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Books on the topic 'Product obsolescence'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 March 2023

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1

Sever, Michael. Der Marktanteil als Kriterium für die Produkteliminierung: Eine Analyse auf der Grundlage des Erfahrungskurven-Konzeptes. P. Lang, 1985.

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2

Gontier, Jean-Louis. Politiques et procédures d'abandon de produits dans l'entreprise. Economica, 1985.

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3

Trinkfass, Gabriele. The innovation spiral: Launching new products in shorter time intervals. Deutscher Universitäts Verlag, 1997.

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4

L'obsolescence: Ouvrir l'impossible. MetisPresses, 2016.

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5

Kürsten, Wolfgang. Secondhand-Märkte, Marktmacht und geplante Obsoleszenz. Springer-Verlag, 1988.

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6

Dinesh, Kumar. Optimal selection of obsolescence mitigation strategies using a class of Bandit models. Indian Institute of Management Bangalore, 2008.

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7

Bartels, Bjoern. Strategies to the prediction, mitigation and management of product obsolescence. Wiley, 2012.

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8

Bartels, Bjoern, Ulrich Ermel, Michael Pecht, and Peter Sandborn. Strategies to the Prediction, Mitigation and Management of Product Obsolescence. John Wiley & Sons, Inc., 2012. http://dx.doi.org/10.1002/9781118275474.

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9

Slade, Giles. Made to break: Technology and obsolescence in America. Harvard University Press, 2006.

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10

Slade, Giles. Made to break: Technology and obsolescence in America. Harvard University Press, 2006.

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11

Lambert, Douglas M. The product abandonment decision. National Association of Accountants, 1985.

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12

Pecht, Michael. Life-cycle forecasting, mitigation assessment, and obsolescence strategies: A guide to the prediction and management of electronic parts obsolescence. CALCE EPSC Press, 2002.

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13

Eternally yours: Visions on product endurance. 010 Publishers, 1997.

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14

Loyola, Paulo Henrique. Como a obsolescência programada viola dirieitos fundamentais do consumidor: O caso do iPhone 4. Letramento, 2021.

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15

Inc, ebrary, ed. Longer lasting products: Alternatives to the throwaway society. Gower, 2010.

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16

Faded Texas industries: A photo essay. Jack Howell, 2013.

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17

1951-, Hinte Ed van, Eternally Yours Foundation, and Time in Design (Conference) (2003), eds. Eternally Yours: Time in design : product value sustenance. 010 Publishers, 2004.

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18

Hinte, Ed van. Eternally yours: Time in design : product value sustenance. 010 Publishers, 2004.

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19

Levinsohn, Jim. Creative destruction or just plain destruction?: The U.S. textile and apparel industries since 1972. National Bureau of Economic Research, 2001.

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20

Bon pour la casse: Les déraisons de l'obsolescence programmée. Les liens qui libèrent, 2012.

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21

Critique de la destruction créatrice: Production et humanisme. Les Belles lettres, 2015.

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22

Aghion, Philippe. A model of growth through creative destruction. National Bureau of Economic Research, 1990.

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23

Evans, David S. Some economic aspects of antitrust analysis in dynamically competitive industries. National Bureau of Economic Research, 2001.

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24

Caballero, Ricardo J. Creative destruction and development: Institutions, crises, and restructuring. National Bureau of Economic Research, 2000.

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25

Gans, Joshua. When does start-up innovation spur the gale of creative destruction? National Bureau of Economic Research, 2000.

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26

Gulliver, Hancock James, ed. Obsolete: An encyclopedia of once-common things passing us by, from mix tapes and modesty to typewriters and truly blind dates. Abrams Image, 2009.

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27

Salcedo Casallas, >Javier Ricardo. Las hijas del capitalismo cognitivo. Universidad de La Salle. Ediciones Unisalle, 2017. http://dx.doi.org/10.19052/9789585400221.

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El estudio del sujeto contemporáneo ha sido una inquietud sentida en los espacios académicos, especialmente porque los seres humanos sufren mutaciones contradictorias que abastecen de incertidumbre didáctica tal oficio. La labor del ser docente muta, se transforma en un oficio biomaquínico, porque, en primer lugar, su constante enseñanza formatea el cuerpo, acelerando la persistencia del deseo permanente por educarse; cuerpo y deseo conectados, vía enseñanza universitaria, al sentimiento de pertenecer a algo, a la adicción educativa de la cognición contemporánea; y en segundo lugar, porque el docente universitario se mueve en una franja nueva de competencia cognitiva que o le impulsa a producir más para mantenerse como tal, o le caduca exponencialmente para derogarle su experiencia en una obsolescencia programada por el sistema universitario. El docente ha de mantener la adicción de aprender en los estudiantes si no quiere ser olvidado.

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28

Abramson, Daniel M. Obsolescence: An architectural history. 2017.

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29

Abramson, Daniel M. Obsolescence: An Architectural History. University of Chicago Press, 2016.

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30

Obsolescence: An Architectural History. University of Chicago Press, 2016.

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31

Das Management eliminationsverdachtiger Produkte: Eine Analyse unter besonderer Berucksichtigung stagnierender und schrumpfender Markte (European university ... studies. Series V, Economics and management). Lang, 1998.

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32

Trinkfass, Gabriele. Innovation Spiral: Launching New Products in Shorter Time Intervals. Deutscher Universitäts Verlag, 2013.

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33

Optimal selection of obsolescence mitigation strategies using a class of Bandit models. Indian Institute of Management Bangalore, 2008.

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34

Pecht, Michael G., Peter Sandborn, Bjoern Bartels, and Ulrich Ermel. Strategies to the Prediction, Mitigation and Management of Product Obsolescence. Wiley & Sons, Incorporated, John, 2012.

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35

Pecht, Michael G., Peter Sandborn, Bjoern Bartels, and Ulrich Ermel. Strategies to the Prediction, Mitigation and Management of Product Obsolescence. Wiley & Sons, Incorporated, John, 2012.

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36

Pecht, Michael G., Peter Sandborn, Bjoern Bartels, and Ulrich Ermel. Strategies to the Prediction, Mitigation and Management of Product Obsolescence. Wiley & Sons, Incorporated, John, 2012.

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37

Pecht, Michael G., Peter Sandborn, Bjoern Bartels, and Ulrich Ermel. Strategies to the Prediction, Mitigation and Management of Product Obsolescence. Wiley & Sons, Incorporated, John, 2012.

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38

Pecht, Michael G., Peter Sandborn, Bjoern Bartels, and Ulrich Ermel. Strategies to the Prediction, Mitigation and Management of Product Obsolescence. Wiley & Sons, Limited, John, 2012.

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39

Slade, Giles. Made to Break: Technology and Obsolescence in America. Harvard University Press, 2009.

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40

Made to break: Technology and obsolescence in America. Harvard University Press, 2006.

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41

Slade, Giles. Made to Break: Technology and Obsolescence in America. Harvard University Press, 2007.

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42

Tischleder, B., and S. Wasserman. Cultures of Obsolescence: History, Materiality, and the Digital Age. Palgrave Macmillan Limited, 2015.

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43

Tischleder, B., and S. Wasserman. Cultures of Obsolescence: History, Materiality, and the Digital Age. Palgrave Macmillan, 2015.

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44

Wolf, Mark J. P. Routledge Companion to Media Technology and Obsolescence. Taylor & Francis Group, 2018.

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45

Big Bang Disruption: Business Survival in the Age of Constant Innovation. PORTFOLIO, 2015.

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46

(Designer), Thonik, ed. Eternally Yours: Time in Design. 010 Publishers, 2005.

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47

Grossman, Anna Jane. Obsolete: An Encyclopedia of Once-Common Things Passing Us By. ABRAMS (Ignition), 2010.

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48

Dacome, Lucia. Epilogue. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198736189.003.0009.

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The Epilogue traces a shift in attitude towards anatomical modelling. In the mid-eighteenth century anatomical models had been praised for their capacity to defy time in the sense that they both resisted the body’s physical decay and promised to provide lasting and timeless sources of corporeal knowledge. However, by the end of the century changing attitudes towards notions of authenticity and techniques of production caused some to doubt earlier anatomical models’ capacity to produce and mediate knowledge about the body. Anatomical modelling continued to be regarded as a useful and promising medical technique. Yet, by the end of the eighteenth century the very models that only a few decades earlier had fuelled much interest among both practitioners and lay audiences, had already started to slip into obsolescence.

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49

Banfield, Stephen. English Musical Comedy, 1890–1924. Edited by Robert Gordon and Olaf Jubin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199988747.013.4.

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Musical comedy in London’s West End theatres during and on either side of the Edwardian period is reassessed against the traditional narrative of period obsolescence and Americanization. This is done through close readings of audience capacity and demographics, musical economics, musical topics, script and lyric writing (including humour), standard plots, performance practice, and opulent production values. The genre’s celebration of modernity and investment not only in the British Empire but also in its own merchandise and afterlife of amateur productions is analysed. Special reference is made to the producer George Edwardes; the composers Lionel Monckton, Paul Rubens, and Howard Talbot; the lyricist Adrian Ross; the stars Gertie Millar and George Grossmith; and the shows The Arcadians, To-Night’s the Night, The Quaker Girl, and A Country Girl. The genre’s particular appeal during the First World War is also covered. Research questions for the future are raised.

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50

Yaneva, Albena. Crafting History. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501751820.001.0001.

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What constitutes an archive in architecture? What forms does it take? What epistemology does it perform? What kind of craft is archiving? This book provides answers and offers insights on the ontological granularity of the archive and its relationship with architecture as a complex enterprise that starts and ends much beyond the act of building or the life of a creator. In this book we learn how objects are processed and catalogued, how a classification scheme is produced, how models and drawings are preserved, and how born-digital material battles time and technology obsolescence. We follow the work of conservators, librarians, cataloguers, digital archivists, museum technicians, curators, and architects, and we capture archiving in its mundane and practical course. Based on ethnographic observation at the Canadian Centre for Architecture and interviews with a range of practitioners, including Álvaro Siza and Peter Eisenman, the book traces archiving through the daily work and care of all its participants, scrutinizing their variable ontology, scale, and politics. It addresses the strategies practicing architects employ to envisage an archive-based future and tells a story about how architectural collections are crafted so as to form the epistemological basis of architectural history.

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