Log in

Relevant bibliographies by topics / Printing of a book of music / Journal articles

To see the other types of publications on this topic, follow the link: Printing of a book of music.

Journal articles on the topic 'Printing of a book of music'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Printing of a book of music.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Tatarinova, Larуsa. "Trends in the development of book printing and book distribution in the world's leading countries through the lens of reading problems." Вісник Книжкової палати, no. 1 (February 2, 2022): 4–10. http://dx.doi.org/10.36273/2076-9555.2020.1(282).4-10.

Full text

Abstract:

The features of book distribution systems in different countries of the world are investigated. The role of book clubs and book chains in the way of a book to its reader is revealed. The leading role of the state support for book publishing is outlined. Factors of state support for book publishing and book distribution, such as creating reading development programs, facilitating the opening of new bookstores, organizing book fairs, exhibitions, festivals and other events to support the book, establishing literary prizes and competitions, replenishing library funds, protecting copyright, have b

APA, Harvard, Vancouver, ISO, and other styles

2

Dzyuba, Oleg. "Evolution of music publishing." Вісник Книжкової палати, no. 3 (March 17, 2021): 19–23. http://dx.doi.org/10.36273/2076-9555.2021.3(296).19-23.

Full text

Abstract:

The article proves that the printing of music, which appeared almost at the same time as the first printed book, had a similar effect to the printed word: the information was spread faster, at a lower cost and among more people. This has greatly affected the entire music industry. Composers could now write more music for amateur performers, knowing that it could be distributed and sold to the middle class. Professional musicians could have more music in their repertoire and perform music from different countries. This increased the number of amateurs in whom professional musicians could make m

APA, Harvard, Vancouver, ISO, and other styles

3

Rinkūnaitė, Aušra. "Music Publications of the Beginning of 16th– 19th Centuries in Vilnius University Library." Bibliotheca Lituana 3 (December 22, 2014): 138–51. http://dx.doi.org/10.15388/bibllita.2014.3.15566.

Full text

Abstract:

The article deals with music publications of the beginning of the 16th–19th c. – antiphonals, graduals, missals, hymnals and manuals held in the Rare Book Department of Vilnius University Library. On the basis of the extant XVIII c. manuscript catalogues of Vilnius Jesuit College Library and Library of Novitiate the publications related to music included in those catalogues are being discussed and provenances and marginalia found in them are being investigated. In addition, the article also describes anonymous manuals printed by Vilnius Academy Printing House at the end of 17th c.–18th c.: Ars

APA, Harvard, Vancouver, ISO, and other styles

4

Alaca, Ilgım Veryeri. "Flexographic Artists’ Books." Leonardo 49, no. 3 (2016): 270–71. http://dx.doi.org/10.1162/leon_a_01241.

Full text

Abstract:

This article introduces experimental artists’ books created in the interstices between technology and tradition. The series of books are created by utilizing scraps produced via flexographic label printing. Each book is constituted by means of the accumulation of paper on the machine, which introduces a never-ending page structure as a result of the continuous roll, creating a swirling formation. The work is an inquiry on growth, imperfection, form and time, enriched by the impact of mechanical processes that are inherent to the creation of the book. It also investigates experimental uses of p

APA, Harvard, Vancouver, ISO, and other styles

5

Herissone, Rebecca. "Playford, Purcell, and the Functions of Music Publishing in Restoration England." Journal of the American Musicological Society 63, no. 2 (2010): 243–90. http://dx.doi.org/10.1525/jams.2010.63.2.243.

Full text

Abstract:

Abstract During Purcell's lifetime the music-publishing business in England flourished, thanks mainly to John Playford. Since intellectual property rights did not yet exist, Playford and his successors were able to select music they were confident of selling, predominantly producing multicomposer anthologies of popular tunes. Composers may have benefited little from these publications so it is significant that some took the financial risk of printing their music without an established publisher's support. Analysis suggests that musical self-publication was undertaken for several quite specific

APA, Harvard, Vancouver, ISO, and other styles

6

Boorman, Stanley. "The 500th anniversary of the first music printing: a history of patronage and taste in the early years." Musicological Annual 37, no. 1 (2001): 33–49. http://dx.doi.org/10.4312/mz.37.1.33-49.

Full text

Abstract:

Ottaviano Petrucci published his first book of music, the Odhecaton A, sometime in the summer of 1501, 500 years ago. Since it was the first, Petrucci faced a number of special problems. Some were financial, for he could not know how many people would buy printed music, or how many books they would want. Consequently, there was a danger that he might not sell as many books as he needed to cover his costs. A related set of problems concerned the choice of music to print: would his books be bought by professional musicians and their institutions, or by dilettantes, courtiers and amateurs? Could

APA, Harvard, Vancouver, ISO, and other styles

7

Brettler, Gideon. "Revisiting the Music-Printing Market in Seventeenth-Century Italy and the Peculiar Case of Pietro Millioni’s Guitar Books." Journal of Musicology 39, no. 1 (2022): 1–34. http://dx.doi.org/10.1525/jm.2022.39.1.1.

Full text

Abstract:

This article examines the Italian music-printing industry in the seventeenth century from two distinct perspectives. The first revisits the industry’s decline and the circumstances that led to that state of affairs. The second traces the unlikely commercial success of the guitar tutors of Pietro Millioni, offering a glimpse into the inner workings of the industry. A quantitative analysis of production patterns using a newly constructed database of seventeenth-century Italian music prints provides a nuanced view of the rise and fall in output across various printing centers. Cross-referencing t

APA, Harvard, Vancouver, ISO, and other styles

8

Broude, Ronald. "To Sing Upon the Book: Oral and Written Counterpoint in Early Modern Europe." Textual Cultures 13, no. 1 (2020): 75–105. http://dx.doi.org/10.14434/textual.v13i1.30071.

Full text

Abstract:

During the fifteenth century, many musici thought of counterpoint as an improvisational practice in which certain procedures were employed to produce a musical texture in which interest lay in the interplay of two or more melodic lines. The improvisational practice was called singing upon the book (cantare super librum): it required one singer to realize a pre-existing melody (called a cantus firmus) inscribed in a text while one or more other singers (called concentors), reading from that same text, devised, ex tempore, a countermelody or melodies that obeyed the rules of counterpoint with re

APA, Harvard, Vancouver, ISO, and other styles

9

Basson, Thomas. "Thomas Basson (1555-1613), English printer at Leiden." Quaerendo 15, no. 3 (1985): 195–224. http://dx.doi.org/10.1163/157006985x00180.

Full text

Abstract:

AbstractSince the appearance in 1961 of the author's Thomas Basson 1555-1613: English Printer at Leiden, a number of new facts have come to light. Moreover, thirty-three new titles can be added to the checklist of Basson's publications, plus a considerable number of theses printed by Thomas Basson. This brings the total number of Basson imprints to c. 450 instead of the original 180. It is now clear, however, that all or nearly all 1585-7 Basson imprints are books or pamphlets printed for him by others. One of the interesting discoveries since 1961 is a copy of The Coniugations in Englishe and

APA, Harvard, Vancouver, ISO, and other styles

10

Huang, Zehuan. "The Book of Artists Pavel and Natalia Martynenko Hand-to-Hand Dance: The Experience of Receptive Aesthetics." Problemy muzykal'noi nauki / Music Scholarship, no. 4 (December 2023): 214–24. http://dx.doi.org/10.56620/2782-3598.2023.4.214-224.

Full text

Abstract:

A book of an artist is a specific object of art presenting an authorial utterance overcoming the bounds of book-printing, in which either a text or a picture can be present. At the center of attention in the article is the book Rukopashnyi tanets. Istoriya lyubvi i sopernichestva, ob"ektivno otrazhennaya v dokumentakh i skhemakh, gde prichudlivo splelis' dva iskusstva: muzykal'no-khoreograficheskoe i voenno-rukopashnoe [Hand-to-Hand Dance. The Story of Love and Rivalry, Objectively Reflected in Documents and Schemes, in which Two Arts Have Fancifully Entwined: The Musical-Choreographic and the

APA, Harvard, Vancouver, ISO, and other styles

11

Kosaniak, Nataliia. "“Memories of the Idzykowski” as a source in the study of the publishing house “Leon Idzykowski”." Proceedings of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv, no. 13(29) (2021): 335–49. http://dx.doi.org/10.37222/2524-0315-2021-13(29)-19.

Full text

Abstract:

A description of the document of the memoir genre “Pamiętniki Idzikowskich” (Memoirs of the Idzikowskis) as a source for the history of book and music publishing in Ukraine in the second half of the XIX – first quarter of the XX century, dedicated to the history of the publishing company and the activities of four generations of members of the Idzykowski family in this matter is characterized. The text of the document combines genre features of memoirs and historical research. The compiler Yuriy Idzykovsky syste¬matized the materials by sections, factual material — by chronological principle o

APA, Harvard, Vancouver, ISO, and other styles

12

Senchenko, Mykola. "Problems of the Book Chamber of Ukraine — 2021." Вісник Книжкової палати, no. 5 (May 27, 2021): 3–6. http://dx.doi.org/10.36273/2076-9555.2021.5(298).3-6.

Full text

Abstract:

Today, the Book Chamber of Ukraine is the only scientific institution in the field of publishing and information activities, based on state property and subordinated to the State Committee for Television and Radio Broadcasting of Ukraine, and from 2021 - to the Ministry of Culture and Information Policy. The Book Chamber of Ukraine performs the functions of the national agency of the International System of Standard Numbering of Books (ISBN), music editions (ISMN) and periodicals (ISSN). Let me remind you that currently the State Archive of the Book Chamber Press is stored in a room of 10.5 th

APA, Harvard, Vancouver, ISO, and other styles

13

Woodley, Ronald. "The printing and scope of Tinctoris's fragmentary treatise De inuentione et vsv mvsice." Early Music History 5 (October 1985): 239–68. http://dx.doi.org/10.1017/s0261127900000711.

Full text

Abstract:

During the course of his thirty-year career in Italy between the early 1470s and the first years of the sixteenth century, Tinctoris witnessed the printing of only two of his own theoretical works. His glossary of musical terms, the Terminorum musicae diffinitorium, has been convincingly shown to have issued from the Treviso press of the author's compatriot and contemporary Gerardus de Lisa, around 1495, although the work had clearly been compiled in manuscript form some twenty years previously. The Diffinitorium has, indeed, fared relatively well at the hands of modern scholarship, though one

APA, Harvard, Vancouver, ISO, and other styles

14

Putra, Regina Roidatun Sari, Nuzul Rahmayani, and Jasman Nazar. "LEGAL PROTECTION OF COPYRIGHT FOR LITERARY WORKS OF BOOKS FROM ACTS OF ONLINE PIRACY IN PDF VERSIONS VIA THE WHATSAPP APPLICATION." DE'RECHTSSTAAT 10, no. 1 (2024): 54–70. http://dx.doi.org/10.30997/jhd.v10i1.9812.

Full text

Abstract:

Cases of piracy are currently getting higher and more common, ranging from piracy of music, films, software, data bases, works of literature, books, science, and pictures or photography. The ranking of piracy in Indonesia, especially copyright, is the third largest in the world. Piracy seems to have become a culture and difficult to overcome, especially in Indonesia. If you look at the definition of book piracy that is usually listed in every book, namely efforts to reproduce books by printing, photocopying or other means without obtaining written permission from the publisher of the book conc

APA, Harvard, Vancouver, ISO, and other styles

15

Motnik, Marko. "Excudebat Leonhardus Formica: Leonhard Formica (Lenart Mravlja) und seine Musikdrucke." Musicological Annual 51, no. 2 (2015): 27–40. http://dx.doi.org/10.4312/mz.51.2.27-40.

Full text

Abstract:

Lenart Mravlja, also named Leonhard Formica, is one of the numerous personalities from Carniola who worked abroad in the sixteenth century. After being educated in Ljubljana and in several protestant German towns, Formica moved to Vienna at the end of the 1580s where he founded a printing office. Before his death in 1605, he produced approximately 70 books, among which are five high quality music prints.

APA, Harvard, Vancouver, ISO, and other styles

16

Burón Castro, Taurino. "Pergaminos impresos inventariados en el archivo histórico provincial de León." Estudios humanísticos. Geografía, historia y arte, no. 17 (February 5, 2021): 95. http://dx.doi.org/10.18002/ehgha.v0i17.6680.

Full text

Abstract:

<p>This article shows and catalogues leafs and pieces proceeding from 16 liturgical books printed on parchment. This association has been doing by the point of view of writting support proper the significance of these units in relation to the early printing. The pieces are printed between 1488 and 1567 and add up to 49 leafs, 6 halfleafs, 7 fragments and 3 strips. The stencil, an special printing system, has been mentioned, because it's an appropiate resort to leather printing.</p><p>Finally has been marked some features of the music sings evolution, which have been influence

APA, Harvard, Vancouver, ISO, and other styles

17

Buja, Maureen. "Book Review: "Studies in the Printing, Publishing and Performance of Music in the 16th Century." by Stanley Boorman." Performance Practice Review 12, no. 1 (2007): 1–4. http://dx.doi.org/10.5642/perfpr.200712.01.02.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Swack, Jeanne. "John Walsh's Publications of Telemann's Sonatas and the Authenticity of ‘Op. 2’." Journal of the Royal Musical Association 118, no. 2 (1993): 223–45. http://dx.doi.org/10.1093/jrma/118.2.223.

Full text

Abstract:

In the past decade the eighteenth-century London music publisher John Walsh has been subject to a new evaluation with regard to his pirated editions and deliberate misattributions, especially of the music of George Frideric Handel. That Walsh's attributions were anything but trustworthy had already been recognized in the eighteenth century: a surviving copy (London, British Library, BM g.74.d) of his first edition of the Sonates pour un traversiere un violon ou hautbois con basso continuo composées par G. F. Handel (c.1730), which, as Donald Burrows and Terence Best have shown, was provided wi

APA, Harvard, Vancouver, ISO, and other styles

19

Ilyasova, Razilya I. "NADIR ALMEEV AND “PROMETHEUS” DESIGN BUREAU: EXPERIENCE OF COOPERATION. ON THE EXAMPLE OF THE LIGHT-MUSICAL FILM “SMALL TRIPTYCH” (1975)." Scientific and analytical journal Burganov House. The space of culture 17, no. 3 (2021): 78–89. http://dx.doi.org/10.36340/2071-6818-2021-17-3-78-89.

Full text

Abstract:

The article considers the little-studied pages of the development of light music in Kazan on the example of the cooperation of graphic artist Nadir Almeev with “Prometheus” Student Design Bureau under the guidance of physicist Bulat Galeev. The artist Nadir Almeev is a master of graphics, professionally proficient in various etching techniques: etching, aquatint, reserve, dry needle. In 1977-1990, he regularly studied at the Senezh Studio-the Central Educational and Experimental Studio of the Union of Artists of the USSR under Evgeniy Sidorkin and Sergey Zarovniy. The artist’s creative search

APA, Harvard, Vancouver, ISO, and other styles

20

Wyly, Mary. "Chicago's Newberry Library – Independent Research Library and National Resource." Alexandria: The Journal of National and International Library and Information Issues 7, no. 3 (1995): 181–94. http://dx.doi.org/10.1177/095574909500700305.

Full text

Abstract:

One of several independent research libraries in the United States, the Newberry Library in Chicago, which is over 100 years old and has about 100 fte staff, has nationally significant collections in history, the humanities and music. Four special collections, each accompanied by an endowment for continuing acquisition, stand out: the Ayer Collection, now comprising more than 100,000 volumes, on early contacts between the Indian and the white man; the Greenlee Collection on Portuguese and Brazilian history; the Graff Collection on the American West; and the Wing Collection on the art of printi

APA, Harvard, Vancouver, ISO, and other styles

21

Pidhorbunskyi, Mykola. "The Spread of Lutherance in the Grand Duchy of Lithuania and Its Influence on the Education Development and Music Culture." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 2 (2021): 248–61. http://dx.doi.org/10.31866/2616-7581.4.2.2021.245808.

Full text

Abstract:

The purpose of the article is to determine the influence of Lutheranism on education and musical culture in the Grand Duchy of Lithuania. The research methodology includes cultural and historical analysis, which made it possible to analyze and investigate the influence of Lutheranism on musical culture in the Grand Duchy of Lithuania. Source studies and music-theoretical methods were used during the search and analysis of church-singing collections. The biographical method of research was used to systematize information about the life and work of theologians, composers and theorists. The scien

APA, Harvard, Vancouver, ISO, and other styles

22

Pidhorbunskyi, Mykola. "The Spread of Lutherance in the Grand Duchy of Lithuania and Its Influence on the Education Development and Music Culture." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 2 (2021): 248–61. https://doi.org/10.31866/2616-7581.4.2.2021.245808.

Full text

Abstract:

The purpose of the article is to determine the influence of Lutheranism on education and musical culture in the Grand Duchy of Lithuania. The research methodology includes cultural and historical analysis, which made it possible to analyze and investigate the influence of Lutheranism on musical culture in the Grand Duchy of Lithuania. Source studies and music-theoretical methods were used during the search and analysis of church-singing collections. The biographical method of research was used to systematize information about the life and work of theologians, composers and theor

APA, Harvard, Vancouver, ISO, and other styles

23

Smart, P. "Copyright." Annals of The Royal College of Surgeons of England 98, no. 03 (2016): 162–64. http://dx.doi.org/10.1308/rcsann.2016.0096.

Full text

Abstract:

‘Talent is always conscious of its own abundance, and does not object to sharing.’ Aleksandr Solzhenitsyn, The First Circle When authors submit an article for publication, most publishers will ask for a signature from the author on a copyright form. The relationship between an author and the publisher is then a partnership but one that many authors are reluctant to enter into. After all, why should a publisher take copyright from an author of an article when the author had the idea and has done all the hard work for the content of the article? In response to this question, publishers will gene

APA, Harvard, Vancouver, ISO, and other styles

24

Radzetskaya, Olga V. "Catalogues and Price Lists of the Music Publishing Company “Julius Heinrich Zimmerman”: Organization, Advertising Mechanisms and Trade Assortment (from the Collections of the Russian State Library)." Problemy muzykal'noi nauki / Music Scholarship, no. 2 (2024): 84–99. http://dx.doi.org/10.56620/2782-3598.2024.2.084-099.

Full text

Abstract:

The music publishing business of the second half of the 19th and the early 20th centuries is one of the most interesting phenomena in Russian culture that makes it possible for us to analyze the specific features of its spatial and temporal development and a vast scholarly range. The article examines the advertising materials, periodical catalogues and price lists of individual printing company, and as a result the necessity arises for a holistic perception of the manufactured assortment and a certain number of its features. As a rule, this is associated with the commercial interests of specia

APA, Harvard, Vancouver, ISO, and other styles

25

Baloyi, J. Joel. "The role of technology in the historical development of the reproduction right in musical works." Fundamina 26, no. 2 (2020): 233–87. http://dx.doi.org/10.47348/fund/v26/i2a1.

Full text

Abstract:

This contribution recounts the historical development and expansion of the reproduction right in copyright in response to, and as a result of, technological developments, with a focus on the music reproduction right. It is shown how the very first copyright statute, the Statute of Anne, was enacted in response to the effects of a technological development, namely the invention of the printing press, which had been experienced over some time. To safeguard the interests of rightsholders, the Statute of Anne gave rise to and was itself epitomised by the reproduction right (the right to copy or pr

APA, Harvard, Vancouver, ISO, and other styles

26

Stanković-Babić, Gordana, and Rade Babić. "From Louis Braille to the first Serbian spelling book for the blind." Timocki medicinski glasnik 45, no. 4 (2020): 162–66. http://dx.doi.org/10.5937/tmg2004162s.

Full text

Abstract:

INTRODUCTION. Blindness is a multiple problem of a psychological-economic-social nature, viewed from different points through the centuries. Louis Braille is the creator of the letter that enabled blind people around the world to become literate and educated. THE LIFE and WORK of Louis BRAILLE. Blind from the age of three after an eye injury with an awl, Louis Braille (1809-1852) had the opportunity to learn about the possibilities of educating blind people early on. However, his talent, recognized in time and a desire to acquire new knowledge, will enable him to attend the "Royal Institute fo

APA, Harvard, Vancouver, ISO, and other styles

27

Moholy, Lucia. "El Lissitzky." October 172 (May 2020): 111–16. http://dx.doi.org/10.1162/octo_a_00395.

Full text

Abstract:

Likely published in anticipation of a 1967 volume of primary documents relating to the Russian artist El Lissitzky, Lucia Moholy discusses the artist's biography, career, influences, major works, reception, and relation to the Bauhaus. Drawing on her involvement in the fields of publishing and printing, she also introduces his then little-known books and graphic art, as well as his conception of the “Proun.” Although not stating it explicitly, much of her knowledge draws on having known Lissitzky personally in the 1920s and his writings from that period. The text stands as one of the earliest

APA, Harvard, Vancouver, ISO, and other styles

28

De Bujanda, J. M. "Travaux sur la censure et les index des livres interdits réalisés à l’Université de Sherbrooke." Renaissance and Reformation 37, no. 4 (2015): 101–14. http://dx.doi.org/10.33137/rr.v37i4.22642.

Full text

Abstract:

L’invention de l’imprimerie au XVe siècle s’avère un puissant facteur de diffusion des idées dont se servent les autorités civiles et religieuses ainsi que le mouvement humaniste. Quand au XVIe siècle l’imprimerie devient le principal moyen de diffusion de la Réforme protestante, les autorités ecclésiastiques et civiles qui restent fidèles à l’Église romaine essaient d’empêcher l’impression, la vente, la possession et la lecture des ouvrages hétérodoxes. C’est ainsi qu’on assiste à la parution des premières listes des ouvrages et des auteurs condamnés, désignés comme index d

APA, Harvard, Vancouver, ISO, and other styles

29

Højlund, Flemming. "I Paradisets Have." Kuml 50, no. 50 (2001): 205–20. http://dx.doi.org/10.7146/kuml.v50i50.103162.

Full text

Abstract:

In the Garden of EdenThe covers of the first three volumes of Kuml show photographs of fine Danish antiquities. Inside the volumes have articles on the Stone Age, the Bronze Age and the Iron Age in Jutland, which is to be expected as Kuml is published by the Jutland Archaeological Society. However, in 1954 the scene is moved to more southern skies. This year, the cover is dominated by a date palm with two huge burial mounds in the background. In side the book one reads no less than six articles on the results from the First Danish Archaeological Bahrain Expedition. P.V. Glob begins with: Bahra

APA, Harvard, Vancouver, ISO, and other styles

30

Brajesh, Sharma. "THE ANALYTICAL STUDY OF CULTURAL VERTIGO ESTHER DAVID NOVELS." International Educational Applied Research Journal 09, no. 05 (2025): 171–78. https://doi.org/10.5281/zenodo.15564327.

Full text

Abstract:

Literature in its many forms and facets plays an important part in Esther David’s novels. Many of her characters are keen readers, and allow themselves, consciously or unconsciously, to be influenced in their actions and attitudes by what they read. They are thus not representatives of the majority of ordinary Indians, who, according to Esther David herself, “aren't great readers, aren't great book buyers. They always turn to music or to the visual arts for pleasure and entertainment rather than read... It is still rather a strange act to buy a book and read it, an unusual thing to

APA, Harvard, Vancouver, ISO, and other styles

31

Fowler, Michael. "Music Printing by Computer." Musical Times 129, no. 1745 (1988): 335. http://dx.doi.org/10.2307/964742.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Field, Corey, D. W. Krummel, and Stanley Sadie. "Music Printing and Publishing." Notes 47, no. 3 (1991): 725. http://dx.doi.org/10.2307/941861.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Dunn, John. "Computer assisted music printing." ITNOW 29, no. 3 (1987): 9–11. https://doi.org/10.1093/combul/29.3.9.

Full text

Abstract:

Abstract Although typography and type-setting of textual material has undergone a major revolution in the past decade through the introduction of computer techniques and devices, no such progress has occurred in what would appear to be the closely allied field of music printing, especially in the commercial area of high quality presentation. From the purely graphical point of view, there appears to be little problem. A piece of music consists of a rather small collection of stylised black symbols printed on white paper, something quite within the capability of a large number of graphics output

APA, Harvard, Vancouver, ISO, and other styles

34

Sebastiani, Valentina, and Wendell Ricketts (translator). "Froben Press Editions (1505–1559) in the Holdings of the Centre for Reformation and Renaissance Studies Library: A Brief Survey." Renaissance and Reformation 37, no. 3 (2015): 213–34. http://dx.doi.org/10.33137/rr.v37i3.22463.

Full text

Abstract:

Analysis of the material aspects of books has opened new fields for historical enquiry that connect humanist learning, theology, and the press. The collaboration between Erasmus of Rotterdam and the printers Johannes and Hieronymus Froben of Basel between 1514 and 1536 offers itself as a vantage point from which to observe the making of written culture for humanists, allowing investigations into the media strategies and marketing communication tools employed to produce and disseminate humanist books in early modern Europe. This contribution provides a brief survey of Froben’s editions held in

APA, Harvard, Vancouver, ISO, and other styles

35

Schneider, John R. "Animal Suffering and the Darwinian Problem of Evil." Perspectives on Science and Christian Faith 73, no. 1 (2021): 60–62. http://dx.doi.org/10.56315/pscf3-21schneider.

Full text

Abstract:

ANIMAL SUFFERING AND THE DARWINIAN PROBLEM OF EVIL by John R. Schneider. Cambridge, UK: Cambridge University Press, 2020. xii + 287 pages. Hardcover; $99.99. ISBN: 9781108487603. Kindle; $60.49. ISBN: 9781108767439. *In Animal Suffering and the Darwinian Problem of Evil, John Schneider seeks to tackle four interconnected difficulties of reconciling evolution with a Christian understanding of God's creation: (1) deep evolutionary time and the startling reality that there have been hundreds of millions of years of violence; (2) the "plurality of worlds," the masses of now-extinct life that once

APA, Harvard, Vancouver, ISO, and other styles

36

Gourlay, John S. "A language for music printing." Communications of the ACM 29, no. 5 (1986): 388–401. http://dx.doi.org/10.1145/5689.5690.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Kassner, Kirk. "Music Sequencing and Printing Software." General Music Today 13, no. 3 (2000): 29–32. http://dx.doi.org/10.1177/104837130001300308.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Косів, В. М. "КАПІТАЛІСТИЧНЕ ЗА ФОРМОЮ, НАЦІОНАЛЬНЕ ЗА ЗМІСТОМ: ПОП-АРТ В УКРАЇНСЬКОМУ РАДЯНСЬКОМУ ЕСТРАДНОМУ ПЛАКАТІ". Вісник Харківської державної академії дизайну і мистецтв, № 3 (30 серпня 2018): 57–64. https://doi.org/10.5281/zenodo.1406588.

Full text

Abstract:

“National in form, socialist in content” — this well-known formula of socialist realism was applied in all Soviet arts, including posters. Till the end of the 1980s, the majority of works (not only in Ukraine but also in other Soviet republics) communicated messages, generated by the communist party, using some local “atmosphere ” — national costume, ornament, landscape. In this context, Ukrainian Pop Art posters are the total opposites. First, within the framework of the Soviet state institutions, it was difficult to imagine legal circulation of s

APA, Harvard, Vancouver, ISO, and other styles

39

Carter, Tim. "Music-printing in late sixteenth- and early seventeenth-century Florence: Giorgio Marescotti, Cristofano Marescotti and Zanobi Pignoni." Early Music History 9 (October 1990): 27–72. http://dx.doi.org/10.1017/s0261127900000991.

Full text

Abstract:

A number of scholars have begun to explore the activities of music-printers in sixteenth-century Italy. The first music-print produced by movable type was issued by Ottaviano Petrucci in 1501, and by the 1540s improvements in printing techniques, and particularly the introduction of single-impression printing, had set music-printing on a firm commercial footing, first and foremost in Venice, the centre of the printing trade on the peninsula. The two chief Venetian music-printers in the mid-century, Antonio Gardano and Girolamo Scotto, headed commercial enterprises the organisation of which mer

APA, Harvard, Vancouver, ISO, and other styles

40

Pogue, Samuel F. "The Earliest Music Printing in France." Huntington Library Quarterly 50, no. 1 (1987): 35–57. http://dx.doi.org/10.2307/3817347.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Anderson, Emily R. "Printing the Bespoke Book." Nuncius 35, no. 3 (2020): 536–60. http://dx.doi.org/10.1163/18253911-03503005.

Full text

Abstract:

Abstract In 1482, Erhard Ratdolt, a prominent German printer in Venice, issued the editio princeps of Euclid’s Elements. Ratdolt experimented with the new technology of printing to overcome the difficulty in arranging geometric diagrams alongside the text. This article examines the materials and techniques that Ratdolt used in his edition of Elements including his use of vellum, gold printing, and illumination for special copies as well as his use of woodcuts, movable type, and metal-cast diagrams. Significantly, the legacy of Ratdolt’s innovations continued almost one hundred years later in s

APA, Harvard, Vancouver, ISO, and other styles

42

Crowther, Kathleen. "Printing the book everybody read." Journal for the History of Astronomy 54, no. 3 (2023): 371–72. http://dx.doi.org/10.1177/00218286231175992.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Bunt, Leslie. "Book Review: Music-Centred Music Therapy." British Journal of Music Therapy 20, no. 1 (2006): 60–63. http://dx.doi.org/10.1177/135945750602000113.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Bunt, Leslie. "Book Review: Silence, Music, Silent Music." British Journal of Music Therapy 22, no. 2 (2008): 102–4. http://dx.doi.org/10.1177/135945750802200212.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Shodmonova, Sanobar. "Publishing and book sales in Turkestan." Infolib 26, no. 2 (2021): 76–80. http://dx.doi.org/10.47267/2181-8207/2021/2-066.

Full text

Abstract:

The article introduces the history of the origin of publishing and printing activities in the Turkestan Territory. It is preceded by information that before the formation of the first printing houses on the territory of the region, books were mainly distributed by calligraphers through rewriting. And since this work was of a long-term nature, accordingly the prices for the books were considerable.Comparing with the beginning of the introduction of the first technical means, the author notes that publishing and printing activities in the region began to gradually develop in the 60s of the XIX c

APA, Harvard, Vancouver, ISO, and other styles

46

Arrini, Eka Septiana Nur, and Darisy Syafaah. "STRATEGI KOMUNITAS TAPAK JEJAK KADHIRI DALAM MENGEMBANGKAN LITERASI SEJARAH KEPADA MASYARAKAT KEDIRI." Shaut Al-Maktabah : Jurnal Perpustakaan, Arsip dan Dokumentasi 15, no. 2 (2023): 230–50. http://dx.doi.org/10.37108/shaut.v15i2.1025.

Full text

Abstract:

Literacy has an important role for the community in discovering certain information, one of which is history. Historical literacy is a part of literacy in which the historical literacy is able to recognize the values and information within the past. The objectives of this study were: 1) to find out on how the Tapak Jejak Kadhiri Community developed the historical literacy to the citizens of Kediri, 2) to know the supporting and inhibiting factors of Tapak Jejak Kadhiri Community in developing historical literacy. This study utilized descriptive qualitative method. Data collection techniques in

APA, Harvard, Vancouver, ISO, and other styles

47

Eisenbichler, Konrad, and Tim Carter. "Music, Patronage and Printing in Late Renaissance Florence." Sixteenth Century Journal 33, no. 3 (2002): 811. http://dx.doi.org/10.2307/4144029.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Zhou, Jin Feng, Zeng Kai Jin, Mei Fei Zhang, and Hui Ying Chen. "A Fast Digital Printing Method for Silk Book." Advanced Materials Research 811 (September 2013): 304–7. http://dx.doi.org/10.4028/www.scientific.net/amr.811.304.

Full text

Abstract:

Silk fabric was first developed in ancient China, and Chinese silk also promoted the first world large-scale commercial exchanges between the East and the West. Digital printing is a technical breakthrough in the field of traditional printing and dyeing industry, which can also improve the value of the silk. There is a long history of making books by silk, and the recent revival of silk books also put forward new demands to digital printing. There exist two methods for printing book, both of which have their disadvantages. We propose a fast digital printing method for silk book which combines

APA, Harvard, Vancouver, ISO, and other styles

49

Dransfield, Soejatmi. "Book Review." REINWARDTIA 18, no. 2 (2019): 133. http://dx.doi.org/10.14203/reinwardtia.v18i2.3796.

Full text

Abstract:

Widjaja, E. A. 2019. The Spectacular Indonesian Bamboos. Design and printing Polagrade, ISBN 978-602-52326-0-2. Soft cover. Pp. 188, illustrated in full colour. Available fromeawidjaja3003@gmail.com. Price $55.

APA, Harvard, Vancouver, ISO, and other styles

50

Mnogoletnyaya, Elena N. "The cultural and historical role of Czech book printing in the XVI–early XVII centuries." Izvestiya of Saratov University. History. International Relations 22, no. 4 (2022): 490–96. http://dx.doi.org/10.18500/1819-4907-2022-22-4-490-496.

Full text

Abstract:

The article discusses the development of book printing in the Czech in the 16th – early 17th centuries, two periods in the development of Czech book printing are distinguished: 1501–1547 and after the events of 1547 until the Battle of White Mountain. The author reveals the changes that have taken place in the working conditions of printing houses, the attitude of the royal authorities to book printing, the repertoire of Czech printed books, the number of published products.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!