Relevant bibliographies by topics / Printers, German

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Printers, German'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Printers, German.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Printers, German"

1

Anderson, Emily R. "Printing the Bespoke Book." Nuncius 35, no. 3 (December 14, 2020): 536–60. http://dx.doi.org/10.1163/18253911-03503005.

Full text
Abstract:
Abstract In 1482, Erhard Ratdolt, a prominent German printer in Venice, issued the editio princeps of Euclid’s Elements. Ratdolt experimented with the new technology of printing to overcome the difficulty in arranging geometric diagrams alongside the text. This article examines the materials and techniques that Ratdolt used in his edition of Elements including his use of vellum, gold printing, and illumination for special copies as well as his use of woodcuts, movable type, and metal-cast diagrams. Significantly, the legacy of Ratdolt’s innovations continued almost one hundred years later in subsequent editions of Elements. In 1572, Camillo Francischini printed Federico Commandino’s Latin translation and commentary, and today, there are at least two surviving copies of this edition printed on blue paper. Both printers, Ratdolt and Francischini, used the printing press to produce unique and bespoke books using material and visual cues from luxury objects like illuminated manuscripts. These case studies of Euclid’s Elements brings together the fields of art history, history of the book, and the history of geometry, and analyzes the myriad ways that printers employed the printing press in the early modern period to elevate and modernize ancient, mathematical texts.
APA, Harvard, Vancouver, ISO, and other styles
2

Reich, Philip. "Tradierende Drucker." Daphnis 47, no. 3-4 (October 4, 2019): 380–406. http://dx.doi.org/10.1163/18796583-04703014.

Full text
Abstract:
The late medieval chess books developed a specific iconographic programm. In the transfer to the incunabula by some printers of southwest Germany (Zainer, Knoblochtzer, Schönsperger), a ‘material tradition’ and a specific behaviour towards traditions is obvious. Moreover, the picture of the deviant eighth pawn is combined with the Low-German parody text Der Boiffen Orden and fool’s literature.
APA, Harvard, Vancouver, ISO, and other styles
3

Waterschoot, Werner. "Jan van der Noot among English and German Printers." Quaerendo 42, no. 3-4 (January 1, 2012): 316–21. http://dx.doi.org/10.1163/15700690-12341251.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Rose, Stephen. "The Mechanisms of the Music Trade in Central Germany, 1600–40." Journal of the Royal Musical Association 130, no. 1 (2005): 1–37. http://dx.doi.org/10.1093/jrma/fki004.

Full text
Abstract:
AbstractOne of the main challenges facing early printers and publishers of music was how to distribute their products to a dispersed, niche market. At the start of the seventeenth century there were two principal routes of dissemination in German-speaking lands: the general book trade (including the fairs at Frankfurt am Main and Leipzig) and the composer's own initiatives (whether via presentation copies, or via self-publication as pursued by Michael Praetorius, Johann Hermann Schein and Heinrich Schütz). This article traces the transactions by which music was disseminated, examines the range of music available through the book trade, and asks how booksellers and musicians negotiated the market for printed music.
APA, Harvard, Vancouver, ISO, and other styles
5

Valkema Blouw, Paul. "Printers to the 'arch-heretic' David Joris Prolegomena to a bibliography of his works." Quaerendo 21, no. 3 (1991): 163–209. http://dx.doi.org/10.1163/157006991x00183.

Full text
Abstract:
AbstractDespite the increased interest in all aspects of the Radical Reformation we are still in need of a bibliography of David Joris which might satisfy reasonable requirements. A. van der Linde's book, which presented itself as such over a century ago, is imprecise and not unnaturally entirely out of date. A new version would thus fulfil an obvious need. The reasons for which it has not yet been undertaken must be sought in the complication created by the fact that the hundreds of writings all appeared without an imprint. The dates, if indeed any are given, generally apply to the composition of the text and only coincide exceptionally with the often considerably later year of publication. All we can conclude from historical sources is that a number of his tracts were published in Deventer in about 1540 by Albert Pafraet and Dirk (II) van den Borne. In order to determine who dared to work for the arch-heretic (or, after his death, for later followers of his teaching) it is impossible to avoid a bibliographical analysis. In this manner we find the names of various of his printers and, from the years of their activity, we can deduce sufficient indications to date the publication of the writings within certain limits. This investigation shows that the first were indeed printed in Deventer, the very earliest being a treatise which has so far been ascribed to the Anabaptist Bernhard Rothmann. Thereafter David Joris gave orders for his works to be printed alternately in Antwerp, to Adriaen van Berghen, and in Deventer. After he had left for Basel he briefly applied to the services of two printers in the German-speaking area until he discovered a permanent supplier in the future university printer Ludwig Dietz in Rostock. The sectarian's death and his posthumous execution in 1559 were succeeded by a few decades of silence in the camp of his followers. In 1584, however, an edition of the Wonderboeck, entirely revised by the author, appeared and was soon followed by a series of other publications. Much previously unpublished work proved to have remained in the possession of David Joris's family. The printer, as he himself was later to admit, was Dirk Mullem in Rotterdam. When his activities came to an end in the last years of the century, other publishers took over the task.
APA, Harvard, Vancouver, ISO, and other styles
6

Tang, Tao, Julia Hurraß, Richard Gminski, and Volker Mersch-Sundermann. "Fine and ultrafine particles emitted from laser printers as indoor air contaminants in German offices." Environmental Science and Pollution Research 19, no. 9 (November 18, 2011): 3840–49. http://dx.doi.org/10.1007/s11356-011-0647-5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Johnston, Sky Michael. "Printing the Weather: Knowledge, Nature, and Popular Culture in Two Sixteenth-Century German Weather Books." Renaissance Quarterly 73, no. 2 (2020): 391–440. http://dx.doi.org/10.1017/rqx.2020.1.

Full text
Abstract:
This article analyzes two vernacular German books that offered learned guidance for how to use natural observation as a means of gaining knowledge of the weather. Published a combined seventy-seven times throughout the sixteenth century, the “Wetterbüchlein” (Weather booklet) and “Bauern Practica” (Peasants’ practica) were commercially successful and widely circulated. Printers marketed the books as being accessible to anyone and reinforced that claim in the paratextual features of the books. In text and image, these books promoted the idea that even common people could participate in the production of knowledge based on the proper observation of nature.
APA, Harvard, Vancouver, ISO, and other styles
8

Lamal, Nina. "A Transnational Newspaper Venture. Publishing an Italian Newspaper in Habsburg Vienna (1671-1700)." Quaerendo 49, no. 3 (November 8, 2019): 228–54. http://dx.doi.org/10.1163/15700690-12341448.

Full text
Abstract:
Abstract This article examines for the first time Il Corriere Ordinario, an Italian-language newspaper which appeared bi-weekly between 1671 and 1723 in Vienna. This specific newspaper title is remarkable because it was published in the Italian language in a predominantly German-speaking city. The two printers responsible for producing this periodical had recently migrated to Vienna from the Habsburg Low Countries. Despite recent advances in scholarship, acknowledging the importance of international news flows, foreign language newspaper ventures such as Il Corriere Ordinario have hitherto been largely ignored. This article investigates why this newspaper was printed in Vienna and argues that it was intended both for a local and international Italian(ate) audience. As a semi-official news bulletin of the imperial Habsburg government, it publicised foreign political news of its allies and became a useful tool in the fight against French propaganda. Using the case of this remarkable newspaper, I will demonstrate why and how political information moved across state and linguistic borders.
APA, Harvard, Vancouver, ISO, and other styles
9

Freudenthal, Gad. "Court Jews, Printers, Book Publishing, and the Beginning of the Haskalah in the German Lands: The Life History of the Wulffian Printing Press as a Case-Study." European Journal of Jewish Studies 12, no. 1 (April 5, 2018): 1–55. http://dx.doi.org/10.1163/1872471x-11211040.

Full text
Abstract:
Abstract This article presents the history of a printing press that operated at several places near Berlin during the first half of the eighteenth century, culminating in the epoch-making reprinting of Maimonides’ Guide of the Perplexed in 1742. The press was established in Dessau in 1694 by the court Jew Moses Wulff (1661–1729), and was run by several printers, notably the convert Israel b. Abraham (fl. 1715–1752). Using the trajectory of the Wulff press as a case study, I examine the relations between scholars, patrons of learning (especially court Jews), printers, and book publishing. The inquiry will highlight the considerable role that court Jews played in shaping the Jewish bookshelf, notably by choosing which books (reprints and original) would be funded. Surprisingly perhaps, although court Jews were in continuous contact with the environing culture, they did not usually favor the printing of non-traditional Jewish works that would favor a rapprochement.
APA, Harvard, Vancouver, ISO, and other styles
10

Haxen, Ulf G. "Rom – den hebraiske bogs vugge." Fund og Forskning i Det Kongelige Biblioteks Samlinger 56 (March 3, 2017): 79. http://dx.doi.org/10.7146/fof.v56i0.118929.

Full text
Abstract:
Ulf G. Haxen: Rome – Cradle of the Hebrew Book The Royal Library in Copenhagen has, throughout the twentieth century, received two substantial collections of Hebraica and Judaica. In 1933 the library acquired the private library of chief rabbi and professor David Simonsen, which amounted to an impressive 40,000 manuscripts, books and correspondence of scholarly importance. Dr. Lazarus Goldschmidt escaped Nazi Germany in 1938 and managed to bring his 2,500 volumes of Hebraica and Judaica, including 43 immaculate and well preserved incunables, safely to London. His entire collection of rare Hebrew books was purchased by the Royal Library for a moderate sum in 1949 because Goldschmidt was “honoured to have his books incorporated in Bibliotheca Simonseniana.”Both scholars were recognised authorities in their own right, Simonsen as philologist in Semitics and specialist in Jewish booklore, and Goldschmidt as a renowned bibliophile and connoisseur of 15th century Hebraic incunables. His 46 rare incunables were eventually listed in Victor Madsen’s catalogue of incunables (1935–1963).The art of printing was born c.1455 in Mainz (Germany) with Johan Gutenberg’s printed edition of the bible. Among scholars it was generally believed that migrating Christian and Jewish apprentices carried the revolutionising “black art” of printing from Mainz to Spain and Italy. Coincidentally enough, the first two dated Hebrew works appeared in print thirty years after Gutenberg in the exact same year in southern and northern Italy respectively: these being the Rashi commentary on the Jewish bible issued 17th February 1475 in Reggia di Calabria and printed by Abraham Garton ben Isaac, and the Arba’ah turim in Piove di Sacco near Venezia published by Meshullam Cusi on 3rd July 1475.These two books were for a long time considered to be the first books printed with Hebrew types. The famous Christian scholar of Hebraica, Giambernardo de Rossi, who was the fortunate owner of the allegedly “first” cradle book from Reggia, subsequently published the first census of Hebrew incunables in Annales hebraica-typographica saeculi XV (1795). The scene was thus set for the future scholarly research of the undated incunables labelled “Roma, ante 1480” (Rome, before 1480) by de Rossi. The present essay discusses five of these incunables, all of which are described in Victor Madsen’s catalogue as printed in “Roma, ante 1480”; an approximated date which needs correcting. David Simonsen refers in passing to “the three printers of Rome” viz. Obadiah, Menasseh and Benjamin, as supposedly having been active in a printing press in Rome. The incunable with Salomon ben Abraham ibn Aderet (Raschba) Teschubot sche’elot. (“Answers to Questions”) dated “before 1980” is a case in point (#4332 in Victor Madsen’s catalogue), furnished with an earlier approximate publishing date c.1469–1472 no. 55 in the Offenberg census (1990) and eventually with REX online catalogue Inc. Haun in 2015.The best known printing press in Rome was created by the two German printers Conrad Sweynheym & Arnold Pannartz who established their first workshop at Santa Scolastica at Subiaco in the Sabine Mountains outside Rome in 1464, where they published several unique Latin works and introduced a Greek typeface. In 1467 they moved the press to the city of Rome in order to get closer to the reading and profitable public. In 1467 they moved the press to Rome in order to get closer to their reading public – and their profits. Here they were privileged to be housed in Palazzo Massimo by the proprietors Pietro and Francesco Massimo. What is more, they began working under the patronage of the respected humanist Giovanni Andrea Bussi, who was editor in charge.It is safe to conjecture that the Hebrew press was born in this milieu, as indeed suggested by Edwin Hall: “… a casual remark of Bussi in the preface to the Latin Bible hints at a possible connection between Sweynheym and Pannartz and what are thought to be the earliest printed books in Hebrew. These books, which contain no indication of date or place of printing, are the work of obscure printers named Obadiah, Manasseh, and Benjamin de Roma and constitute the most primitive surviving examples of printing in Italy.”I thank Dr. Ann Brener, Specialist in the Hebraic Section at the Library of Congress for supplying additional bibliographic references.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Printers, German"

1

Schug, Dieter. "German-Language Printers in the United States from 1780 to 1801: A Study in Cultural Leadership." W&M ScholarWorks, 1998. https://scholarworks.wm.edu/etd/1539626177.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Giselbrecht, Elisabeth Anna. "Crossing boundaries : the printed dissemination of Italian sacred music in German-speaking areas (1580-1620)." Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283907.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Schlothan, Betty L. "Intriguing Relationships| An Exploration of Early Modern German Prints of Relic Displays and Reliquaries." Thesis, University of California, Riverside, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1543222.

Full text
Abstract:

A group of early modern German prints related to relic displays, reliquaries, and collecting, though explored by Heinrich Otte in the mid-1800s, has been ignored in recent art historical literature. Though references to the various prints appear in texts on social, cultural, and religious history, a more in-depth consideration of the works is warranted. This thesis, as a preliminary step, categorizes the prints into two sub-groups, narrative and index. It further utilizes the intriguing relationships embodied in the prints to trace societal and cultural changes, including the rise of event reporting, collecting and organization of knowledge, and changes in religious practices.

APA, Harvard, Vancouver, ISO, and other styles
4

Upper, Lauren Elizabeth. "Printing colour in the age of Durer 'Chiaroscuro' woodcuts of the German-speaking lands, 1487-ca. 1600." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608045.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Remond, Jaya Marie-Paule. "The Kunstbüchlein: Printed Artists' Manuals and the Transmission of Craft in Renaissance Germany." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11676.

Full text
Abstract:
The dissertation studies sixteenth-century German artists' manuals (Kunstbüchlein), a new kind of book that addresses certain types of artistic practices. The Kunstbüchlein testify to and shape transformations of knowledge in early modern Europe. Disseminating practical knowledge in printed form, they endowed craft know-how with a form of authority until then reserved for the liberal arts. They aimed also to reconcile theoretical and practical knowledge, what Albrecht Dürer (the crucial forerunner to the authors of the Kunstbüchlein) termed respectively Kunst and Brauch. Authors Sebald Beham, Heinrich Voghterr, Heinrich Lautensack, and Erhard Schön sought to provide accessible, useful knowledge. Focused on a limited set of topics, they pretended to be closer to practice and to respond more effectively to the needs of their apprentices than Dürer and others in their publications. In fact, the Kunstbüchlein did not mediate Brauch, but show instead what their authors understood Brauch to be. Emphasizing the hands-on acquisition of knowledge through looking, reading, and doing, the Kunstbüchlein placed the printed image, whether as schematic diagram or finished illustration, at the core of the didactic process.
History of Art and Architecture
APA, Harvard, Vancouver, ISO, and other styles
6

Leupold, Barbara. "Die Freidankausgabe Sebastian Brants Untersuchungen zum Medienwechsel einer spätmittelalterlichen Spruchsammlung an der Schwelle zur frühen Neuzeit /." Marburg : Philipps-Universität Marburg, 2007. http://archiv.ub.uni-marburg.de/diss/z2007/0131/pdf/dbl.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Huey, Caroline. "Hans Folz and the creation of popular discourse /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Dillon, Virginia. "News of Transylvania in the German printed periodicals of the Seventeenth Century, from István Bocskai to György II Rákóczi." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:714579ba-ae46-42eb-9358-67cf4113b448.

Full text
Abstract:
In the seventeenth century, news of the Transylvanian princes in weekly newspapers and biannual Messrelationen rarely comes from the principality itself, but from the cities which are the Transylvanians' allies, enemies and invaded neighbors. This thesis examines the German language periodicals of four periods: István Bocskai's rebellion against the Habsburg Emperor (1604-5), Gábor Bethlen's first march into Hungary (1619-21), György I Rákóczi's Hungarian offensive (1643-5) and György II Rákóczi's incursion into Poland-Lithuania and the subsequent Ottoman invasion of Transylvania (1657-8). Between these periods, political developments and postal improvements shift the reporting networks which carry the news of Transylvania. As a result, each prince is reported on by a different set of reporting regions altering the language of the news. Bocskai's rebellion is presented in the Messrelationen as an alliance of the unchristian Protestants and Ottomans, dependent on military success rather than political legitimacy and causing devastation in the region. This perspective continues in later periods in news from Vienna, the most consistent reporter on Transylvania, as the princes are shown to be capable of upsetting the Emperor's position in Hungary, but more feared for their association with the Ottomans. Bethlen's march is also reported on by Transylvania's allies in Prague, who present the prince with greater diplomatic importance, and supporters in Hungary, who detail the diet meetings where he is elected king, proving his legitimacy. György I's march does not benefit from a breadth of perspectives, and Vienna’s dominates the news with its concern for quick peace. György II’s invasion of Poland is largely reported from the new news centers along the Baltic, presenting him as a military commander with precedent for his claim to the Polish throne. With the Ottomans' invasion the following year, Vienna’s fears for the safety of Christendom once again dictate Transylvania’s portrayal in the news.
APA, Harvard, Vancouver, ISO, and other styles
9

Johnston, Gregory Scott. "Protestant funeral music and rhetoric in seventeenth-century Germany : a musical-rhetorical examination of the printed sources." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/27359.

Full text
Abstract:
The present thesis is an investigation into the musical rhetoric of Protestant funeral music in seventeenth-century Germany. The study begins with an exposition on the present state of musicological inquiry into occasional music in the Baroque, focusing primarily on ad hoc funeral music. Because funeral music is not discussed in any of the basic music reference works, a cursory overview of existing critical studies is included. The survey of this literature is followed by a brief discussion of methodological obstacles and procedure with regard to the present study. Chapter Two comprises a general discussion of Protestant funeral liturgy in Baroque Germany. Although numerous examples of the Divine Service in the Lutheran Church have survived the seventeenth century, not a single order of service for the funeral liturgy from the period seems to exist. This chapter provides both the social and extra-liturgical background for the music as well as a plausible Lutheran funerary liturgy based on documents from the period and modern studies. Prosopopoeia, the rhetorical personification of the dead, is the subject of Chapter Three. After examining the theoretical background of this rhetorical device, from Roman Antiquity to the German Baroque, the trope is examined in the context of funerary sermonic oratory. The discussion of oratorical rhetoric is followed by an investigation into the musical application of the concept of prosopopoeia in various styles of funerary composition, from simple cantional-style works to compositions in which the personified deceased assumes certain physical dimensions. Chapter Four includes an examination of various other musical-rhetorical figures effectively employed in funeral music. Also treated in this chapter are musica1-rhetorical aspects of duple and triple metre, where triple metre in particular, depending on the text, can be understood figuratively, metaphorically or as a combination of both. As this chapter makes clear, owing to the perceived antithetical properties of metre and certain figures, musical rhetoric was often used to illustrate the distinction between this world and the next.
Arts, Faculty of
Music, School of
Graduate
APA, Harvard, Vancouver, ISO, and other styles
10

Terjesen, Lori Ann Martin. "Collecting the Brücke: Their Prints in Three American Museums, A Case Study." Case Western Reserve University School of Graduate Studies / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=case1291164225.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Printers, German"

1

Die ersten deutschen Buchdrucker in Paris um 1500. Paderborn, Germany: Bonifatius, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

A German printer. New York, NY: P. Bedrick Books, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Stockmann-Hovekamp, Christina. Untersuchungen zur Strassburger Druckersprache in den Flugschriften Martin Bucers: Graphematische, morphologische und lexikologische Aspekte. Heidelberg: Winter, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

P, Earnest Corinne, and Rosenberry Edward L, eds. Flying leaves and one-sheets: Pennsylvania German broadsides, Fraktur, and their printers. New Castle, Del: Oak Knoll Press, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Stallknecht, Henrietta Estelle Roebuck. And so we find them. Baltimore, MD, U.S.A: Composed and printed by H.G. Roebuck, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Bird & Bull Press., ed. Sweynheym & Pannartz and the origins of printing in Italy : German technology and Italian humanism. McMinnville, Oregon: Phillip J. Pirages, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Giovanni, Caselli. A German printer. London: Macdonald, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Günther Zainers druckersprachliche Leistung: Untersuchungen zur Augsburger Druckersprache im 15. Jahrhundert. Tübingen: M. Niemeyer, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Trustees, British Museum, ed. German Renaissance prints 1490-1550. London: Published for the Trustees of the British Museum by British Museum Press, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Dictionary of printed circuit technology: English-German, German-English. Amsterdam: Elsevier, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Printers, German"

1

Restrepo, Margarita. "German-speaking printers and the development of music printing in Spain (1485–1505)." In Early Music Printing in German-Speaking Lands, 46–59. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315281452-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Dodd, W. J. "Voices at Home (II): From Resistance to ‘Resistenz’ in the Printed Word." In National Socialism and German Discourse, 155–86. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-74660-9_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Stolz, Michael. "“Otium et Negotium”: Reading Processes in Early Italian and German Humanism." In Reading Books and Prints as Cultural Objects, 81–106. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53832-7_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Warren, Maureen. "Gillet and Germain Hardouyn's Print-Assisted Paintings." In The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries, 81–96. New York, NY: Routledge, 2020. | Series: Routledge research in art: Routledge, 2020. http://dx.doi.org/10.4324/9781003029199-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Bachleitner, Norbert. "Illustration and the Book as Cultural Object: Arthur Schnitzler’s Works in German and English Editions." In Reading Books and Prints as Cultural Objects, 209–29. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53832-7_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Murschetz, Paul Clemens, and Mike Friedrichsen. "Does Online Video Save Printed Newspapers? Online Video as Convergence Strategy in Regional Printed News Publishing: The Case of Germany." In Digital Transformation in Journalism and News Media, 115–28. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-27786-8_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Dobozy, Maria. "German Single-leaf Prints as Multi-media Objects. Texts, Images, and Performance Potential, 1529–1530." In Diz vliegende bîspel, 185–200. Göttingen: V&R unipress, 2020. http://dx.doi.org/10.14220/9783737011570.185.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Kaźmierczak, Joanna. "Who is who in God’s pasture: functions of the motif of the Good Shepherd in German prints in the first half of the 16th century." In Arts, Portraits and Representation in the Reformation Era, 27–38. Göttingen: Vandenhoeck & Ruprecht, 2019. http://dx.doi.org/10.13109/9783666552496.27.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Siegert, Reinhart. "The Greatest German Book Success Of The Eighteenth Century. Rudolph Zacharias Becker’S “Noth- Und Hülfsbüchlein” (1788/1798) As The Prototype Of Printed Volksaufklärung And Its Dissemination In Europe." In Crossing Borders, Crossing Cultures, edited by Massimo Rospocher, Jeroen Salman, and Hannu Salmi, 245–64. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110643541-015.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

"The Aristocracy of Labor: The Printers' Union, IG Druck Uno Papier (written with Thomas C. Ertman)." In The Politics of West German Trade Unions, 387–438. Routledge, 2016. http://dx.doi.org/10.4324/9781315625027-15.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Printers, German"

1

Balzer, J. C., M. Weidenbach, S. F. Busch, and M. Koch. "3D printed waveguides for 120 GHz." In 2016 German Microwave Conference (GeMiC). IEEE, 2016. http://dx.doi.org/10.1109/gemic.2016.7461540.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Hardock, Andreas, and Christian Schuster. "Using coupled vias for band-pass filters in multilayered printed-circuit boards." In 2015 German Microwave Conference (GeMiC). IEEE, 2015. http://dx.doi.org/10.1109/gemic.2015.7107759.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Nikfalazar, M., C. Kohler, D. Kienemund, A. Wiens, Y. Zheng, M. Sohrabi, J. R. Binder, and R. Jakoby. "Frequency extension of the fully printed phase shifter by paste composite optimization." In 2015 German Microwave Conference (GeMiC). IEEE, 2015. http://dx.doi.org/10.1109/gemic.2015.7107774.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Schuster, Christian, Alex Wiens, Martin Schussler, Rolf Jakoby, Christian Kohler, and Joachim R. Binder. "Tunable lumped-element-filter for RF power applications based on printed ferroelectrics." In 2016 German Microwave Conference (GeMiC). IEEE, 2016. http://dx.doi.org/10.1109/gemic.2016.7461597.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Lomakin, K., M. Sippel, G. Gold, J. Frohlich, K. Helmreich, M. Ankenbrand, and J. Franke. "Low reflective aerosol Jet printed broadband matched load up to 67 GHz." In 2018 German Microwave Conference (GeMiC). IEEE, 2018. http://dx.doi.org/10.23919/gemic.2018.8335109.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Menzel, Wolfgang, and Jawad Al-Attari. "Suspended Stripline Filters Integrated with Standard Multilayer Printed Circuit Boards." In 2009 German Microwave Conference (GeMIC 2009). IEEE, 2009. http://dx.doi.org/10.1109/gemic.2009.4815904.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Pudova, A. V., T. M. Zimina, and I. V. Mandric. "Printed disposable electrochemical sensor for biomedical applications." In XIV RUSSIAN-GERMANY CONFERENCE ON BIOMEDICAL ENGINEERING (RGC-2019). AIP Publishing, 2019. http://dx.doi.org/10.1063/1.5121977.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Rudakova, Zh I. "On some features of punctuation design texts of the early german printed newspapers." In Global science. Development and novelty. SPC "LJournal", 2019. http://dx.doi.org/10.18411/gdsn-28-02-2019-18.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Grab, M., S. Frenzel, A. Baumann, H. Kramer, T. Fabry, S. Peter, M. Pichlmaier, N. Haas, C. Hagl, and N. Thierfelder. "Development and Evaluation of 3D-Printed Aortic Phantoms for Multimodal Patient-Specific Therapy Planning." In 48th Annual Meeting German Society for Thoracic, Cardiac, and Vascular Surgery. Georg Thieme Verlag KG, 2019. http://dx.doi.org/10.1055/s-0039-1678907.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Alkassar, M., M. Schöber, R. Cesnjevar, G. Pia, and S. Dittrich. "Evaluation of Cinematic Rendering in Mixed Reality Holograms Compared to 3D-Printed Models and Their Value for Preoperative Planning of Congenital heart Surgery." In 52nd Annual Meeting of the German Society for Pediatric Cardiology. Georg Thieme Verlag KG, 2020. http://dx.doi.org/10.1055/s-0040-1705529.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Printers, German' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography