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Books on the topic 'Printing / Turkey / History'

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1

Paolo Tiezzi Mazzoni della Stella Maestri. I Turchi, Lepanto, Ascanio della Corgna, la Lega Santa: Mostra bibliografica per il 450o anniversario della battaglia di Lepanto. Società bibliografica toscana, 2021.

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2

Roberts, Sean. Printing a Mediterranean World. Harvard University Press, 2013.

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3

Nassi, Gad. Jewish Journalism and Printing Houses in the Ottoman Empire and Modern Turkey. Gorgias Press, LLC, 2010.

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4

Nassi, Gad. Jewish Journalism and Printing Houses in the Ottoman Empire and Modern Turkey. Gorgias Pr Llc, 2010.

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5

Türk beşikdevri basmalarında yazma kitap geleneğinin etkileri ve içkapağın gelişimi. Hiperlink, 2015.

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6

Roberts, Sean. Printing a Mediterranean World: Florence, Constantinople, and the Renaissance of Geography. Harvard University Press, 2013.

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7

Sabev, Orlin. Waiting for Müteferrika: Glimpses on Ottoman Print Culture. Academic Studies Press, 2018.

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8

Sabev, Orlin. Waiting for Müteferrika: Glimpses on Ottoman Print Culture. Academic Studies Press, 2018.

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9

Printing a Mediterranean world: Florence, Constantinople, and the renaissance of geography. Harvard University Press, 2012.

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10

İbrahim Müteferrika eserlerinden Yalova Kâğıthânesi. İstanbul Büyükşehir Belediyesi Kültür A.Ş. Yayınları, 2013.

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11

Türk kitap medeniyeti: Turkish book civilization. İstanbul Büyükşehir Belediyesi Kültür A.Ş. Yayınları, 2008.

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12

Brockett, Gavin D. How Happy to Call Oneself a Turk: Provincial Newspapers and the Negotiation of a Muslim National Identity. University of Texas Press, 2012.

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13

Keen, Paul. Book-Making. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.28.

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Building on recent print-culture and book-history approaches, this chapter explores the ways that book production in the Romantic period was shaped by a range of factors, including technological advances such as the development of the Stanhope printing press, commercial innovations such as advertising, the evolution of a more sophisticated economic infrastructure, and political issues that frequently turned on print’s ability to reach an audience that extended beyond the traditional reading public. Assumptions in the period about book production were also influenced by highly self-reflexive de
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14

Brockett, Gavin D. How Happy to Call Oneself a Turk: Provincial Newspapers and the Negotiation of a Muslim National Identity. de Gruyter GmbH, Walter, 2011.

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15

Salter, Rebecca. Japanese popular prints. A&C Black Publishers Limited, 2006. http://dx.doi.org/10.5040/9781789942835.

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In the West, Japanese woodblock printing tends to be associated with the ukiyo-e tradition and the familiar portrayals of kabuki actors or courtesan beauties. These well-known images were produced by a publisher and artist using the extraordinary skills of carvers and printers, whose identities are rarely known. The same craftsmen also produced woodblock-printed objects for use in everyday life such as decorative paper (chiyogami), votive slips (senjafuda), playing cards (karuta), and board games (sugoroku). As the market changed in the late nineteenth century, the craftsmen increasingly turne
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16

Mısır'da Türkler ve kültürel mirasları: Mehmed Ali Paşa'dan günümüze basılı Türk kültürü bibliyografyası ve bir değerlendirme. İslâm Konferansı Teşkilâtı, İslâm Tarih, Sanat ve Kültür Araştırma Merkezi, 2006.

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