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Dissertations / Theses on the topic 'Processeurs vocaux'

Author: Grafiati
Published: 15 June 2024
Last updated: 31 July 2025

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1

Almeida, Dos Santos Douglas. "Développement d'un processeur durci sur architecture RISC-V pour applications en environnement sévère." Electronic Thesis or Diss., Université de Montpellier (2022-....), 2023. http://www.theses.fr/2023UMONS089.

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Cette thèse explore le développement et la caractérisation du processeur HARV et de sa version HARV-SoC, spécifiquement conçus pour fonctionner dans des environnements hostiles. Elle commence par mettre en évidence les défis posés par les environnements hostiles, en particulier l'impact des radiations sur les dispositifs et systèmes électroniques. La thèse classe les environnements hostiles en environnements spatiaux, atmosphériques et artificiels, chacun ayant ses caractéristiques uniques.Dans les environnements de radiations artificielles, différentes installations expérimentales sont décrit
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2

Craciun, Alexandru. "Implémentation d'une méthode robuste de détection d'activité vocale sur le processeur de signal TMS320C6711 /." Montréal : École de technologie supérieure, 2004. http://wwwlib.umi.com/cr/etsmtl/fullcit?pMQ96931.

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Thèse (M. Ing.)--École de technologie supérieure, Montréal, 2004.<br>"Mémoire présenté à l'École de technologie supérieure comme exigence partielle à l'obtention de la maîtrise en génie électrique". Bibliogr.: f. [164]-167. Également disponible en version électronique.
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Craciun, Alexandru. "Implémentation d'une méthode robuste de détection d'activité vocale sur le processeur de signal TMS320C6711." Mémoire, École de technologie supérieure, 2004. http://espace.etsmtl.ca/713/1/CRACIUN_Alexandru.pdf.

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Un algorithme de détection d'activité vocale (VAD) est un algorithme capable de discriminer entre les régions où la parole est absente dans le signal vocal analysé. Le VAD est un module important utilisé dans une large gamme d'applications dans le domaine du traitement de la parole comme la reconnaissance, la transmission ou le rehaussement de la parole. La nature non-stationnaire ainsi que la grande variété de signaux vocaux et de bruits de fond dans les conditions où on n'a pas d'informations a priori sur la nature ou le niveau du bruit rendent ce problème difficile spécialement dans l
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4

Schmidt, Emanuel. "Communication processes in jazz performance." Thesis, Sydney Conservatorium of Music, 2005. http://hdl.handle.net/2123/13718.

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5

Greenwood, Taylor Eugene. "Silicone 3D Printing Processes for Fabricating Synthetic, Self-Oscillating Vocal Fold Models." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8395.

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Synthetic, self-oscillating vocal fold (VF) models are physical models whose life-like vibration is induced and perpetuated by fluid flow. Self-oscillating VF models, which are often fabricated life-size from soft silicone elastomers, are used to study various aspects of voice biomechanics. Despite their many advantages, the development and use of self-oscillating VF models is limited by the casting process used to fabricate the models. Consequently, this thesis focuses on the development of 3D printing processes for fabricating silicone VF models. A literature review is first presented which
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6

Tragtenberg, Lucila Romano. "Processos de criação da interpretação vocal em rede." Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/4491.

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Made available in DSpace on 2016-04-26T18:12:50Z (GMT). No. of bitstreams: 1 Lucila Romano Tragtenberg.pdf: 11718760 bytes, checksum: cfdf14666b1eb4595b5c622d9daf19a6 (MD5) Previous issue date: 2012-12-03<br>The creation processes of interpretation performed by singers-performers within the Western classical music constitute the subject of this work. We investigated the hypothesis that their work has the dimension of creation as transcreation being constituted by it in instances of relational communication as well, we address the problem of its theoretical and methodological description and
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7

Pereira, Daiana Felix. "A educação musical: o saber corporal aprendido por meio da educação/técnica vocal para bailarinos contemporâneos." Universidade do Vale do Rio dos Sinos, 2012. http://www.repositorio.jesuita.org.br/handle/UNISINOS/3308.

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Submitted by Maicon Juliano Schmidt (maicons) on 2015-04-16T19:19:32Z No. of bitstreams: 1 Daiana Felix Pereira.pdf: 18723332 bytes, checksum: 89418a1724c3f8df1ec40b4f29a83b26 (MD5)<br>Made available in DSpace on 2015-04-16T19:19:32Z (GMT). No. of bitstreams: 1 Daiana Felix Pereira.pdf: 18723332 bytes, checksum: 89418a1724c3f8df1ec40b4f29a83b26 (MD5) Previous issue date: 2012-01-31<br>Nenhuma<br>Esse trabalho investiga o processo de educar a voz de bailarinos contemporâneos por meio da educação corporal e vocal. Problematiza a questão vocal e busca entender o ensino da dança e da música
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8

Gray, Anne-Marie. "Vocal music of the Anglo-Boer War (1899-1902) insights into processes of affect and meaning in music /." Thesis, Pretoria : [s.n.], 2004. http://upetd.up.ac.za/thesis/available/etd-10062004-131944/.

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9

Vasconcelos, Emerson Adriano Gomes. "Magdalena Lébeis e o registro sistemático de um processo pedagógico: algumas análises." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-151843/.

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Magdalena Lébeis registrou sistematicamente em seis cadernos de aulas, durante um período compreendido entre 1937 e 1955, as 1006 aulas de canto que fez com Vera Janacópulos. Este trabalho traz a transcrição completa dos manuscritos do vol. 1 dos Cadernos de Aulas de Canto de Magdalena Lébeis. Propõe análises iniciais a propósito da abordagem, tanto de Lébeis, quanto de Janacópulos, de elementos técnicos e interpretativos no estudo do canto, contidos no relato sistemático, de próprio punho, de Lébeis, utilizando diferentes fontes da bibliografia sobre pedagogia vocal e especialmente os conceit
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10

Clark, Stephen J. "The intuitive and the intellectual : aspects of personal compositional voice and its complex and intuitive processes in relation to astronomical observations and elementary and advanced performers." Thesis, View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/38730.

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This dissertation explores the complex and intuitive elements of the author’s musical compositions. It investigates the concept of a composer’s ‘compositional voice’ by looking at the aesthetic and compositional techniques that are used to express it. In particular, it looks at the author’s expression of astronomy through his music, along with its realisation through both advanced and elementary performers. The aesthetic is examined by looking at astronomy and its relation to music. It observes the intricate ways that concepts to do with astronomy can be expressed through music, as well as the
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11

Clark, Stephen J. "The intuitive and the intellectual aspects of personal compositional voice and its complex and intuitive processes in relation to astronomical observations and elementary and advanced performers /." View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/38730.

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Thesis (Ph.D.) -- University of Western Sydney, 2008.<br>A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy awarded by the School of Communication Arts, College of Arts, University of Western Sydney. Includes bibliography.
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12

Cavalcante, Fred Siqueira. "Trocas de saberes musicais : um olhar para os processos educativos do grupo vocal Entre Amigos." Universidade Federal de São Carlos, 2010. https://repositorio.ufscar.br/handle/ufscar/2239.

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Made available in DSpace on 2016-06-02T19:35:38Z (GMT). No. of bitstreams: 1 2940.pdf: 14254371 bytes, checksum: eef4e9a33d0969012a3dac72f452131a (MD5) Previous issue date: 2010-02-25<br>Financiadora de Estudos e Projetos<br>This study had as its aim to regard, describe and understand the educational processes developed among the integrators of the vocal group "Entre Amigos" ("Among Friends"), existing at the town of Leme, in the state of S. Paulo inward. In order to accomplish this purpose, it was necessary to catch those participators' opinions, as well as hear and understand their life ex
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13

Clark, Stephen J., University of Western Sydney, College of Arts, and School of Communication Arts. "The intuitive and the intellectual : aspects of personal compositional voice and its complex and intuitive processes in relation to astronomical observations and elementary and advanced performers." 2008. http://handle.uws.edu.au:8081/1959.7/38730.

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This dissertation explores the complex and intuitive elements of the author’s musical compositions. It investigates the concept of a composer’s ‘compositional voice’ by looking at the aesthetic and compositional techniques that are used to express it. In particular, it looks at the author’s expression of astronomy through his music, along with its realisation through both advanced and elementary performers. The aesthetic is examined by looking at astronomy and its relation to music. It observes the intricate ways that concepts to do with astronomy can be expressed through music, as well as the
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14

Cawrse, Anne Rebecca Goldsworthy Peter Rossetti Christina Georgina. "Portfolio of original compositions and exegesis a personal exploration of modal processes /." 2007. http://digital.library.adelaide.edu.au/dspace/handle/2440/49470.

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15

Cawrse, Anne Rebecca. "Portfolio of original compositions and exegesis: a personal exploration of modal processes." Thesis, 2008. http://hdl.handle.net/2440/49470.

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This submission consists of three parts, found in two volumes. Volume 1 consists of a folio of eight original compositions, composed during the tenure of my PhD candidature at the University of Adelaide. These works cover a range of media, including symphony orchestra with soloist, large chamber ensemble, string quartet with soprano solo, guitar quintet, mixed choir and vocal trio. Volume 2 presents an exegesis that contains commentary on the genesis and analysis of the submitted works, together with an explanation of certain modal processes that have been explored and applied. Volume 2 also c
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16

Cawrse, Anne Rebecca. "Portfolio of original compositions and exegesis: a personal exploration of modal processes." 2008. http://hdl.handle.net/2440/49470.

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This submission consists of three parts, found in two volumes. Volume 1 consists of a folio of eight original compositions, composed during the tenure of my PhD candidature at the University of Adelaide. These works cover a range of media, including symphony orchestra with soloist, large chamber ensemble, string quartet with soprano solo, guitar quintet, mixed choir and vocal trio. Volume 2 presents an exegesis that contains commentary on the genesis and analysis of the submitted works, together with an explanation of certain modal processes that have been explored and applied. Volume 2 also c
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17

Pimenta, Carla Alexandra Monteiro da Silva Ribeiro. "Concerto coral com reportório da Walt Disney e músicos profissionais: estudo sobre aprendizagens musicais em crianças do 1º ciclo." Master's thesis, 2016. http://hdl.handle.net/10400.26/17145.

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O projeto redigido neste relatório envolve a realização de um Concerto Coral onde foram interpretadas músicas infantis de filmes da Walt Disney e contou com a interação entre crianças e músicos profissionais. A concretização deste projeto teve como objetivo compreender o potencial educativo proporcionado pela interação entre crianças, repertório e músicos profissionais, do ponto de vista das aprendizagens musicais e socias, bem como as perceções advindas pela envolvência neste formato de projeto. A conceção valorativa e inclusiva de música Pop na sala de aula integrase nas perspetivas de Green
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