Relevant bibliographies by topics / Printing, Arabic

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Printing, Arabic'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "Printing, Arabic"

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Khayat, M. G. "Printing Arabic text using dot matrix printers." Software: Practice and Experience 16, no. 2 (February 1986): 165–72. http://dx.doi.org/10.1002/spe.4380160207.

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Schwartz, Kathryn A. "THE POLITICAL ECONOMY OF PRIVATE PRINTING IN CAIRO AS TOLD FROM A COMMISSIONING DEAL TURNED SOUR, 1871." International Journal of Middle East Studies 49, no. 1 (January 20, 2017): 25–45. http://dx.doi.org/10.1017/s0020743816001124.

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AbstractThis article examines the political economy of Cairo's emerging Arabic private printing industry during the third quarter of the 19th century. I use the constituent texts of the industry to demonstrate that it developed upon the speculative model of commissioning, whereby individuals paid printers to produce particular works of their choosing. Commissioning indicates that Egyptian private printing grew from local traditions for producing handwritten texts. Nevertheless, print commissioning differed from manuscript commissioning by requiring individuals to assume great financial risk. I explore the nature and implications of this divergence through a treatise published in 1871 by Musa Kastali, a particularly prolific printer who helped to professionalize Cairene printing. Musa's treatise details his legal battle with a famous Azhari commissioner, and is unique for describing a printer's business practices. It demonstrates the importance of situating printings within their socioeconomic contexts in addition to their intellectual ones, a task which cannot be done without an appreciation for the functioning of the printing industry at a local level.
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Feodorov, Ioana. "The Arabic Book of the Divine Liturgies Printed in 1745 in Iași by Patriarch Sylvester of Antioch." Scrinium 16, no. 1 (October 19, 2020): 158–76. http://dx.doi.org/10.1163/18177565-00160a13.

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Abstract The following article focuses on a printed text of the Arabic Book of the Divine Liturgies, produced in 1745 in Iași (Jassy), capital of Moldavia, by Sylvester, the Patriarch of the Greek-Orthodox Church of Antioch (1724-1766), which is comprised, together with a section of a Syriac and Arabic manuscript commentary on some Gospel passages, in MS 15 of the library of Dayr Sayyidat al-Balamand (near Tripoli, Lebanon). It is a rare copy of this early Arabic printed book, whose existence was recently established. The study encloses an outline – based on Romanian, Greek and Arabic sources – of Patriarch Sylvester’s printing activity in Iași and Bucharest in 1745-1747, a description of the Book of the Divine Liturgies (Iași, 1745) preserved in the Balamand codex, and comments on the value of this finding for future research on the printing work carried out in the Romanian Principalities, in 1701-1747, for the Arabic-speaking Christians of Ottoman Syria.
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Roper, Geoffrey. "Arabic printing and publishing in England before 1820." British Society for Middle Eastern Studies. Bulletin 12, no. 1 (January 1985): 12–32. http://dx.doi.org/10.1080/13530198508705404.

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Salih, Sardar O. "Kurdish- Arabic Text in Computer with Non-Standards, Challenges and Recommendations." Academic Journal of Nawroz University 9, no. 1 (March 4, 2020): 134. http://dx.doi.org/10.25007/ajnu.v9n1a584.

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This paper determines challenges when using Kurdish-Arabic script (Kurdish and Arabic characters) with computer. Any written script in computer passes in three steps, started from input characters (creating characters), store created characters (encoding) and displaying characters on screen or printing on printer. In Kurdish-Arabic written system (Central Kurdistan) challenges occur on these three steps, as a result, there is not standard (compatible issue) for Kurdish-Arabic script, such as keyboard layout (position of characters and ordered on board) (input issue), encoding for storing script and fonts to displaying Kurdish-Arabic script when using Arabic based keyboard. This research tries to find issues with cases while using this script and proposed recommendations which help to reduce these challenges.
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Abu Eid, Mohammed. "A Linguistic Study of Contemporary Efforts of Arabic Spelling (Orthography) System." Journal of Arts and Social Sciences [JASS] 6, no. 3 (December 1, 2015): 121. http://dx.doi.org/10.24200/jass.vol6iss3pp121-133.

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This study aims at investigating the contemporary efforts of Arabic writing system from a linguistic perspective. The study is distinguished from previous studies by treating the writing system as a linguistic one with its own linguistic features. Thus, the study has revealed the consonant feature of Arabic writing and its relation to derivation, inflection, and dialectal variation. Therefore, the researcher concludes that proposals of replacing Arabic alphabet by Latin alphabet or modification of Arabic orthography are non-linguistic which are related to contemporary issues like learning, the printing, translation and culture. These efforts should have examined Arabic writing as a representative of a linguistic system. Consequently, the researcher concludes that Arabic orthography system can preferably represent the linguistic system
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Al-Matar, O. A., A. S. Al-Otaibi, H. Q. Darwish, and N. A. Al-Ghurair. "A Bilingual Braille Book-Printing System in Kuwait." Journal of Visual Impairment & Blindness 91, no. 6 (November 1997): 564–70. http://dx.doi.org/10.1177/0145482x9709100608.

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The Kuwait Institute for Scientific Research developed a bilingual (Arabic-English) computerized braille-printing system for students who are blind at the Kuwait Special Schools. This article discusses the functions and structure of the programs supporting these functions and the experiences in implementing the system.
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Dobronravin, Nikolai. "Design Elements and Illuminations in Nigerian “Market Literature” in Arabic and ʿAjamī." Islamic Africa 8, no. 1-2 (October 17, 2017): 43–69. http://dx.doi.org/10.1163/21540993-00801001.

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“Market literature” in Arabic and ʿAjamī is a particular variety of West African Islamic book culture, which is especially strong in northern Nigerian states. Arabic-script “Nithography” (by analogy to Nollywood, the modern Nigerian film industry) represents a unique phenomenon, although it is reminiscent of the nineteenth-century Islamic lithography in the Middle East. Nigerian “market literature” in Arabic and ʿAjamī has mostly followed the pre-colonial manuscript tradition of Central Sudanic Africa, including writing styles, colophons and glosses. In contrast to Middle Eastern book culture, Nigerian typeset printing largely preceded the era of offset. The innovative elements of offset book design in Nigeria and further perspectives of “Nithography” in Arabic and ʿAjamī are discussed.
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Akhmadullin, Mars L. "Typography of the Arabic Alphabet System." ICONI, no. 2 (2019): 20–28. http://dx.doi.org/10.33779/2658-4824.2019.2.020-028.

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Many archival and museum artifacts of print production published in Ufa, Kazan and Orenburg were typeset with Arabic fonts. Relying on these sources, the author of the article arrives at the conclusion that in the printing offi ces of the examined area the functions of the designers and layoutmakers were carried out by the mastertypesetter who was in command of the rules for fi ling a sheet. Here not only the skill and experience of the typesetter were revealed, but also his ability to follow the requisites of preservation of certain traditions. On the basis of the facts presented in the article, it is logical to assert that by the end of the 19th century there existed almost a century-long tradition of typographic culture in the aforementioned region.
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Reinhart, A. Kevin. "Arabic on the Macintosh: Overview and Review." Middle East Studies Association Bulletin 26, no. 2 (December 1992): 159–66. http://dx.doi.org/10.1017/s0026318400025621.

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The Golden age of printing for Islamicists surely was the 19th century, when skilled European and occasionally Middle Eastern and Indian typesetters, could compose in as many fonts as an author could write. One reads Goldziher’s Die Zāhiriten with envy, not only for the meticulous transliterated Arabic and generous footnotes at the bottom of the page, but for the extensive Arabic quotations inserted into the text and notes. Since few of the Arabic texts he cited had been published, Goldziher provided his readers with his evidence in the original. Those were the days; and a new golden age for Islamicists may be upon us. With computers, not only footnotes on the page but transliteration and multiscript publishing are suddenly feasible and even simple.The items discussed below take advantage of the flexibility of the Macintosh system to let even casual computer users produce Arabic. These programs make it possible for anyone easily to produce text in Islamic script (Arabic, Persian, Ottoman, Urdu, etc.) in camera-ready form.
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Dissertations / Theses on the topic "Printing, Arabic"

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Al-Ansari, Banan Ahmed. "Interrelated Histories, Practices, and Forms of Communication: Using Arabic Calligraphy to Learn Arabic Typography." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc804911/.

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In this self-study inquiry, I studied my graphic design practice in a professional setting, focusing on my Arabic typographic skills and knowledge. My roles as researcher and design educator indivisibly intertwined throughout this research. I worked to understand the value of calligraphy in art and design education, highlighting its power as an art form while also emphasizing its pedagogical potentials. I utilized two theoretical approaches suited to investigating and understanding the Arabic letters as text and image, Ibn Arabi’s science of letters, or 'ilm al-hurûf, and semiotics. I applied my theoretical framework to three distinctive artworks to investigate their uses of the Arabic letters, contemplating their roles in modern and contemporary Arab art. Essential to my research was learning Arabic calligraphy through two approaches: 1) I attended a calligraphy workshop, and 2) I conducted three self-study experimentations. I analyzed my experience through visual representations, commentary, and narrative inquiry to assess Arabic calligraphy’s significance for graphic design education. As such, my experimentations confirmed Arabic calligraphy’s aesthetic and educational value. I employed my findings to create a contemporary Arabic typography curriculum suitable for university-level students. This curriculum is built on learning theories such as visual culture analysis, semiotics, constructivist theory, play principles, and critical thinking, aiming to situate Arabic calligraphy as a modern learning model significant for typography education. Finally, I constructed a basic course for Arabic typography to support students’ development of Arabic typography fluency.
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Halft, Dennis [Verfasser]. "The Arabic Vulgate in Safavid Persia : Arabic Printing of the Gospels, Catholic Missionaries, and the Rise of Shīʿī Anti-Christian Polemics / Dennis Halft." Berlin : Freie Universität Berlin, 2017. http://d-nb.info/1126645893/34.

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Osborn, J. R. (Wayne). "The type of calligraphy : writing, print, and technologies of the Arabic alphabet /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3304007.

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Thesis (Ph. D.)--University of California, San Diego, 2008.
Title from first page of PDF file (viewed June 13, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 353-375).
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Hsü, Cheng-hsiang. "The first thirty years of Arabic printing in Egypt, 1238-1267 (1822-1851) : a bibliographical study, with a checklist by title of Arabic printed works." Thesis, University of Edinburgh, 1985. http://hdl.handle.net/1842/26627.

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The study of the cultural history of Egypt during the first half of the nineteenth century has, up to now, been hampered by a lack of a complete list of publications printed in Arabic-character. The most complete bibliography for the period covering Muhammad cAli's reign (1805-1848) lists some 304 publications. The aim of this thesis is to produce as complete a list of works printed in the first three decades of indigenous Arabic printing in Egypt (1822-1851), as is possible., in the hope that it-will serve as the basis for a definitive catalogue of Arabic-character printed works for the period. To this end 570 separate works/editions have been established and annotated with reference to the sources in which they are cited. The thesis is divided into three parts, the first offering a brief account of printing and publishing activities of the period under study, while the second part consists of the bibliography of the 570 works which are known to have appeared in this period. The third part of the thesis contains various tables of statistical information showing the general trends in publication by various criteria, laid out according to language (Arabic, Turkish or Persian), subject matter (philosophy, religion, social sciences, language, pure and applied sciences, literature, or history/geography), and the nature of the work (contemporary writing, translation or classical). Information as to the editions, contents of the works, volumes/parts, pages, price, print-runs (including copies printed and copies sold and/or distributed) are given in as complete a form as possible.
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Roper, Geoffrey. "Arabic printing in Malta 1825-1845 : its history and its place in the development of print culture in the Arab Middle East." Thesis, Durham University, 1988. http://etheses.dur.ac.uk/1550/.

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LEONETTI, ARIANNA. "Comunicare la fede: il fondamentale contributo della tipografia francescana di Gerusalemme (1847-1947). Un secolo di storia." Doctoral thesis, Università Cattolica del Sacro Cuore, 2021. http://hdl.handle.net/10280/102930.

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Il primo secolo di storia della Franciscan Printing Press, tipografia francescana nata a Gerusalemme nel Convento di San Salvatore nel 1847, è stato suddiviso in quattro fasi, corrispondenti alle quattro parti della tesi di dottorato "Comunicare la fede: il fondamentale contributo della tipografia francescana di Gerusalemme (1847-1947). Un secolo di storia". La parte iniziale (che copre il triennio 1847-1850) è dedicata alle intricate vicende che hanno portato alla fondazione della stamperia, dal ristabilimento del Commissariato Generale di Vienna fino alla pubblicazione del primo vero volume, un Catechismo in arabo ed in italiano ad uso dei fedeli di Terra Santa del 1847. La seconda sezione si concentra su un periodo enormemente innovativo (1850-1879) e, al tempo stesso, gravemente critico. Dopo una ricognizione circa i nuovi strumenti in uso nell’officina (dal torchio d’accidente a quello litografico, passando per la creazione di un laboratorio per la fusione di caratteri tipografici), sono stati analizzati i nove anni (1865- 1874) più incerti della stamperia, in cui i francescani rischiarono a più riprese di perdere il possesso dell’officina. La terza sezione racconta una fase, quella tra 1879 e 1898, più tranquilla e stabile della precedente, ma non meno ricca di avvenimenti: tanti sono stati gli sforzi, in questo tempo, per disciplinare la FPP, uniformandola alle officine europee. I dati raccolti su questo periodo consentono anche una indagine della struttura sociale-culturale della Palestina di fine Ottocento. La quarta e ultima parte documenta, in fine, un periodo decisamente più lungo dei precedenti, che ha avuto inizio nel 1899 e si è concluso dopo la Seconda Guerra Mondiale, con la nascita dello Stato d’Israele. Cinquanta anni (o quasi), segnati da grandi e gravi sconvolgimenti politici, in cui la tipografia francescana è riuscita sempre a configurarsi come istituzione pacifica e costruttiva, mai polemica. Nel ricostruire i primi cento anni di attività di una tipografia che è casa editrice e insieme opera missionaria, e che ha anche il merito di essere stata la prima a stampare in arabo in tutta la Palestina, si può facilmente scadere nel racconto agiografico, nell’estremizzazione del lato sociologico. Contro il rischio di una lettura ideologica delle fonti si è quindi operata una scelta storiografica particolare, dettata dalla volontà di far parlare in prima persona gli attori che hanno vissuto concretamente tutte le fasi della stamperia francescano-gerosolimitana nel suo primo secolo di attività. Per questo motivo, all’interno della tesi, viene dato ampio spazio a due tipi di documenti, librari e archivistici (che occupano pure un’appendice dedicata in fine di ogni sezione). Per rendere più agevole la fruizione degli argomenti trattati, che coniugano la ricerca storica secondo il proprium della storia del libro, si poi è scelto di accompagnare il testo con fotografie inedite di libri, documenti d’archivio e attrezzi di stampa originali della Franciscan Press, ritrovati (tanto fortunatamente quanto fortuitamente) in un deposito sotterraneo del Convento di San Salvatore.
The first century of history of the Franciscan Printing Press, a Franciscan printing house established in Jerusalem at St. Saviour's Convent in 1847, has been divided into four phases, corresponding to the four parts of the doctoral dissertation “Communicating the Faith: the fundamental contribution of the Franciscan Printing Press in Jerusalem (1847-1947). A Century of History”. The initial part (that covers the three-year period 1847-1850) is dedicated to the intricate events that led to the founding of the printing house, from the re-establishment of the General Commissariat in Vienna to the publication of the first volume, a Catechism in Arabic and Italian for the use of the worshippers of the Holy Land in 1847. The second section focuses on an enormously innovative and critical period (1850-1879). After a survey of new and old tools used in the typography, the section focuses on nine years (1865-1874), in which the Franciscans risked several times to lose the possession of their Franciscan Printing Press. The third section covers a less complicated period, between 1879 and 1898: many efforts were made during this time to discipline the FPP, bringing it into line with European workshops. The data collected also allow an investigation of the social-cultural structure of Palestine at the end of the Nineteenth Century. The fourth and last part is focused on a longer period, started in 1899 and ended after the Second World War, with the birth of the State of Israel. Fifty years marked by great political upheavals, in which the Franciscan printing house always managed to configure itself as a peaceful and constructive institution.
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Marriner-Edwards, Cassian. "The development of fibre-reinforced ceramic matrix composites of oxide ceramic electrolyte." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:3af11d08-c0d8-429b-8eab-d2befc83ea74.

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Flammable solvents contained in liquid electrolytes pose a serious safety risk when used in lithium batteries. Oxide ceramic electrolytes are a safer alternative, but suffer from inadequate mechanical properties and ionic conductivity. Thin electrolyte layers resolve the issue of conductance, but accentuate the detrimental mechanical properties of oxide ceramics. The presented work has investigated oxide ceramic electrolyte reinforcement in composite electrolytes for all-solid-state batteries. Fabricating oxide ceramic electrolytes with engineered microstructure enabled development of a reinforced composite. This approach is based on the formation of 3D- porous ceramics via stereolithography printing of polymer templates from designed cubic, gyroid, diamond and bijel architectures. The microstructural parameters of templates were analysed and modified using computational techniques. Infiltration of the prepared 3D-porous electrolyte with polymeric-fibre reinforcement created the reinforced composite electrolyte. The prepared ceramic composite showed excellent reproduction of the template microstructure, good retention of ionic conductivity and enhanced mechanical properties. The final composite was composed of NASICON-type Li1.6Al0.6Ge1.4(PO4)3 oxide ceramic electrolyte and epoxy and aramid fibre reinforcement. The gyroid architecture was computationally determined as having the optimal stress transfer efficiency between two phases. The printed gyroid polymer template gave excellent pore microstructure reproduction in ceramic that had 3D-interconnected porosity, high relative density and the most uniform thickness distribution. The ceramic matrix porosity allowed for complete infiltration of reinforcement by aramid and epoxy forming the fibre-reinforced ceramic matrix composite. The interpenetrating composite microstructure with ceramic and epoxy gave a flexural strength increase of 45.65 MPa compared to the ceramic. Unfortunately, the infiltration procedure of aramid-epoxy reinforcement did not realise the full tensile strength potential of aramid fibres.
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Jappie, Achmat Ahdiel. "The development of the arabic essay and short story with particular reference to the contributions of Mustafā Lutfī al-Manfalūtī." Diss., 2007. http://hdl.handle.net/10500/1656.

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The dissertation firstly looks at how the Arabic essay and short story developed in Egypt since the beginning of the nineteenth century. Then a discussion follows on the life and contribution of the Egyptian author, Mustafā Lutfī al-Manfalūtī, as representative of this literary evolution. The general influences on Egyptian literature are discussed, and the general development of Arabic prose from 1850 onwards is then detailed, including the efforts to save Arabic literature from stagnation and degeneration. Following this, the focus is on the origins of the essay and short story. This leads to dealing with the growth and advancement of the essay and short story, together with the revival of the Arabic heritage and how the Arabic novel came into being. Then Mustafā Lutfī al-Manfalūtīs biography, environmental circumstances and personalities that influenced his writings are focused on. Afterwards, the core discussion is Al-Manfalūtīs seven literary works, and his ideas and opinions as reflected in his writings. In conclusion, the relevance of his writings and an appraisal of his literary contributions are detailed.
Religious Studies & Arabic
M.A. (Arabic)
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Books on the topic "Printing, Arabic"

1

Cheikho, Louis. Tārīkh fann al-ṭibāʻah fī al-Mashriq. 2nd ed. Bayrūt: Dār al-Mashriq, 1995.

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Ṭāshkandī, ʻAbbās ibn Ṣāliḥ. al-Ṭ ibāʻah al-ʻArabīyah fī al-Hind: Dāʾirat al-Maʻārif al-ʻUthmānīyah wa-dawruhā fī iḥyāʾ al-turāth al-ʻArabī al-Islāmī. [Riyadh]: Markaz al-Malik Fayṣal lil-Buḥūth wa-al- Dirāsāt al-Islāmīyah, 2000.

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Ṣakkār, Muḥammad Saʻīd. Abjadīyat al-Ṣakkār: Al-abjadīyah al-ʻArabīyah al-murakkazah : al-mashrūʻ wa-al-miḥnah : bi-munāsabat murūr rubʻ qarn ʻalá iʻlānihā, 1973-1998. Dimashq: Dār al-Madá lil-Thaqāfah wa-al-Nashr, 1998.

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Munqidh, Hāshimī Maḥmūd, ed. ʻAbd Allāh Zākhir, mubtakir al-maṭbaʻah al-ʻArabīyah. Ḥalab: Markaz al-Inmāʼ al-Ḥaḍārī, 2002.

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Munqidh, Hāshimī Maḥmūd, ed. ʻAbd Allāh Zākhir, mubtakir al-maṭbaʻah al-ʻArabīyah. Ḥalab: Markaz al-Inmāʾ al-Ḥaḍārī, 2002.

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Nadwat Tārīkh al-Ṭibāʻah al-ʻArabīyah ḥattá Intihāʾ al-Qarn al-Tāsiʻ ʻAshar (1995 Dubayy, United Arab Emirates). Nadwat Tārīkh al-Ṭibāʻah al-ʻArabīyah ḥattá Intihāʾ al-Qarn al-Tāsiʻ ʻAshar, 28-29 Jumādá al-Ūlá 1416 H, 22-23 Uktūbir/Tishrīn al-Awwal 1995 M: Al-waqāʾiʻ wa-al-buḥūth allatī ulqiyat fīhā. Abū Ẓaby: al-Majmaʻ al-Thaqāfī, 1996.

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Nakhlah, Rashshū, ed. Tārīkh al-ṭibāʻah al-ʻArabīyah fī al-Mashriq: Al-Baṭriyark Athnāsiyūs al-Thālith Dabbās 1685-1724, muʼassis awwal maṭbaʻah ʻArabīyah lughatan wa-ḥarfan fī al-Mashriq. Bayrūt: Dār al-Nahār lil-Nashr, 2008.

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marciana, Biblioteca nazionale, ed. Venezia e l'origine della stampa in caratteri arabi. Padova: Il poligrafo, 2001.

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Tārīkh al-ṭibāʻah al-ʻArabīyah fī Istānbūl wa-bilād al-Shām. al-Riyāḍ: Maktabat al-Malik Fahd al-Waṭanīyah, 2010.

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Qaddūrah, Waḥīd. Bidāyat al-ṭibāʻah al-ʻArabīyah fī Istānbūl wa-Bilād al- Shām: Taṭawwur al-muḥiṭ al-thaqāfī (1706-1787m). Riyāḍ, al-Mamlakah al-ʻArabīyah al-Saʻūdīyah: Maktabat al- Malik Fahd al-Waṭanīyah, 1993.

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Book chapters on the topic "Printing, Arabic"

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Harris, Neil. "Printing the Gospels in Arabic in Rome in 1590." In A Concise Companion to the Study of Manuscripts, Printed Books, and the Production of Early Modern Texts, 129–49. Chichester, UK: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118635261.ch7.

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"3. European Printing and Arabic." In Letters of Light, 75–101. Harvard University Press, 2017. http://dx.doi.org/10.4159/9780674978577-005.

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"Appendix 1: Annual Number of Arabic Publications from the American Press, 1836–1867." In Printing Arab Modernity, 133–35. BRILL, 2016. http://dx.doi.org/10.1163/9789004314351_008.

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"Appendix 2: List of Arabic Publications Produced at the American Press, 1836–1867." In Printing Arab Modernity, 136–38. BRILL, 2016. http://dx.doi.org/10.1163/9789004314351_009.

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"THE (RE)DISCOVERY OF ARABIC BLOCK PRINTING." In Enigmatic Charms, 21–39. BRILL, 2006. http://dx.doi.org/10.1163/9789047408529_004.

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"THE HISTORICO-RELIGIOUS CONTEXT OF ARABIC BLOCK PRINTING." In Enigmatic Charms, 7–20. BRILL, 2006. http://dx.doi.org/10.1163/9789047408529_003.

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"Mediæval Arabic Block Printing: State of the Field." In Historical Aspects of Printing and Publishing in Languages of the Middle East, 1–16. BRILL, 2014. http://dx.doi.org/10.1163/9789004255975_002.

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"Judæo-Arabic Printing in North Africa, 1850–1950." In Historical Aspects of Printing and Publishing in Languages of the Middle East, 129–50. BRILL, 2014. http://dx.doi.org/10.1163/9789004255975_007.

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El Shamsy, Ahmed. "The Beginnings of Print." In Rediscovering the Islamic Classics, 63–92. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691174563.003.0004.

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This chapter turns to the changing means of cultural reproduction: the constitution of books as physical objects through the medium of print. The print revolution, inaugurated by Johannes Gutenberg (d. 1468), was central to the cultural formation of modern Europe. Within decades of Gutenberg's death, the technology of the printing press had also arrived in Istanbul, carried by Jewish refugees from Spain. Arabic books were not, however, printed in the Middle East in significant numbers until the eighteenth century, and it was only in the nineteenth century that print came to dominate the production of Arabo-Islamic literature. After discussing early printing in the Arab world, this chapter focuses on the evolution of the publishing industry.
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"Between Local Power and Global Politics: Playing with Languages in the Franciscan Printing Press of Jerusalem." In Arabic and its Alternatives, 287–302. BRILL, 2020. http://dx.doi.org/10.1163/9789004423220_013.

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Conference papers on the topic "Printing, Arabic"

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Alrajhi, Noha A., and Hend S. Al-Khalifa. "Moving towards digital manufacturing in the Arab Region: A 3D printing workshop experience." In 2017 6th International Conference on Information and Communication Technology and Accessibility (ICTA). IEEE, 2017. http://dx.doi.org/10.1109/icta.2017.8336009.

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