (November 19, 2014): 1–110. http://dx.doi.org/10.25071/1920-7336.39634.

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™∞∞, ™∞∞. "Refuge 31.2 (General Issue) Print Copy." Refuge: Canada's Journal on Refugees 31, no. 2 (December 2, 2015): 1–105. http://dx.doi.org/10.25071/1920-7336.40318.

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™∞∞, ™∞∞. "Refuge 32.1 (Special Issue) Print Copy." Refuge: Canada's Journal on Refugees 32, no. 1 (May 6, 2016): 1–91. http://dx.doi.org/10.25071/1920-7336.40394.

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. "Refuge 32.2 (Special Issue) Print Copy." Refuge: Canada's Journal on Refugees 32, no. 2 (September 2, 2016): 1–99. http://dx.doi.org/10.25071/1920-7336.40419.

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™∞∞, ™∞∞. "Refuge 32.3 (General Issue) Print Copy." Refuge: Canada's Journal on Refugees 32, no. 3 (November 23, 2016): 1–156. http://dx.doi.org/10.25071/1920-7336.40435.

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™∞∞, ™∞∞. "Refuge 33.1 (Special Issue) Print Copy." Refuge: Canada's Journal on Refugees 33, no. 1 (March 23, 2017): 1–112. http://dx.doi.org/10.25071/1920-7336.40457.

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™∞∞, ™∞∞. "Refuge 33.2 (General Issue) Print Copy." Refuge: Canada's Journal on Refugees 33, no. 2 (November 3, 2017): 1–106. http://dx.doi.org/10.25071/1920-7336.40505.

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™∞∞, ™∞∞. "Refuge 34.1 (Special Issue) Print Copy." Refuge: Canada's Journal on Refugees 34, no. 1 (June 18, 2018): 3–84. http://dx.doi.org/10.25071/1920-7336.40570.

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35

Cambers, Andrew, and Kate Peters. "Print Culture and the Early Quakers." Sixteenth Century Journal 37, no. 4 (December 1, 2006): 1103. http://dx.doi.org/10.2307/20478148.

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36

Nussdorfer, Laurie. "Print and Pageantry in Baroque Rome." Sixteenth Century Journal 29, no. 2 (1998): 439. http://dx.doi.org/10.2307/2544525.

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37

Norman, Corrie, and Rose Marie San Juan. "Rome: A City out of Print." Sixteenth Century Journal 34, no. 3 (October 1, 2003): 916. http://dx.doi.org/10.2307/20061619.

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Franklin, Simon. "Three Types of Asymmetry in the Muscovite Engagement with Print." Canadian-American Slavic Studies 51, no. 2-3 (2017): 351–75. http://dx.doi.org/10.1163/22102396-05102008.

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Muscovite awareness and use of printed books both predated and extended beyond the scope of native Muscovite printing. The three types of “asymmetry” explored in this survey relate to the wider reception of print in Muscovy. The first and most widely noted is the chronological and cultural mismatch between the spread of print culture in Russia and in Western Europe. The second is the differential chronology and repertoire of local print production by comparison with the use of imported printed materials. The third – the main focus of the survey – is the phenomenon of “reverse technology transfer,” whereby West European printed materials were appropriated into manuscript culture in Muscovy. Examples are adduced from diverse and unrelated fields: medical knowledge, newspapers, and biblical illustration. Taken together, these patterns of asymmetry not only pose a challenge to “techno-determinist” approaches to the history of writing and print, but reflect a distinctive ecology of media, a distinctive set of cultural filters in the translation of print to Muscovy.

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39

Traister, Daniel E. "Old Books and New Histories: An Orientation to Studies in Book and Print Culture. (Studies in Book and Print Culture.). Leslie Howsam." Papers of the Bibliographical Society of America 102, no. 2 (June 2008): 252–54. http://dx.doi.org/10.1086/pbsa.102.2.24293739.

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Morgan, Pamela S. "The Impact of the Acquisition of Electronic Medical Texts on the Usage of Equivalent Print Books in an Academic Medical Library." Evidence Based Library and Information Practice 5, no. 3 (September 27, 2010): 5. http://dx.doi.org/10.18438/b81w4j.

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Objectives – This study examines whether acquiring a text in electronic format effects the usage of the print version of the text, focusing specifically on medical texts. Studies in the literature dealt specifically with general collections and it was not clear if they were applicable to medical collections. It was also not clear if these studies should play a role in determining whether a medical library should purchase electronic texts or whether reserve collections are still needed for print texts. Methods – Four usage studies were conducted using data from the circulation system and the electronic vendor systems. These were 1) trends of print usage; 2) trends of electronic usage; 3) a comparison of electronic usage with print usage of the same title in the reserve collection; 4) a comparison of electronic usage with print usage of the same title in the general collection. Results – In comparison to print, substantial usage is being made of electronic books. Print is maintaining a level pattern of usage while electronic usage is increasing steadily. There was a noticeable difference in the usage levels of the electronic texts as regards to the package in which they are contained. Usage of print texts both on reserve and in the general collection has decreased over time, however the acquisition of the electronic version of a medical title had little impact on the usage of the equivalent print version. Conclusion – There is a demand for medical texts in medical libraries. Electronic versions can replace print versions of texts in reserve. Further investigation is needed of current patterns of print collection usage, with particular emphasis on trends in reserve collection usage.

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Wigelsworth, Jeffrey. "Isaac Newton, Master of Print." Eighteenth Century 61, no. 4 (2020): 519–23. http://dx.doi.org/10.1353/ecy.2020.0028.

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Bolitho, Harold, and Lawrence Bickford. "Sumo and the Woodback Print Masters." Monumenta Nipponica 50, no. 1 (1995): 130. http://dx.doi.org/10.2307/2385286.

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Roper, Jonathan. "The Oxford History of Popular Print. Volume 1: Cheap Print in Britain and Ireland to 1660." Folklore 124, no. 2 (August 2013): 243–45. http://dx.doi.org/10.1080/0015587x.2013.804239.

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Kaha, C. W. "Mastering Technology: Studies in Cognitive Styles." About Campus: Enriching the Student Learning Experience 2, no. 3 (July 1997): 30. http://dx.doi.org/10.1177/108648229700200309.

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This excerpt from an article in College Teaching discusses how new technologies—because they don't respect the same subject-area boundaries as print—will compel educators to think beyond traditional subjects and shift their focus from diverse disciplines to diverse cognitive styles.

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Ecklund Farrell, Dianne. "Medieval Popular Humor in Russian Eighteenth Century Lubki." Slavic Review 50, no. 3 (1991): 551–65. http://dx.doi.org/10.2307/2499852.

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Russian lubki, or popular prints, of the eighteenth century reveal clearly an archaic premodern humor. Since 1945 much seventeenth century and early eighteenth century urban popular literature, which before existed only in manuscript books, collections of stories, and plays, has been published and has revealed a native tradition of popular humor in Russian print.' The appearance in popular prints of various characters and activities from the popular festive culture, scenes from popular theatricals, parodies of sundry rites and proceedings, and so forth attest to the fact that this culture of popular humor was thriving in the early eighteenth century.

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Shree, Madhu, and Akhlak Ahmad. "New Resources: Print and Electronic Resources." Indian Journal of Gender Studies 28, no. 2 (May 27, 2021): 330–33. http://dx.doi.org/10.1177/0971521521997967.

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Wallace, Dewey D., and Ian Green. "Print and Protestantism in Early Modern England." Sixteenth Century Journal 33, no. 4 (2002): 1178. http://dx.doi.org/10.2307/4144190.

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Hawkins, Katherine, and Audrey Curtis Hane. "Young Women's Perceptions of Print Cigarette Advertising." Women's Studies in Communication 24, no. 2 (October 2001): 169–93. http://dx.doi.org/10.1080/07491409.2001.10162433.

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MacDonald, Bertrum H., and Fiona A. Black. "Using GIS for Spatial and Temporal Analyses in Print Culture Studies." Social Science History 24, no. 3 (2000): 505–36. http://dx.doi.org/10.1017/s0145553200010282.

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In the five centuries since Gutenberg introduced printing with movable type, Western society has been thoroughly infused by print culture.This culture, a complex mosaic of numerous factors, has recently become the focus of extensive historical research.The history of print culture, frequently referred to as the “history of the book,” concerns those aspects of a society that relate to the production, distribution, and reception of printed materials, whether canonical works of literature or ephemeral items such as newspapers and handbills. Authorship, publishing, regulation, bookselling, libraries, and reading are some of the aspects examined. Because print culture permeates all of society, the study of its history has captured the interest of a wide range of researchers: an array of historians of various types and periods (e.g., social, labor, cultural, and legal historians; historians of religion and ideas; and historians of science and technology), literary scholars (of various periods and genres), sociologists, information scientists and librarians, geographers, and bibliographers, among others. As might be expected, scholars of this diversity bring a wide breadth of perspectives to the subject.

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Spurr, J. "Review: Print and Protestantism in Early Modern England." Journal of Theological Studies 53, no. 1 (April 1, 2002): 387–93. http://dx.doi.org/10.1093/jts/53.1.387.

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