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Journal articles on the topic 'Prisons, fiction'
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1
Armstrong, Sarah. "The cell and the corridor: Imprisonment as waiting, and waiting as mobile." Time & Society 27, no. 2 (2015): 133–54. http://dx.doi.org/10.1177/0961463x15587835.
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Imprisonment is the exemplary symbol of waiting, of being stuck in a space and for a time not of our choosing. This concept of waiting is perfectly represented by the image of the prison cell. In this paper, I contrast the cell with the less familiar imagery of the corridor, a space of prison that evokes and involves mobility. Through this juxtaposition, I aim to show that prisons are as much places of movement as stillness with associated implications for penal power and purpose. I argue that the incomplete imaginary of prison as a cell (and waiting as still) may operate as a necessary fiction that both sustains and undermines its legitimacy. By incorporating the corridor into the penal imaginary, key premises about how prisons do and should work, specifically by keeping prisoners busy, and how prison time flows and is experienced, are disrupted.
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Zagorodnyuk, N. I. "Prison libraries of Tobolsk province in the XIX century." Bibliosphere, no. 4 (December 30, 2018): 70–74. http://dx.doi.org/10.20913/1815-3186-2018-4-70-74.
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The article objective is to trace the process of prison libraries formation and features of their functioning in the XIX century under conditions of changing the Russian penitentiary system evidently for Tobolsk province. The first mention of the libraries is at the beginning of the XIX century. The author shows the book functioning process under prison conditions, its role in prisoners’ life, the first libraries formation as repositories of books and their activity, features of the educational work forms, relationship with the church and school. The initiative of distributing books of spiritual content among prisoners belongs to the church. The Bible Society played a certain role distributing the Bible and St. Scripture at the early XIX century everywhere, including prisons. At the initial stage libraries have been formed at prison churches, which book collections included literature of spiritual and moral content. Opening schools, the book collections got fiction, popular scientific literature on natural sciences and humanities. At the late XIX century every prison castle had own library working in close connection with the church: reading, conversations of spiritual and moral content, loud reading books by literate prisoners. Besides, the book performed leisure functions, contributed to the individual socialization.
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Mignon, Laurent. "From Silvio Pellico to Selahattin Demirtaş: Prison Literature and Literary Polemics in Turkey." Comparative Literature Studies 61, no. 1 (2024): 33–48. http://dx.doi.org/10.5325/complitstudies.61.1.0033.
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ABSTRACT Selahattin Demirtaş’s fiction has led to some fierce discussions in the literary world in Turkey. The polemics were a reminder that prison literature, broadly defined, always was a hotly debated genre in the literary sphere of the late Ottoman Empire and the Republic of Turkey. Indeed, the publication of a Turkish translation of a classic example of the genre—namely Silvio Pellico’s Le mie prigioni, translated by Recaizade Mahmut Ekrem in 1874—caused a vivid reaction by the Young Ottoman reformer Namık Kemal. This article looks at how the debate on the partial Turkish translation of Pellico’s memoirs that combined both aesthetic concerns and political sensitivities is not without similarities with debates about Demirtaş’s literary work. After a first part outlining varied responses to Demirtaş’s short stories and novels, the article analyses Namık Kemal’s “Mes prisons Muahazanamesi” (A Criticism of Mes prisons) and brings to the fore those aspects that were to become characteristic for future literary polemics. That Pellico’s first Ottoman Turkish critic should have been himself an author and activist who was repressed, incarcerated, and exiled for his political views and engagement, shows how essential prison literature was in the development of modern literature in Turkish.
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Bakken, Børge. "The Great Wall of Confinement: The Chinese Prison Camp Through Contemporary Fiction and Reportage. By Philip F. Williams and Yenna Wu. [Berkeley, Los Angeles and London: University of California Press, 2004. xi+248 pp. $21.95; $55.00. ISBN 0-520-22779-4.]." China Quarterly 182 (June 2005): 437–39. http://dx.doi.org/10.1017/s0305741005260265.
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By the “Great Wall of Confinement,” the authors refer to the prison camp system established by the Chinese Communist Party after 1949. The two crucial components of this system are the laogai system (laodong gaizao, translated in the book to “remolding through labour” rather than the more often used “reform through labour”), and the laojiao system (laodong jiaoyang) or “reeducation through labour.” Let me say at once that this book is much more than an analysis of the literature surrounding the phenomenon of the prison camps. Through memoirs from former inmates and reportage literature we learn many detailed facts about the Chinese camp system, details equally valuable to the legal and the social science scholar.The book describes in detail the daily life of the camps, the prison conditions and the system's methods of arrest, detention, solitary confinement, torture for confessions, famine, degradation of prisoners, and a range of practices showing the security forces' discretionary powers and the “flexibilities” of informal sentencing. The authors emphasize both the modern ideology of remoulding and the traditional legalist (fajia) roots of a “very malleable sort of law.” Williams and Wu commendably combine a range of valuable empirical detail with a more general theoretical analysis of the historical, cultural and systemic roots and practices of the camp system.The only exceptions to generally harsh conditions in the PRC camps were the special prisons for high-ranking persons like the famous Fushun prison in Liaoning province which contained the last Manchu emperor, Puyi, high-ranking prisoners of war such as former Kuomintang top military officers, and Japanese prisoners of war.
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Peterson, Michel. "Pour un nomadisme de la lecture. Notes sur la Reine des prisons de Grèce d’Osman Lins." Études littéraires 25, no. 3 (2005): 81–92. http://dx.doi.org/10.7202/501016ar.
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La parole du poète constitue toute périphérie en centre, mieux encore, elle abolit même la notion de centre et de périphérie. Dans la Reine des prisons de Grèce d'Osman Lins, le texte résiste à la maîtrise de l'Histoire, car la réalité y est mise en abyme et la fiction n'établit plus de rapports privilégiés qu'avec la littérature: le référent ne s'y manifeste que par dérivation.
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Gallagher, Richard. "Unionist Screws: Depictions of Northern Irish Unionists in British and Irish Cinema." Journal of British Cinema and Television 21, no. 1 (2024): 75–90. http://dx.doi.org/10.3366/jbctv.2024.0700.
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This article explores the representation of Northern Irish unionists in British and Irish cinema by investigating a dominant way that the community has been portrayed in fiction films: as prison officers and orderlies. Specifically, Northern Irish unionists have been portrayed as prison officers and orderlies employed in the Maze and Armagh prisons during the period of republican unrest which culminated in hunger strikes in 1981, and a mass prison escape in 1983. The films that depict, to varying degrees, these characters as belonging to the Northern Irish unionist community include Some Mother’s Son (1996), H3 (2001), Silent Grace (2001), Hunger (2008) and Maze (2017). In these films, the typical representation of Northern Irish unionists reflects both the community’s general ‘othering’ in cinema and the film-makers’ primary interest in Irish nationalism when depicting Northern Ireland. Thus, unionist characters are usually depicted abjectly and feature only as adjuncts to narratives that are principally about Irish nationalists. This study aims to build upon a range of critical work in this area and to add to broader debates that have identified this cinematic deficit whereby Northern Irish unionists are depicted more critically and less frequently than Irish nationalists.
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Obiano, Doris Obinyere, Emeka Ogueri, Ngozi Chima-James, Peter O. Moneke, and Irene Ijeoma Bernard. "Availability and Use of Library Resources in the Rehabilitation of Inmates in Correctional Centers in Imo and Abia States, Nigeria." Information Impact: Journal of Information and Knowledge Management 11, no. 2 (2020): 51–61. http://dx.doi.org/10.4314/iijikm.v11i2.5.
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The study examined the availability and use of library resources in the rehabilitation of inmates in correctional centers in Imo and Abia states,Nigeria. The study adopted a survey research design using three research questions and three hypotheses. The population of the study comprised 3,854 prisoners from the five prisons in Imo and Abia States, Nigeria. The sample size used was 713 prisoners. Purposive and proportionate random sampling techniques were used. Instruments for the study included: a checklist and a rating scale namely: Availability of Library Resources Checklist (ALRC) and Extent of Use of Library Resources Scale (EULRS). The instruments were validated and found reliable with index of 0.88 for EULRS using Cronbach Alpha Statistic. The research questions were answered using frequency count, proportion, mean and standard deviation while the hypotheses were tested using t-test. The findings were that Owerri and Umuahia correctional centers only have two librarians each in their respective libraries. This implies that the librarians in prison libraries are not adequate. It was also revealed that a good number of resources like fiction books, textbooks, magazines, chairs and lightings were available but some materials like newspapers, newspaper racks, audio cassettes, video tapes, DVD, library software were not found at all but the ones found were utilized to a high extent. Based on these findings, the study recommended among others that the Federal Government should employ more librarians to the correctional services centers in Imo and Abia states so as to reduce job stress and bring information closer to the inmates.
Keywords: Library Resources, Inmates, Correctional Centers, Rehabilitation
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Petrovec, Dragan, and Mitja Muršič. "Science Fiction or Reality." Prison Journal 91, no. 4 (2011): 425–47. http://dx.doi.org/10.1177/0032885511424392.
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The article presents probably the most relevant research to date on the Slovene prison system. The study was conducted through a 2-year research project sponsored by Ministry of Justice and carried out by the Institute of Criminology in Ljubljana. Along with a “longitudinal” study of the social climate in Slovene prison institutions, it evaluates the concepts, practices, and results of so-called sociotherapy as a specific approach to treatment of offenders. “Specific” in this case means that treatment simultaneously encompasses life in prison, the offenders’ social environment, and the inclusion of prison staff. Sociotherapy began as an experiment during the mid-70s and led to astonishing results, namely, the “opening” of prison institutions for almost all inmates, regardless of the length of sentence or the crime committed. Applying the findings of sociotherapy every 5 years since 1980, the social climate in every Slovene prison institution has been measured to assess the quality of support and control prisoners receive and the discipline and treatment philosophies at work in the system. Finally, the article deals with the situation after Slovene independence in 1991 and the passage of new legislation. Against expectations, we find that with the advent of democracy, standards of prisoner treatment have dropped. However, the success of the experiment should encourage all countries seeking to reduce the significant costs of incarceration and attempting to make prison institutions more humane.
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Wahab, Mohammad Osman Abdul, Nisar Ahmad Koka, Mohammad Nurul Islam, et al. "Pain, Agony, and Trauma in the Characters of ‘Toba Tek Singh’ and ‘This Blinding Absence of Light’." Theory and Practice in Language Studies 13, no. 9 (2023): 2248–53. http://dx.doi.org/10.17507/tpls.1309.10.
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‘Toba Tek Singh’ is an Urdu Short story written by Saadat Hassan Manto and ‘This Blinding Absence of Light’ is a French Novel Written by Taher Ben Jelloun. ‘Toba Tek Singh’ was perhaps written in 1954 and published in 1955 whereas ‘This Blinding Absence of Light’ was written in 2001. There is more than four decades span between both works of literature. ‘Toba Tek Singh’ is pure fiction but ‘This Blinding Absence of Light’ is although a novel but based on a true story or narration of a prisoner who spent eighteen years of his life in one of the worst prisons of the documented history. ‘Toba Tek Singh’ is written in the third person whereas ‘This Blinding Absence of Light’ is narrated in the first person. This research will be referring here to a 2002 translation of ‘This Blinding Absence of Light’ by Linda Coverdale in English. ‘Toba Tek Singh’ is a fictitious character who is a patient in a lunatic asylum. Before suffering from the mental illness ‘Toba Tek Singh’ was a landlord and during the partition of India, his village and his lands go to a Muslim majority country i.e., Pakistan. This research intends to study the effects of the pain, agony, and trauma on the psyche of the characters here.
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McKeown, Annette. "Intimate relationships between female prisoners: Fact or fiction?" Forensic Update 1, no. 114 (2014): 23–28. http://dx.doi.org/10.53841/bpsfu.2014.1.114.23.
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This paper explores the prevalence of intimate same-sex relationships between female offenders in custody. In the female prison estate, this phenomenon is often discussed but has rarely been studied. The prevalence of relationships between female offenders in custody in the UK is generally unknown and this paper seeks to develop the evidence-base in this under-researched area. In this study, female prisoners (N=92) completed a questionnaire exploring their relationship status; gender of partner; prison relationships; length of current relationship; number of previous relationships and previous relationships with prisoners. Results indicated that of those currently in a relationship, 27 per cent were in a relationship with another female prisoner and eight per cent were in a relationship with a female in the community. Some of the implications of relationships between female offenders are examined including complex risk management issues, duty of care, as well as the function of these relationships.
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Basso Fossali, Pierluigi, and Julien Thiburce. "Sequences and scenes of transposition of an unshareable experience. A semiotically released prison." Punctum. International Journal of Semiotics 06, no. 01 (2020): 39–67. http://dx.doi.org/10.18680/hss.2020.0003.
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As part of the international and traveling exhibition Prison, coproduced by the International Red Cross Museum (Geneva, Switzerland), the Musée des Confluences (Lyon, France), and the Deutsches Hygiene-Museum (Dresden, Germany), a discourse on prison environment in Western societies questions public opinion about an existential space that is mostly discussed in fictional form. With a view both to inform and affect the audience, a narrative framework is woven by a diversity of mediations that nonetheless tries to escape the double reductionist fate to which prison space is subjected: ‘spectral’ trivialization (tacit invisibility) or spectacular mythification (smug ostentation). This paper deals with the (un)shareable dimension of the prison experience. One key question addressed is how to build, preserve, or restore the bridges between prisons’ inner life and the external social environment surrounding them. Adopting a pragmatic perspective, we will examine how this exhibition achieves, semiotically, releasing prisons, and prisoners from their incarceration and their mediatic banishment. Video recordings of interactions during guided tours allow us to examine how the experiences of prison life are transposed into exhibitions, the exhibitions into the guides’ discourses, the institutional discourses into public enjoyment, public enjoyment into scientific appropriation.
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Valentová, Kateřina, and Marc Macià Farré. "Giving a Voice to the Silenced Women of Francoist Spain." AUC STUDIA TERRITORIALIA 23, no. 1 (2023): 11–29. http://dx.doi.org/10.14712/23363231.2023.8.
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During the Spanish Civil War and the Francoist dictatorship that followed, women were shielded from the public eye. Their predetermined social role was that of submissive and devoted wives to their husbands as well as homemakers and childcare providers. There are few artistic works that suggest otherwise. However, during the Civil War and after, many women were in fact politically active. They occupied important positions in the resistance and were present along with the men in the trenches. Spanish graphic novels have managed to create many works of fiction based on the Civil War, mainly drawing on (auto)biographical accounts. There are so many significant works dealing with the war and Francoist repression that they represent a genre of their own. Nevertheless, the authors of these works, as well as their main protagonists, are usually men. This is true despite the fact that after the war, during the four decades of the Franco dictatorship, many women suffered from political persecution. The aim of this article is to analyze the role of women outside the domestic space as it appears in selected graphic narratives set in the period of Franco’s regime. Given the extent of the regime’s repression, these works are frequently set in the prisons around Spain where female prisoners were incarcerated and tortured. The narratives we analyze are based on real testimonies from real victims. Their individual experiences are joined together in a collective whose voice has long been silenced until recently.
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Rogers, Chrissie. "Necessary connections: ‘Feelings photographs’ in criminal justice research." Methodological Innovations 13, no. 2 (2020): 205979912092525. http://dx.doi.org/10.1177/2059799120925255.
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Visual representations of prisons and their inmates are common in the news and social media, with stories about riots, squalor, drugs, self-harm and suicide hitting the headlines. Prisoners’ families are left to worry about the implications of such events on their kin, while those incarcerated and less able to understand social cues, norms and rules, are vulnerable to deteriorating mental health at best, to death at worst. As part of the life-story method in my research with offenders who are on the autism spectrum, have mental health problems and/or have learning difficulties, and prisoner’s mothers, I asked participants to take photographs, reflecting upon their experiences. Photographs, in this case, were primarily used to help respondents consider and articulate their feelings in follow-up interviews. Notably, seeing (and imagining) is often how we make a connection to something (object or feeling), or someone (relationships), such that images in fiction, news/social media, drama, art, film and photographs can shape the way people think and behave – indeed feel about things and people. Images and representations ought to be taken seriously in researching social life, as how we interpret photographs, paintings, stories and television shows is based on our own imaginings, biography, culture and history. Therefore, we look at and process an image before words escape, by ‘seeing’ and imagining. How my participants and I ‘collaborate’ in doing visual methods and then how we make meaning of the photographs in storying their feelings, is insightful. As it is, I wanted to enable my participants to make and create their own stories via their photographs and narratives, while connecting to them, along with my own interpretation and subjectivities.
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Ndlovu, Isaac. "Inside out: Gender, individualism, and representations of the contemporary South African prison." Journal of Commonwealth Literature 54, no. 3 (2017): 399–412. http://dx.doi.org/10.1177/0021989417726107.
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This article examines A Human Being Died that Night: A Story of Forgiveness by Pumla Gobodo-Madikizela and Red Ink by Angela Makholwa, which are, respectively, auto/biographical and fictional narrative representations of the contemporary South African prison. Both narratives foreground gender because their female authors consciously posit their own femininity, in the case of Gobodo-Madikizela, and of her protagonist, in the case of Makholwa, as significant to the prison they portray. Although the way non-fiction and fiction operate cannot be conflated, Makholwa’s novel seems to mirror the structure of Gobodo-Madikizela’s auto/biography in obvious ways; an observation that helps justify why I analytically compare these narratives in this article. Most apartheid prison narratives, by authors of all genders, largely adopted an unambiguously political frame in articulating the subject positions of characters. The personal was deliberately subsumed in what appeared to be an urgent political need to dismantle the oppressive apartheid system. By contrast, there is a clear shift to the individualization of the prisoner at the expense of politicized collectivity in the selected narratives. However, my reading seeks to demonstrate that the ostensibly apolitical stance adopted by Makholwa and the personal and psychological approach taken by Gobodo-Madikizela are in fact deeply political and community-engaged processes.
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Kohlke, Marie-Luise. "Heterotopic Proliferation in E. S. Thomson’s Jem Flockhart Series." Humanities 11, no. 1 (2022): 15. http://dx.doi.org/10.3390/h11010015.
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This article explores the convergence, inversion, and collapse of heterotopic spaces in E. S. Thomson’s neo-Victorian Jem Flockhart series about a cross-dressing female apothecary in mid-nineteenth-century London. The eponymous first-person narrator becomes embroiled in the detection of horrific murder cases, with the action traversing a wide range of Michel Foucault’s exemplary Other spaces, including hospitals, graveyards, brothels, prisons, asylums, and colonies, with the series substituting the garden for Foucault’s ship as the paradigmatic heterotopia. These myriad juxtaposed sites, which facilitate divergence from societal norms while seemingly sequestering forms of alterity and resistance, repeatedly merge into one another in Thomson’s novels, destabilising distinct kinds of heterotopias and heterotopic functions. Jem’s doubled queerness as a cross-dressing lesbian beloved by their Watsonean side-kick, the junior architect William Quartermain, complicates the protagonist’s role in helping readers negotiate the re-imagined Victorian metropolis and its unequal power structures. Simultaneously defending/reaffirming and contesting/subverting the status quo, Jem’s body itself becomes a microcosmic heterotopia, problematising the elision of agency in Foucault’s conceptualisation of the term. The proliferation of heterotopias in Thomson’s series suggests that neo-Victorian fiction reconfigures the nineteenth century into a vast network of confining, contested, and liberating Other spaces.
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Macsiniuc, Cornelia. "Discipline and Murder: Panoptic Pedagogy and the Aesthetics of Detection in J.G. Ballard’s Running Wild." American, British and Canadian Studies Journal 28, no. 1 (2017): 72–90. http://dx.doi.org/10.1515/abcsj-2017-0005.
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Abstract My essay proposes a reading of J.G. Ballard’s 1988 novella Running Wild as a cautionary crime story, a parable about the self-fulfilling prophecies of contemporary urban fears and about the “prisons” they create in a consumerist, technology- and media-dominated civilization. Interpreted in the light of Foucault’s concept of panopticism, Ballard’s gated community as a crime setting reveals how a disciplinary pedagogy meant to obtain “docile bodies,” masked under the socially elitist comfort of affluence and parental care, “brands” the inmate-children as potential delinquents and ultimately drives them to an act of “mass tyrannicide.” Ballard uses the murder story as a vehicle for the exploration of the paradoxical effects of a regime of total surveillance and of mediated presence, which, while expected to make “murder mystery” impossible, allows for the precession of the representation to the real (crime). The essay also highlights the way in which Ballard both cites and subverts some of the conventions of the Golden Age detective fiction, mainly by his rejection of the latter’s escapist ethos and by the liminal character of his investigator, at once part of a normalizing panoptic apparatus and eccentric to it, a “poetic figure” (Chesterton) relying on imagination and “aestheticizing” the routines of the detection process.
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FREEDMAN, JEFFREY. "THE DANGERS WITHIN: FEARS OF IMPRISONMENT IN ENLIGHTENMENT FRANCE." Modern Intellectual History 14, no. 2 (2016): 339–64. http://dx.doi.org/10.1017/s1479244315000463.
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This article examines the changing nature of fear in Enlightenment France. While the growing power of the absolutist state reduced many traditional sources of insecurity, fears of state power proliferated during the eighteenth century, prompting leading figures of the French Enlightenment to turn their attention to the problem of political fear: its sources, its effects, and the means for overcoming it. One of the unifying aspects of the Enlightenment was its commitment to reducing the burden of fear in human existence. From that standpoint, however, political fear posed a particular challenge since the objects on which it focused could not be dismissed as purely imaginary. Unlike such traditional religious terrors as hell, purgatory, and the Devil, police agents, police spies, and prisons really existed. And yet political fears too were mediated—and magnified—by collective imaginaries. The fear of imprisonment stands out as a key example of such a phenomenon. Best-selling prison memoirs published in the early 1780s sought to mobilize public opinion againstlettres de cachet(administrative arrest warrants) by evoking the horrors of imprisonment, and especially its psychological torments: solitude, tedium, uncertainty about the future, and the looming threat of insanity. In these works, prisoners inhabit a separate self-contained world, helpless before the omnipotent will of their jailers, who rule over them like “oriental despots.” The wide dissemination of terrifying images of the prison contributed to building the public pressure for the abolition oflettres de cachetduring the Revolution, but the enormous commercial success of the memoirs suggests that some readers found the depictions of life behind prison walls darkly fascinating as well as terrifying. Much the same could be said of readers’ responses to the exposés of Revolutionary prisons published after Thermidor, the Gothic novels of the late eighteenth and early nineteenth centuries, and the fictional universe of the Marquis de Sade, all of which drew heavily on the carceral imaginary invented under the Old Regime.
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DIRHOUSSI, Loubna, Hassan ID BRAHIM, and Mohamed EL BOUAZZAOUI. "Ambivalence de la mémoire dans les écrits de prison au Maroc : cas de Tazmamart." Studia Universitatis Babeș-Bolyai Philologia 68, no. 4 (2023): 227–39. http://dx.doi.org/10.24193/subbphilo.2023.4.11.
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"The Ambivalence of Memory in Moroccan Prison Writings: The Case of Tazmamart. The prison literature produced by survivors of the Tazmamart prison in Morocco is a moving testimony to the dehumanizing conditions of imprisonment. Whether in the form of testimony or fiction, this literature, which liberates speech and breaks the silence on a dark page of human rights in Morocco, reserves a special place for individual and collective memory. In this article, we propose to analyze the ambivalence of prisoners' memories. Firstly, we show that memory is represented as a source of mortifying pain that must be got rid of. Secondly, we show how memory played an important role, and constituted the vital space for resistance and survival. Keywords: Tazmamart, literature, memory, pain, resistance, testament."
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Henry, Nancy. "GEORGE ELIOT AND THE COLONIES." Victorian Literature and Culture 29, no. 2 (2001): 413–33. http://dx.doi.org/10.1017/s1060150301002091.
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Women are occasionally governors of prisons for women, overseers of the poor, and parish clerks. A woman may be ranger of a park; a woman can take part in the government of a great empire by buying East India Stock.— Barbara Bodichon, A Brief Summary in Plain Language, of the Most Important Laws Concerning Women (1854)ON OCTOBER 5, 1860, GEORGE HENRY LEWES VISITED a solicitor in London to consult about investments. He wrote in his journal: “[The Solicitor] took me to a stockbroker, who undertook to purchase 95 shares in the Great Indian Peninsular Railway for Polly. For £1825 she gets £1900 worth of stock guaranteed 5%” (qtd. in Ashton, Lewes 210). Thus Marian Evans, called Polly by her close friends, known in society as Mrs. Lewes and to her reading public as George Eliot, became a shareholder in British India. Whether or not Eliot thought of buying stock as taking part in the government of a great empire, as her friend Barbara Bodichon had written in 1854, the 5% return on her investment was a welcome supplement to the income she had been earning from her fiction since 1857. From 1860 until her death in 1880, she was one of a select but growing number of middle-class investors who took advantage of high-yield colonial stocks.1 Lewes’s journals for 1860–1878 and Eliot’s diaries for 1879–80 list dividends from stocks in Australia, South Africa, India, and Canada. These include: New South Wales, Victoria, Cape of Good Hope, Cape Town Rail, Colonial Bank, Oriental Bank, Scottish Australian, Great Indian Peninsula, Madras. The Indian and colonial stocks make up just less than half of the total holdings. Other stocks connected to colonial trade (East and West India Docks, London Docks), domestic stocks (the Consols, Regents Canal), and foreign investments (Buenos Aires, Pittsburgh and Ft. Wayne) complete the portfolio.2
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Israel, Paolo. "Dénètem Touam Bona, Fugitive, where are you running?" Kronos 50, no. 1 (2024): 1–2. http://dx.doi.org/10.17159/2309-9585/2024/v50a17.
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Fugitive, Where are you Running? is a collection of essays, most of which were previously published in French, by writer, philosopher and curator Dénètem Touam Bona. The author's inclination to straddle geographic and conceptual lines is reflected in the scope, exuberance and poetic verve of the volume. The first three chapters ('Return of the Maroni', 'The Art of the Fugue', 'Manhunt') lay the conceptual foundation by foregrounding categories of marronage, fugitivity and fugue. The fugitive slave is presented as the figure that haunts the establishment of capitalist modernity and the only possible 'line of flight' from it. The fugue is the art of subtle evasion from the prisons of racialised capitalism and an alternative to the triumphalist politics of armed liberation struggles. Touam Bona proposes an impressionistic, rhapsodic and allegorical travel through the various incarnations of the maroon community - with its spontaneous and horizontal modes of organisation and accretion - and capitalism's death drive to surveil and suppress them. The following two chapters track the iterations and repression of fugitivity in the present, by engaging with technologies of migrant surveillance at the border ('Heroic Land', which mixes critique and fiction) and the space of Mayotte, a French department in the heart of the Indian Ocean, increasingly securitised and excised from the histories of flux that characterise this region ('The Impossibility of an Island'). The sixth chapter ('Cosmo-poetics of the Refuge') returns to the book's central theme of the maroon rebellion, connecting it to Afro-diasporic spirituality and performance. The final extended chapter ('Liana Dreaming') turns to environmental concerns, by foregrounding the figure of the liana as the point of resistance to colonial penetration and weapon of maroon resistance. In Caribbean cultures, the liana and the vine bring together collective bodies and communities. Against colonial tropes of taming, erasure and penetration, the power of the forest itself generates plant-induced visions of unsubmission.
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Thompson, James. "Bewilderment: Preparing prisoners for 'real' work in the fictional world of prison." Community, Work & Family 3, no. 3 (2000): 241–59. http://dx.doi.org/10.1080/13668800020006785.
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Nogueira Mazza, Samuel. "CINEASTAS E HISTORIADORES: AS RELAÇÕES ENTRE FICÇÃO E HISTÓRIA NA CINEMATOGRAFIA AMERICANA." Fênix - Revista de História e Estudos Culturais 16, no. 1 (2019): 1–12. http://dx.doi.org/10.35355/0000020.
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Gurevich, Rimma. "H. Kant’s Autobiographical Novel «The Stay» («Der Aufenthalt», 1976): Fiction and Reality." Izvestia of Smolensk State University, no. 1 (53) (April 12, 2021): 117–27. http://dx.doi.org/10.35785/2072-9464-2021-53-1-117-127.
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The theme of Kant’s autobiographical novel «The Stay» (Der Aufenthalt, 1976) is the spiritual rebirth of German prisoner of war, a soldier of the Hitlerite ar-my. The article reveals the interaction of two components found in the novel: the fic-tional and the real ones in depicting this complex psychological process. The analysis of the chapters (X, XV, VI) shows various forms of artistic –aesthetic processing of authentic autobiographical material. In Chapter X the author «collects» his own emotional impressions, experienced by him in different periods of his life (such as cold, loneliness, hunger) and «ties» them to the situation of the main character sitting in a lonely cell in a prison. In Chapter XV he «adds» to real autobiographical facts an important artistic detail –a school pencil case of a Jewish girl killed by Nazis. In Chapter VI Kant makes a masterful use of temporal and narrative distance: the hero estimates the decisive episode of his youth –a conversation with a Russian woman-doctor from the viewpoint of a mature person recalling his life.
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Monah, Dana. "Tattered Theatres: Fleeting Performances in Concentrationary Theatre." Thélème. Revista Complutense de Estudios Franceses 35, no. 1 (2020): 63–70. http://dx.doi.org/10.5209/thel.66203.
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This paper explores the presence of dramatic fiction in plays dealing with imprisonment within the Nazi and Communist concentrationary systems. Whether we talk about performances belonging to the pre-concentrationary past, which ghost the prison or camp world, about plays that the prisoners tell in secret to their fellow inmates, or about embedded performances, all these spectacular forms are structured by the idea of absence (of the text, of the actor), and are to be seen as instrumental in getting away from the concentrationary experience and at the same time bearing witness to it. We will consider these embedded theatrical forms (which are based on repertoire plays or attempt to dramatize (pre)concentrationary realities) as devices meant to articulate trauma. We will analyse the dramatic strategies enabling dramatists to foreground an oblique approach to the concentrationary experience.
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Asaqli, Eisam, and Mariam Masalha. "PRISON SPACE IN ARABIC SCIENCE FICTION NOVELS." International Journal of Advanced Research 6, no. 5 (2018): 166–77. http://dx.doi.org/10.21474/ijar01/7020.
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Morawiec, Arkadiusz. "Polish Literature and the Extermination of the Soviet Prisoners of War." Narracje o Zagładzie, no. 6 (November 21, 2020): 115–39. http://dx.doi.org/10.31261/noz.2020.06.07.
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The article addresses the motif (and theme) of the Soviet prisoners of war in Polish literature. It presents historical facts which have inspired literary representations ofevents concerning the complex fates of the Soviet POWs both during the German-Soviet war (1941–1945) and after it came to its end. It also offers a discussion on the political and ideological determinants of the literary portrayal of the prisoner of war. Texts subjected to analyses include both works of fiction and memoirs, such as, among others, Igor Newerly’s Chłopiec z Salskich Stepów (The boy from the Steppes of the Sal), Seweryna Szmaglewska’s “Zagrycha” (The snack), or Wiesław Kielar’s Anus Mundi. 1,500 Days in Auschwitz/Birkenau. Particular attention is given to Wisława Szymborska’s poem “The Hunger Camp at Jasło” (“Obóz głodowy pod Jasłem”).
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Baldi, Elio Attilio. "(Meta)Physical Homelessness In Behrouz Boochani’s No Friend But The Mountains." Forum for Modern Language Studies 57, no. 4 (2021): 399–416. http://dx.doi.org/10.1093/fmls/cqab049.
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Abstract Behrouz Boochani is a Kurdish-Iranian writer who was detained on Manus Island, in northern Papua New Guinea, for more than four years. During these years of detention, he wrote a book in WhatsApp messages on his phone: No Friend but the Mountains (2018). Although understandably sold as non-fiction and therefore marketed mostly as a testimony, Boochani’s interweaving of different genres renders the book resistant to classification, just as its author is difficult to define and ‘categorize’ in our world of nation states and borders. This article explores an important nucleus of Boochani’s book, a motif that runs through his narrative, both explicitly and figuratively: home and homelessness. I argue that the loss of home is normatively and performatively repeated in Manus Prison, presenting the prisoners with a form of discipline and violence both physical and metaphysical. After losing the right to their place, the detainees gradually lose their ability to conceive of a different world that includes the homeless.
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Tebegenov, T., M. Aitimov, and N. Sagingan. "THE REALISM OF THE CHARACTER AND INTEGRITY OF THE ARTISTIC IMAGINATION IN THE KAZAKH PROSE." BULLETIN Series of Philological Sciences 72, no. 2 (2020): 325–33. http://dx.doi.org/10.51889/2020-2.1728-7804.49.
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This article reveals the features of writing the socio-psychological relationship of nature-man-society in modern Kazakh prose ("Prisoner of the prison of glory" by K. Zhienbai), as a socio-psychological aspect. The image of the youth the writer highlights the personality of the Kazakh guys from a new point of view, awakened from the turmoil of national liberation the path of the 80 - ies of XX century, the combination of a realistic nature and artistic imagination in fiction – is that people deserve a space of thinking. In addition, the novel analyzes the features of the aesthetics of artistic solutions that reveal the authenticity of human life in nature, the comparison of national and ethnographic traditions with the reality of time, and others. The complex structure of artistic truth is determined from the poetic nature of epic works, which include the independent psychological world of people and social relations of other individuals and groups directly related to them.
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Barraza, Gregory. "SHORT FICTIVE REFLECTIONS ON THE PERCEPTION OF A POSTSECONDARY EXPERIENCE OF LONG-TERM INCARCERATED JUVENILES." Art/Research International: A Transdisciplinary Journal 6, no. 1 (2021): 84–102. http://dx.doi.org/10.18432/ari29550.
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There is a gap in the literature regarding postsecondary opportunities for incarcerated youth. Research and curriculum design are rarely available for the purpose of improving juvenile postsecondary correctional education thereby not improving recidivism rates of formerly incarcerated students. The pilot program in this study attempted to provide a comprehensive university program for long-term incarcerated juveniles to get them on track to obtain a bachelor’s degree. This study addressed the academic experiences, including the School to Prison Pipeline and the academic experience to provide information, justifying the importance of creating postsecondary academic opportunities for incarcerated juveniles. Then, the study analyzed interviews with recently released students of the program to give insight to correctional education experiences vis-à-vis artistic representations, in this case, short fiction. This article presents fictive artistic representations that give a closer look at the secondary and postsecondary educational experiences of two of the cohort participants.
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Ertürk, Nergis. "Introduction: Literature Beyond Bars." Comparative Literature Studies 61, no. 1 (2024): 1–16. http://dx.doi.org/10.5325/complitstudies.61.1.0001.
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ABSTRACT Introducing a cluster on the prison writings of Kurdish human rights lawyer and politician Selahattin Demirtaş, this article explores Demirtaş’s multifaceted understanding of literature as storytelling (anlatı) and fiction (kurgu).
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Matthieussent, Brice. "Mine de rien." Esprit Juillet-Août, no. 7 (2024): 121–31. http://dx.doi.org/10.3917/espri.2407.0121.
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Les écrivains d’outre-Atlantique s’intéressent à la fiction de l’argent (Hernán Diaz), à des existences cadrées comme dans une prison (Brendon Taylor), à l’identité (Percival Everett) et à la nature (Richard Powers) – au rien qui contamine tout (Bret Easton Ellis).
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Taneja, Preti. "Aftermath: Radical Doubt; Radical Hope." Journal of the British Academy 12 (May 22, 2024): 0. http://dx.doi.org/10.5871/jba/012.a14.
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Preti Taneja taught creative writing as part of Learning Together, Cambridge University’s prison education programme which took students into high-security prison to learn alongside incarcerated men. One of her first prison students was Usman Khan. Released on licence two years later, he went on to perpetrate the 2019 London Bridge terror attack in which Taneja’s Learning Together colleague Jack Merritt, and Saskia Jones were killed. Aftermath is Taneja’s 2021 award-winning work of abolitionist, lyric non-fiction about the attack: a searching lament on institutional violence and structural harm, Islamophobia, trauma and terror, prison and grief. This article presents two extracts from parts one and three of the book, Radical Doubt and Radical Hope, which were included in Taneja’s 2022 British Academy Lecture at the University of Leeds.
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Gorrara, C. "Jail Sentences: Representing Prison in Twentieth-Century French Fiction." French Studies 64, no. 2 (2010): 238. http://dx.doi.org/10.1093/fs/knp278.
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Marguery, TP. "Towards the end of mutual trust? Prison conditions in the context of the European Arrest Warrant and the transfer of prisoners framework decisions." Maastricht Journal of European and Comparative Law 25, no. 6 (2018): 704–17. http://dx.doi.org/10.1177/1023263x18818662.
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This article contends that the presumption of mutual trust between the European Union Member States is a legal fiction. In the context of transfer of a custodial sentence from one country to another based on mutual recognition and mutual trust, a failure of the latter can have detrimental effects on judicial cooperation and, especially, on the functions of punishment. In particular, mutual recognition and mutual trust create a bridge between the external limits of punishment (fundamental rights) and the internal limits to the functions of punishment (retribution, deterrence and rehabilitation). The non-compliance with individuals’ fundamental rights undermines the very social functions of punishment. Such a failure can only be prevented if the Member States and the European Union endeavour to establish and maintain a truly integrated penal policy with concerns for individuals at its very core.
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Rodriguez-Cunill, Inmaculada, Joseph Cabeza-Lainez, and Maria del Mar Lopez-Cabrales. "Art and the City Fiction in Japanese American Internment Camps: Sequels for Resiliency." Arts 12, no. 5 (2023): 195. http://dx.doi.org/10.3390/arts12050195.
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This article delves into the creation a fictional city solely for the development of Japanese American internment camps and the way in which sustainable arts and crafts played a significant role in ensuring survival in such a hostile environment. To this aim, we searched the literature and reviewed archives, primarily from the American West Coast. We demonstrate that beyond adaptation to the circumstances, the visual representation of the new city’s settlement, founding, and daily activities, instead of adding to the typical panoptic or sombre prison imagery, remains inscribed in the images selected by the inmates, and that the use of such images precisely fostered the inmates’ resiliency. This leads us to deduce that such ’city fiction’ was necessary in this case for survival and endurance, and that its artistic representation was primarily incorporated into the State’s ideological apparatus. On the other hand, occasional fissures subtly seethed with the violence exerted in the camps. In this way, we conclude that the artistic activity itself justified the city fiction, among other situations, revealing the conditions of systemic violence and oppression faced by the internees. Within this framework, we deem that the artworks hereby generated constitute a paramount historical document for resiliency’s sake. The arguments contained herein are still relevant, because everywhere around the world, situations of exclusion and confinement of displaced immigrants, or simply those considered misfits, are repeated time and time again. Nor have we alleviated the issue in any way today, since we disregard the lessons learned from the past.
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Giergiel, Sabina. "Subwersywny potencjał śmiechu, czyli Ključ od velikih vrata Hinka Gottlieba." Poznańskie Studia Slawistyczne, no. 24 (September 30, 2023): 43–63. http://dx.doi.org/10.14746/pss.2023.24.2.
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This paper focuses on a short work of fiction written in the 1940s by the Croatian Jew, Hinko Gottlieb. The manuscript of the book was found in one of the Jerusalem archives and,about seventy years later was, prepared for publication in Croatia in 2021. Undermining the readers’ previous habits, the book uncharacteristically problematises the Holocaust. Gottlieb uses humour as his major aesthetic device to describe internment. the story may also be ascribed to the fantasy genre, or to speculative fiction to be more precise. The purpose of the thought experiment presented here is to examine (in prison conditions) the possibilities that the socalled space capacitor has to offer. Besides acknowledging the occurrence in the text of such categories as science fiction, grotesque and surrealism, the article endeavours to answer the question about their use in the story of the Holocaust.
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Robertson, James I., Edward K. Eckert, Mark E. Neely, Harold Holzer, and Gabor S. Boritt. ""Fiction Distorting Fact": The Prison Life, Annotated by Jefferson Davis." Journal of American History 75, no. 2 (1988): 623. http://dx.doi.org/10.2307/1887928.
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Heidler, David S., and Edward K. Eckert. ""Fiction Distorting Fact": The Prison Life, Annotated by Jefferson Davis." Journal of Southern History 54, no. 4 (1988): 673. http://dx.doi.org/10.2307/2209228.
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Morawiec, Arkadiusz. "Literatura rosyjska wobec zagłady sowieckich jeńców wojennych." Narracje o Zagładzie, no. 6 (November 21, 2020): 80–114. http://dx.doi.org/10.31261/noz.2020.06.06.
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The article concerns the motif and theme of Soviet prisoners of war in Russian literature. It presents the most important historical facts, which are the sources of literary approaches, concerning the complicated fate of Soviet POWs during the German-Soviet war (1941‒1945) and after its end. It also shows the political and ideological determinants of the literary image of a prisoner (as a traitor and coward, a resistance fighter in camps and a partisan, victim). The subjects of the analysis are both fictive works and memoirs, among others Mikhail Sholokhov’s The Fate of a Man (Судьба человека), Aleksandr Solzhenitsyn’s One day in the life of Ivan Denisovich (Один день Ивана Денисовича), Vasily Grossman’s Life and fate (Жизнь и судьба), Andrey Pogozhev’s Escape from Auschwitz (Смерть стояла у нас за спиной).
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Hrp, Zainul Syaidin Azri, and Robby Satria. "SEPARATION, INITIATION, AND RETURN IN THE PRISONER OF ZENDA NOVEL BY ANTHONY HOPE." JURNAL BASIS 11, no. 1 (2024): 47–58. http://dx.doi.org/10.33884/basisupb.v11i1.8198.
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Abstract This research aims to identify the phases of the hero patterns in “The Prisoner of Zenda” a novel written by Anthony Hope experienced by the main character as the hero. Campbell (2004) mentioned that the pattern is prominent in heroic fiction referred to as monomyth. This research uses a descriptive qualitative design to examine the intricacies of the analysis method by Ratna (2004) the method of library research was employed to gather the data, and the method of descriptive analysis by Ratna (2004) was used to analyze the data. This research was made to fulfill phases of hero patterns Separation, Initiation, and Return. The result of the research Rudolf Rassendyll as the hero has passed 15 stages of hero's patterns based on Campbell's theory only Woman as a temptress and The Magic Flight no found in The Prisoners of Zenda. The stages of the hero's patterns have the function of uncovering the quest that the hero wants to reach. This leads to the conclusion that hero’s patterns often follow the same pattern as theorized and mentioned in the theory of Joseph Campbell. Keywords: Heroism, Hero Patterns, Separation, Initiation, Return, Preliminary Analysis
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Stieg, Gerald. "Félix Kreissler et Pierre Bertaux. Deux rencontres improbables." Austriaca 67, no. 1 (2008): 119–30. http://dx.doi.org/10.3406/austr.2008.4839.
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At first glance the relationship between Felix Kreissler and Pierre Bertaux would appear clear and straightforward : in 1941 the two Resistance fighters meet in the prison of Toulouse, in 1975 Pierre Bertaux becomes one of the founding members of the Austriaca review and in 1978 Kreissler defends his PhD thesis on The Growing Awareness of The Austrian Nation under the supervision of Bertaux. But in 1953 Kreissler publishes an inflammatory article against the bourgeois politician Bertaux in the Volksstimme (Vienna). Bertaux, having become head of the Sûreté nationale, the French Criminal Investigation Department, was suspected of dubious ties with the Marseille ‘clan’ going as far back as his time in prison. It’s not always easy to separate truth from fiction.
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Barnes, Cameron. "Attila and the Sword of Ares." Journal of Late Antique, Islamic and Byzantine Studies 2, no. 1-2 (2023): 1–11. http://dx.doi.org/10.3366/jlaibs.2023.0013.
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This article looks at a famous anecdote in Priskos. According to the historian, Attila possessed a sword sacred to the war-god Ares. The Hunnic ruler is said to have regarded this weapon as a sign of his destiny to conquer the world. However, there is almost nothing in Priskos’ account that makes sense in Hunnic terms. Instead, it reflects contemporary Roman misunderstandings about the Huns and their origins. The tale is a fiction, one almost certainly invented by a Pannonian Roman at Attila’s court.
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Crawley, Amanda. "Grammatical fictions: reading and writing the self in prison." French Cultural Studies 12, no. 36 (2001): 303–18. http://dx.doi.org/10.1177/095715580101203606.
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Davis, Garrett. "They Got Their Show." After Dinner Conversation 2, no. 8 (2021): 5–17. http://dx.doi.org/10.5840/adc20212870.
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What does it take to forgive? Why can’t we force ourselves to forgive sooner? In this work of philosophical short story fiction, Nick’s high school daughter was murdered on her way to the Blockbuster Video store in 1995. Her friend and classmate, Benjie, was found guilty of her murder. Twenty years later a Netflix true crime series interviewed the witnesses and shined a light on the case, causing it to be reexamined. After 20 years, Benjie is released from prison as innocent. Nick is an alcoholic who, for 20 years, has failed to move on from his daughter’s death and dreamed of Benjie getting the electric chair. Now, he is called to be the taxi driver that picks Benjie up from the prison. They talk, and Nick begins to find forgiveness.
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Scarlaken, Justine, and Antonio Viselli. "Le système kyriarkal à l’épreuve de l’abjection chez Tahar Ben Jelloun et Assia Djebar." L’abjection : entre dégoût et sublime, no. 121 (March 27, 2023): 33–45. http://dx.doi.org/10.7202/1097950ar.
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This article analyzes what we interpret as a prison-abject (kyriarkal abject) present within Cette absence aveuglante de lumière (2001) by Tahar Ben Jelloun and “La femme en morceaux” (1997), a tale published in Oran, langue morte by Assia Djebar. We examine these two works of francophone literature under the ultra-contemporary theoretical paradigm of the kyriarkal system, which Behrouz Boochani and his translator, Omid Tofighian, respectively explore in their theoretical fiction (No Friend but the Mountains, 2018) and research. This theory allows us to question the relationship between the abject and the unspeakable, the contamination of the abject at a generic level in these works, as well as its spatio-temporal connotations in the works of Djebar and Ben Jelloun. Particular attention is paid to the manner in which the unspeakable functions in relation to the colonial language; the textuality of the abject—and the attempt to create a text-as- prison—as well as the ambiguous territory shared by the prison and the abject where being and non-being unite, and where the liminal space between subjectivity and alterity dominates.
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Rogers, Deb. "Now the Leaves are Falling Fast." After Dinner Conversation 2, no. 4 (2021): 5–12. http://dx.doi.org/10.5840/adc20212431.
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In this work of philosophical short story fiction, two suburban families and their daughters (Tamara and Kate), live next door to each other. However, over time, Tamara’s parents, William and Beverly, get mixed up in a drug scheme. Things go wrong and William’s daughter, Tamara, is put in prison while their father, William, makes a deal to stay out of prison. The narrator blames them for their own daughter, Kate’s, current issues. Years later, when William is sent to hospice and the house is empty, the narrator breaks into their house to find and steal the left over money from the drug deals from time past. He plans to use the money to help his own daughter (Kate), whom he believes has a right to that money for the harm of their negative influence on their daughter.
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Cloonan, William. "Jail Sentences: Representing Prison in Twentieth-Century French Fiction by Andrew Sobanet." French Review 84, no. 2 (2010): 391–92. http://dx.doi.org/10.1353/tfr.2010.0094.
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Gregoriou, Christiana. "Monika Fludernik: Metaphors of Confinement: the Prison in Fact, Fiction and Fantasy." Journal of Literary Semantics 50, no. 1 (2021): 83–87. http://dx.doi.org/10.1515/jls-2021-2031.
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Quirk, Jack. "Book Review: Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy." Law, Culture and the Humanities 16, no. 3 (2020): 501–3. http://dx.doi.org/10.1177/1743872120937590.
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Blatt, Ari J. "Jail Sentences: Representing Prison in Twentieth-Century French Fiction (review)." French Forum 34, no. 2 (2009): 154–56. http://dx.doi.org/10.1353/frf.0.0084.
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