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Journal articles on the topic 'Prison architecture'

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1

Giertsen, Hedda. "Prison ideas and architecture 1850-today:." Nordisk Tidsskrift for Kriminalvidenskab 108, no. 1 (March 27, 2021): 157–74. http://dx.doi.org/10.7146/ntfk.v108i1.125569.

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AbstractThis article discusses the use of prisons as punishment in Norway during the period 1850 to today. It looks at ideas about prisons and how they manifest themselves in prison sites and buildings. It also investigates the implications of various prison ideas and designs to prisoners and prison policy.Parts of the article are based on an exhibition that took place in Oslo in 2018: Six Norwegian prisons 1850-today: Ideas, spaces, experiences. The exhibition included a total of 20 interviews in which prisoners were asked whether prison ideas and designs were relevant to them. The article ends with a discussion of the implications of architecture for prisons, their purposes, and their effects. AbstractDenne artikkelen diskuterer fengsel som straff i Norge fra 1850 til i dag. Den ser på fengselsidéer og hvordan de er kommet til uttrykk i fengselsområder, bygninger og interiør. Artikkelen spør videre om disse endringene, slik fengsler fremstår i dag, har betydning for fanger. Dette leder til en diskusjon om hvilken betydning fengselsidéer og arkitektur kan ha for fanger og for fengselspolitikken.Artikkelen bygger for en stor del på en utstilling i Oslo i 2018: Six Norwegian prisons 1850-today. Ideas, spaces, experiences, som også omfatter 20 fangeintervjuer som formidler kommentarer om disse endringene har betydning for dem, eventuelt på hvilke måter. Artikkelen avsluttes med en diskusjon om hvilken betydning arkitektur kan ha i diskusjoner om fengsler, deres formål og virkninger
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2

Fikfak, Alenka, Saja Kosanovic, Mia Crnic, and Vasa Perovic. "The contemporary model of prison architecture: Spatial response to the re-socialization programme." Spatium, no. 34 (2015): 27–34. http://dx.doi.org/10.2298/spat1534027f.

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The history of prison architecture concerns the development of various design formats. In contemporary terms, punishment and re-socialization are the two equally important purposes of a prison institution. Rightfully, the contemporary model of prison architecture may be viewed, inter alia, as a spatial response to the re-socialization programme. Based on a comprehensive literature review, critical discussion, and scientific description, this paper defines the main qualitative elements of prison architecture, which responds to the requirements for re-socialization of inmates, and further explains the way in which each response is provided. From these architectural and design attributes, a list of 30 indicators of the spatial response to re-socialization was established. Furthermore, by using the derived indicators, a comparative analysis of four contemporary European prisons was conducted. The results showed both similarities and differences in the spatial response to the re-socialization programme, indicating that the spatial potential for re-socialization of inmates may be developed by using various approaches to prison design.
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McCarthy, Christine. "Inside Paremoremo." Architectural History Aotearoa 19 (December 13, 2022): 83–93. http://dx.doi.org/10.26686/aha.v19i.8050.

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The idea of imprisonment, which substantially dates from the mid-eighteenth-century, is both integral to many societies today and fervently challenged, as criminological research has unquestionably demonstrated that prisons do not effectively achieve aims of protecting society, nor reform or rehabilitation. Over the last 50 years, the history of our prison architecture is bracketed by the building of Paremoremo (in the aftermath of the 1965 Mt Eden prison riot) and the more recent adoption of the American-derived New Generation prisons (e.g. Auckland Central Remand (2000), Mt Eden Corrections Facility (2011), and Kohuora (Auckland South Corrections Facility), Wiri (2015)). Paremoremo (1963-1969; archt: J.R.B. Blake-Kelly), was, at the time, "arguably the most modern and technologically sophisticated gaol in the world." It was influenced by the designs of: Blundeston prison, Suffolk, England (1961-63); Kumla prison, Sweden (1965); and Marion prison, Illinois (1963). The New Generation prisons interiorised the thinking behind 1960s campus-style prisons that displaced the cell to primarily nocturnal habitation. This paper will consider the historical consequences of 1960s prison design and Paremoremo on New Zealand prison architecture.
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Hananto, Praditya Mer. "BANGUNAN PENJARA DAN PELAKSANAAN PENGHUKUMAN." SISI LAIN REALITA 1, no. 1 (June 15, 2016): 55. http://dx.doi.org/10.25299/sisilainrealita.2016.vol1(1).1409.

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All of design in architecture building have some particular composition, compilation and presentation which is exclusively affecting the user inside. Each design have its own world of scope or characteristic which is symbolzed within definition of social relationship. The researcher interested in prison building, a place to implementing a punishment. According to Peter Severin, there is 3 function of prison architecture : confining criminals to protect society, punishing those individuals, and correcting their behavior make them return to society. But the last function is the hardest part and the right design continue to be sought. By studying various literature about prisons architecture design and how punishment implimented, the researcher analyzing pros and cons of each prison design in carrying out the punishment. This research is conducted that each prisons design have its own abilitys, wherein by covering weakness of previously prisons design will resulting in new prison design which is better for implementing punishment. Matter like prisons layout, cels shape, technology, up to materials used was important instrumental to achieving more appropriate design in the effort to reintegarting the convict to society.
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5

Rampersaud, Marsha. "Process and Becoming: Spatiality and Carceral Identities." TOPIA: Canadian Journal of Cultural Studies 43 (September 1, 2021): 100–130. http://dx.doi.org/10.3138/topia-43-008.

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This paper theorizes that a process of identity transformation occurs when individuals enter prisons, whereby individuals become prisoners. I investigate how this identity transformation occurs through interaction with the prison’s architectural design. Prisons are posited as locations of purposeful spatial organization whose design evokes particular performances from those within and outside, and which actively contributes to the creation of the prisoner identity. This investigation reveals a carceral power at work which renders prisons sites of articulated and detailed control that exist within a broader set of institutional practices and relations of power aimed at the transformation of individuals. This discussion critically engages with the broader purpose of the prison: while prisons are meant to rehabilitate and reform prisoners, the structured architecture of the prison conflicts with this objective.
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6

Jewkes, Yvonne, Melanie Jordan, Serena Wright, and Gillian Bendelow. "Designing ‘Healthy’ Prisons for Women: Incorporating Trauma-Informed Care and Practice (TICP) into Prison Planning and Design." International Journal of Environmental Research and Public Health 16, no. 20 (October 10, 2019): 3818. http://dx.doi.org/10.3390/ijerph16203818.

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There has been growing acknowledgment among scholars, prison staff and policy-makers that gender-informed thinking should feed into penal policy but must be implemented holistically if gains are to be made in reducing trauma, saving lives, ensuring emotional wellbeing and promoting desistance from crime. This means that not only healthcare services and psychology programmes must be sensitive to individuals’ trauma histories but that the architecture and design of prisons should also be sympathetic, facilitating and encouraging trauma-informed and trauma-sensitive practices within. This article problematises the Trauma-Informed Care and Practice (TICP) initiatives recently rolled out across the female prison estate, arguing that attempts to introduce trauma-sensitive services in establishments that are replete with hostile architecture, overt security paraphernalia, and dilapidated fixtures and fittings is futile. Using examples from healthcare and custodial settings, the article puts forward suggestions for prison commissioners, planners and architects which we believe will have novel implications for prison planning and penal practice in the UK and beyond.
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7

Morris, Robert G., and John L. Worrall. "Prison Architecture and Inmate Misconduct." Crime & Delinquency 60, no. 7 (November 7, 2010): 1083–109. http://dx.doi.org/10.1177/0011128710386204.

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8

Waits, Mira Rai. "Imperial Vision, Colonial Prisons:." Journal of the Society of Architectural Historians 77, no. 2 (June 1, 2018): 146–67. http://dx.doi.org/10.1525/jsah.2018.77.2.146.

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Prison construction was among the most important infrastructural changes brought about by British rule in nineteenth-century India. Informed by the extension of liberal political philosophy into the colony, the development of the British colonial prison introduced India to a radically new system of punishment based on long-term incarceration. Unlike prisons in Europe and the United States, where moral reform was cited as the primary objective of incarceration, prisons in colonial India focused on confinement as a way of separating and classifying criminal types in order to stabilize colonial categories of difference. In Imperial Vision, Colonial Prisons: British Jails in Bengal, 1823–73, Mira Rai Waits explores nineteenth-century colonial jail plans from India's Bengal Presidency. Although colonial reformers eventually arrived at a model of prison architecture that resembled Euro-American precedents, the built form and functional arrangements of these places reflected a singularly colonial model of operation.
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Lin, Wang. "Security Design System of Prison Architecture Based on New Materials." Applied Mechanics and Materials 680 (October 2014): 557–60. http://dx.doi.org/10.4028/www.scientific.net/amm.680.557.

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This paper discusses empirical findings and theories about prison architecture security system and security fence material. As advanced security systems and high quality materials became increasingly significant for prison architecture. The prison insecurity fence design and lag behind materials consume use results in threat of jail safety, which implies that scholar focus on such security design system is necessary. Few people, therefore, doubt the value of new building materials and financial theory to justify prison security system as enhance safeguarding measure. Most scholars of penology promoted consensus on application of new materials can enhance the performance of prison fences, which focus on the security aspects of prison architecture, and this is case studies on the role of security design system and new materials reuse in prison architecture, solutions for make security sustainable development in a national prison system. Thus, there is a continuing need to carry out well-designed research on this question as improve the safety measures. Conclusions and directions for further research are provided.
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McCarthy, Christine. "An Eye for Detail: the Dallard years." Architectural History Aotearoa 18 (December 8, 2021): 117–25. http://dx.doi.org/10.26686/aha.v18i.7374.

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It is often considered that the 1930s was a mundane period in the history of New Zealand prison architecture. This paper re-evaluates this conclusion by examining the specific aspect of prison interior architecture and the incremental changes that occurred to prison buildings during this period of New Zealand's prison history.
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11

Martinez-Millana, Elena, and Andrés Cánovas Alcaraz. "Domesticity ‘Behind Bars’: Project by Rem Koolhaas/OMA for the Renovation of a Panopticon Prison in Arnhem." Buildings 10, no. 7 (June 30, 2020): 117. http://dx.doi.org/10.3390/buildings10070117.

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This article focuses on the project for the renovation of a Panopticon prison in Arnhem, the Netherlands (1979–1980), designed by Rem Koolhaas/OMA. The analysis of its reception shows that, despite being well known, it has been little studied and discussed, and although it was not built, it had an impact on prison architecture. It seems appropriate to tackle it now because the Koepelgevangenis (dome prison) of Arnhem has gained current relevance due to plans for it to be turned into a hotel. The renovation project for the Koepelgevangenis explicitly shows the presence of Foucault’s ideas on power and how these ideas exerted significant influence on the works carried out by Koolhaas. For Foucault, the Panopticon prison, such as the Koepelgevangenis, was the paradigmatic example of what he called the “disciplinary society”. Domesticity “behind bars” suggests that prisons can also be understood as domestic spaces. Moreover, it could be said that for Koolhaas, this Panopticon prison was a social condenser or a hotel for voluntary or involuntary prisoners. As a prison or as a hotel, it can also be interpreted as Foucault’s heterotopia, the intervention thus acquiring a new meaning which anticipated the future of this unique building.
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12

Jain, K. S. Rekh Raj. "Effective and Humane Restoration of Prisoners With Special Reference to India." Journal of Victimology and Victim Justice 3, no. 1 (April 2020): 113–27. http://dx.doi.org/10.1177/2516606920904296.

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The tail-end of the criminal justice system is the prison. In the era of mass incarceration a question arises how can a prisoner be restored to live a successful life after incarceration? The architecture of restoration of prisoners to begin the movement the prisoner placed under the authority of prison officials. Restoration is not a soft option, as many prisoners find it extremely difficult to face up to the impact of their crimes. The entire prison environment and the stakeholders of the prison department shall be involved in the restorative process. Restoration is the shift from retribution and vengeance to a more human approach. Hence restorative processes shall focus on physical, behavioral, emotional and restoration of dignity. The transition from prison to re-integration into the society after being incarcerated for number of years is the most difficult task for the prisoner. Therefore perseverance of restoration in prisons shall be a continuous process which would be a great investment to everyone. Research and studies across the world reveals that the scale of victimization among the prisons is very high and at time most devasting and India is not an exception. Adoption of restorative restoration approaches and practices in prison setting will not only successfully navigate reentry both into the family and society but also a realistic future and an effectiveness and positive impact outside the prison world. If prison officials want to reduce recidivism it is vital that they ensure effective and humane restoration of prisoners. This paper takes the stock of the current context and aims to bring greater clarity pertinent to the thematic area of concerns regarding effective and humane restoration of prisoners with special reference to India.
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13

Aldhaheri, Mohammed Abdulla Mohammed Mesfer, Bo Xia, Madhav Nepal, and Qing Chen. "Selecting Key Smart Building Technologies for UAE Prisons by Integrating Analytical Hierarchy Process (AHP) and Fuzzy-TOPSIS." Buildings 12, no. 12 (November 26, 2022): 2074. http://dx.doi.org/10.3390/buildings12122074.

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Prisons are the structures used for incarcerated inmates and are often overcrowded and understaffed. This often leads to inhumane conditions and increased violence. Smart building technologies can help to alleviate these problems to some extent and improve communication between staff and prisoners. However, selecting appropriate smart building technology for prison building requires significant effort, knowledge, and experience. The current study aims to develop a decision-making model for selecting smart building technologies for UAE prisons following the analytical hierarchy process (AHP) and fuzzy-TOPSIS. The results of AHP revealed that for the main criteria, economical criteria were the highest ranked with a global weight of 0.228, followed by technology and engineering criteria (global weights of 0.203 and 0.200, respectively). For sub-criteria, prison category and security was the highest ranked criterion with a global weight of 0.082 followed by antihacking capability (0.075). Concerning the final ranking of smart building technologies by fuzzy-TOPSIS, the safety and security system was the highest-ranked technology (Ci = 0.970), followed by the fire protection system (Ci = 0.636) and information and communication information network system (Ci = 0.605). To conclude, the current findings will assist UAE policymakers and prison authorities to select the most appropriate smart building technologies for UAE prison buildings.
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14

Jewkes, Yvonne. "Just design: Healthy prisons and the architecture of hope." Australian & New Zealand Journal of Criminology 51, no. 3 (March 21, 2018): 319–38. http://dx.doi.org/10.1177/0004865818766768.

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This article develops the notion that institutional places and spaces are layered with meaning and that their architecture and design have a profound psychological and physiological influence on those who live and work within them. Mindful of the intrinsic link between ‘beauty’ and ‘being just’, the article explores the potential ‘healing’ or rehabilitative role of penal aesthetics. As many countries modernise their prison estates, replacing older facilities that are no longer fit-for-purpose with new, more ‘efficient’ establishments, this article discusses examples of international best (and less good) practice in penal and hospital settings. It reflects on what those who commission and design new prisons might learn from pioneering design initiatives in healthcare environments and asks whether the philosophies underpinning the ‘architecture of hope’ that Maggie’s Cancer Care Centres exemplify could be incorporated into prisons of the future. The article was originally presented as a public lecture in the annual John V Barry memorial lecture series at the University of Melbourne on 24 November 2016.
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15

Nadarević, Damir. "Subliminal messages in prison." CM: Communication and Media 16, no. 50 (2021): 205–26. http://dx.doi.org/10.5937/cm16-32876.

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There are subliminal messages all around us, whether we want to admit it or not. The possibilities of consciously influencing the unconscious with the aim of manipulating human behaviour have been explored since as far back as 1884 (American researchers Pierce and Jastrow). Prisons are a symbol of the power of the state, an instrument of fear and, ultimately, the places for housing people whose behaviour is unacceptable to the community. Therefore, certain forms of manipulation of prisoners, disguised as re-education and resocialisation, as declarative goals of punishment, are considered a legitimate "right" of the state. What this paper will cover in particular is the detection of subliminal messages as manipulative instruments imprisoned persons are exposed to while serving a prison sentence. The paper gives a definition of subliminal messages, shows the ways in which such can be inserted into certain content of activities performed in prison, and their re-educational value is assessed. Special emphasis is placed on prison symbols as carriers of subliminal messages, on the architecture of the prison itself, the layout of the rooms used by employees and rooms where prisoners spend their time, the colours of those rooms, smells and sounds inside them, different ways of artistic expression but also on the employee-prisoner relations as well as peer relationships among prisoners themselves, their customs, ceremonies, discourse and gestures. All of the above, in the end, has at least two dimensions: a declarative (regulated by law) and, for the purpose of understanding the prison and its tasks, a much more valuable, covert, subliminal one.
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Karthaus, Roland, Lucy Block, and Anthony Hu. "Redesigning prison: the architecture and ethics of rehabilitation." Journal of Architecture 24, no. 2 (February 17, 2019): 193–222. http://dx.doi.org/10.1080/13602365.2019.1578072.

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17

Pratt, John. "Book Review: Prison architecture: Policy, design and experience." Punishment & Society 7, no. 1 (January 2005): 98–100. http://dx.doi.org/10.1177/146247450500700109.

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Dokgöz, Deniz. "Spatial Anatomy of Crime and Punishment from Forensic Architecture to Prison Architecture." Bulletin of Legal Medicine 27, no. 2 (August 1, 2022): 175–84. http://dx.doi.org/10.17986/blm.1560.

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Vessella, Luigi. "Prison, Architecture and Social Growth: Prison as an Active Component of the Contemporary City." Plan Journal 2, no. 1 (July 2, 2017): 63–84. http://dx.doi.org/10.15274/tpj.2017.02.01.05.

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20

Marini, Myrto. "Memories of the Orphanage - Prison of Aegina." Technical Annals 1, no. 1 (December 22, 2022): 132–51. http://dx.doi.org/10.12681/ta.32165.

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In recent decades, there has been a growing worldwide interest in those events that marked the course of world history and that create divisions within a society. In Greece, the 1940s and the threefold Occupation-Resistance-Civil War are such events that give rise to intense controversy. At the same time, the methods of repression that the political dissidents of that period suffered, which were basically persecutions, displacement to distant locations (exile) and internment to maximum-security prisons have been consigned to oblivion. In Greece, dozens of islands were turned into places of exile and “disciplinary camps”, whilst many prisons were created for the state “enemies”. In their ma-jority, these sites of memory in Greece have been consigned to oblivion since there is no state support for their promotion. One of the most typical examples is the Prison of Aegina, which is also known as Kapodistrian Orphanage. The building was constructed by order of Ioannis Kapodistrias to house the orphans of the Revolution of 1821. In 1880, it was inaugurated as a prison for criminal inmates at first, while in 1920 it received the first political prisoners. The building operated as a prison for political prisoners up until 1974, during which time the Left was restored to legality in the country and hence, the persecutions ceased. In this article, we will study the term “difficult cultural heritage” together with the promotion and conversion of sites of memory to museums. The building of the Aegina Prison will be examined as a case study for its significance and his-torical importance, but also its emblematic architecture.
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Piacentini, Laura, and Gavin Slade. "Architecture and attachment: Carceral collectivism and the problem of prison reform in Russia and Georgia." Theoretical Criminology 19, no. 2 (April 30, 2015): 179–97. http://dx.doi.org/10.1177/1362480615571791.

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This article looks at the trajectory of prison reform in post-Soviet Georgia and Russia. It attempts to understand recent developments through an analysis of the resilient legacies of the culture of punishment born out of the Soviet period. To do this, the article fleshes out the concept of carceral collectivism, which refers to the practices and beliefs that made up prison life in Soviet and now post-Soviet countries. The collapse of the Soviet Union in 1991 revealed a penal culture in notable need of reform. Less obvious, in retrospect, was how over the course of a century this predominantly ‘collectivist’ culture of punishment was instantiated in routine penal practices that stand in opposition to western penalities. The article shows how the social and physical structuring of collectivism and penal self-governance have remained resilient in the post-Soviet period despite diverging attempts at reform in Russia and Georgia. The article argues that persistent architectural forms and cultural attachment to collectivism constitute this resilience. Finally, the article asks how studies of collectivist punishment in the post-Soviet region might inform emerging debates about the reform and restructuring of individualizing, cell-based prisons in western jurisdictions.
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Katipoğlu Özmen, Ceren, and Selahaddin Sezer. "Making the Unwanted Visible: A Narrative on Abdülhamid Ii’s Ambitious Project for Yedikule Central Prison in Istanbul." Prostor 28, no. 2 (60) (December 22, 2020): 360–77. http://dx.doi.org/10.31522/p.28.2(60).11.

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This study aims to investigate three architectural projects proposed for constructing a central prison inside the Yedikule Fortress in Istanbul during the end of the 19th c. Ottoman State assigned the famous architects of the era for this mission such as August Jasmund, Alexandre Vallaury, and Kemaleddin. The narration on the projects shows that there was a strong intention for constructing a central prison in the capital of Ottoman Empire as a sign of success for the overall penalty and prison reform that was one of the main goals for Ottoman Sultan Abdülhamid II (r. 1876-1909). The interpretation of these distinctive projects is significant since this interpretation helps us both to understand the transformation of the criminal justice spaces of the Ottoman Empire and to provide a new perspective for reading 19th c. Ottoman architecture.
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Sequeira, Rovel. "The Anatomy of Habit." GLQ: A Journal of Lesbian and Gay Studies 29, no. 1 (January 1, 2023): 43–60. http://dx.doi.org/10.1215/10642684-10144392.

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This article examines the early twentieth-century Indian prison as a colonial sexological laboratory, arguing that it grounded a spatial form of sexual science tied to the science of confinement. Uncovering a crucial and previously unstudied Indian prison scandal, it shows how the would-be prison sexologist John Mulvany's experiments on subaltern Indian sexual “deviants” developed alongside and helped reconstitute the architecture of the prisons he administered, from Calcutta's Presidency Jail to Alipore's New Central Jail. It also demonstrates how he mobilized racist criminological theories about Indian prisoners’ desire for sociability over privacy to isolate sex offenders in graded patterns of cellular confinement and to prevent prison sex. It further explores how Mulvany's interception of the intimate letters of such sequestered prisoners led him to conceptualize pederasty as a mass site of habitual Indian racial excess. Finally, it documents how the state prevented the circulation of Mulvany's studies, anticipating outcry about having exposed Indian political or revolutionary prisoners to sexual abuse. While scholars have predominantly studied the circulation of sexology among imperial bourgeois publics through the Foucauldian framework of a sexological will to knowledge, this essay theorizes how the colonial state's dominance over penology amplifies our understanding of subaltern sexual life and of sexological epistemologies subtended by a will to ignorance.
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Whitehead, Anna Martine. "Notes on Territory." TDR/The Drama Review 62, no. 4 (December 2018): 2–3. http://dx.doi.org/10.1162/dram_a_00789.

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Notes on Territory is adapted from a performance-lecture and installation for the study of containment architecture and embodied resistance. It considers recurring motifs in the development of the modern prison, exploring how those same motifs are repurposed in bodies and movements of people in prison as freedom practices.
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Ramel, Gérard. "Architecture carcérale: point de vue d'un directeur de prison." Déviance et société 13, no. 4 (1989): 379–85. http://dx.doi.org/10.3406/ds.1989.1162.

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Beijersbergen, Karin A., Anja J. E. Dirkzwager, Peter H. van der Laan, and Paul Nieuwbeerta. "A Social Building? Prison Architecture and Staff–Prisoner Relationships." Crime & Delinquency 62, no. 7 (May 27, 2014): 843–74. http://dx.doi.org/10.1177/0011128714530657.

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Draper, Susana. "Against depolitization: Prison-museums, escape memories, and the place of rights." Memory Studies 8, no. 1 (December 22, 2014): 62–74. http://dx.doi.org/10.1177/1750698014552409.

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This essay compares postdictatorial transformations of former spaces of confinement for political prisoners into shopping malls, such as the Buen Pastor prison in Córdoba (Argentina) and the Punta Carretas prison in Montevideo (Uruguay). It places these within the context of past and current debates on the human rights of “common prisoners,” as distinct from those of “political ones.” Yet precisely the omission of the political is mirrored at the prison-malls in the architectural erasure of territorial marks of repression (the cells) but also of all material traces of a poetics of freedom within the site, such as a window through which political prisoners had once successfully plotted a mass escape. These erasures can be read, I suggest, within a program of invisibilization of acts of freedom in the reconfiguration of memorial practices and places. Here, I want to ask, How are escapes being remembered/forgotten in current sites of memory, where the dominant imaginary neutralizes political content? Can we conceive of an “architecture of affect” that would relate to memories of escape?
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Vandiver, Josh. "Plato in Folsom Prison." Political Theory 44, no. 6 (August 3, 2016): 764–96. http://dx.doi.org/10.1177/0090591716650715.

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Of the many structures which constitute the intellectual architecture of Black Power, where do “canonical” sources of political theory stand? How are they incorporated, reworked, and critiqued by the movement’s leading, innovative thinkers? Eldridge Cleaver, author of Soul on Ice and Minister of Information in the Black Panther Party, is certainly such a thinker. Subsequently scorned or ignored, he sought to advance the African American struggle for liberty and equality by exposing gendered and sexualized structures of racial oppression. Cleaver chooses distinctive theoretical tools, a kind of queer classicism, engaging with Plato’s Symposium and Republic as he develops new models for understanding the interdiction of black–white erotic relations, the policing of black masculinity, and the subordination of black persons within a racialized political order. Analyzing Cleaver’s engagement with Plato equips us to recognize intersections of classical political theory and modern radical thought and activism, the limits of such engagements, and the challenges for political theory when the complex interstices of race, gender, sexuality, and classicism are interrogated.
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Eisenhauer, Paul. "Forms of Constraint: A History of Prison Architecture Norman Johnston." Public Historian 24, no. 1 (January 2002): 116–17. http://dx.doi.org/10.2307/3379039.

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Armstrong, Gaylene S. "Book Review: Forms of Constraint: A History of Prison Architecture." Criminal Justice Review 26, no. 1 (May 2001): 98–99. http://dx.doi.org/10.1177/073401680102600113.

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McWilliams, John C. "Book Review: Forms of Constraint: A History of Prison Architecture." Prison Journal 82, no. 2 (June 2002): 281–82. http://dx.doi.org/10.1177/003288550208200207.

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Aldama, Sergio, Federico Colom, Diego Morera, Jimena Ríos, and Mauricio Wood. "Prison to prison. Pabellón de Uruguay en la Bienal de Venecia 2018." ARQ (Santiago), no. 101 (April 2019): 34–41. http://dx.doi.org/10.4067/s0717-69962019000100034.

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Consoli, Giustina G. S. "Prescriptive versus non‐prescriptive prison design briefs." Facilities 23, no. 5/6 (April 1, 2005): 216–25. http://dx.doi.org/10.1108/02632770510588628.

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PurposeTo report on architect reactions to the use of non‐prescriptive design and construction briefs in the delivery of private prison projects in Australia.Design/methodology/approachThe introduction of the private prison projects in Australia saw the introduction of alternative delivery methods, such as Design‐Construct, for the delivery of prison facilities. The resulting design brief, forwarded as the “Request for Proposal”, was typically a non‐prescriptive document. Those architects who participated in such private prison design projects were interviewed using a semi‐structured interview questionnaire. Beliefs regarding the use of such briefs were gauged from the interview data.FindingsThe interviews revealed conflicting beliefs regarding the usefulness and appropriateness of the design brief. The responses were divided between a minority who found the briefs adequate, owing principally to the belief that it facilitated innovation. However, the majority considered the briefs as inadequate for prison construction. They believed that it allowed for manipulation by contractors, and that it compromised the design process and the integrity of the facility. As architects question the suitability of such design briefs for the delivery of prison facilities, the paper highlights the advantages and limitations in using prescriptive and non‐prescriptive prison design briefs.Originality/valueThis paper fulfils a need for data regarding the role of design briefs in prison design and construction. It offers a valuable comparison of the diverse approaches that can be taken, and the impacts this has upon how architects operate in prison projects.
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Roux, Daniel. "Mohamedou Ould Slahi’s Guantánamo Diary and Prison Writing from Africa." African Studies Review 63, no. 2 (June 2020): 430–35. http://dx.doi.org/10.1017/asr.2020.25.

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If the unvarnished power of the state has a face, then it is the prison. When the mask of cultural hegemony slips, we encounter the walls of the penal institution, its barbed wire, and its blankly functional architecture, mute and unseeing. A prison is one of the most concentrated modalities of state power. By definition, a prison is a zone of exclusion; it defines the normal, everyday civic sphere by defining a site of exception. A prison has its own distinctive logic and temporality, in Ngũgĩ wa Thiong'o’s words, “dull, mundane, monotonous, tortuous in its intended animal rhythm of eating, defecating, sleeping, eating, defecating, sleeping” (1981:116). It is a world of boredom, isolation, and fear. Nonetheless, because of its close proximity to state power, the prison also offers a sharp-edged reflection of the operation of power in a society. As Michael Hardt observes, “Those who are free, outside of prison looking in, might imagine their own freedom defined and reinforced in opposition to prison time. When you get close to prison, however, you realize that it is not really a site of exclusion, separate from society, but rather a focal point, the site of the highest concentration of a logic of power that is generally diffused throughout the world” (1997:66). Or as Robben Island prisoner Michael Dingake remarked in his 1987 autobiography, “Prison is the heart of oppression in any oppressive society” (1987:228).
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35

Kavanagh, J. "How to avoid prison." Computer Bulletin 40, no. 2 (March 1, 1998): 24–25. http://dx.doi.org/10.1093/combul/40.2.24.

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Fiddler, Michael. "Phantom architecture: Jeremy Bentham's haunted and haunting panopticon." Incarceration 3, no. 2 (May 20, 2022): 263266632211015. http://dx.doi.org/10.1177/26326663221101571.

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Drawing upon Jacques Derrida’s notion of hauntology and the nascent field of ghost criminology, this article explores the spectrality of Jeremy Bentham's panopticon. This frames the never constructed building as an example of ‘phantom architecture’. It can be seen as both haunted and haunting. Here, we use Beaumont’s ‘architectural parallax’ to examine this building that is ‘out-of-joint’. It is at once of the past, yet profoundly present, as well as prefiguring the future. We turn first to the spectral presence of an abandoned building designed by Samuel Bentham, Jeremy's brother. We see how Samuel's experiences in Krichev in the 1780s left traces in the prison design that the brothers would work upon. This saw them develop an architecture that would hold in its centre a surveillant ‘entity’ that would haunt those being observed at the building's periphery. Having explored the ‘no longer’, we turn to the ‘not yet’ to see how the panopticon has come to inspirit thought and architectural practice. In tracing these varied spectralities, both within and of the panopticon, we can reveal its enduring impact on the criminological imagination.
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van Hoven, Bettina, and David Sibley. "‘Just Duck’: The Role of Vision in the Production of Prison Spaces." Environment and Planning D: Society and Space 26, no. 6 (January 1, 2008): 1001–17. http://dx.doi.org/10.1068/d5107.

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This paper is concerned with the ways in which prisoners talk about the production of space within a prison in New Mexico. We focus specifically on the role of vision in interpersonal relations, including relations between inmates and between inmates and officers, and we attempt to assess the significance of seeing and being seen in the ‘personal projects’ of prisoners working their way through the system. This involves examining the roles of looking and of surveillance in the organization and control of space. In our study, interpersonal relations are not divorced from the material geographies of the prison. Rather, the breeze-block walls and the steel gates are integral elements of the scopic regime as it affects relations between prisoners and their relations with the prison staff. In our account, the complex connections between actors, architecture, and technologies of surveillance are voiced by the inmates. We provide just one perspective on the making of space in the prison but it is one which has been neglected.
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Kamber, Kresimir. "Remedies for breaches of prisoners’ rights in the European Prison Rules." New Journal of European Criminal Law 11, no. 4 (October 14, 2020): 467–88. http://dx.doi.org/10.1177/2032284420963891.

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This article looks into the architecture of remedies for breaches of the right of prisoners not to be subjected to inadequate conditions of detention under the revised 2020 European Prison Rules (EPR). It seeks to expound the consistency and rationality of the relevant provisions of the 2020 EPR from the perspective of relevant principles and specific prescriptions of European prison law. For the purpose of the present article, the term ‘European prison law’ encompasses rules and standards set out in the case law of the European Court of Human Rights, practice of the European Committee for the Prevention of Torture and Inhuman or Degrading Treatment or Punishment and the provisions of the EPR. The article finds that, in this context, there is sufficient coherence in the relevant principles of European prison law – faithfully codified in the 2020 EPR – providing clear guidance to European States on how to put in place a system of remedies for breaches of prisoners’ rights and how to ensure its effective operation in practice.
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Herrington, Victoria. "Equivalence, equality and equity for prisoners with a borderline intellectual disability: reflections from the UK." Journal of Criminological Research, Policy and Practice 2, no. 3 (September 19, 2016): 217–27. http://dx.doi.org/10.1108/jcrpp-02-2016-0002.

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Purpose The purpose of this paper is to discuss the legislative and policy architecture governing the protection of individuals with an intellectual disability (ID) in the UK, and whether these protections extend to protect those with a borderline ID (BLID) in prison. Design/methodology/approach The paper presents policy and legislative analysis. Findings This paper argues that the legislative definitions of disability are broad and draw on a needs-based understanding of disability, meaning that those with a BLID – if they experience disability – should be included in these protections. But the clinical definitions of ID that guide access to support services tend to exclude those with a BLID. Notions of horizontal and vertical equity are invoked to examine the spirit of “equivalence” captured in legislative instruments, and how these filter into policy that may ultimately be discriminatory to those with a BLID. Research limitations/implications If the founding principle of equality legislation is equivalence, and an argument can be made that those with a BLID are protected from disability discrimination, public authorities will need to reconcile their use of clinical diagnostic cut-offs to justify service provision inside and outside of the prison estate. In essence they are faced with a choice: consider how best to provide equitable support for those with a BLID (which may not necessarily mean identical support), or risk breaching these fundamental rights. Practical implications The paper calls into question the extent to which the current suite of ID-related services (both in the community and in prison) fulfil a public authority’s obligations for vertical and horizontal equity that are captured in the disability discrimination legislation. Specifically authorities must consider whether: replicating services in prisons serves the particular needs of the prison population, or is horizontal equity only partial fulfilment? The higher than expected numbers of BLID in prison justify consideration of different services for these different needs? There is an opportunity to rethink the conceptualisation of disability service provision in the National Health Service from one defined by diagnostic bands rather than a socio-ecological understanding of need, and in doing so whether the needs of the BLID group in prison are being suitably met. Originality/value The paper provides a line of legal argument and analytical thought useful to those seeking to challenge the non-provision of support for those with a BLID; particularly those who are especially disadvantaged in prison. This paper draws attention to the disconnect between legislative intent and policy operationalisation for those with BLID. Further research and possible legal challenge is needed to clarify whether this amounts to direct or indirect discrimination.
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Consoli, Giustina G. S. "The evaluation of private prison design and construction submissions in Australia: prison operator responses." Facilities 22, no. 5/6 (April 2004): 114–19. http://dx.doi.org/10.1108/02632770410540324.

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Sadler, Jackie. "Career guidance: Joining up services for prisoners." Journal of the National Institute for Career Education and Counselling 21, no. 1 (April 1, 2009): 23–26. http://dx.doi.org/10.20856/jnicec.2104.

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This article is based on Equal funded work carried out by NICEC Fellows Jackie Sadler and Leigh Henderson in three prisons in the East of England, where IAG in custody is provided by Tribal, and one in the South West supported by a Tribal Area (now Regional) Manager, Cheryl Westbury. It seeks to draw out some of the challenges of providing information, advice and guidance in prison and the development work carried out under the Equal project and subsequent experience. The project was managed by Tribal under Equal funding initially and subsequently as part of the LSC East of England Test Bed programme.
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Vanderburgh, David J. T. "Review: Forms of Constraint: A History of Prison Architecture by Norman Johnston." Journal of the Society of Architectural Historians 60, no. 4 (December 1, 2001): 535–36. http://dx.doi.org/10.2307/991752.

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43

Arkarapotiwong, Piyadech, and Sumavalee Chindapol. "History of Chiang Mai City Prison: Transition of Prison Styles by the Siamese Influences under the Western Colonial Powers." Civil Engineering and Architecture 10, no. 6 (November 2022): 2448–60. http://dx.doi.org/10.13189/cea.2022.100617.

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44

Ariani, Ariani. "Perubahan Fungsi pada Museum Fatahillah Ditinjau dari Teori Poskolonial." Humaniora 6, no. 4 (October 30, 2015): 483. http://dx.doi.org/10.21512/humaniora.v6i4.3377.

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The Museum of Jakarta Historical, which popularly known as Fatahillah museum, is one of the importance historical buildings in Indonesia with abudance hictorical value. This neoclassic architectural building that was built around the 17th century had already been altered its function for several times, such as: a city hall (stadhius), the house of parliament, a prison especially to hang the convict, a military dorm in the end of colonial period, and a museum in the independence period. All changes of the Fatahillah Museum were observered with qualitative method accompanying with hermeneutics approach to describe its post-colonial study as a relevance result to its casual critical issue and culture. Hence, it could give another perspective of the meaning behind the colonization that ever happened and its impact nowadays. Today, the Fatahillah museum is still standing strong and majestic. The beauty of the architecture becomes a marker that colonial architecture has contributed indirectly to the development of architecture in Indonesia, apart from its function in the past. By studying the interpreted means of the Fatahillah Museum changes in function, the inheritance task is to care for and to preserve the Fatahillah Museum as one of historical witnesses.
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Nadel, Melissa R., and Daniel P. Mears. "Building with no end in sight: the theory and effects of prison architecture." Corrections 5, no. 3 (April 12, 2018): 188–205. http://dx.doi.org/10.1080/23774657.2018.1461036.

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Canizares, Galo, and Stephanie Sang Delgado. "Carceral Tales: A Report on Prison Pedagogy." Journal of Architectural Education 75, no. 2 (July 3, 2021): 309–12. http://dx.doi.org/10.1080/10464883.2021.1947697.

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47

Elmer, Greg, and Stephen J. Neville. "The Resonate Prison: Earwitnessing the Panacoustic Affect." Surveillance & Society 19, no. 1 (March 5, 2021): 11–21. http://dx.doi.org/10.24908/ss.v19i1.13923.

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Panacoustic surveillance can be low-intensity and mundane, but when taken to its extreme, it is coordinated with physical violence to create an atmosphere of hallucinatory fear. Our entry point into this problem is through a case study of the Saydnaya torture prison in Syria, a terrifying and opaque architecture of power. This short paper draws from the earwitness art and human rights activism of Lawrence Abu Hamdan concerning Saydnaya in collaboration with Amnesty International: from our analysis of the prison, we extrapolate lessons of panacoustic technologies more broadly, which are not necessarily or immediately violent but nonetheless disempower subjects by constraining their behaviors and rendering walls indefensibly porous. In developing a nascent theory of panacoustic surveillance, this paper makes two distinct contributions to surveillance studies. First, it puts sound and surveillance studies scholars into dialogue to echo Hamdam’s argument that walls do not represent an absolute barrier but a corporeal medium by which power and knowledge can permeate and reflect as vibration. Second, our discussion articulates a politics of transparency and accountability that helps rethink notions of actuarial surveillance as not only a form of top-down statistical and biopolitical monitoring and governance but also as a means of developing panacoustic audits that seek to hold governments and other human rights abusers to account.
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Ho, Elizabeth. "Heterotopic Heritage in Hong Kong: Tai Kwun and Neo-Victorian Carceral Space." Humanities 11, no. 1 (January 13, 2022): 12. http://dx.doi.org/10.3390/h11010012.

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The prison is specifically identified by Michel Foucault in his essay, ‘Of Other Spaces’ (1967), as an exemplar of “heterotopias of deviation”. Reified in neo-Victorian production as a hegemonic space to be resisted, within which illicit desire, feminist politics, and alternate narratives, for example, flourish under harsh panoptic conditions, the prison nonetheless emerges as a counter-site to both nineteenth-century and contemporary social life. This article investigates the neo-Victorian prison museum that embodies several of Foucault’s heterotopic principles and traits from heterochronia to the dynamics of illusion, compensation/exclusion and inclusion that structure the relationship of heterotopic space to all space. Specifically, I explore the heritage site of the Central Police Station compound in Hong Kong, recently transformed into “Tai Kwun: the Centre for Heritage and the Arts”. Tai Kwun (“Big Station” in Cantonese) combines Victorian and contemporary architecture, carceral space, contemporary art, and postcolonial history to herald the transformation of Hong Kong into an international arts hub. Tai Kwun is an impressive example of neo-Victorian adaptive reuse, but its current status as a former prison, art museum, and heritage space complicates the celebratory aspects of heterotopia as counter-site. Instead, Tai Kwun’s spatial, historical, and financial arrangements emphasize the challenges that tourism, government funding, heritage, and the art industry pose for Foucault’s original definition of heterotopia and our conception of the politics of neo-Victorianism in the present.
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Bosworth, M. "Prison Architecture: Policy, Design and Experience. Edited by Leslie Fairweather and Sean McConville (Oxford: Architectural Press, 2002, 162pp. 50.00 hb)." British Journal of Criminology 43, no. 3 (June 1, 2003): 634—a—636. http://dx.doi.org/10.1093/bjc/43.3.634-a.

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Kamal Rafedzi, Ezza Rafedziawati, Jafalizan Md. Jali, Irwan Kamaruddin Abd Kadir, and Alwi Mohd Yunus. "World of Colours for Boys behind the Walls: Malaysian prison library perspectives." Environment-Behaviour Proceedings Journal 7, SI10 (November 30, 2022): 163–68. http://dx.doi.org/10.21834/ebpj.v7isi10.4116.

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Colour reflects our emotions and psychology. This fieldwork qualitative study is to explore the relationship between colour in the prison library with the juvenile delinquents emotional, psychology and interest. Data were collected using field interview with 20 male juvenile delinquents living in one of the correctional schools in Peninsular Malaysia. Our field interview has led us to conclude that the male juvenile delinquents are very interested in colours available in the library, especially with the library's collection of materials/books. The findings in this research are helpful in preparing the best prison library that can contribute to forming the perceptual space and will benefit the juvenile delinquents ’learning emotions, the process of thinking, psychological health and aesthetic conception Keywords: Male Juvenile Delinquents; Prison Library; Fieldwork; Malaysia. eISSN: 2398-4287 © 2022. The Authors. Published for AMER ABRA cE-Bs by E-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer-review under the responsibility of AMER (Association of Malaysian Environment-Behavior Researchers), ABRA (Association of Behavioral Researchers on Asians), and cE-Bs (Centre for Environment-Behavior Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.
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