Relevant bibliographies by topics / Private Devotion

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Private Devotion'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Private Devotion"

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Garrett, Cynthia. "The Rhetoric of Supplication: Prayer Theory in Seventeenth-Century England." Renaissance Quarterly 46, no. 2 (1993): 328–57. http://dx.doi.org/10.2307/3039064.

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Although Manuals Offering detailed instructions in private prayer are both a distinctive and highly popular form of post-Reformation English literature, relatively little critical attention has been paid to these texts, either by literary critics or historians of religion. Surveys of English devotional literature, such as Helen White's Tudor Books of Private Devotion and English Devotional Literature 1600-1640 and C.J. Stranks's Anglican Devotion, describe the more prominent of these prayer manuals, but no critical study of this large body of literature yet exists. The reasons for this critical neglect are several. As Sam D. Gill's essay on prayer in the recently published Encyclopedia of Religion suggests, the study of prayer itself is still “undeveloped and naive” (2.489).
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Martin (book editor), Jessica, Alec Ryrie (book editor), and Dan Breen (review author). "Private and Domestic Devotion in Early Modern Britain." Renaissance and Reformation 36, no. 3 (December 2, 2013): 185–87. http://dx.doi.org/10.33137/rr.v36i3.20563.

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Dresvina, Juliana. "What Julian Saw: The Embodied Showings and the Items for Private Devotion." Religions 10, no. 4 (April 2, 2019): 245. http://dx.doi.org/10.3390/rel10040245.

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The article traces potential visual sources of Julian of Norwich’s (1343–after 1416) Revelations or Showings, suggesting that many of them come from familiar everyday devotional objects such as Psalters, Books of Hours, or rosary beads. It attempts to approach Julian’s text from the perspective of neuromedievalism, combining more familiar textual analysis with some recent findings in clinical psychology and neuroscience. By doing so, the essay emphasizes the embodied nature of Julian’s visions and devotions as opposed to the more apophatic approach expected from a mystic.
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Cerda, Luis, and Gloria Fraser Giffords. "The Art of Private Devotion: Retablo Painting of Mexico." Hispanic American Historical Review 73, no. 1 (February 1993): 125. http://dx.doi.org/10.2307/2517632.

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Cerda, Luis. "The Art of Private Devotion: Retablo Painting of Mexico." Hispanic American Historical Review 73, no. 1 (February 1, 1993): 125–26. http://dx.doi.org/10.1215/00182168-73.1.125.

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Kaiser, D. H. "Icons and Private Devotion Among Eighteenth-Century Moscow Townsfolk." Journal of Social History 45, no. 1 (August 26, 2011): 125–47. http://dx.doi.org/10.1093/jsh/shr024.

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Naydenova, Mellie. "Public and Private: The Late Medieval Wall Paintings of Haddon Hall Chapel, Derbyshire." Antiquaries Journal 86 (September 2006): 179–205. http://dx.doi.org/10.1017/s000358150000010x.

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This paper focuses on the mural scheme executed in Haddon Hall Chapel shortly after 1427 for Sir Richard Vernon. It argues that at that time the chapel was also being used as a parish church, and that the paintings were therefore both an expression of private devotion and a public statement. This is reflected in their subject matter, which combines themes associated with popular beliefs, the public persona of the Hall's owner and the Vernon family's personal devotions. The remarkable inventiveness and complexity of the iconography is matched by the exceptionally sophisticated style of the paintings. Attention is also given to part of the decoration previously thought to be contemporary with this fifteenth-century scheme but for which an early sixteenth-century date is now proposed on the basis of stylistic and other evidence.
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Dyson, Gerald P. "Liturgy or private devotion? Reappraising Warsaw, Biblioteka Narodowa, I. 3311." Anglo-Saxon England 45 (December 2016): 265–84. http://dx.doi.org/10.1017/s0263675100080297.

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AbstractScholars have typically characterized Warsaw, Biblioteka Narodowa, I. 3311, an unlocalized Anglo-Saxon gospel lectionary of the late tenth or early eleventh century, as a book intended for use in private devotional reading. Despite this, a study of the contents of the book indicates that it was used liturgically, possibly by an individual priest or a small clerical community. This article offers a reappraisal of the manuscript and its use based on the complementary pattern of gospel readings that is evident in the two sections of the book and the presence of previously unnoticed musical notation. It is argued that the volume was in fact used in the celebration of mass and should be added to the corpus of Anglo-Saxon liturgical books.
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Braddock, Andrew. "Domestic Devotion and the Georgian Church." Journal of Anglican Studies 16, no. 2 (June 4, 2018): 188–206. http://dx.doi.org/10.1017/s1740355318000153.

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AbstractThis article explores the development of domestic devotion in the Georgian Church of England through an examination of the manuals of prayer produced and circulated for both personal and family use throughout the eighteenth century. Alongside more well-known works, including Edmund Gibson’s Family Devotion and Robert Nelson’s Companion for the Festivals and Fasts, it pays attention to the diverse material provided for private and household devotion and its relationship to The Book of Common Prayer. The article highlights the key themes that were expressed through this literature, the spirituality that it fostered, and the sources on which it drew. It reveals how greater awareness of this material can deepen our understanding of how Georgian Anglicans prayed and what they were encouraged to pray for.
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Rittgers, Ronald K. "Grief and Consolation in Early Modern Lutheran Devotion: The Case of Johannes Christoph Oelhafen'sPious Meditations on the Most Sorrowful Bereavement (1619)." Church History 81, no. 3 (August 2, 2012): 601–30. http://dx.doi.org/10.1017/s000964071200128x.

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This article seeks to make an original contribution to the study of early modern Christian devotion by examining a source that has received no scholarly attention of any kind: Johannes Christoph Oelhafen'sPious Meditations on the Most Sorrowful Bereavement(1619). Oelhafen, a prominent Nuremberg lawyer, composed thePious Meditationsshortly after his wife, Anna Maria, died. He did so in order to console himself and his eight children in the midst of their considerable grief. Drawing on well-known rhetorical devices and consolatory remedies, Oelhafen produced a work of private devotion that is remarkable in terms of its rich affectivity and considerable artistic skill. ThePious Meditationswas never published, rather Oelhafen intended it for a private circle of intimates, especially his children and their posterity. The work illustrates especially well the theme of spiritual self-care that was so prominent in early modern Lutheran devotion. ThePious Meditationsalso demonstrates how creative and resourceful early modern Christians could be as they sought to contend with mortality, loss, despair, the obligations of parenthood, and the frequently mysterious workings of providence.
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Dissertations / Theses on the topic "Private Devotion"

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Lopes, Crisólito de Sousa. "O PÚBLICO E O PRIVADO: UMA RELAÇÃO DE PODER NA ROMARIA AO SENHOR DO BONFIM DE ARAGUACEMA NO TOCANTINS." Pontifícia Universidade Católica de Goiás, 2007. http://localhost:8080/tede/handle/tede/969.

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Made available in DSpace on 2016-07-27T13:49:24Z (GMT). No. of bitstreams: 1 Crisolito de Sousa Lopes.pdf: 1806526 bytes, checksum: 1b080830e8736d8ac6c3c7d1c755b5ca (MD5) Previous issue date: 2007-12-17
The popular Catholicism is considered a non-oficial way of religiosity. It is impregnated of strong elements for the official Catholicism. Among the great many ways of manifestation of the popular catholicism we recognize the pilgrimage. By studying the pilgrimage to the Senhor do Bonfim city is to comprehense a bit how manifest the popular Catholicism itself. By this pilgrimage we also want to study the relations of power existent among the agents that offer and handle the religiosity putting a question among the public and the private on the religion. A detail that makes the study of this pilgrimage different is the fact the saint at issue has a particular owner increasing the conflicts with the church. By the comprehension of this religions phenomenon we will use further as reading keys, the process of secularization of the society and the holy, the relation between religion and sacrifice plenty in question on the pilgrimages, a knowledge through the analytic categories of Weber and Durkheim and the knowledge of the pilgrimage as element of the memory and the imaginary.
O catolicismo popular é considerado uma forma não-oficial de religiosidade. Está impregnado de elementos estranhos ao catolicismo oficial. Entre as muitas formas de manifestações do catolicismo popular encontramos a romaria. Estudar a romaria ao Senhor do Bonfim é entender um pouco como se manifesta o catolicismo popular. Nessa romaria, estudaremos, também, as relações de poder existentes entre os agentes que ofertam e manuseiam a religiosidade, levantando a questão entre o público e o privado na religião. Um detalhe que torna o estudo dessa romaria diferente é o fato de o santo em questão ter um dono particular, seu Natalino, morador local, aumentando os conflitos com a Igreja. Na compreensão desse fenômeno religioso usaremos como chaves de leitura o processo de secularização da sociedade e do sagrado, a relação entre religião e sacrifício muito presente nas romarias, uma leitura das categorias analíticas de Weber e Durkheim e a leitura da romaria como elemento da memória e do imaginário.
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Mulvey, Thomas Patrick. "The spiritual reformation in Elizabethan books of public and private devotion." Thesis, 2015. https://hdl.handle.net/2144/15246.

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This dissertation argues that the Elizabethan settlement was a deliberate, self-conscious spiritual reformation, inaugurated and nurtured from above by Elizabeth I in public and private devotional works put forth by royal authority, and taken up and advanced from below in influential books of public prayer published by long-term English evangelicals. This spiritual reformation offered a balance of continuity and change, of tradition and reform, intentionally designed to provide for the devotional needs of English Christians of divergent spiritual identities and confessional commitments. Responding to longstanding historiographical debates over the English Reformation as either a political reformation “from above” or a popular reformation “from below,” and to recent expositions both of the vitality of late medieval Catholic devotion and the dissemination of sixteenth-century Evangelical piety, the dissertation explores the English Reformation as a spiritual phenomenon, using Elizabethan prayer literature, both public and private, as its central sources. It argues that the foundations and contours of Elizabeth Tudor’s evangelically ecumenist style of piety and spirituality were established in her childhood in the mid 1540s through the influence of her stepmother, Katherine Parr. After her accession to the throne, Elizabeth’s piety and spirituality were reflected in her Act of Supremacy, her Act of Uniformity, and her Book of Common Prayer (1559), and were modeled and transmitted from above by her official primer of 1559. Elizabeth’s model of piety was consciously and deliberately taken up and advanced in the works of printers John and Richard Daye, and Henry Bull; and, authors Elizabeth Tyrwhit and Anne Wheathill. These printers and authors were long-term, committed evangelicals of a hotter temper than their queen. Bull advanced Elizabeth’s spiritual reformation by publishing traditional and evangelical prayers side-by-side. The two Daye prayer books followed Bull’s lead. The 1569 Daye prayer book also published a series of foreign language prayers authored by Elizabeth. Tyrwhit and Wheathill advanced the queen’s spiritual reformation not only by offering traditional and evangelical prayers, but also by constantly echoing the language of her Book of Common Prayer. The dual movement of these two matrices created the broadly based spiritual reformation that was the Elizabethan Settlement.
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Adams, Merchant Stewart 1972. "Sense and spirituality : seeing Jan van Eyck's Ghent altarpiece." Thesis, 2009. http://hdl.handle.net/2152/ETD-UT-2009-05-53.

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This thesis emphasizes the senses of the audience in reception of Jan van Eyck’s heroic Ghent Altarpiece. This pivotal work may have demanded the viewer engage in a hierarchy of devotion ranging from intimate and private to public and liturgical. Jan van Eyck engages in a strategy of representation that focus and specify various aspects of vision to create a multivalent devotional experiences for the viewer. This thesis compares some of the visual uses of frames in miniatures and how they relate to altarpiece formats and hierarchies of vision. Reception of the Ghent Altarpiece is also discussed in relation to Augustine of Hippo’s theory of tri-partite vision as well as his theory of cross-modal uses of the sense in dialogues of spiritual truth. Sound is also a vital component of the devotional experience of the Ghent Altarpiece. Issues of music and speech acts are discussed to underscore the multivalent devotional uses of the Ghent Altarpiece.
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Guerin, Sarah Margaret. ""Tears of Compunction": French Gothic Ivories in Devotional Practice." Thesis, 2009. http://hdl.handle.net/1807/32009.

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This dissertation presents a new perspective on the function of objects in late-medieval devotional practice through a study of the so-called Soissons group of thirteenth-century French Gothic ivories. These ivory diptychs were sophisticated tools constructed to guide the user through various spiritual exercises that led to prayer. The hitherto unexplained increase in the availability of ivory in mid-thirteenth-century France is accounted for by an alteration in the trade routes that brought elephant tusks from the Swahili coast of Africa to northern Europe: a newly-opened passage through the Straits of Gibraltar allowed a small amount of luxury goods to be shipped together with bulk materials necessary to the northern textile industries. The increasing supply required a revision of the structure of the thirteenth-century craft of ivory. The Soissons group, the first ivory diptychs fashioned during this time of growth in ivory markets, is subdivided into two sections. An itinerant master who traveled throughout the Picard region between 1235 and 1270 crafted the first group. Concurrently, three separate Parisian artists produced the second group based on a Picard model. This dissertation redates all the ivories substantially earlier than previously thought, conclusions which were attained through stylistic analysis. The dense Passion iconography shaped the diptychs’ function in private devotion. The narrative encouraged the viewer to practice a number of spiritual exercises—reading, memorization and compunction—analogous to the three reasons for allowing images in the Christian Church, the triplex ratio. The Passion diptych format introduced with these objects was immensely popular throughout the thirteenth and fourteenth centuries and its conservation over time underscored its effectiveness. The small differences in iconography and composition among the seven Soissons diptychs, however, were subtle modifications to adjust to different audiences and to hone the objects’ efficacy as tools for prayer.
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Arvay, Susan M. "Private passions the contemplation of suffering in medieval affective devotions." 2008. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17427.

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Caron-Roy, Fannie. "Prier à la campagne : art et dévotion dans les chapelles de villas romaines de la Contre-Réforme." Thèse, 2015. http://hdl.handle.net/1866/13773.

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Au moment où se poursuit l’établissement des princes de l’Église dans la campagne romaine par la construction de somptueuses villas, le Concile de Trente (1545-1563) adopte une série de décrets qui entendent réaffirmer les dogmes catholiques et réformer les mœurs du clergé, critiqués par les protestants. Puisque la villa est perçue au 16e siècle comme un lieu où le fidèle peut faire l’expérience d’une retraite spirituelle, ce mémoire souhaite lever le voile sur les pratiques dévotionnelles suburbaines post-tridentines. Pour ce faire, les cycles picturaux de trois chapelles de villas romaines dont la décoration a été réalisée à la suite de cet important concile sont examinés : la chapelle du palazzo Farnese à Caprarola, appartenant au cardinal Alessandro Farnese (1520-1589), la chapelle de la villa d’Este à Tivoli, construite pour le cardinal Ippolito II d’Este (1509-1572), et la chapelle de la villa Mondragone à Frascati, commanditée par le cardinal Marco Sittico Altemps (1533-1595) pour le pape Grégoire XIII (1502-1585). Il s’agit de vérifier l’impact des pratiques dévotionnelles sur le choix des décors dans ces lieux de culte privés. S’attarder à la perception du regardeur de l’époque et au rapport spirituel du public à l’image implique que nous analysions notre corpus à l’aide d’un cadre anthropologique.
The taste for countryside palaces among the Princes of the Church was already well established when the Council of Trent (1545-1563) moved to counter the protestant Reformation. This council asserted catholic dogmas and significantly reformed clerical mores. In this context, villas are seen as the perfect stage to realize spiritual ambitions. This thesis thus studies extra-urban devotional practices by examining three chapels in countryside palaces around Rome decorated after the Council of Trent: Cardinal Alessandro Farnese’s (1520-1589) chapel in his villa at Caprarola; the Villa d’Este chapel at Tivoli built for Cardinal Ippolito II d’Este (1509-1572); and the Villa Mondragone chapel at Frascati, ordered by Cardinal Marco Sittico Altemps (1533-1595) for Pope Gregory XIII (1502-1585). We seek to examine the influence of contemporary devotional practices on the iconographic cycles in the private sphere. The public’s perception and spiritual response to the frescoes will be probed through an anthropological approach to images.
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Books on the topic "Private Devotion"

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Private and domestic devotion in early modern Britain. Farnham, Surrey, England: Ashgate, 2012.

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Giffords, Gloria Fraser. The art of private devotion: Retablo painting of Mexico. Fort Worth: InterCultura, 1991.

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Jonathan Edwards on worship: Public and private devotion to God. Eugene, Or: Pickwick Publications, 2010.

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Gockerell, Nina. Il bambino Gesù: Italienische Jesuskinderfiguren aus drei Jahrhunderten : Sammlung Hiky Mayr. München: Bayerisches Nationalmuseum, 1997.

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Basta, Chiara. Il bambino Gesù. [Italy]: Grafo, 1996.

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Simone, Roberto De, Chiara Basta, and Marco Rapuzzi. Il bambino Gesù: Nella collezione Hiky Mayr. Milano: F.M. Ricci, 2001.

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Gockerell, Nina. Il piccolo re: Immagini del Bambino Gesù dalla collezione Hiky Mayr = Der Kleine König : Jesuskindfiguren aus der Sammlung Hiky Mayr. Gardone Riviera (BS): Fondazione Museo "Il Divino Infante,", 2013.

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Ex-voto: Dipinti votivi del Santuario della Madonna del Boden nelle collezioni private e del Museo del paesaggio. Verbania [Italy]: Museo del paesaggio, 2005.

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University of California, Los Angeles. Fowler Museum of Cultural History., ed. Flames of devotion: oil lamps from South and Southeast Asia and the Himalayas. Los Angeles: UCLA Fowler Museum of Cultural History, 2006.

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A diary of private prayer. New York: Phoenix Press, 1986.

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Book chapters on the topic "Private Devotion"

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Hunter, Erica C. D. "Syriac Manuscripts from Turfan: Public Worship and Private Devotion." In From Ancient Manuscripts to Modern Dictionaries, edited by Tarsee Li, Keith Dyer, Terry C. Falla, Binyamin Goldstein, Erica Hunter, Matthew Morgenstern, Polycarpus A. Aydin, et al., 77–96. Piscataway, NJ, USA: Gorgias Press, 2017. http://dx.doi.org/10.31826/9781463237073-006.

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Palacios, Joy. "Public Acts of Private Devotion: From Silent Prayer to Ceremonies in France’s Early Seminaries." In Performing Religion in Public, 49–70. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137338631_3.

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Taylor, Andrew. "Displaying Privacy: Margaret of York as Devotional Reader." In Cultures of Religious Reading in the Late Middle Ages, 275–95. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.usml-eb.5.100960.

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Uselmann, Susan. "A Matter of Convenience: Nicholas Love’s Mirror of Private Devotional Reading." In Disputatio, 159–94. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.disput-eb.5.110391.

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Laurìa, Antonio, Valbona Flora, and Kamela Guza. "Three villages of Përmet: Bënjë, Kosinë and Leusë." In Studi e saggi, 39–156. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-175-4.01.

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Part I of the book focusses on three villages in the Municipality of Përmet: Bënjë, Kosinë and Leusë. Bënjë, which lies entirely within the "Bredhi i Hotovës - Dangëlli" National Park, has undergone anthropization processes since prehistoric times. Due to its landscape and architectural value, it was recognised in 2016 as a “historical centre” and as such has come under the protection of the National Institute for the Cultural Heritage. There is little information concerning the history of Kosinë. The inhabitants show a strong connection with the Byzantine Church of the Dormition of Mary, but regrettably, it was impossible to go back to the origins of the current settlement. The village of Leusë, instead, existed before 1812, the year in which the Church of the Dormition of Mary was built. Today, the image of the village is a consequence of the partial reconstruction occured after the severe damage suffered during World War II. In the first chapters, the importance of the intangible heritage is stressed. Përmet’s food heritage is well-known on a national scale for its typical products (spirits, fruit preserves, dairy, meat, honey and bakery products), which result from the favourable climatic conditions and the rich biodiversity of the area. The tradition of the Tosk iso-polyphony, the hospitality of Përmet inhabitants and their historical devotion to religion, knowledge and study emerge with great strength together with the craftsmanship traditions and the exceptional skills of the itinerant and seasonal master builders. In the following chapters, the multiple aspects of the tangible heritage are analysed. The landscape in Përmet includes a vast variety of habitats, which have preserved to a large extent their original qualities. It is deeply marked by the Vjosa River and other several minor watercourses that crisscross the territory. A special attention is given to the historical built heritage of the villages, and specifically to three architectural assets (all listed as category I Cultural Monuments): the Katiu Bridge in Bënjë (an Ottoman bridge of the 18th century), the Church of the Dormition of Mary in Leusë (a Post-Byzantine building of the 19th century), and the Church of the Dormition of Mary in Kosinë (a Byzantine building of the end of the 12th century). For each of the aforementioned issues, the theoretical and historical analysis are closely bound to an evaluation of those features of the cultural heritage that could be enhanced to guarantee a sustainable tourism development of the area. Each chapter ends with a consistent set of specific intervention strategies. They are substantive tools for action aimed at public and private local actors.
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Van Bruinessen, Martin. "6. Sufi “Orders” in Southeast Asia: From Private Devotions to Social Network and Corporate Action." In Buddhist and Islamic Orders in Southern Asia, edited by R. Michael Feener and Anne M. Blackburn, 125–52. Honolulu: University of Hawaii Press, 2019. http://dx.doi.org/10.1515/9780824877200-007.

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Brown, Andrew D. "Private Devotion and Lollardy." In Popular Piety in Late Medieval England, 202–22. Oxford University Press, 1995. http://dx.doi.org/10.1093/acprof:oso/9780198205210.003.0010.

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"1. Public Display of Private Devotion." In Love and Loss: American Portrait and Mourning Miniatures. Yale University Art Gallery, 2000. http://dx.doi.org/10.37862/aaeportal.00078.005.

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"1. Irish American print culture in the nineteenth century: a private library." In Books and Religious Devotion, 22–41. Penn State University Press, 2015. http://dx.doi.org/10.1515/9780271065106-005.

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Leavitt-Alcántara, Brianna. "Sex, Honor, and Devotion." In Alone at the Altar. Stanford University Press, 2018. http://dx.doi.org/10.11126/stanford/9781503603684.003.0004.

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Chapter 3 traces how non-elite single women navigated their moral status and developed alliances with the Catholic Church in the shifting religious landscape between 1700 and 1770. Although scholars have examined the ways in which elite women in colonial Spanish America took advantage of loopholes and the distance between public honor and private sexual matters, the experiences of non-elite women remain unclear. Wills highlight how laboring unmarried women invoked feminine ideals other than chastity and enclosure through their enthusiastic participation in confraternities and Third Orders, contributions to the spiritual economy as pious benefactors, and complex alliances with local priests. Much as scholars recognize that race in colonial Latin America was a flexible category and individuals might count multiple racial identities simultaneously or change their racial identity over time, these findings illustrate how poor single women took advantage of alternative feminine ideals and claimed moral status within their communities.
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