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Journal articles on the topic 'Proairetic'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Scalenghe, Franco. "The Phenomenology of Proairesis in the Stoic Philosophy of Epictetus: ‘Desire’ and ‘Aversion’." ATHENS JOURNAL OF HUMANITIES & ARTS 8, no. 2 (2021): 137–53. http://dx.doi.org/10.30958/ajha.8-2-2.

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If we agree that Proairesis, and not simply Reason, is the fundamental and sovereign faculty the man is naturally endowed with, it appears appropriate to identify the actions that this reality sets in motion. With regard to them, Epictetus calls ‘deeds of proairesis’ our desires and aversions, our impulses and repulsions, our assents and dissents. The present paper is devoted to a discussion of the phenomenology of desire and aversion only. It shows how the only four basic possible attitudes of human proairesis towards both proairetic and aproairetic things generate the corresponding kinds of

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Pangestu, Vivi Riana, Nindi Zakia, and Amalia Putri Maharany. "SISTEM KODE DALAM CERPEN DINI BERIBU ULAR KARYA FARIZAL SIKUMBANG: KAJIAN SEMIOTIKA ROLAND BARTES." Seshiski: Southeast Journal of Language and Literary Studies 4, no. 1 (2024): 101–8. http://dx.doi.org/10.53922/seshiski.v4i1.56.

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The short story Dini Beribu Ular by Farizal Sikumbang has an unique code or meaning system to analyze. The purpose of this study is to describe the five code systems contained in the short story Dini Beribu Ular by Farizal Sikumbang. This study uses a qualitative descriptive method in examining the five code systems proposed by Roland Barthes. The results of the study found five code systems with a total of 7 data in the short story Dini Beribu Ular by Farizal Sikumbang consisting of 3 data, namely the action/action/proairetic code (proairetik code), 1 data puzzle/hermeneutic code (hermeneutic

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Iqbal, Liaqat, Irfan Ullah, and Reena Khan. "Barthian Semiotics in Prince Bahram, In search of Gulandama." Global Language Review II, no. I (2017): 67–75. http://dx.doi.org/10.31703/glr.2017(ii-i).05.

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The paper aims at finding Ronald Barthes’ codes in the short story Prince Bahram, In Search of Gulandama. Using textual analysis, the short story was is analysed in the light of Ronald Barthes five codes. It is found that almost all of Ronald Barthes’ codes: hermeneutic, proairetic, semantic, symbolic and cultural codes are present in the short story. The story has puzzles and enigmas which inspire the readers to read the story in order to answer the unanswered questions. Like other stories, in this short story too, sequence is created through proairetic code. There are implied meanings, which

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Liaqat, Iqbal, Ullah Irfan, and Rehman Abdur. "Barthian Semiotics in Prince Bahram, In search of Gulandama." Global Language Review (GLR) 2, no. 1 (2017): 9. https://doi.org/10.31703/glr.2017(II-I).05.

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The paper aims at finding Ronald Barthes’ codes in the short story Prince Bahram, In Search of Gulandama. Using textual analysis, the short story was is analysed in the light of Ronald Barthes five codes. It is found that almost all of Ronald Barthes’ codes: hermeneutic, proairetic, semantic, symbolic and cultural codes are present in the short story. The story has puzzles and enigmas which inspire the readers to read the story in order to answer the unanswered questions. Like other stories, in this short story too, sequence is created through proairetic code. There are implied mea

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Scalenghe, Franco. "‘Proairesis’, ‘Proairetic’ and ‘Aproairetic’: Synopsis of All the Passages Containing these Terms in the ‘Discourses’ and the ‘Manual’ of Epictetus." International Journal of Philosophy 3, no. 3 (2015): 24. http://dx.doi.org/10.11648/j.ijp.20150303.11.

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Hasbullah, Hasbullah, Hendra Santosa, and I. Wayan Swandi. "MAKNA DESAIN KARAKTER “SI METON” PADA MASKOT PILKADA NTB TAHUN 2018." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 6, no. 02 (2020): 173–86. http://dx.doi.org/10.33633/andharupa.v6i02.3440.

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Abstrak Pilkada NTB tahun 2018, media yang digunakan maskot yang bernama “Si Meton”. “Si Meton” sangat penting diteliti, karena diduga ada makna yang termuat melalui kode visualnya. Akan tetapi, makna dan kode tersebut belum tentu dipahami masyarakat NTB. Permasalahan dalam penelitian ini adalah tentang apa makna di balik kode-kode desain karakter “Si Meton”. Tujuan penelitian ini, untuk menganalisis makna melalui bahasa kode dalam “Si Meton”. Metode yang digunakan penelitian ini adalah kualitatif interpretatif dengan landasan teori kode Rolands Barthes. Teknik pengumpulan data dilakukan melal

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Purnomo, SF Luthfie Arguby, Lilik Untari, SF Lukfianka Sanjaya Purnama, et al. "King size or all size: Proposing a typology of amplification translation technique for children picturebook translation." Studies in English Language and Education 7, no. 2 (2020): 558–75. http://dx.doi.org/10.24815/siele.v7i2.16592.

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The necessity for a children’s picturebook to generate a proairetic decoding by the children influences translators to deliver the messages of the source text as explicit as possible. This condition leads the translators to implement amplifications aimed at detailing particular information. Though a proairetic reading is achieved through amplification, negative impacts follow the implementation. This qualitative experiential study involves nine children picturebook translators. Exchanging insights and translated texts in a focused group discussion (FGD) comprising of English to Indonesian and

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Tokhirova, Dilrabo. "The application of narrative codes in the short stories of O. Henry." Зарубежная лингвистика и лингводидактика 1, no. 5 (2023): 1–10. http://dx.doi.org/10.47689/2181-3701-vol1-iss5-pp1-10.

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This study aims to analyze symbols, connotations, and cultures in two selected short stories The Caliph, Cupid, and the Clock, and Mammon and the Archer using five narrative codes. Those five narrative codes are; hermeneutic code, proairetic code, cultural code, connotative code, and symbolic code. This study applies qualitative research design to analyze the source of data. The result of this research shows that the five narrative codes appeared in these analyzed short stories of O. Henry. The hermeneutic codes are found in the titles of the short stories, and from fugitive expectations from

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Asdah, Atikah Nurul, and Devi Apyunita. "Roland Barthes’ Semiotic Analysis of Feature Text Written by the Students in Language and Literature Education Study Program." LITERA : Jurnal Bahasa Dan Sastra 11, no. 1 (2025): 41–50. https://doi.org/10.36002/litera.v11i1.3906.

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This study aims to investigate the structure of meaning and the embedded cultural values in nature-themed feature texts composed by students of the Indonesian Language and Literature Education program. Employing a qualitative descriptive approach, the study adopts a semiotic text analysis design. Data were collected through documentation of the feature texts and semi-structured interviews. The analysis was guided by five semiotic codes: hermeneutic, semic, symbolic, proairetic, and cultural. The findings revealed that the students’ feature texts consistently incorporate all five semiotic codes

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Malik Umer Ajmal, Dr. Sadia Siddiq, and Talha Idrees. "Deciphering The Last Leaf: A Barthesian Approach to O. Henry’s Short Story." AL-ĪMĀN Research Journal 3, no. 02 (2025): 61–69. https://doi.org/10.63283/irj.03.02/06.

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Structuralism is a critical approach that seeks to uncover the underlying systems and structures that shape human perception, particularly through language, literature, and culture. Within this framework, Roland Barthes introduced the theory of five narrative codes, which he argued are embedded in all literary texts. These codes the Hermeneutic, Proairetic, Semantic, Symbolic, and Culturalwork together to create meaning and engage the reader. Although many scholars have applied Barthes’ narrative theory to various literary works, there remains a noticeable gap in research focusing specifically

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Al Adawiah, Robi’ah Aldiini, Zulfa Najwa Aulia, Choirum Miftah Rihhadatul 'Aisy, Nanda Aulia Zahrani, and Asya Aldiini Tasyarofa. "Behind The Wickedness: Portrayal of Villains in Children's Movies." Anaphora : Journal of Language, Literary, and Cultural Studies 7, no. 2 (2025): 133–52. https://doi.org/10.30996/anaphora.v7i2.12220.

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Children’s movies showed various characters in their movies. One of the concerns in creating stories for children was the portrayal of the villains. Therefore, the research problem of this study was to discussed the villain portrayal of three different home productions, such as Disney Animation Studios, Pixar Animation Studios, and Sony Pictures Animation. The movies from each home production were Namaari in Raya and the Last Dragon, Syndrome in The Incredibles (2004), and Chester V in Cloudy with a Chance of Meatballs 2. This study aimed to find a significant function of villains which were d

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Arifianto, Pungky Febi. "SEMIOTIKA TANDA INFOGRAFIS KOMISI PEMBERANTASAN KORUPSI (KPK)." Jurnal Bahasa Rupa 2, no. 1 (2018): 14–24. http://dx.doi.org/10.31598/bahasarupa.v2i1.210.

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In term of its presentation of data, qualitative descriptive research is implemented as the method. To interpret the handling of corruption conducted by Indonesia's Corruption Eradication Commission, Charles S. Pierces’ theory of signs classification in icon, index, and symbol is utilized as the approach. Disclosure of meaning the signs itself applies of Rolland Barthes’s connotation interpretations in significance. The Five Codes in significances are divided into Hermeneutic, Proairetic, Semantic, Symbolic, and Cultural. Visual infographic analysis in corruption’s handling by Indonesia's Corr

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Sarrah Kurnia Fadhillah. "Analisis Kekuasaan Perempuan dalam Film Jangan Salahkan Aku Selingkuh." TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora 3, no. 1 (2025): 251–59. https://doi.org/10.47861/tuturan.v3i1.1589.

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Film is one of the mass communication media that has a significant power in delivering messages to audiences. As a form of art and entertainment, film not only serves as a means of recreation but also as a tool for conveying values, ideologies, and social criticism to society. This study aims to analyze the representation of women's power in the film Jangan Salahkan Aku using Roland Barthes' semiotic approach. The analysis is conducted using the concept of lexia and Barthes' five reading codes, namely the hermeneutic, proairetic, symbolic, cultural, and semic codes. The findings indicate that

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Alam, Syed Maqsood, Amir Jamil, and Abdul Khaliq. "A Snare in the Narrative Structure: An Exploration of Hermeneutic Code in "The Kite Runner"." Global Language Review V, no. II (2020): 23–31. http://dx.doi.org/10.31703/glr.2020(v-ii).03.

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The present paper studies the novel The Kite Runner by Khalid Hosseini through the lens of Barthe's narrative code theory. The paper primarily focuses on the Hermeneutic code works underlyingly to the narrative. The researchers in the present chapter analyze the mysterious and puzzling elements in the novel, which help in the formation of the text: the current study, the novel The Kite Runner through the Hermeneutic code of Barthes. Barthes gives the five codes theory in his book S/Z. The codes are Hermeneutic code, Proairetic code, Symbolic code, Cultural code and Semantic code. The Hermeneut

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Dr. Aisha Jadoon, Ali Naqi, and Dr. Uzma Imtiaz. "Five Codes of Barthes: A Post-structuralist Analysis of the novel The Colour of Our Sky by Amita Trasi." sjesr 3, no. 1 (2020): 243–50. http://dx.doi.org/10.36902/sjesr-vol3-iss1-2020(243-250).

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Barthes’s five-code theory puts forward the idea of the reader as a producer of the text rather than its consumer. This typology of the codes, which constitutes plurality of the text, offers different meanings beyond the boundaries and limitations of the particular time and place. Thus, Barthes’ theoretical contribution is credited for rescuing the reading of fiction under the pressures of a local cultural to a more global orientation. Acknowledging the ‘rewriting’ of the text by readers, this paper adopts Barthes’ theory that includes proairetic, cultural, hermeneutic, semantic and symbolic c

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Morgan, J. R. "The story of Knemon in Heliodoros' Aithiopika." Journal of Hellenic Studies 109 (November 1989): 99–113. http://dx.doi.org/10.2307/632035.

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HELIODOROS' Aithiopika is the story of Theagenes and Charikleia: of their falling in love, their elopement from Delphi where Charikleia lives as the adopted daughter of the priest of Apollo, their encounters with pirates, bandits and unwanted suitors, and finally of their arrival in Ethiopia, land of Charikleia's birth, where she is recognised as the daughter of the king and queen, and the lovers' union is sanctioned, sanctified and implicitly consummated after the conclusion of the narrative. It is a commonplace of discussion of the novel to draw attention to the artfulness with which the sto

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Malik, Zainab Bibi. "Deconstructing Class Struggle and Gender Oppression: A Post-Structuralist Analysis of Jamal Abro's Pirani and Naseem Kharal's Thirty-Four Gates through Barthes' Five Codes." VFAST Transactions on Education and Social Sciences 12, no. 3 (2024): 30–39. http://dx.doi.org/10.21015/vtess.v12i3.1950.

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This study applies post-structuralist theory to analyze Jamal Abro’s Pirani and Naseem Kharal’s Thirty-Four Gates, focusing on how both stories portray class struggle and gender oppression within Sindhi society. Using Roland Barthes' five codes—hermeneutic, proairetic, semantic, symbolic, and cultural—the research uncovers multiple layers of meaning, interpreting the symbols, tensions, and ambiguities that reflect the socio-political realities of a male-dominated, feudal, and capitalist system. By employing a qualitative textual analysis, this research explores how Barthes' codes allow for the

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Pranawukir, Iswahyu, Yazid Akromudin, Mayang Riyantie, Maria Jashinta Elisabet Hamboer, and Alamsyah Alamsyah. "Iklan One Piece We Are One Episode 2 Dalam Kerangka Analisis Semiotik Roland Barthes." Cakrawala - Jurnal Humaniora 23, no. 1 (2023): 44–55. http://dx.doi.org/10.31294/jc.v23i1.15809.

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In this research, the writer chose the object of an advertisement for a phenomenal comic series, namely One Piece. The results of the study show that from the denotative side tells about the life of urban residents in the city center, from the connotative side it equality and from the mythical side it conveys the influence of the One Piece story on women's enthusiasm in realizing dreams. The results of the study also found 5 Roland Barthes narrative codes, including: hermeneutic code used in the dialogue about people who’ve never read One Piece mean they haven’t truly live. Proairetic code is

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Abdul Basit Kalhoro and Dr. Muhammad Khan Sangi. "Structuralist Analysis of Paulo Coelho’s Stories in the Light of Roland Barthes’ Five Codes." Al-Qamar 5, no. 3 (2022): 197–218. https://doi.org/10.53762/5f0sxe63.

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In the realm of literary analysis, the application of structuralist principles help to shed light on the intricate layers of meaning woven into the fabric of short stories. For understanding and interpreting the text, structuralist analysis has been applied to five short stories selected from Paulo Coelho’s Stories for Parents, Children, and Grandchildren Volume 1. The aim of this study is to understand and examine real, true messages and to get the correct study in a particular way from the short stories. This study is conducted on flash fiction a type of short story. Structuralist analysis i

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Meškova, Sandra. "SEMANTICS OF THE DEPICTION OF DAUGAVPILS IN ANITA LIEPA’S DOCUMENTARY PROSE AND FICTION." Via Latgalica, no. 6 (December 31, 2014): 64. http://dx.doi.org/10.17770/latg2014.6.1658.

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<p>Anita Liepa (born 1928) is a contemporary Latvian prose writer whose creative work was closely related to the post-soviet period in Latvia in the late 20th – and the beginning of the 21st century. In her works she depicted significant evidence of complex and contradictory processes in the history of Latvia in the 20th century, especially those related to World War II and its consequences for Latvia. Her works are divided into two distinct groups: documentary prose and fiction. The writer was born in Daugavpils, a town on the south-eastern border of Latvia, that had a significant role

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Pujiyanti, Umi, Muhammad Rizal, and Robith Khoiril Umam. "PAIDEIA ADAPTATION: CAN WE TRANSFORM PEDAGOGICAL MATERIALS INTO ANTHROPOMORPHIC NARRATIVES?" CrossOver 3, no. 2 (2023): 120–35. http://dx.doi.org/10.22515/crossover.v3i2.7839.

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Paideia philosophy urges education and anything derived or related to it to respond to the zeitgeist of an era. Thus, techniques to deliver any pedagogical materials should position the target users as the axis to disclose them more possibilities to comprehend the materials. One of the techniques is designing anthropomorphic narratives. Studies on this topic circumnavigate around educational domains. Perceiving this issue from the lens of literary adaptation is the gap left by the previous studies. We argue that narrating pedagogical materials anthropomorphically is better termed paideia adapt

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Kadir, Herson. "Analisis Makna Puisi “Penunggu Gunung Berapi” Karya W.S. Rendra: Kajian Semiotik Barthes." Jurnal Pengabdian Masyarakat dan Riset Pendidikan 3, no. 4 (2025): 3841–49. https://doi.org/10.31004/jerkin.v3i4.1041.

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Poetry is a poet's interpretation of life, the use of diction rich in meaning in poetry is an important element that gives aesthetic value to literary works. One poem that describes a deep meaning and deserves to be explored in a complex way is "Volcano Guardian" by W.S. Rendra. W.S. Rendra's poem, "Volcano Guardian," offers an exploration of significant values, such as the relationship between humans and nature, power, and death. This study uses a qualitative approach using a descriptive approach. Roland Barthes' semiotic theory offers a very relevant analytical framework for studying the poe

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Çetinkaya, Ahmet, Ceren Yegen, and Ali Murat Kırık. "Social Media, Digital Diplomacy and Diplomatic Crisis: The Case of Yisrael Katz’s X Shares." Türkiye İletişim Araştırmaları Dergisi, no. 47 (June 23, 2025): 190–213. https://doi.org/10.17829/turcom.1601392.

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In today’s world, where digital diplomacy is gaining momentum via social media, the social media (X) posts of Yisrael Katz -the Israeli Foreign Minister of the time- targeting the President of the Republic of Türkiye, Recep Tayyip Erdoğan, attracted attention in 2024. While the relevant posts mediated a “digital” and diplomatic crisis, they also received reactions at various levels in domestic politics in Türkiye. Therefore, in this study, Katz’s visually supported tweets on Erdoğan via X were considered as “narratives” and subjected to semiotic analysis based on the “5 codes of narrative” sta

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Malik, Hafiz Faridoon Abdullah, Sajid Ali, and Aqsa Batool. "A BARTHESIAN ANALYSIS OF HILLS LIKE WHITE ELEPHANTS BY EARNEST HEMINGWAY." Pakistan Journal of Social Research 04, no. 02 (2022): 1232–38. http://dx.doi.org/10.52567/pjsr.v4i2.619.

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The present study applies Roland Barthes’ five codes to Hills Like White Elephants (1927, later published in 1955 by Penguin Books), a short story by Earnest Hemingway, a popular minimalist writer of the 19th century. The study has examined the story in a qualitative manner by keeping in view Barthes’s five codes: proairetic, hermeneutic, semantic, symbolic and cultural ones. The present study first takes the critical overview of the story Hills Like White Elephants and then further analyzes it on a structural level by applying five codes as given by Barthes. The story opens with a long descri

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Purnomo, SF Luthfie Arguby, Lilik Untari, SF Lukfianka Sanjaya Purnama, et al. "Transadapting fable into a parable for Indonesian Muslim children: Strategies and impacts." Indonesian Journal of Applied Linguistics 12, no. 2 (2022): 545–55. http://dx.doi.org/10.17509/ijal.v12i2.29101.

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The demand for domestication and localization of children’s literature compels translators to not only translate the texts but also transadapt them. Significant problems arise when the texts have to fit the cultures and religions of the target users. This qualitative study attempts to address this issue. Gathering teachers of Taman Pendidikan Al Qur’an (TPQ) or Qur’an study club for Muslim children in the Greater Boyolali area of Indonesia, children’s literature translators, and TPQ students in a Focus Group Discussion, we investigated the strategies of transadapting fables in English into Bah

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Amireh, Haneen. "The Evolution of a Writerly Text: Appropriating a Poststructuralist Application of Roland Barthes’ S/Z in F. Scott Fitzgerald’s The Great Gatsby." Dirasat: Human and Social Sciences 49, no. 5 (2022): 549–60. http://dx.doi.org/10.35516/hum.v49i5.2780.

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Post-structuralism is a literary movement that developed from the structuralism of Roland Barthes, and it is on this basis that the article chooses the spectrum of poststructuralist theory as its scope, and Roland Barthes’ theoretical approach as its benchmark. This article, inspired by the same revisionist spirit and empirical analysis implemented by Barthes’ poststructuralist reading of Honoré de Balzac’s Sarrasine (1830), aims to contribute to this new reading by approaching F. Scott Fitzgerald’s novel The Great Gatsby (1926). Reading The Great Gatsby is a zeitgeist quasimanifesto for livin

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Nufiarni, Rizki, M. Andhy Nurmansyah, and Fredy Nugroho Setiawan. "Kajian Intertekstual dalam Webtoon "Nusantara Droid War"." Haluan Sastra Budaya 8, no. 2 (2024): 244. https://doi.org/10.20961/hsb.v8i2.78140.

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<p><em>LINE Webtoon is a popular digital comic platform in Indonesia that accommodates the work of local comic artists, one of which is a comic titled Nusantara Droid War (NDW). The comic carries a glocal spirit by raising the diversity of Indonesian culture through the depiction of droid characters and present them with a typical Japanese-style shonen manga plot. The intertwining of various folklore and culture of the archipelago with the popular narrative of shnen manga shows the existence of intertextuality. Therefore, this study was structured to examine the intertextuality of

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Government, of Kerala. "Decoding the Edible Ecriture: Barthesian Reading on Select Culinary Crime Narratives." ISHAL PAITHRKAM 40, no. 40 (2024): 128–40. https://doi.org/10.5281/zenodo.14684511.

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Decoding the Edible Ecriture:  Barthesian Reading on Select Culinary Crime Narratives Author: Sruthy Francis MAuthor: Dr. Preethi Nair Food is a subject of multifaceted discussion, often uncovering diverse food-related concepts. Among these is Culinary Mystery Narratives, a relatively new subgenre growing in popularity among international readers. This subgenre’s appeal stems from its whodunit or enigmatic structure, where food functions as both a narrative and meta-narrative device, captivating readers through its layered storytelling. This paper delves into the concept of food as

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Octaviani, Rina, and Widowati Widowati. "KAJIAN NOVEL BAIT-BAIT MULTAZAM KARYA ABIDAH EL KHALIEQY DENGAN PENDEKATAN SEMIOTIKA ROLAND BARTHES." Caraka: Jurnal Ilmu Kebahasaan, Kesastraan, dan Pembelajarannya 3, no. 1 (2016): 88–97. http://dx.doi.org/10.30738/caraka.v3i1.1899.

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The purpose of this study is as follows. (1) Describe the distribution and amount leksia in the novel Bait-Bait Multazam Abidah El Khalieqy work. (2) Describe the codes in the novel Bait-Bait Multazam Abidah El Khalieqy work. (3) Describe the meaning of the codes in the novel Bait-Bait MultazamAbidah El Khalieqy work. (4) Describing the moral values Bait Bait Multazam Abidah El Khalieqy work. This research is a qualitative research. This study describes the meaning of the code in the novel-Bait Bait Multazam based semiotic Roland Barthes. This research data in the form of units of the events t

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Hendrawan, Faldi. "“DARI LUCU MENUJU KOMERSIAL” SEBUAH TINJAUAN SEMIOTIKA VISUAL KOMIK IKLAN TAHI LALATS." Jurnal Dimensi Seni Rupa dan Desain 19, no. 2 (2023): 205–22. http://dx.doi.org/10.25105/dim.v19i2.16024.

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The Tahilalats advertising comics are a differentiator from works that only aim to convey humorous messages on Instagram. An overview of advertising comics with commercial purposes is interesting because the contents of commercial advertisements for a product become a new pattern of creativity for Tahilalats creators. The object of the problem taken from the work entitled “Surprise” offers a form of negotiation between the aim of being funny and commercial advertising The Ponds Men advertisement is a promotional idea for men’s skin care products which is humorously visualized in ten comic stri

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Safitri, Jihan, and Dwi Wahyu Candra Dewi. "Kode Proairetik dalam Cerpen “Percayakah Kau Padaku” Karya Tere Liye: Kajian Semiotika Roland Barthes." Artikulasi: Jurnal Pendidikan Bahasa dan Sastra Indonesia 5, no. 1 (2025): 1–18. https://doi.org/10.17509/artikulasi.v5i1.69855.

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Penelitian ini menganalisis kode proairetik dalam cerpen "Percayakah Kau Padaku" karya Tere Liye untuk memahami penerapan kode tindakan dalam karya sastra. Kode proairetik, salah satu dari lima kode yang diidentifikasi oleh Roland Barthes, difokuskan dalam penelitian ini. Penelitian menggunakan metode kualitatif deskriptif dengan menganalisis cerpen, mengumpulkan data melalui teknik baca, catat, dan tinjau ulang. Data diklasifikasikan ke dalam empat bagian plot: awalan cerita, konflik cerita, puncak konflik, dan penyelesaian cerita. Hasil penelitian menunjukkan bahwa kode proairetik paling ban

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Triantari, Sotiria. "Stoicism and Byzantine philosophy." Bochumer Philosophisches Jahrbuch für Antike und Mittelalter 17 (December 31, 2014): 85–98. http://dx.doi.org/10.1075/bpjam.17.04tri.

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Was the Byzantine thinker Nicephorus Blemmydes (1197–1272) directly influenced in his views about human “proairesis” by the Stoic Epictetus (50–138 AD) or did he take over his views from the Neoplatonic Simplicius? After exploring Blemmydes’ reception of Epictetus, one can say that Blemmydes drew elements in a brief treatise under the title “De virtute et ascesi” from the mainly Neoplatonic Simplicius, who commented on the handbook by the Stoic Epictetus (50–138 AD). Blemmydes, following Simplicius identifies “ἐφ’ ἡμῖν” with “aftexousion” and he designates “proairesis” as an activity, which em

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Alawiyah, Rabiatul, Ahmad Bengar Harahap, and Rina Evianty. "ANALYSE DER SEMIOTIK IN DEM FILM “DU HAST ES VERSPROCHEN” VON ALEXANDRA SCHMIDT." STUDIA Jurnal Pendidikan Bahasa Jerman 6, no. 1 (2017): 74. http://dx.doi.org/10.24114/studia.v6i1.5724.

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Das Ziel dieser Untersuchung ist es, den Code in der semiotischen Teile in dem Film “Du hast es Versprochen” von Alexandra Schmidt zu analysieren. Die Datenquelle dieser Untersuchung ist der Film “Du hast es Versprochen” von Alexandra Schmidt. Die Ergebnisse dieser Untersuchung erklären den Code in der semiotischen Teile in dem Film “Du hast es Versprochen” von Alexandra Schmidt. Es gibt insgesamt 5 Codes, nämlich den hermeneutische Code (Code Rätsel), den Semik-Code (Konnotative Bedeutung), den symbolischen Code, den Aktionscode (Proairetik Code), und den kulturelle Code (Gnomic Code). Der hä

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Smolak, Maciej. "O Arystotelesowej Proairesis w interpretacji Sebastiana Petrycego z Pilzna, czyli o „Wyborze abo przedsięwzięciu”." Roczniki Filozoficzne 70, no. 2 (2022): 89–106. http://dx.doi.org/10.18290/rf2202.6.

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Przedmiotem artykułu jest próba rozjaśnienia sensu Arystotelesowej proairesis w interpretacji Sebastiana Petrycego z Pilzna. Autor dowodzi, że wyrażenie „wybór abo przedsięwzięcie” nie jest użyte przypadkowo i że Arystotelesową proairesis w interpretacji Petrycego tworzą: (1) przedsięwzięcie w sensie wyznaczenia celu do realizacji; (2a) wybór własny w sensie preferencyjnego wyboru, czyli wyboru jednej strategii działania zamiast innej; (2b) wybór własny w sensie decyzji o przystąpieniu do obranej strategii działania; (3) przedsięwzięcie w sensie rozpoczęcia (i kontynuacji) działania prowadzące

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Rahayu, Titin Puji. "Kode Pembacaan Roland Barthes Dalam Cerpen Pemintal Kegelapan Karya Intan Paramaditha: Kajian Semiotika." Jurnal Ilmiah Fonema 5, no. 1 (2022): 40–52. http://dx.doi.org/10.25139/fn.v5i1.4760.

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ABSTRAK Dalam membaca karya sastra, kode pembacaan atau leksia selalu dimunculkan sehingga membentuk penandaan pada serangkaian fragmen untuk memandang entitas karya sebagai sesuatu yang bermakna. Kode pembacaan tersebut dapat ditemukan pada proses pembacaan teks baik berasal dari teks tersebut maupun interpretasi pembaca mengenai teks. Dalam cerpen Pemintal Kegelapan karya Intan Paramaditha dianalisis menggunakan teori Roland Barthes terhadap kode pembacaan atau leksia dalam karya sastra pada kajian semiotika. Oleh sebab itu, penelitian ini bermaksud mendeskripsikan kode pembacaan Rolan

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MOREL, Pierre-Marie. "Vertu éthique et rationalité pratique chez Aristote. Note sur la notion d’hexis proairetikê." Philonsorbonne, no. 11 (January 1, 2017): 141–53. http://dx.doi.org/10.4000/philonsorbonne.892.

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Norton, Mary F. "The Praxis of Milton's Truth: Proairesis and Qualification in the Civil Liberty Tracts." Milton Quarterly 28, no. 3 (1994): 47–56. http://dx.doi.org/10.1111/j.1094-348x.1994.tb00470.x.

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Safiuddin, Salmatian. "ANALISIS SEMIOTIKA PADA CERITA RAKYAT WANDIU-NDIU." Lakon : Jurnal Kajian Sastra dan Budaya 8, no. 2 (2019): 78. http://dx.doi.org/10.20473/lakon.v8i2.19776.

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Tradisi lisan adalah sebuah pesan yang disampaikan secara turun- temurun dari generasi tua ke generasi muda. Pesan ini dapat berbentuk cerita rakyat, ucapan, pidato, lagu, dan lain-lain. Objek penelitian ini adalah salah satu cerita rakyat dari Pulau Buton, Sulawesi Tenggara yaitu Wandiu-ndiu. Penelitian ini memiliki dua rumusan masalah. Pertama, bagaimana kode- kode pada cerita rakyat Wandiu-ndiu. Kedua, bagaimana amanat dan fungsi sosial pada cerita rakyat Wandiu-ndiu. Adapun tujuan penelitian untuk mendeskripsikan kode, amanat dan fungsi sosial yang ditemukan dalam cerita rakyat Wandiu-ndiu

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Nurhidayah, Sri, and Moh Badrus. "DILEMATIKA DALAM CERPEN HIPOTENUSA KARYA SUNGING RAGA: RANAH TAK BERTUAN TEKS SASTRA." Wacana : Jurnal Bahasa, Seni, dan Pengajaran 6, no. 2 (2022): 78–93. http://dx.doi.org/10.29407/jbsp.v6i2.19238.

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Cerpen Hipotenusa karya Sunging Raga terdapat keterbukaan antara iblis dan manusia sebagai pergolakan yang memang tidak mempunyai batas-batas yang jelas. Hal ini mengafirmasikan bahwa keduanya berpotensi menjadi penanda-penanda yang tak terikat dan bebas bergerak liar sepanjang naskah cerpen. Untuk mengetahui penanda-penanda tersebut, akan digunakan teori lima kode Roland Barthes, yang telah digunakan Barthes untuk menganalisis teks. Teori ini disebut juga kode pembacaan dengan pendekatan semiotik. Kode-kode tersebut adalah kode hermeneuitik, kode semik, kode simbolik, kode proairetik dan kode

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Scalenghe, Franco. "The Dramatic Difference Between Epictetus and other Stoics in the Frequency of Use of the Terms "Hegemonic" and "Proairesis"." Athens Journal of Humanities & Arts 5, no. 3 (2018): 317–30. http://dx.doi.org/10.30958/ajha.5-3-4.

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Kemalasari, Regina Dewi, Asma Azizah, Velayeti Nurfitriana Ansas, and Nuria Haristiani. "REPRESENTASI SOSIAL MASYARAKAT DALAM FILM PARASITE: KAJIAN SEMIOTIKA ROLAND BARTHES." Jurnal Pendidikan Bahasa dan Sastra 21, no. 1 (2021): 123–36. http://dx.doi.org/10.17509/bs_jpbsp.v21i1.36665.

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Penelitian ini bertujuan untuk mengungkap dan mendeksripsikan representasi sosial masyarakat yang tergambar dalam naskah film Parasite karya Bong Joon Ho yang diterbitkan pada tahun 2019 dengan menggunakan pendekatan semiotika lima kode Roland Barthes. Representasi adalah gambaran dari kehidupan nyata masyarakat dalam suatu karya sastra. Metode yang digunakan adalah penelitian deskriptif kualitatif. Teknik analisis data menggunakan model dari Miles Huberman yakni, reduksi data, penyajian data, penarikan kesimpulan dan verifikasi. Data yang digunakan berupa leksia-leksia yang terdapat dalam nas

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Kowalski, Marcin. "Divine and Human Spirit in Rom 8:16. Paul and Epictetus on Free Will." Biblical Annals 12, no. 4 (2022): 513–43. http://dx.doi.org/10.31743/biban.13786.

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The article focuses on the phenomenon of free will in Paul, taking as the starting point Rom. 8:16. At the beginning, a concise exegetical analysis of Rom 8:16 is presented, placed in the rhetorical context of Rom 8. Subsequently, a comparison is drawn between Paul’s and Epictetus’s views on divine and human agency. First, the Epictetus’s idea of freedom is presented with a special emphasis on the notion of proairesis, understood as the true self of a person, responsible for free moral choices and actions. Next, the similarities and differences between the Epictetus’s and Pauline vision of fre

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Septian, Rio, Marlinda Poernomo, Hayu Lusianawati, and Achmad Haikal. "Representasi Makna Pada Karakter “Si Delos” Dalam Maskot Pilkada Depok Tahun 2020 (Analisis Teori Semiotika Roland Barthes)." Jurnal Media Penyiaran 1, no. 2 (2021): 63–72. http://dx.doi.org/10.31294/jmp.v1i2.699.

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Bagaimana Representasi Makna Pada Karakter “Si Delos” Dalam Maskot Pilkada Depok Tahun 2020. Peneliti tertarik untuk mengetahui lebih lanjut lagi tanda-tanda komunikasi yang tersirat didalamnya dan makna tanda mengenai makna yang terdapat pada maskot Si delos. penelitian ini dilakukan adalah untuk menggali makna yang terkadung pada kode-kode yang ada pada karakter “Si delos” dengan Menemukan Makna yang direpresentasikan oleh maskot Si delos dan Mitos apa saja yang terdapat dalam Maskot Si delos. Metode yang digunakan penelitian ini adalah kualitatif Deskriptif dengan landasan Representasi Stua

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Scalenghe, Franco. "EPICTETUS: DIAIRESIS AND CONTRADIAIRESIS." Prometheus - Journal of Philosophy, February 13, 2014. http://dx.doi.org/10.52052/issn.2176-5960.pro.v7i15.1951.

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‘Diairesis’ and ‘Counterdiairesis’ are the names that the activity of our proairesis takes when it operates the distinction between what is proairetic and what is aproairetic. When this distinction is done in the right way, Epictetus says that our proairesis is ‘right’ and is using diairesis. When this distinction is not done, or is done in a way that is not the right one, Epictetus says that our proairesis is ‘wrong’ and is using counterdiairesis (this is a term that we don’t actually find in the extant works of Epictetus, but that he clearly suggests and that I have introduced for simplicity

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Scalenghe, Franco. "'Proairesis', 'Proairetic' and 'Aproairetic': Synopsis of All the Passages Containing these Terms in the 'Discourses' and the 'Manual' of Epictetus." November 16, 2015. https://doi.org/10.11648/j.ijp.20150303.11.

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"WC or Toilet: Should We Consider Proairetic Decoding and Signgeist in Writing Toilet Signage for Indonesian Islamic Kindergartens?" Jordan Journal of Modern Languages and Literatures 15, no. 2 (2023): 497–513. http://dx.doi.org/10.47012/jjmll.15.2.6.

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Toilet writing in the schoolscape context of Indonesian Islamic kindergartens is unique in nature since the schools have to negotiate between the ideology and identity they bear. The negotiation revolves around whether the toilet writing should accommodate Arabic praying and toileting procedures in Bahasa Indonesia to enhance the geist or the learning purpose of a sign or not. Departing from this issue, we attempt to formulate a typology of toilet writing which addresses and adheres to proairetic decoding reading and signgeist by examining twenty kindergartens in Indonesia. These two elements

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GÜZEL, Serda. "Application of Roland Barthes’ Five Codes on Edgar Allan Poe’s Short Story The Black Cat." RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, August 20, 2023. http://dx.doi.org/10.29000/rumelide.1342273.

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This research focuses on Roland Barthes’ structural theory of five codes on “The Black Cat” a short story by Edgar Allan Poe. The study examines the selected story by means of qualitative method in the light of Roland Barthes’ five codes. The paper examines short critical premises of The Black Cat and then the application of the five codes as framed by Barthes’ on the sturucture of the selected story. Based on the textual analysis, it indicates that the selected story covers all the five codes such as Proairetic, hermeneutic, semantic, symbolic, and cultural codes. The selected story begins wi

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Steiger, Kornél. "The Aristotelian Notion of Proairesis." Rhizomata 2, no. 1 (2014). http://dx.doi.org/10.1515/rhiz-2014-0002.

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Fontoura, Fernando. "EUROIA NA ÉTICA DO BEM VIVER EM EPICTETO." Prometheus - Journal of Philosophy 11, no. 27 (2018). http://dx.doi.org/10.52052/issn.2176-5960.pro.v11i27.9259.

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A ética do bem viver em Epicteto é considerada uma ética eudaimonista, i.é., tendo como fim (telos) a felicidade. Defendo aqui, que embora ela tenha essa característica forte, Epicteto coloca como fim de sua ética do bem viver a euroia, ou o sereno fluxo de vida ou, simplesmente, a serenidade. Para tanto, vou mostrar a relação entre euroia, e os principais conceitos de sua ética do bem viver, tais sejam a proairesis, o correto uso das phantasiai e as virtudes ligadas ao bem, que, por fim, trabalham para efetivar esse estado de sereno fluxo de vida. Também considero que a euroia é uma atividade

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Hamelin, Guy. "Vontade (boulesis) e consentimento (sunkatathesis) em Aristóteles e Abelardo: atos do apetite (orexis) ou da razão (logos)?" DoisPontos 7, no. 1 (2010). http://dx.doi.org/10.5380/dp.v7i1.20120.

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A questão principal levantada no presente artigo diz respeito à natureza ontológicado ato intencional, anterior à ação moral propriamente dita, nos pensamentos deAristóteles e de Abelardo. Mais especificamente, examinamos dois temas indiretamenteligados entre si. Primeiro, trata-se do problema secular da natureza exata da vontade(boulêsis) em Aristóteles, que certamente alude a um ato racional (logikos), cuja fonte seencontra, todavia, no apetite (orexis). A segunda interrogação diz respeito à noção deconsentimento (consensus) em Abelardo, que também coloca a questão do seu caráterontológico v

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