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Dissertations / Theses on the topic 'Prodigal son'

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1

Roller, Kathryn Colleen. "The prodigal son, a ballet for orchestra." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0012/MQ31324.pdf.

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2

Isakson, Thomas G. "The prodigal son exegesis and pastoral application /." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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3

Ollilainen, Vesa. "Jesus and the parable of the prodigal son /." Åbo, 2008. http://catalogue.bnf.fr/ark:/12148/cb41274864t.

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4

Pöhlmann, Wolfgang. "Der verlorene Sohn und das Haus Studien zu Lukas 15, 11-32 im Horizont der antiken Lehre von Haus, Erziehung und Ackerbau /." Tübingen : J.C.B. Mohr, 1993. http://catalogue.bnf.fr/ark:/12148/cb35573672m.

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5

Berger, David S. "Modern Paintings of the Prodigal Son: Depictions by James Tissot, Max Slevogt, Giorgio de Chirico, Aaron Douglas, and Max Beckmann, 1882-1949." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1336741954.

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6

Zorzos, Steven P. "Addiction and idolatry self-renunciation, forgiveness and love, a healing meditation on the parable of the prodigal son /." Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p015-0482.

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7

Wu, Dien-Foon. "The Wanderer." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278746/.

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The Wanderer is an orchestra piece 18'42" in duration. The purpose of this project is to provide the composer an opportunity to express through music his experience with God, rebellion, and returning as the wanderering son did in the Bible's parable.
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8

Morris, Anita Boyd. "Images of debauchery the prodigal son's revels in Netherlandish art of the sixteenth and seventeenth centuries /." Diss., Restricted to subscribing institutions, 2010. http://proquest.umi.com/pqdweb?did=2023814011&sid=2&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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9

Marzinotto, Benedicta. "Germany and Italy : stumbling giant and prodigal son? : social pacts and the political economy of fiscal consolidation (1991-1998)." Thesis, London School of Economics and Political Science (University of London), 2005. http://etheses.lse.ac.uk/1886/.

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In the run-up to European Monetary Union (EMU), Italy put in place an extraordinary fiscal adjustment, whereas Germany encountered serious difficulties that go beyond the re-unification shock. "War-of-attrition" models are employed to explain this puzzle. It is argued that Italy's high debt burden and soft currency regime from 1992 to 1996 turned out as an opportunity. The prospect of EMU membership opened up room for market-induced credibility gains. By allowing a sensible reduction of interest payments, the high-debt GDP ratio de facto reduced the scope for welfare retrenchment, thus minimis
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10

Holgate, David A. "Prodigality, liberality and meanness in the parable of the prodigal son : Greco-Roman perspective on Luke 15:11-32." Thesis, Rhodes University, 1993. http://hdl.handle.net/10962/d1009701.

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This dissertation consists of an interpretation of the Parable of the Prodigal Son (Luke 15: 11-32) from the perspective of Greco-Roman moral philosophy. It is divided into three parts. Part 1 traces the history of relating the New Testament to Greco-Roman literature and philosophy. Despite the importance of this perspective for the study of Luke-Acts, the relationship between Luke 15: 11-32 and Greco-Roman moral philosophy has not been investigated before. The legitimacy of this approach is demonstrated by a literary analysis of the parable, which demonstrates the formal emphasis placed upon
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11

Madeira, Carlos Eduardo Louzada. "A sede do deserto: Lavoura arcaica e a parábola do pródigo." Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7072.

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Desde que foi publicado, em 1975, Lavoura arcaica vem intrigando os leitores com a sua dessemelhança. Em meio a livros que absorviam a violência do regime militar brasileiro, Raduan Nassar surgiu com uma obra estranha, que se nutria de uma linguagem poética profundamente ressonante, do pensamento monoteísta mediterrâneo, da herança cultural árabe, da subversão pela via da sexualidade. O tempo passou, o escritor abandonou a literatura, muita coisa interessante foi dita sobre o romance, mas seus enigmas são ainda sementes lançadas em solo fértil. Lavoura arcaica é mais uma releitura da prolífica
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12

Mueller, Aaron. "Allegory in the parables of Jesus? a comparison of the interpretive theories of C.H. Dodd and C.L. Blomberg : a case study, the places at the table, the great banquet and the prodigal son /." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.

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13

Janklow, Aaron Philip. "Theological ethics of migration." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/23626.

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In this thesis I develop a theological ethics of migration that is attentive to the contemporary global crisis of human migration. Using the fourfold sense of scripture, with particular attention to allegory, as reclaimed from patristic and medieval exegesis by Henri de Lubac, I investigate four biblical narratives that I will show are paradigmatic of biblical approaches to the treatment of migrants. These narratives include Exodus, the Book of Ruth, and the parables of the Good Samaritan and the Prodigal Son. I present an in-depth exegesis of these narratives as vital theological and ethical
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14

Dewaël, Stéphanie. "Splendeur, décadence et rémission : la représentation du Fils Prodigue dans la peinture et les arts graphiques à Anvers (1520-1650)." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040109.

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Alors que la parabole du Fils Prodigue fut un support aux vives controverses religieuses du XVIe siècle qui touchèrent Anvers, les productions artistiques (peintures, gravures, dessins) restituèrent une image plus consensuelle de cette histoire. Au lieu de matérialiser les nombreuses exégèses théologiques (contradictoires) sur le message du Christ, les artistes préférèrent puiser dans la culture profane (comme les pièces de théâtre) et mettre l’accent sur la scène de la dissipation avec les courtisanes ou insister sur des détails triviaux.Cette thèse étudie les nombreuses raisons qui les ont c
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15

Deans, Paige. "The Prodigal Daughter: An Edition of an Anonymous Text." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/6095.

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The Prodigal Daughter (1736) is a poem that, on the surface, appears to be an approachable text that was likely geared towards a children’s audience during New England’s first Great Awakening, within the approachable format of a chapbook. However, when explored further, The Prodigal Daughter reveals a complicated textual history during a time of theological and social revival in New England. This thesis considers the historical context of The Prodigal Daughter’s narrative, as well as the poem’s publication history. The text’s transmission is carefully examined and encapsulated in this edition—
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16

Meisel, Konstantin. "\"Zurück\" oder \"nach Hause\"?" Master's thesis, Universitätsbibliothek Leipzig, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-189039.

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Jede Übersetzung schlägt einen neuen Weg ein, der sich in immer anderer Richtung vom Ausgangstext entfernt. Rainer M. Rilke und Ferdinand Hardekopf haben mit ihrer Übersetzung von André Gides \"Le retour de l\'enfant prodigue\" jeweils einen dieser Wege beschritten. Die vorliegende Arbeit untersucht die beiden Übersetzungen, setzt sie in Beziehung zum Ausgangstext und vergleicht sie miteinander. In konkreten Beispielen treten die unterschiedlichen Übersetzungsstrategien der beiden Übersetzer dabei deutlich zu Tage.
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17

Allred, Melanie Kathleen. "The Light of Descartes in Rembrandts's Mature Self-Portraits." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8109.

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Rembrandt's use of light in his self-portraits has received an abundance of scholarly attention throughout the centuries--and for good reason. His light delights the eye and captivates the mind with its textural quality and dramatic presence. At a time of scientific inquiry and religious reformation that was reshaping the way individuals understood themselves and their relationship to God, Rembrandt's light may carry more intellectual significance than has previously been thought. Looking at Rembrandt's oeuvre of self-portraits chronologically, it is apparent that something happened in his lif
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18

Majzels, Robert. "Prodigal son : a play in two acts." Thesis, 1988. http://spectrum.library.concordia.ca/3991/1/ML49045.pdf.

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19

Huang, Jungli, and 黃容俐. "A Discussion of conversion from “The Prodigal Son” in the Gospel of Luke." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/b9385j.

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碩士<br>輔仁大學<br>宗教學系<br>100<br>This thesis discusses the concept of conversion from the perspective of practical evangelization. We want to discover the mental process of the one who “converted”. We start from a reading of the biblical story of “the prodigal son” in the Gospel of Luke, asking the following questions: What does “prodigal” mean? Who is the prodigal son? We try to define a prodigal son first from a profane perspective and then from a theological-spiritual one. Taking examples from three theologians, i.e., Augustine, Luther and Rahner, we try to describe the state of mind of the c
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20

HUANG, BO-HUA, and 黃柏華. "The Iconography in Publications of Religious Tract Societies in China (1876-1950) and the Case Studies on the “Broad and Narrow Way” and “Prodigal Son”." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/btk344.

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碩士<br>國立臺南藝術大學<br>藝術史與藝術評論研究所<br>107<br>The thesis aims to investigate the missionary posters published by R.T.S. during 1876-1950 in China. Through analyzing their stylistic characteristics, design concepts, historical context and sales management, this study clarifies the missionary strategies of R.T.S. at its different stages, and how its missionary posters and iconography reflect the diverse challenges in delivering Gospel in a country with different cultures. Through the case studies on the missionary posters “Broad and Narrow Way” and “Prodigal Son” in Tainan (Taiwan), focusing on the th
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