Relevant bibliographies by topics / Prints, flemish – exhibitions

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Academic literature on the topic 'Prints, flemish – exhibitions'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Prints, flemish – exhibitions"

1

Alexander, Ingrid C. "Processes and Performance in Renaissance Painting." MRS Bulletin 17, no. 1 (1992): 28–31. http://dx.doi.org/10.1557/s0883769400043219.

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During the greater part of the 15th century, the Burgundian princes created a stable, unified center for industry and the flourishing of the arts in the Netherlands. Philip the Good became one of the most powerful and wealthy princes of the House of Burgundy in the period. Under his rule, the Netherlands became an important center for commerce. The port of Bruges, and later Antwerp, offered easy access to the important trade routes. The German merchants of the Hansa towns of Bremen, Danzig, Lübeck, and Hamburg and ships from England and the Baltic regions brought wares to be bought and sold in
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2

Gilta, J., and J. R. J. Van Asperen De Boer. "Een nader onderzoek van 'De drie Maria's aan het H. Graf' - een schilderij uit de 'Groep Van Eyck' in Rotterdam." Oud Holland - Quarterly for Dutch Art History 101, no. 4 (1987): 254–75. http://dx.doi.org/10.1163/187501787x00484.

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AbstractThe precise relationship of The Three Maries at the Tomb (Fig. 1) in the Boymansvan Beuningen Museum in Rotterdam to the work of Hubert and/or Jan van Eyck has proved difficult to establish, mainly because relatively little is known about their output apart from Jan van Eyck's signed paintings of 1432-41. The provenance of the Rotterdam picture has been traced back to the mid 18th century (Note 2), while the coat of arms, a later addition at bottom right, has been identified as that of Philippe de Commines, who has thus been posited as the earliest known owner (Note 3). Since the begin
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Books on the topic "Prints, flemish – exhibitions"

1

1947-, Silver Larry, Mary and Leigh Block Gallery., and Ackland Art Museum, eds. Graven images: The rise of professional printmakers in Antwerp and Haarlem, 1540-1640. Mary and Leigh Block Gallery, Northwestern University, 1993.

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2

Nadine, Orenstein, Metropolitan Museum of Art (New York, N.Y.), and Museum Boijmans Van Beuningen (Rotterdam, Netherlands), eds. Pieter Bruegel the Elder: Drawings and prints. Metropolitan Museum of Art, 2001.

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3

1932-, Salvi Sergio, Centro mostre di Firenze (Italy), and Comunità fiamminga del Belgio, eds. Il Tempo di Rubens: Disegni e stampe dal Seicento fiammingo. Electa, 1986.

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4

Czepielowa, Ewa. Skarby Niderlandów: Rysunki i wybrane ryciny artystów niderlandzkich XVI-XVII wieku ze zbiorów Fundacji Książ̇ąt Czartoryskich : katalog wystawy w Arsenale Muzeum Książ̇ąt Czartoryskich 20 kwietnia-30 maja 2004 = Treasures of the Netherlands : drawings and selected prints by Dutch and Flemish artists of the 16th-17th centuries from the collections of the Princes Czartoryski Foundation : catalogue for the exhibition at the Arsenal of the Princess Czartoryski Museum, April 20-May 30, 2004. Edited by Muzeum Narodowe w Krakowie. Zbiory Czartoryskich. Muzeum Narodowe w Krakowie, 2004.

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5

Ursula, Blanchebarbe, and Siegerlandmuseum, eds. Peter Paul Rubens 1577-1640: Meisterstiche seiner Werkstatt : aus dem Bestand des Siegerlandmuseums im Oberen Schloss Siegen. Bezirksamt Spandau, 2006.

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6

Andrew, Brink, Nasby Judith 1945-, and Macdonald Stewart Art Centre, eds. Landscape: Flemish, Dutch and French prints of the "Golden Age" : the Brink Collection. Macdonald Stewart Art Centre, 2006.

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7

Sors, Anne-Katrin, writer of supplementary textual content, Roick, Matthias, writer of supplementary textual content, Saxer, Antoinette, writer of supplementary textual content, and Universitäts-Sternwarte zu Göttingen, eds. Sturm der Bilder: Bürger, Moral und Politik in den Niederlanden, 1515-1616. Göttinger Verlag der Kunst GmbH, 2016.

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8

Museum, St Louis Art, and Harvard University Art Museums, eds. Beyond Bosch: The afterlife of a Renaissance master in print. Saint Louis Art Museum, 2015.

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9

Perlove, Shelley Karen. Renaissance, reform, reflections in the age of Dürer, Bruegel, and Rembrandt: Master prints from the Albion College collection. University of Michigan-Dearborn, 1994.

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10

Hans-Werner, Schmidt, Eikermann Silke, Kunsthalle zu Kiel, and Universität Kiel Kunsthistorisches Institut, eds. Landstriche: Niederländische Landschaftsgraphik des 16. und 17. Jahrhunderts aus dem Nachlass von Wolfgang J. Müller : 14. Dezember 1995 bis 31. Januar 1996. Kunsthalle zu Kiel, 1995.

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