Relevant bibliographies by topics / Printing of a book of music

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Printing of a book of music'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Printing of a book of music"

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Tatarinova, Larуsa. "Trends in the development of book printing and book distribution in the world's leading countries through the lens of reading problems." Вісник Книжкової палати, no. 1 (February 2, 2022): 4–10. http://dx.doi.org/10.36273/2076-9555.2020.1(282).4-10.

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The features of book distribution systems in different countries of the world are investigated. The role of book clubs and book chains in the way of a book to its reader is revealed. The leading role of the state support for book publishing is outlined. Factors of state support for book publishing and book distribution, such as creating reading development programs, facilitating the opening of new bookstores, organizing book fairs, exhibitions, festivals and other events to support the book, establishing literary prizes and competitions, replenishing library funds, protecting copyright, have b
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Dzyuba, Oleg. "Evolution of music publishing." Вісник Книжкової палати, no. 3 (March 17, 2021): 19–23. http://dx.doi.org/10.36273/2076-9555.2021.3(296).19-23.

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The article proves that the printing of music, which appeared almost at the same time as the first printed book, had a similar effect to the printed word: the information was spread faster, at a lower cost and among more people. This has greatly affected the entire music industry. Composers could now write more music for amateur performers, knowing that it could be distributed and sold to the middle class. Professional musicians could have more music in their repertoire and perform music from different countries. This increased the number of amateurs in whom professional musicians could make m
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Rinkūnaitė, Aušra. "Music Publications of the Beginning of 16th– 19th Centuries in Vilnius University Library." Bibliotheca Lituana 3 (December 22, 2014): 138–51. http://dx.doi.org/10.15388/bibllita.2014.3.15566.

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The article deals with music publications of the beginning of the 16th–19th c. – antiphonals, graduals, missals, hymnals and manuals held in the Rare Book Department of Vilnius University Library. On the basis of the extant XVIII c. manuscript catalogues of Vilnius Jesuit College Library and Library of Novitiate the publications related to music included in those catalogues are being discussed and provenances and marginalia found in them are being investigated. In addition, the article also describes anonymous manuals printed by Vilnius Academy Printing House at the end of 17th c.–18th c.: Ars
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Alaca, Ilgım Veryeri. "Flexographic Artists’ Books." Leonardo 49, no. 3 (2016): 270–71. http://dx.doi.org/10.1162/leon_a_01241.

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This article introduces experimental artists’ books created in the interstices between technology and tradition. The series of books are created by utilizing scraps produced via flexographic label printing. Each book is constituted by means of the accumulation of paper on the machine, which introduces a never-ending page structure as a result of the continuous roll, creating a swirling formation. The work is an inquiry on growth, imperfection, form and time, enriched by the impact of mechanical processes that are inherent to the creation of the book. It also investigates experimental uses of p
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Herissone, Rebecca. "Playford, Purcell, and the Functions of Music Publishing in Restoration England." Journal of the American Musicological Society 63, no. 2 (2010): 243–90. http://dx.doi.org/10.1525/jams.2010.63.2.243.

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Abstract During Purcell's lifetime the music-publishing business in England flourished, thanks mainly to John Playford. Since intellectual property rights did not yet exist, Playford and his successors were able to select music they were confident of selling, predominantly producing multicomposer anthologies of popular tunes. Composers may have benefited little from these publications so it is significant that some took the financial risk of printing their music without an established publisher's support. Analysis suggests that musical self-publication was undertaken for several quite specific
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Boorman, Stanley. "The 500th anniversary of the first music printing: a history of patronage and taste in the early years." Musicological Annual 37, no. 1 (2001): 33–49. http://dx.doi.org/10.4312/mz.37.1.33-49.

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Ottaviano Petrucci published his first book of music, the Odhecaton A, sometime in the summer of 1501, 500 years ago. Since it was the first, Petrucci faced a number of special problems. Some were financial, for he could not know how many people would buy printed music, or how many books they would want. Consequently, there was a danger that he might not sell as many books as he needed to cover his costs. A related set of problems concerned the choice of music to print: would his books be bought by professional musicians and their institutions, or by dilettantes, courtiers and amateurs? Could
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Brettler, Gideon. "Revisiting the Music-Printing Market in Seventeenth-Century Italy and the Peculiar Case of Pietro Millioni’s Guitar Books." Journal of Musicology 39, no. 1 (2022): 1–34. http://dx.doi.org/10.1525/jm.2022.39.1.1.

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This article examines the Italian music-printing industry in the seventeenth century from two distinct perspectives. The first revisits the industry’s decline and the circumstances that led to that state of affairs. The second traces the unlikely commercial success of the guitar tutors of Pietro Millioni, offering a glimpse into the inner workings of the industry. A quantitative analysis of production patterns using a newly constructed database of seventeenth-century Italian music prints provides a nuanced view of the rise and fall in output across various printing centers. Cross-referencing t
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Broude, Ronald. "To Sing Upon the Book: Oral and Written Counterpoint in Early Modern Europe." Textual Cultures 13, no. 1 (2020): 75–105. http://dx.doi.org/10.14434/textual.v13i1.30071.

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During the fifteenth century, many musici thought of counterpoint as an improvisational practice in which certain procedures were employed to produce a musical texture in which interest lay in the interplay of two or more melodic lines. The improvisational practice was called singing upon the book (cantare super librum): it required one singer to realize a pre-existing melody (called a cantus firmus) inscribed in a text while one or more other singers (called concentors), reading from that same text, devised, ex tempore, a countermelody or melodies that obeyed the rules of counterpoint with re
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Basson, Thomas. "Thomas Basson (1555-1613), English printer at Leiden." Quaerendo 15, no. 3 (1985): 195–224. http://dx.doi.org/10.1163/157006985x00180.

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AbstractSince the appearance in 1961 of the author's Thomas Basson 1555-1613: English Printer at Leiden, a number of new facts have come to light. Moreover, thirty-three new titles can be added to the checklist of Basson's publications, plus a considerable number of theses printed by Thomas Basson. This brings the total number of Basson imprints to c. 450 instead of the original 180. It is now clear, however, that all or nearly all 1585-7 Basson imprints are books or pamphlets printed for him by others. One of the interesting discoveries since 1961 is a copy of The Coniugations in Englishe and
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Huang, Zehuan. "The Book of Artists Pavel and Natalia Martynenko Hand-to-Hand Dance: The Experience of Receptive Aesthetics." Problemy muzykal'noi nauki / Music Scholarship, no. 4 (December 2023): 214–24. http://dx.doi.org/10.56620/2782-3598.2023.4.214-224.

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A book of an artist is a specific object of art presenting an authorial utterance overcoming the bounds of book-printing, in which either a text or a picture can be present. At the center of attention in the article is the book Rukopashnyi tanets. Istoriya lyubvi i sopernichestva, ob"ektivno otrazhennaya v dokumentakh i skhemakh, gde prichudlivo splelis' dva iskusstva: muzykal'no-khoreograficheskoe i voenno-rukopashnoe [Hand-to-Hand Dance. The Story of Love and Rivalry, Objectively Reflected in Documents and Schemes, in which Two Arts Have Fancifully Entwined: The Musical-Choreographic and the
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Dissertations / Theses on the topic "Printing of a book of music"

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Roper, Amelie. "The culture of music printing in sixteenth-century Augsburg." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/10831.

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In the early sixteenth century, the free imperial city of Augsburg in southern Germany played a vital role in the development of music printing with movable type north of the Alps. These technical advances impacted on the distribution of musical repertoire and placed the city's printers on a more equal footing with their Italian competitors. Taking these innovations as its starting point, this thesis examines the development of music printing in Augsburg during the sixteenth century. In addition to considering the specialist formats of choir books and partbooks, it extends the boundaries tradi
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Baker, Rebecca Dawn. "Comparing the Readability of Text Displays on Paper, E-Book Readers, and Small Screen Devices." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28390/.

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Science fiction has long promised the digitalization of books. Characters in films and television routinely check their palm-sized (or smaller) electronic displays for fast-scrolling information. However, this very technology, increasingly prevalent in today's world, has not been embraced universally. While the convenience of pocket-sized information pieces has the techno-savvy entranced, the general public still greets the advent of the e-book with a curious reluctance. This lack of enthusiasm seems strange in the face of the many advantages offered by the new medium - vastly superior storage
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Kapeller, Ulrike Sturt John. "Untersuchungen zu John Sturt's lute book." Regensburg : G. Bosse, 1988. http://catalog.hathitrust.org/api/volumes/oclc/19370549.html.

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Ahmad, Ishak Md Sidin. "Malay book publishing and printing in Malaya and Singapore, 1807-1949." Thesis, University of Stirling, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.484398.

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Rigney, Ranelle. "The hymn-book controversy of 1882." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.

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Mayo, Maxey H. (Maxey Huffman). "Techniques of Music Printing in the United States, 1825-1850." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc500510/.

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Music printing in the United States between 1825 and 1900 was in a constant state of change as older techniques improved and new processes were invented. Beginning with techniques and traditions that had originated in Europe, music printers in America were challenged by the continuous problem of efficiently and economically creating ways of transferring a music image to the printed page. This study examines the music printing techniques, equipment, and presses of the period, as well as the progression from music type to engraved plate and lithograph stone. A study of the techniques of altering
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Manwiller, Christine Marie. "Investigations into botanical contact printing (where the light meets the trees; thirteen variations)." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6194.

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Investigations in Botanical Contact Printing (Where the Light Meets the Trees; Thirteen Variations) explores the process of botanical contact printing on paper, culminating in a series of thirteen handmade artist books. Each of the thirteen books contains a poem from a collection of thirteen poems written by Alice Yousef. Every element of the book: materials, structure, calligraphed text, type of botanical contact print, sometimes the enclosure, responds to the poem, providing a visual interpretation of the written word. The completely different approaches to binding structure in this series i
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Borgstrom, Liam. "Between a book and a soft place : an investigation into the contemporary teaching of typography and book design at South African Higher Education Institutions." Diss., University of Pretoria, 2016. http://hdl.handle.net/2263/59323.

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This dissertation addresses the teaching of typography and book design in South Africa and how the literature relating to its education has changed during the course of the twentieth century. Several scholarly and educational book titles are compared to one another based on their approach to the subject and this is compared to the historical development of typographic technologies as they were developed in Europe. Based on the theoretical pool of the assessed books, a list of theoretical topics was drawn up and used to survey the current teaching intent of graphic design study programmes at So
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Maher, Kimberly A. "Two lives." Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/1358.

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Buja, Maureen Elizabeth. "Antonio Barré and music printing in Mid-Sixteenth century Rome /." Ann Arbor (Mich.) : UMI, 2006. http://catalogue.bnf.fr/ark:/12148/cb400633875.

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Books on the topic "Printing of a book of music"

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Convegno internazionale di studi sul canto liturgico nei secoli XV-XVIII (1998 Castello del Buonconsiglio and Fondazione Ugo e Olga Levi). Il canto piano nell'era della stampa: Atti del Convegno internazionale di studi sul canto liturgico nei secoli XV-XVIII : Trento, Castello del Buonconsiglio, Venezia, Fondazione Ugo e Olga Levi, 9-11 ottobre 1998. Provincia autonoma di Trento, Servizio beni librari e archivistici, 1999.

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Hanscom, P. Wm. Call me Bonzo: Being a typographic experiment in interpreting the listening experience of Moby Dick, the legendary solo drum performance by John Henry Bonham of the one and only Led Zeppelin. Boobytrap Press, 2006.

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Bibliothek, Herzog August, ed. Verklingend und ewig: Tausend Jahre Musikgedächtnis, 800-1800. Herzog-August-Bibliothek, 2011.

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Roni, Gross, Cordeiro Ana, Schell Peter, et al., eds. The Vandercook book. Barbara Henry & Roni Gross, 2009.

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Saito, Takako. Music book. Noodle Edition, 1985.

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Nationalbibliothek, Österreichische. Augenlust & Zeitspiegel: Katalog und Handbuch von Büchern, Musikalien, Landkarten, Veduten, Zeitungen und Zeitschriften von österreichischen Verlagen des 18. und 19. Jahrhunderts, meist in seltenen Erstausgaben. Böhlau, 1995.

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Bann, David. Book production control. Pira International, 1995.

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Lee, Ken-tsai. Blank: A book on printing. Artpower, 2011.

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Diane, James, and Barnes Jon ill, eds. The print book. Simon and Schuster Books for Young Readers, 1990.

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Florentius. Book of music. Harvard University Press, 2010.

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Book chapters on the topic "Printing of a book of music"

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Kmetz, John. "The music books of Christian Egenolff." In Early Music Printing in German-Speaking Lands. Routledge, 2018. http://dx.doi.org/10.4324/9781315281452-8.

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Boorman, Stanley. "Printed Music Books of the Italian Renaissance from the Point of View of Manuscript Study." In Studies in the Printing, Publishing and Performance of Music in the 16th Century. Routledge, 2023. http://dx.doi.org/10.4324/9781003418733-4.

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Giselbrecht, Elisabeth, and Elizabeth Savage. "Printing music." In Early Music Printing in German-Speaking Lands. Routledge, 2018. http://dx.doi.org/10.4324/9781315281452-5.

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Huber, David Miles. "Music Notation and Printing." In The Midi Manual. Routledge, 2020. http://dx.doi.org/10.4324/9781315670836-13.

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Southward, John. "Progress in Book Printing." In The British Publishing Industry in the Nineteenth Century. Routledge, 2024. http://dx.doi.org/10.4324/9781003099598-22.

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Esdaile, Arundell, and Roy Stokes. "Printing and Book-Building." In A Student's Manual of Bibliography. Routledge, 2021. http://dx.doi.org/10.4324/9781003228936-3.

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Chanan, Michael. "Music, Documentary, Music Documentary." In The Documentary Film Book. British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92625-1_38.

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Nassi, Gad. "Amplified Glossary of Book Printing." In Jewish Journalism and Printing Houses in the Ottoman Empire and Modern Turkey, edited by Gad Nassi. Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463231781-006.

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Duggan, Mary Kay. "Early music printing and ecclesiastic patronage." In Early Music Printing in German-Speaking Lands. Routledge, 2018. http://dx.doi.org/10.4324/9781315281452-2.

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Hunnisett, Basil. "Plate printing and the printers." In Steel-Engraved Book Illustration in England. Routledge, 2021. http://dx.doi.org/10.4324/9781003090861-10.

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Conference papers on the topic "Printing of a book of music"

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Srebrev, Kristiyan, Dimitar Damyanov, Krasimira Damyanova, Tanya Srebreva, and Lybomira Hristova. "Music e-students book." In the 9th International Conference. ACM Press, 2008. http://dx.doi.org/10.1145/1500879.1500975.

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Yuniarti, Endang, and Emmidia Djonaedi. "Optimizing Production Time in Book Printing using PERT/CPM." In Annual Southeast Asian International Seminar. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0009896301020107.

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Bazhenov, Sergey, and Roman Parshikov. "Generating and printing bar codes in IRBIS64." In Sixth World Professional Forum "The Book. Culture. Education. Innovations". Russian National Public Library for Science and Technology, 2021. http://dx.doi.org/10.33186/978-5-85638-236-4-2021-14-19.

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Several technological aspects of generating and printing bar codes are examined. Options of using bar codes in libraries, bar code generation models and appropriate IRBIS applications are discussed in brief. SB RAS SPSTL has developed the new system for generating bar code batches for further literature processing. The system is generated on IRBIS64 platform. Optional use of the system is discussed; possible improvements for bar code generation system are offered.
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Zhu, Yuanbo. "On the Concept of Relative Rest in The Book of Rites bThe Book of Music." In 2018 4th International Conference on Economics, Social Science, Arts, Education and Management Engineering (ESSAEME 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/essaeme-18.2018.62.

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Komissarov, R. A. "The representation of book culture in the Russian music underground." In https://elibrary.ru/item.asp?id=75086102&selid=75086387. Scientific and Publishing Center "Science" of the Russian Academy of Sciences, 2024. https://doi.org/10.52929/9785605111078_290.

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The article deals with the ways of representation and reception of book culture in the field of Russian underground music. The author comes to the conclusion that it is possible to speak about continuity of ways of working with images of bookishness in performers of different generations.
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Avgul, L. A., N. V. Vdovina, and A. V. Nikolenko. "«Fedorov Readings» – the oldest book studies forum in Russia." In Fedorovskie Chteniya – 2024. To the 460th Anniversary of Russian Book Printing. Scientific and Publishing Center "Science" of the Russian Academy of Sciences, 2024. https://doi.org/10.52929/9785605111030_7.

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The article covers the history of formation and development of the oldest in Russia conference of book studies – «Fedorov Readings», leading its beginning from the solemn meeting in the State Library of the USSR named after V.I. Lenin on 25 December 1933.
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Shankar, N. G., N. Ravi, and Z. W. Zhong. "On-Line Defect Detection in Web Offset Printing." In 4th International Conference on Control and Automation. Final Program and Book of Abstracts. IEEE, 2003. http://dx.doi.org/10.1109/icca.2003.1595132.

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Silva, Mariana O., Gabriel P. Oliveira, and Mirella M. Moro. "Data Insights on Gender Representation: Analyzing the Book and Music Industries." In Anais Estendidos do Simpósio Brasileiro de Banco de Dados. Sociedade Brasileira de Computação - SBC, 2024. http://dx.doi.org/10.5753/sbbd_estendido.2024.243743.

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The entertainment industry has been historically dominated by men, which motivates growing recognition and advocacy for improved gender diversity and equality. We present a study on gender representation in the book and music industries by analyzing awarded authors and hit song artists. Through Data Science, we uncover patterns and trends that beg for a more balanced and diverse portrayal of gender in creative expressions and offer insights to foster inclusivity, diversity, and equitable opportunities in such a domain.
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Ivanova, A. S., and S. V. Maksimova. "Catalogue of the Russian book of the civil press (1742–1830) from the funds of the National Library of the Republic of Sakha (Yakutia): creation experience." In Fedorovskie Chteniya – 2024. To the 460th Anniversary of Russian Book Printing. Scientific and Publishing Center "Science" of the Russian Academy of Sciences, 2024. https://doi.org/10.52929/9785605111030_45.

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The article is devoted to one of the most interesting book collections of the National Library of the Republic of Sakha (Yakutia) – the collection of civilian books «Russian Book up to 1830». Each copy is an independent historical and cultural object of high scientific, historical and cultural value. The basic methodical questions on compilation of the catalogue of the Russian book of civil seal are analysed.
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Samarin, A. Yu. "R.A. Simonov as a Scientific Supervisor." In R.A. Simonov: History, Book, Mathematics... Scientific and Publishing Center "Science" of the Russian Academy of Sciences, 2024. https://doi.org/10.52929/9785605111023_49.

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Based on the authorʼs memoirs, the article examines the activities of Doc- tor of Historical Sciences, Professor R.A. Simonov as a supervisor of novice scientists at the Moscow State University of Printing. The presentation focuses on personal impressions of the scientistʼs style of work with students, a story about joint publishing and scientific projects. The reviews of R.A. Simonov on the candidateʼs and doctoral dissertations of A. Yu. Samarin are given. The ex- perience of preparing publications covering the life and creative achievements of R.A. Simonov is presented.
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Reports on the topic "Printing of a book of music"

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Winseck, Dwayne. Growth and Upheaval in the Network Media Economy in Canada, 1984-2021. Canadian Media Concentration Research Project (CMCRP), 2022. http://dx.doi.org/10.22215/gmicp/2022.01.

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The Canadian contribution and data set prepared as part of the Global Media and Internet Concentration (GMIC) project offers an independent academic, empirical and data-driven analysis of a deceptively simple yet profoundly important question: have telecom, media and internet markets become more concentrated over time, or less? Media Ownership and Concentration is presented from more than a dozen sectors of the telecom-media-internet industries, including film, music and book industries.
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Lozynskyi, Maryan. Main Features of Publishing Activities of the Ivan Franko National University of Lviv (end of the 1990s – first two decades of the 21st c.). Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11392.

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The article desribes the main features of the publishing activity of the Ivan Franko National University of Lviv from the end of the 1990s and in the first two decades of the 21st century. The aim of the author was to show this activity with the help of stages of formation of the Publishing Centre at the University. For this purpose, he used historical method, the methods of analysis, synthesis, content analysis etc. One of the important landmarks of the end of the 20th century in the publishing activity of the Ivan Franko National University of Lviv which has its traditions in the past was th
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Lozynskyi, Maryan. Книгообмін Львівського державного університету імені Івана Франка: аналіз архіву з кінця 1940-х років. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11745.

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One of the components of the publishing activity (book exchange) of the Ivan Franko State University of Lviv in the post-war period, in particular, in 1946-1947, when the University, while reconstructing and repairing educational buildings, etc., began to build a publishing and printing base, has been revealed. It has been established that the administration of one of the leading educational institutions at that time encouraged the scientific and pedagogical staff to write and print teaching aids, textbooks, monographs, etc. in every possible way. The article analyzes archival documents testif
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Maiorino, Alexandre, William D'Andrea Fonseca, Ranny L. X. N. Michalski, and Olavo M. Silva. Book Reviews: Concert Halls and Opera Houses; Acoustic Array Systems: Theory, Implementation, and Application; Architectural Acoustics; and Acoustics - A Textbook for Engineers and Physicists (Vols. I & II). Sociedade Brasileira de Acústica, 2023. https://doi.org/10.55753/aev.v38e55.253.

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This text brings together four essential book reviews for professionals and students interested in acoustics, vibrations, and audio. The selected works range from fundamental principles to advanced applications, offering a comprehensive overview of subjects such as signal processing, microphone arrays, architectural acoustics, and practical studies. The first work, Concert Halls and Opera Houses: Music, Acoustics and Architecture by Leo Beranek, explores the relationship between musical art and the design of performance venues, highlighting how acoustics directly affects the listener’s experie
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