Relevant bibliographies by topics / Producer/observer

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  1. Journal articles
  2. Dissertations / Theses
  3. Book chapters

Academic literature on the topic 'Producer/observer'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Producer/observer"

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Cheng, Yu Jie, Chen Lu, Li Mei Wang, and Hong Mei Liu. "Fault Detection and Isolation for Hydraulic Servo System Based on Adaptive Threshold and SOM Neural Network." Applied Mechanics and Materials 764-765 (May 2015): 691–97. http://dx.doi.org/10.4028/www.scientific.net/amm.764-765.691.

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A fault detection and diagnosis method for the hydraulic servo system based on adaptive threshold and self-organizing map (SOM) neural network is proposed in this study. The nonlinear, time-varying, fluid-solid coupling properties of the hydraulic servo system are considered. Fault detection is realized based on a two-stage radial basis function (RBF) neural network model. The first-stage RBF neural network is adopted as a fault observer for the hydraulic servo system; the residual error signal is generated by comparing the estimated observer output with the actual measurements. To overcome th
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Bredikhin, Sergey N., Tatiana V. Marchenko, Nataliia A. Pelevina, and Iuliia I. Pelevina. "Fundamentals of metatheoretical understanding of nature based on comprehensive reflection of discourse." SHS Web of Conferences 69 (2019): 00025. http://dx.doi.org/10.1051/shsconf/20196900025.

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The study provides rationale for meta-theoretical interpretation of a special type of a literary text – the one based on ultimate reflexion. The analysis rests on “camp prose” works characterized by a significant degree of abstraction on the part of the subject of narration and the possibility of contaminating the objective reality phenomena and the ones of personal reflexive reality within the framework of an “objective” observer description. The authors specify the meta-language of the first level abstraction and the peculiarities of constructing the analyzed type of text as a certain acting
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McLennan, Krista, and Marwa Mahmoud. "Development of an Automated Pain Facial Expression Detection System for Sheep (Ovis Aries)." Animals 9, no. 4 (2019): 196. http://dx.doi.org/10.3390/ani9040196.

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The use of technology to optimize the production and management of each individual animal is becoming key to good farming. There is a need for the real-time systematic detection and control of disease in animals in order to limit the impact on animal welfare and food supply. Diseases such as footrot and mastitis cause significant pain in sheep, and so early detection is vital to ensuring effective treatment and preventing the spread across the flock. Facial expression scoring to assess pain in humans and non-humans is now well utilized, and the Sheep Pain Facial Expression Scale (SPFES) is a t
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Watson, Ian. "News, Television, and Performance: the Case of the Los Angeles Riots." New Theatre Quarterly 14, no. 55 (1998): 210–19. http://dx.doi.org/10.1017/s0266464x00012161.

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When the ‘action’ at major news events is observed over days or weeks by television cameras, how far does the medium become, whether knowingly or not, a participant and shaper in the action it observes? How far does the action itself become, to some degree, a performance before the cameras? While not ignoring either the moral or practical implications of such questions, lan Watson sets out primarily to analyze the ‘frame’ of television news broadcasting, and to consider the events within that frame as elements of performance. He considers the six days of rioting in Los Angeles in 1992, sparked
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Jedlička, Karel. "Third dimension of a map." Abstracts of the ICA 1 (July 15, 2019): 1. http://dx.doi.org/10.5194/ica-abs-1-145-2019.

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<p><strong>Abstract.</strong> A communication of information from its producer to a user can be done in many ways which differs in their effectivity. Although a map is a native communication channel for presenting of spatial data, a presentation of spatial data in 3D environment is a growing alternative in recent years. Therefore this chapter describes basic principles of dealing with third dimension in a map.</p><p>Note that this contribution focuses on matters related purely to GIS. The contribution is <i>not going to describe advanced 3D scene visualizati
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Jomier, Remy, and Solène Robert. "Data Quality in Data Exchanges: a Tri-Part Approach in the French Information System on Nature and Landscapes." Biodiversity Information Science and Standards 2 (May 18, 2018): e25176. http://dx.doi.org/10.3897/biss.2.25176.

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As part of the Biodiversity Information System on Nature and Landscapes (SINP), the French National Natural History Museum has been appointed to develop biodiversity data exchanges by the French ministry in charge of ecology. Given there are, quite literally, thousands of different sources, such a development brings into question the underlying quality of data. To add complexity, there can be several layers of quality: one being appraised by the producer himself, one by a regional node, and one by the national node. The approach to quality issues was addressed by a dedicated working group, rep
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Jankovic, Slavko, Dragoslav Sokic, Nikola Vojvodic, and Aleksandar Ristic. "The first film presentation of REM sleep behavior disorder precedes its scientific debut by 35 years." Srpski arhiv za celokupno lekarstvo 134, no. 9-10 (2006): 466–69. http://dx.doi.org/10.2298/sarh0610466j.

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The perplexing and tantalizing disease of rapid eye movement (REM) sleep behavior disorder (RBD) is characterized by peculiar, potentially dangerous behavior during REM sleep. It was described both in animals and humans. RBD in mammals was first described by Jouvet and Delorme in 1965, based on an experimental model induced by lesion in pontine region of cats [1]. In 1972, Passouant et al. described sleep with eye movements and persistent tonic muscle activity induced by tricyclic antidepressant medication [2], and Tachibana et al., in 1975, the preservation of muscle tone during REM sleep in
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Gorman-Murray, Andrew. "Imagining King Street in the Gay/Lesbian Media." M/C Journal 9, no. 3 (2006). http://dx.doi.org/10.5204/mcj.2632.

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 Imagining Sydney’s Sexual Geography through the Gay/Lesbian Media
 
 As a cultural geographer I am interested in how the identities of places are imagined in popular culture. Places do not exist a priori, but are constructed through social and cultural processes (Anderson and Gale). This does not simply refer to how built environments are materialized through planning and building, but rather elicits the way places are represented through maps, film, literature, art, and, of crucial importance in contemporary society, a range of media sources, including newspaper
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Allen, Rob. "Lost and Now Found: The Search for the Hidden and Forgotten." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1290.

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The Digital TurnMuch of the 19th century disappeared from public view during the 20th century. Historians recovered what they could from archives and libraries, with the easy pickings-the famous and the fortunate-coming first. Latterly, social and political historians of different hues determinedly sought out the more hidden, forgotten, and marginalised. However, there were always limitations to resources-time, money, location, as well as purpose, opportunity, and permission. 'History' was principally a professionalised and privileged activity dominated by academics who had preferential access
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Nijhawan, Amita. "Mindy Calling: Size, Beauty, Race in The Mindy Project." M/C Journal 18, no. 3 (2015). http://dx.doi.org/10.5204/mcj.938.

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When characters in the Fox Television sitcom The Mindy Project call Mindy Lahiri fat, Mindy sees it as a case of misidentification. She reminds the character that she is a “petite Asian woman,” that she has large, beautiful breasts, that she has nothing in common with fat people, and the terms “chubbster” and “BBW – Big Beautiful Woman” are offensive and do not apply to her. Mindy spends some of each episode on her love for food and more food, and her hatred of fitness regimes, while repeatedly falling for meticulously fit men. She dates, has a string of failed relationships, adventurous sexua
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Dissertations / Theses on the topic "Producer/observer"

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Sand, Monica. "Space in motion : the art of activating space in-between." Doctoral thesis, KTH, Arkitektur, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-4876.

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As a contribution to the emerging field of practice-based research in the arts, this thesis aims to activate space, experience and the concept in-between. As the in-between cannot be defined ahead of the rhythmic process it carries out and of which it is a part – a rhythm inherent in the city itself and in knowledge production – it is necessary to produce rhythmic relations between bodies, sites and concepts. An art experiment, a forty-two meter high swing mounted on the bridge, Älvborgsbron, in Gothenburg harbour, Sweden, serves as the point of entry to the thesis. A dancer in the swing moved
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Book chapters on the topic "Producer/observer"

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Kalkan, Basak. "Reading the Narrative Structures in Educational Videos and Science Communication for the New Learner in the Age of Transhumanism." In Improving Scientific Communication for Lifelong Learners. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-4534-8.ch012.

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When defining the new world, where knowledge is not independent of the one who possesses knowledge, it is considered imperative to develop new models for learning and science communication processes that are not simply confined to dichotomies such as tangible and intangible, or measurable and immeasurable. In the age of transhumanism, the concepts of production and consumption are freed from the shackles of absolute conceptualization and are defined instead with the concepts of producing consumer or consuming producer. In the science communication process, the new learner must be defined without being confined to absolute definitions on the new road map that is defined for the subject. The new learner is the actor, observer, adventurer, creative nomadic individual who cannot be trapped with absolutes in the post-modern era. This study seeks an answer to the question of whether or not a new content design is possible for the actor, observer, adventurer, creative nomadic individual in the face of the formlessness, ambiguity, and continuity of postmodernism.
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