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1

Kaneva, A. N. Gulagovskiĭ teatr Ukhty. Syktyvkar: Komi knizhnoe izd-vo, 2001.

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2

1966-, Thompson James, ed. Prison theatre: Perspectives and practices. London: Jessica Kingsley Publishers, 1998.

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3

Iacobone, Paola. Prison rules: Teatro in carcere : Italia e Inghilterra. Roma: Lithos, 2020.

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4

Tocci, Laurence. The proscenium cage: Critical case studies in U.S. prison theatre programs. Youngstown, N.Y: Cambria Press, 2007.

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5

Tocci, Laurence. The proscenium cage: Critical case studies in U.S. prison theatre programs. Youngstown, N.Y: Cambria Press, 2007.

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6

Richard, Fahy Thomas, and King Kimball, eds. Captive audience: Prison and captivity in contemporary theater. New York: Routledge, 2003.

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7

Trucco, María José. Los móviles: Modus operandi de acciones dramáticas en cárceles. Ciudad de Buenos Aires, Argentina: Ediciones Artes Escénicas, 2017.

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8

Robert, Jordan. The convict theatres of early Australia, 1788-1840. Strawberry Hills, NSW: Currency House, 2002.

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9

Buscarino, Maurizio. Il teatro segreto. Milano: Leonardo arte, 2002.

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10

M, Meerovich Boris, ed. Theatre in the Solovki prison camp. Luxembourg: Harwood Academic Publishers, 1995.

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11

Chile) Simposio Internacional de Teatro y Prisión (1 2010 Santiago. Teatro y cárcel: Reflexiones, paradojas, testimonios. Santiago: CoArtRe, 2013.

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12

Dubois, Jérôme. Les usages sociaux du théâtre hors ses murs: École, entreprise, hôpital, prison, etc. : témoignages et analyses. Paris: Harmattan, 2011.

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13

Ciari, Lapo. Armando Punzo e la scena imprigionata: Segni di una poetica evasiva. San Miniato: La conchiglia di Santiago, 2011.

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14

Capozzoli, Giancarlo, and Gerald Bruneau. Signora libertà, signorina fantasia: Un racconto dal carcere = Dame liberté, demoiselle fantaisie : récit de la prison. Roma: UniversItalia, 2016.

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15

Marino, Massimo. Teatro del Pratello: Venti anni tra carcere e società : testi, processi, spettacoli. Corazzano (Pisa): Titivillus, 2019.

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16

Punzo, Armando. Un'idea più grande di me. Rome]: Luca Sossella editore, 2019.

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17

1959-, Mancini Andrea, ed. Il segno inspiegabile. Corazzano (Pisa): Titivillus, 2008.

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18

James, Thompson. Applied theatre: Bewilderment and beyond. Oxford: Peter Lang, 2003.

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19

Mazoni, Lisa, and Giuseppe Scutellà. SceKspir al BeKKa: Romeo Montecchi dietro le sbarre dell'Istituto Penale Minorile Beccaria. Firenze: Edizioni Clichy, 2020.

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20

McAvinchey, Caoimhe. Theatre & Prison. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34468-6.

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21

1892-1958, Radlov Sergeĭ, and Radlova Anna 1891-1949, eds. HULAH i svitlo teatru: Lysty iz zony Serhii︠a︡ ta Anny Radlovykh (1946-1953). Kyïv: Fakt, 2009.

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22

Quattrini, Eliana. Scatenati: Dieci anni di Teatro Necessario in carcere. Genova: Il canneto editore, 2016.

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23

Lixfeld, Rudolf H. F. Erlebtes und Erlittenes 1939-1947: Rückblicke eines Neunzigjährigen. Emmelshausen: Condo-Verlag, 2002.

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24

Michael, Balfour, ed. Theatre in prison: Theory and practice. Bristol, UK: Intellect, 2004.

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25

European Conference on Theatre and Prison (2nd 1996 Owens Park, Manchester). Creative time: The 2nd European conference on theatre and prison. [U.K.]: [s.n.], 1996.

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26

H, McWilliam G., Dashwood J. R, and Everson J. E, eds. Writers and performers in Italian drama, from the time of Dante to Pirandello: Essays in honour of G.H. McWilliam. Lewiston, N.Y., USA: E. Mellen Press, 1991.

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27

Kozlov, A. G. Ogni lagernoĭ rampy: Iz istorii magadanskogo teatra 30-50-kh godov. Moskva: Raritet, 1992.

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28

See Me: Prison Theater Workshops and Love. New Village Press, 2024.

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29

See Me: Prison Theater Workshops and Love. New Village Press, 2024.

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30

Theatre in Prison: Theory and Practice. Intellect Books, 2004.

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31

Prison Cultures: Performance, Resistance, Desire. Intellect, Limited, 2019.

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32

King, Kimball, and Thomas Fahy. Captive Audience: Prison and Captivity in Contemporary Theater. Taylor & Francis Group, 2003.

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33

Performing Arts in Prison: Creative Perspectives. Intellect, Limited, 2019.

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34

La scena rinchiusa: Quattro anni di attività teatrale dentro il carcere di Volterra. Piombino: TracceEdizioni, 1992.

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35

Prison Cultures: Performance, Resistance and Desire. Intellect, Limited, 2023.

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36

Oltre l'istituzione totale: Teatro e integrazione nella casa di reclusione di Rebibbia. Milano, Italy: FrancoAngeli, 2011.

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37

Jewkes, Richard, and Brian Whitney. Gabacho: Drugs Landed Me in Mexican Prison, Theater Saved Me. WildBlue Press, 2019.

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38

Theatre of empowerment: Prison, performance, and possibility. New York: Routledge, 2012.

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39

Buchleitner, Katya. Glimpses of Freedom: The Art and Soul of Theatre of the Oppressed in Prison. Lit Verlag, 2012.

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40

McKean, Annie, and Kate Massey-Chase. Playing for Time Theatre Company: Perspectives from the Prison. Intellect, Limited, 2018.

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41

Herold, N. Prison Shakespeare and the Purpose of Performance: Repentance Rituals and the Early Modern. Palgrave Macmillan Limited, 2014.

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42

Santo Genet da Genet per la Compagnia della fortezza. Pisa: Edizioni ETS, 2019.

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43

Pensalfini, Rob. Prison Shakespeare: For These Deep Shames and Great Indignities. Palgrave Macmillan, 2016.

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44

Trounstine, Jean. Shakespeare Behind Bars: The Power of Drama in a Women's Prison. St. Martin's Press, 2014.

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45

eatro Yeses : conciencia, voluntad y coraje . Fundamentos, 2017.

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46

Theatre of the Condemned: Classical Tragedy on Greek Prison Islands. Oxford University Press, 2011.

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47

Fraden, Rena. Imagining Medea: Rhodessa Jones and Theater for Incarcerated Women. The University of North Carolina Press, 2000.

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48

Fraden, Rena. Imagining Medea: Rhodessa Jones and Theater for Incarcerated Women. University of North Carolina Press, 2012.

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49

Fraden, Rena. Imagining Medea: Rhodessa Jones and Theater for Incarcerated Women. The University of North Carolina Press, 2000.

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50

Thompson, James. Applied Theatre: Bewilderment and Beyond. Lang AG International Academic Publishers, Peter, 2012.

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